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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AEAABE it is the complementary color #515541. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AEAABE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AEAABE shade: #B3AAB9, #C4BCCC, #D5CEDF, #E6E0F2 and #F7F2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AEAABE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AEAABE shade: #AEAABE, #9D98AB, #8C8698, #7B7485 and #6A6272

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AEAABE shade: #AFABBF, #B4ABBF, #BAABBF, #BFABBE and #BFABB9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AEAABE shade: #AFABBF and #ABABBF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AEAABE shade matches the following richer shades: #AFABBF, #A89FCB, #A194D7, #9A88E3 and #937CEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AEAABE shade: #AFABBF, #B6B7B3, #BEC3A7, #C5CF9B and #CCDB8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AEAABE shade: #ABB2BF, #ABADBF, #AFABBF, #B4ABBF and #BAABBF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AEAABE shade: #837D9B, #9994AD, #AFABBF, #C6C3D1 and #DCDAE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AEAABE shade: #AEAABE, #BFABB7 and #AFBFAB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AEAABE shade: #AEAABE, #BFAFAB and #ABBFAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AEAABE shade: #AEAABE, #BFABB7, #BBBFAB and #ABBFB3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AEAABE shade: #AEAABE, #BFABB1, #BBBFAB and #ABBFB9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 11 / 0 / 25

HEX #AEAABE

RGB 174 170 190

HSL 252, 0.13%, 0.71%

LAB 70.5, 5.32, -9.71

 

Complementary color

CMYK 5 / 0 / 24 / 67

HEX #515541

RGB 81 85 65

HSL 72, 0.13%, 0.29%

LAB 35.26, -5.57, 11.16

 

CMYK 3 / 8 / 0 / 27

HEX #B3AAB9

RGB 179 170 185

HSL 276, 0.1%, 0.7%

LAB 70.76, 6.04, -6.52

 

CMYK 4 / 8 / 0 / 20

HEX #C4BCCC

RGB 196 188 204

HSL 270, 0.14%, 0.77%

LAB 77.32, 5.78, -7.04

 

CMYK 4 / 8 / 0 / 13

HEX #D5CEDF

RGB 213 206 223

HSL 264.71, 0.21%, 0.84%

LAB 83.77, 5.54, -7.54

 

CMYK 5 / 7 / 0 / 5

HEX #E6E0F2

RGB 230 224 242

HSL 260, 0.41%, 0.91%

LAB 90.11, 5.31, -8.03

 

CMYK 3 / 5 / 0 / 0

HEX #F7F2FF

RGB 247 242 255

HSL 263.08, 1%, 0.97%

LAB 96.2, 3.99, -5.65

 

CMYK 8 / 11 / 0 / 25

HEX #AEAABE

RGB 174 170 190

HSL 252, 0.13%, 0.71%

LAB 70.5, 5.32, -9.71

 

CMYK 8 / 11 / 0 / 33

HEX #9D98AB

RGB 157 152 171

HSL 255.79, 0.1%, 0.63%

LAB 63.81, 5.58, -9.25

 

CMYK 8 / 12 / 0 / 40

HEX #8C8698

RGB 140 134 152

HSL 260, 0.08%, 0.56%

LAB 56.97, 5.86, -8.79

 

CMYK 8 / 13 / 0 / 48

HEX #7B7485

RGB 123 116 133

HSL 264.71, 0.07%, 0.49%

LAB 49.97, 6.17, -8.33

 

CMYK 7 / 14 / 0 / 55

HEX #6A6272

RGB 106 98 114

HSL 270, 0.08%, 0.42%

LAB 42.78, 6.52, -7.86

 

CMYK 8 / 10 / 0 / 25

HEX #AFABBF

RGB 175 171 191

HSL 252, 0.14%, 0.71%

LAB 70.87, 5.32, -9.7

 

CMYK 6 / 10 / 0 / 25

HEX #B4ABBF

RGB 180 171 191

HSL 267, 0.14%, 0.71%

LAB 71.28, 7.02, -9.05

 

