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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AEA613CE it is the complementary color #5159ECCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AEA613CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AEA613CE shade: #B3A60ECE, #C4B821CE, #D5CA34CE, #E6DC47CE and #F7EE5ACE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AEA613CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AEA613CE shade: #AEA613CE, #9D9400CE, #8C8200CE, #7B7000CE and #6A5E00CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AEA613CE shade: #AEA613, #AE7D13, #AE5313, #AE2913 and #AE1313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AEA613CE shade: #AEA613, #8DAE13, #63AE13, #39AE13 and #13AE18

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AEA613CE shade matches the following richer shades: #AEA613 and #BEB404

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AEA613CE shade: #AEA613, #9F9823, #8F8A33, #7F7C42 and #706E52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AEA613CE shade: #AE5113, #AE7B13, #AEA413, #8FAE13 and #66AE13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AEA613CE shade: #64600B, #89830F, #AEA613, #D4CA18 and #E8DE2D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AEA613CE shade: #AEA613, #13AE28 and #6613AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AEA613CE shade: #AEA613, #13AEA4 and #A413AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AEA613CE shade: #AEA613, #13AE28, #131EAE and #AE139A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AEA613CE shade: #AEA613, #13AE57, #131EAE and #AE136B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 72 / 26

HEX #AEA613CE

RGBA 174 166 19 0.81

HSLA 56.9, 0.8%, 0.38%, 0.81

LABA 66.76, -11.79, 66.67, 0.81

 

Complementary color

CMYK 53 / 50 / 0 / 6

HEX #5159ECCE

RGBA 81 89 236 0.81

HSLA 236.9, 0.8%, 0.62%, 0.81

LABA 45.57, 42.12, -75.13, 0.81

 

CMYK 0 / 6 / 75 / 24

HEX #B3A60ECE

RGBA 179 166 14 0.81

HSLA 55.27, 0.85%, 0.38%, 0.81

LABA 67.19, -9.65, 68.04, 0.81

 

CMYK 0 / 5 / 67 / 19

HEX #C4B821CE

RGBA 196 184 33 0.81

HSLA 55.58, 0.71%, 0.45%, 0.81

LABA 73.63, -11.07, 69.99, 0.81

 

CMYK 0 / 4 / 61 / 13

HEX #D5CA34CE

RGBA 213 202 52 0.81

HSLA 55.9, 0.66%, 0.52%, 0.81

LABA 79.97, -12.27, 70.69, 0.81

 

CMYK 0 / 4 / 56 / 8

HEX #E6DC47CE

RGBA 230 220 71 0.81

HSLA 56.23, 0.76%, 0.59%, 0.81

LABA 86.24, -13.29, 70.63, 0.81

 

CMYK 0 / 3 / 51 / 3

HEX #F7EE5ACE

RGBA 247 238 90 0.81

HSLA 56.56, 0.91%, 0.66%, 0.81

LABA 92.43, -14.15, 70.11, 0.81

 

CMYK 0 / 4 / 72 / 26

HEX #AEA613CE

RGBA 174 166 19 0.81

HSLA 56.9, 0.8%, 0.38%, 0.81

LABA 66.76, -11.79, 66.67, 0.81

 

CMYK 0 / 5 / 81 / 31

HEX #9D9400CE

RGBA 157 148 0 0.81

HSLA 56.56, 1%, 0.31%, 0.81

LABA 60.2, -10.27, 63.91, 0.81

 

CMYK 0 / 6 / 81 / 37

HEX #8C8200CE

RGBA 140 130 0 0.81

HSLA 55.71, 1%, 0.27%, 0.81

LABA 53.54, -8.41, 58.38, 0.81

 

CMYK 0 / 7 / 81 / 42

HEX #7B7000CE

RGBA 123 112 0 0.81

HSLA 54.63, 1%, 0.24%, 0.81

LABA 46.71, -6.48, 52.73, 0.81

 

CMYK 0 / 9 / 81 / 47

HEX #6A5E00CE

RGBA 106 94 0 0.81

HSLA 53.21, 1%, 0.21%, 0.81

LABA 39.7, -4.45, 46.92, 0.81

 

