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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE9C8C it is the complementary color #516373. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE9C8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE9C8C shade: #B39C87, #C4AE9A, #D5C0AD, #E6D2C0 and #F7E4D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE9C8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE9C8C shade: #AE9C8C, #9D8A79, #8C7866, #7B6653 and #6A5440

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE9C8C shade: #AF9D8E, #AF948E and #AF8E8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE9C8C shade: #AF9D8E, #AFA68E, #AEAF8E, #A5AF8E and #9CAF8E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE9C8C shade matches the following richer shades: #AF9D8E, #BE9C7E, #CE9B6E, #DE9A5F and #ED994F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE9C8C shade: #AF9D8E, #9F9E9D, #8F9FAD, #80A0BD and #70A1CC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE9C8C shade: #AF8E90, #AF948E, #AF9D8E, #AFA68E and #AFAF8E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE9C8C shade: #897461, #9D8875, #AF9D8E, #C0B2A6 and #D1C7BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE9C8C shade: #AE9C8C, #99AF8E and #908EAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE9C8C shade: #AE9C8C, #8EAF9D and #9D8EAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE9C8C shade: #AE9C8C, #99AF8E, #8E9FAF and #A48EAF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE9C8C shade: #AE9C8C, #8FAF8E, #8E9FAF and #AD8EAF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 20 / 32

HEX #AE9C8C

RGB 174 156 140

HSL 28.24, 0.17%, 0.62%

LAB 65.49, 3.96, 10.78

 

Complementary color

CMYK 30 / 14 / 0 / 55

HEX #516373

RGB 81 99 115

HSL 208.24, 0.17%, 0.38%

LAB 41.07, -2.72, -11.24

 

CMYK 0 / 13 / 25 / 30

HEX #B39C87

RGB 179 156 135

HSL 28.64, 0.22%, 0.62%

LAB 65.83, 5.14, 14.12

 

CMYK 0 / 11 / 21 / 23

HEX #C4AE9A

RGB 196 174 154

HSL 28.57, 0.26%, 0.69%

LAB 72.46, 4.73, 13.16

 

CMYK 0 / 10 / 19 / 16

HEX #D5C0AD

RGB 213 192 173

HSL 28.5, 0.32%, 0.76%

LAB 78.96, 4.37, 12.27

 

CMYK 0 / 9 / 17 / 10

HEX #E6D2C0

RGB 230 210 192

HSL 28.42, 0.43%, 0.83%

LAB 85.36, 4.04, 11.43

 

CMYK 0 / 8 / 15 / 3

HEX #F7E4D3

RGB 247 228 211

HSL 28.33, 0.69%, 0.9%

LAB 91.67, 3.75, 10.62

 

CMYK 0 / 10 / 20 / 32

HEX #AE9C8C

RGB 174 156 140

HSL 28.24, 0.17%, 0.62%

LAB 65.49, 3.96, 10.78

 

CMYK 0 / 12 / 23 / 38

HEX #9D8A79

RGB 157 138 121

HSL 28.33, 0.16%, 0.55%

LAB 58.72, 4.35, 11.73

 

CMYK 0 / 14 / 27 / 45

HEX #8C7866

RGB 140 120 102

HSL 28.42, 0.16%, 0.47%

LAB 51.8, 4.8, 12.75

 

CMYK 0 / 17 / 33 / 52

HEX #7B6653

RGB 123 102 83

HSL 28.5, 0.19%, 0.4%

LAB 44.71, 5.35, 13.88

 

CMYK 0 / 21 / 40 / 58

HEX #6A5440

RGB 106 84 64

HSL 28.57, 0.25%, 0.33%

LAB 37.44, 6.03, 15.15

 

CMYK 0 / 10 / 19 / 31

HEX #AF9D8E

RGB 175 157 142

HSL 27.27, 0.17%, 0.62%

LAB 65.89, 4.1, 10.25

 

CMYK 0 / 15 / 19 / 31

HEX #AF948E

RGB 175 148 142

HSL 10.91, 0.17%, 0.62%

LAB 63.55, 9.09, 6.91

 

CMYK 0 / 19 / 19 / 31

HEX #AF8E8E

RGB 175 142 142

HSL 0, 0.17%, 0.62%

LAB 62.01, 12.44, 4.7

 

CMYK 0 / 10 / 19 / 31

HEX #AF9D8E

RGB 175 157 142

HSL 27.27, 0.17%, 0.62%

LAB 65.89, 4.1, 10.25

 

CMYK 0 / 5 / 19 / 31

HEX #AFA68E

RGB 175 166 142

HSL 43.64, 0.17%, 0.62%

LAB 68.27, -0.81, 13.6

 