CMYK 3 / 10 / 0 / 25

HEX #BAABBF

RGB 186 171 191

HSL 285, 0.14%, 0.71%

LAB 71.78, 9.08, -8.25

 

CMYK 0 / 10 / 1 / 25

HEX #BFABBE

RGB 191 171 190

HSL 303, 0.14%, 0.71%

LAB 72.17, 10.62, -7.06

 

CMYK 0 / 10 / 3 / 25

HEX #BFABB9

RGB 191 171 185

HSL 318, 0.14%, 0.71%

LAB 72.03, 9.69, -4.53

 

CMYK 8 / 10 / 0 / 25

HEX #AFABBF

RGB 175 171 191

HSL 252, 0.14%, 0.71%

LAB 70.87, 5.32, -9.7

 

CMYK 10 / 10 / 0 / 25

HEX #ABABBF

RGB 171 171 191

HSL 240, 0.14%, 0.71%

LAB 70.56, 3.97, -10.2

 

CMYK 8 / 10 / 0 / 25

HEX #AFABBF

RGB 175 171 191

HSL 252, 0.14%, 0.71%

LAB 70.87, 5.32, -9.7

 

CMYK 17 / 22 / 0 / 20

HEX #A89FCB

RGB 168 159 203

HSL 252.27, 0.3%, 0.71%

LAB 67.6, 12.23, -21.32

 

CMYK 25 / 31 / 0 / 16

HEX #A194D7

RGB 161 148 215

HSL 251.64, 0.46%, 0.71%

LAB 64.69, 19.07, -32.5

 

CMYK 32 / 40 / 0 / 11

HEX #9A88E3

RGB 154 136 227

HSL 251.87, 0.62%, 0.71%

LAB 61.68, 26.94, -43.93

 

CMYK 38 / 48 / 0 / 6

HEX #937CEF

RGB 147 124 239

HSL 252, 0.78%, 0.71%

LAB 58.84, 35.2, -55.13

 

CMYK 8 / 10 / 0 / 25

HEX #AFABBF

RGB 175 171 191

HSL 252, 0.14%, 0.71%

LAB 70.87, 5.32, -9.7

 

CMYK 1 / 0 / 2 / 28

HEX #B6B7B3

RGB 182 183 179

HSL 75, 0.03%, 0.71%

LAB 74.23, -1.09, 1.9

 

CMYK 3 / 0 / 14 / 24

HEX #BEC3A7

RGB 190 195 167

HSL 70.71, 0.19%, 0.71%

LAB 77.74, -6.63, 13.5

 

CMYK 5 / 0 / 25 / 19

HEX #C5CF9B

RGB 197 207 155

HSL 71.54, 0.35%, 0.71%

LAB 81.22, -12.06, 24.77

 

CMYK 7 / 0 / 35 / 14

HEX #CCDB8F

RGB 204 219 143

HSL 71.84, 0.51%, 0.71%

LAB 84.73, -17.05, 35.74

 

CMYK 10 / 7 / 0 / 25

HEX #ABB2BF

RGB 171 178 191

HSL 219, 0.14%, 0.71%

LAB 72.4, 0.15, -7.45

 

CMYK 10 / 9 / 0 / 25

HEX #ABADBF

RGB 171 173 191

HSL 234, 0.14%, 0.71%

LAB 71.08, 2.87, -9.42

 

CMYK 8 / 10 / 0 / 25

HEX #AFABBF

RGB 175 171 191

HSL 252, 0.14%, 0.71%

LAB 70.87, 5.32, -9.7

 

CMYK 6 / 10 / 0 / 25

HEX #B4ABBF

RGB 180 171 191

HSL 267, 0.14%, 0.71%

LAB 71.28, 7.02, -9.05

 

CMYK 3 / 10 / 0 / 25

HEX #BAABBF

RGB 186 171 191

HSL 285, 0.14%, 0.71%

LAB 71.78, 9.08, -8.25

 