CMYK 0 / 5 / 89 / 32

HEX #AEA613

RGB 174 166 19

HSL 56.9, 0.8%, 0.38%

LAB 66.76, -11.79, 66.67

 

CMYK 0 / 28 / 89 / 32

HEX #AE7D13

RGB 174 125 19

HSL 41.03, 0.8%, 0.38%

LAB 55.8, 10.48, 57.98

 

CMYK 0 / 52 / 89 / 32

HEX #AE5313

RGB 174 83 19

HSL 24.77, 0.8%, 0.38%

LAB 45.95, 33.63, 50.22

 

CMYK 0 / 76 / 89 / 32

HEX #AE2913

RGB 174 41 19

HSL 8.52, 0.8%, 0.38%

LAB 38.95, 52.2, 44.76

 

CMYK 0 / 89 / 89 / 32

HEX #AE1313

RGB 174 19 19

HSL 0, 0.8%, 0.38%

LAB 36.95, 57.86, 43.21

 

CMYK 0 / 5 / 89 / 32

HEX #AEA613

RGB 174 166 19

HSL 56.9, 0.8%, 0.38%

LAB 66.76, -11.79, 66.67

 

CMYK 19 / 0 / 89 / 32

HEX #8DAE13

RGB 141 174 19

HSL 72.77, 0.8%, 0.38%

LAB 66.51, -30.07, 65.4

 

CMYK 43 / 0 / 89 / 32

HEX #63AE13

RGB 99 174 19

HSL 89.03, 0.8%, 0.38%

LAB 64.14, -46.06, 62.46

 

CMYK 67 / 0 / 89 / 32

HEX #39AE13

RGB 57 174 19

HSL 105.29, 0.8%, 0.38%

LAB 62.67, -57.69, 60.63

 

CMYK 89 / 0 / 86 / 32

HEX #13AE18

RGB 19 174 24

HSL 121.94, 0.8%, 0.38%

LAB 62.06, -62.9, 58.8

 

CMYK 0 / 5 / 89 / 32

HEX #AEA613

RGB 174 166 19

HSL 56.9, 0.8%, 0.38%

LAB 66.76, -11.79, 66.67

 

CMYK 0 / 5 / 98 / 25

HEX #BEB404

RGB 190 180 4

HSL 56.77, 0.96%, 0.38%

LAB 71.96, -12.16, 73.29

 

CMYK 0 / 5 / 89 / 32

HEX #AEA613

RGB 174 166 19

HSL 56.9, 0.8%, 0.38%

LAB 66.76, -11.79, 66.67

 

CMYK 0 / 4 / 78 / 38

HEX #9F9823

RGB 159 152 35

HSL 56.61, 0.64%, 0.38%

LAB 61.61, -10.66, 57.66

 

CMYK 0 / 3 / 64 / 44

HEX #8F8A33

RGB 143 138 51

HSL 56.74, 0.47%, 0.38%

LAB 56.34, -9.49, 45.75

 

CMYK 0 / 2 / 48 / 50

HEX #7F7C42

RGB 127 124 66

HSL 57.05, 0.32%, 0.38%

LAB 51.06, -7.65, 31.89

 

CMYK 0 / 2 / 27 / 56

HEX #706E52

RGB 112 110 82

HSL 56, 0.15%, 0.38%

LAB 45.91, -4.2, 15.94

 

CMYK 0 / 53 / 89 / 32

HEX #AE5113

RGB 174 81 19

HSL 24, 0.8%, 0.38%

LAB 45.54, 34.67, 49.9

 

CMYK 0 / 29 / 89 / 32

HEX #AE7B13

RGB 174 123 19

HSL 40.26, 0.8%, 0.38%

LAB 55.29, 11.6, 57.57

 

CMYK 0 / 6 / 89 / 32

HEX #AEA413

RGB 174 164 19

HSL 56.13, 0.8%, 0.38%

LAB 66.21, -10.74, 66.23

 

CMYK 18 / 0 / 89 / 32

HEX #8FAE13

RGB 143 174 19

HSL 72, 0.8%, 0.38%

LAB 66.64, -29.24, 65.56

 

CMYK 41 / 0 / 89 / 32

HEX #66AE13

RGB 102 174 19

HSL 87.87, 0.8%, 0.38%

LAB 64.28, -45.04, 62.64

 

CMYK 0 / 4 / 89 / 61

HEX #64600B

RGB 100 96 11

HSL 57.3, 0.8%, 0.22%

LAB 39.75, -8.26, 43.71

 

CMYK 0 / 4 / 89 / 46

HEX #89830F

RGB 137 131 15

HSL 57.05, 0.8%, 0.3%

LAB 53.58, -10.07, 55.53

 

CMYK 0 / 5 / 89 / 32

HEX #AEA613

RGB 174 166 19

HSL 56.9, 0.8%, 0.38%

LAB 66.76, -11.79, 66.67

 

CMYK 0 / 5 / 89 / 17

HEX #D4CA18

RGB 212 202 24

HSL 56.81, 0.8%, 0.46%

LAB 79.79, -13.5, 77.45

 

CMYK 0 / 4 / 81 / 9

HEX #E8DE2D

RGB 232 222 45

HSL 56.79, 0.8%, 0.54%

LAB 86.79, -14.46, 79.36

 

CMYK 0 / 5 / 89 / 32

HEX #AEA613

RGB 174 166 19

HSL 56.9, 0.8%, 0.38%

LAB 66.76, -11.79, 66.67

 

CMYK 89 / 0 / 77 / 32

HEX #13AE28

RGB 19 174 40

HSL 128.13, 0.8%, 0.38%

LAB 62.14, -61.95, 54.32

 

CMYK 41 / 89 / 0 / 32

HEX #6613AE

RGB 102 19 174

HSL 272.13, 0.8%, 0.38%

LAB 30.27, 60.48, -64.14

 

CMYK 0 / 5 / 89 / 32

HEX #AEA613

RGB 174 166 19

HSL 56.9, 0.8%, 0.38%

LAB 66.76, -11.79, 66.67

 

CMYK 89 / 0 / 6 / 32

HEX #13AEA4

RGB 19 174 164

HSL 176.13, 0.8%, 0.38%

LAB 64.23, -38.35, -5.31

 

CMYK 6 / 89 / 0 / 32

HEX #A413AE

RGB 164 19 174

HSL 296.13, 0.8%, 0.38%

LAB 40.27, 69.86, -47.44

 

CMYK 0 / 5 / 89 / 32

HEX #AEA613

RGB 174 166 19

HSL 56.9, 0.8%, 0.38%

LAB 66.76, -11.79, 66.67

 

CMYK 89 / 0 / 77 / 32

HEX #13AE28

RGB 19 174 40

HSL 128.13, 0.8%, 0.38%

LAB 62.14, -61.95, 54.32

 

CMYK 89 / 83 / 0 / 32

HEX #131EAE

RGB 19 30 174

HSL 235.74, 0.8%, 0.38%

LAB 24.07, 49.74, -74.62

 

CMYK 0 / 89 / 11 / 32

HEX #AE139A

RGB 174 19 154

HSL 307.74, 0.8%, 0.38%

LAB 40.89, 68.69, -34.34

 

CMYK 0 / 5 / 89 / 32

HEX #AEA613

RGB 174 166 19

HSL 56.9, 0.8%, 0.38%

LAB 66.76, -11.79, 66.67

 

CMYK 89 / 0 / 50 / 32

HEX #13AE57

RGB 19 174 87

HSL 146.32, 0.8%, 0.38%

LAB 62.59, -56.35, 34.28

 

CMYK 89 / 83 / 0 / 32

HEX #131EAE

RGB 19 30 174

HSL 235.74, 0.8%, 0.38%

LAB 24.07, 49.74, -74.62

 

CMYK 0 / 89 / 39 / 32

HEX #AE136B

RGB 174 19 107

HSL 325.94, 0.8%, 0.38%

LAB 38.77, 63, -8.56

 

Description

Color code: HEX #AEA613CE | qconv.com Color code: HEX #AEA613CE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 166 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 166 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 72 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 72% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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