CMYK 15 / 19 / 0 / 39

HEX #837D9B

RGB 131 125 155

HSL 252, 0.13%, 0.55%

LAB 53.88, 8.61, -15.26

 

CMYK 12 / 14 / 0 / 32

HEX #9994AD

RGB 153 148 173

HSL 252, 0.13%, 0.63%

LAB 62.48, 6.89, -12.4

 

CMYK 8 / 10 / 0 / 25

HEX #AFABBF

RGB 175 171 191

HSL 252, 0.14%, 0.71%

LAB 70.87, 5.32, -9.7

 

CMYK 5 / 7 / 0 / 18

HEX #C6C3D1

RGB 198 195 209

HSL 252.86, 0.13%, 0.79%

LAB 79.41, 3.67, -6.62

 

CMYK 3 / 4 / 0 / 11

HEX #DCDAE3

RGB 220 218 227

HSL 253.33, 0.14%, 0.87%

LAB 87.44, 2.32, -4.17

 

CMYK 8 / 11 / 0 / 25

HEX #AEAABE

RGB 174 170 190

HSL 252, 0.13%, 0.71%

LAB 70.5, 5.32, -9.71

 

CMYK 0 / 10 / 4 / 25

HEX #BFABB7

RGB 191 171 183

HSL 324, 0.14%, 0.71%

LAB 71.97, 9.33, -3.51

 

CMYK 8 / 0 / 10 / 25

HEX #AFBFAB

RGB 175 191 171

HSL 108, 0.14%, 0.71%

LAB 75.65, -9.24, 8.22

 

CMYK 8 / 11 / 0 / 25

HEX #AEAABE

RGB 174 170 190

HSL 252, 0.13%, 0.71%

LAB 70.5, 5.32, -9.71

 

CMYK 0 / 8 / 10 / 25

HEX #BFAFAB

RGB 191 175 171

HSL 12, 0.14%, 0.71%

LAB 72.68, 5.04, 4.11

 

CMYK 10 / 0 / 8 / 25

HEX #ABBFAF

RGB 171 191 175

HSL 132, 0.14%, 0.71%

LAB 75.46, -9.9, 5.75

 

CMYK 8 / 11 / 0 / 25

HEX #AEAABE

RGB 174 170 190

HSL 252, 0.13%, 0.71%

LAB 70.5, 5.32, -9.71

 

CMYK 0 / 10 / 4 / 25

HEX #BFABB7

RGB 191 171 183

HSL 324, 0.14%, 0.71%

LAB 71.97, 9.33, -3.51

 

CMYK 2 / 0 / 10 / 25

HEX #BBBFAB

RGB 187 191 171

HSL 72, 0.14%, 0.71%

LAB 76.54, -4.96, 9.61

 

CMYK 10 / 0 / 6 / 25

HEX #ABBFB3

RGB 171 191 179

HSL 144, 0.14%, 0.71%

LAB 75.56, -9.15, 3.72

 

CMYK 8 / 11 / 0 / 25

HEX #AEAABE

RGB 174 170 190

HSL 252, 0.13%, 0.71%

LAB 70.5, 5.32, -9.71

 

CMYK 0 / 10 / 7 / 25

HEX #BFABB1

RGB 191 171 177

HSL 342, 0.14%, 0.71%

LAB 71.81, 8.25, -0.45

 

CMYK 2 / 0 / 10 / 25

HEX #BBBFAB

RGB 187 191 171

HSL 72, 0.14%, 0.71%

LAB 76.54, -4.96, 9.61

 

CMYK 10 / 0 / 3 / 25

HEX #ABBFB9

RGB 171 191 185

HSL 162, 0.14%, 0.71%

LAB 75.71, -7.99, 0.69

 

Description

Color code: HEX #AEAABE | qconv.com Color code: HEX #AEAABE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 170 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 170 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 11 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 11% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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