CMYK 1 / 0 / 19 / 31

HEX #AEAF8E

RGB 174 175 142

HSL 61.82, 0.17%, 0.62%

LAB 70.6, -6.02, 16.85

 

CMYK 6 / 0 / 19 / 31

HEX #A5AF8E

RGB 165 175 142

HSL 78.18, 0.17%, 0.62%

LAB 69.9, -9.42, 15.77

 

CMYK 11 / 0 / 19 / 31

HEX #9CAF8E

RGB 156 175 142

HSL 94.55, 0.17%, 0.62%

LAB 69.24, -12.75, 14.75

 

CMYK 0 / 10 / 19 / 31

HEX #AF9D8E

RGB 175 157 142

HSL 27.27, 0.17%, 0.62%

LAB 65.89, 4.1, 10.25

 

CMYK 0 / 18 / 34 / 25

HEX #BE9C7E

RGB 190 156 126

HSL 28.13, 0.33%, 0.62%

LAB 66.7, 8.27, 20.46

 

CMYK 0 / 25 / 47 / 19

HEX #CE9B6E

RGB 206 155 110

HSL 28.13, 0.49%, 0.62%

LAB 67.79, 13.49, 30.93

 

CMYK 0 / 31 / 57 / 13

HEX #DE9A5F

RGB 222 154 95

HSL 27.87, 0.66%, 0.62%

LAB 69.09, 19.28, 40.86

 

CMYK 0 / 35 / 67 / 7

HEX #ED994F

RGB 237 153 79

HSL 28.1, 0.81%, 0.62%

LAB 70.42, 24.91, 50.87

 

CMYK 0 / 10 / 19 / 31

HEX #AF9D8E

RGB 175 157 142

HSL 27.27, 0.17%, 0.62%

LAB 65.89, 4.1, 10.25

 

CMYK 0 / 1 / 1 / 38

HEX #9F9E9D

RGB 159 158 157

HSL 30, 0.01%, 0.62%

LAB 65.17, 0.17, 0.64

 

CMYK 17 / 8 / 0 / 32

HEX #8F9FAD

RGB 143 159 173

HSL 208, 0.15%, 0.62%

LAB 64.69, -2.62, -9.18

 

CMYK 32 / 15 / 0 / 26

HEX #80A0BD

RGB 128 160 189

HSL 208.52, 0.32%, 0.62%

LAB 64.49, -4.02, -18.53

 

CMYK 45 / 21 / 0 / 20

HEX #70A1CC

RGB 112 161 204

HSL 208.04, 0.47%, 0.62%

LAB 64.4, -4.88, -27.11

 

CMYK 0 / 19 / 18 / 31

HEX #AF8E90

RGB 175 142 144

HSL 356.36, 0.17%, 0.62%

LAB 62.06, 12.76, 3.64

 

CMYK 0 / 15 / 19 / 31

HEX #AF948E

RGB 175 148 142

HSL 10.91, 0.17%, 0.62%

LAB 63.55, 9.09, 6.91

 

CMYK 0 / 10 / 19 / 31

HEX #AF9D8E

RGB 175 157 142

HSL 27.27, 0.17%, 0.62%

LAB 65.89, 4.1, 10.25

 

CMYK 0 / 5 / 19 / 31

HEX #AFA68E

RGB 175 166 142

HSL 43.64, 0.17%, 0.62%

LAB 68.27, -0.81, 13.6

 

CMYK 0 / 0 / 19 / 31

HEX #AFAF8E

RGB 175 175 142

HSL 60, 0.17%, 0.62%

LAB 70.68, -5.64, 16.97

 

CMYK 0 / 15 / 29 / 46

HEX #897461

RGB 137 116 97

HSL 28.5, 0.17%, 0.46%

LAB 50.3, 5.13, 13.54

 

CMYK 0 / 13 / 25 / 38

HEX #9D8875

RGB 157 136 117

HSL 28.5, 0.17%, 0.54%

LAB 58.09, 4.87, 13.13

 

CMYK 0 / 10 / 19 / 31

HEX #AF9D8E

RGB 175 157 142

HSL 27.27, 0.17%, 0.62%

LAB 65.89, 4.1, 10.25

 

CMYK 0 / 7 / 14 / 25

HEX #C0B2A6

RGB 192 178 166

HSL 27.69, 0.17%, 0.7%

LAB 73.42, 2.96, 7.92

 

CMYK 0 / 5 / 9 / 18

HEX #D1C7BE

RGB 209 199 190

HSL 28.42, 0.17%, 0.78%

LAB 80.81, 1.93, 5.73

 

CMYK 0 / 10 / 20 / 32

HEX #AE9C8C

RGB 174 156 140

HSL 28.24, 0.17%, 0.62%

LAB 65.49, 3.96, 10.78

 

CMYK 13 / 0 / 19 / 31

HEX #99AF8E

RGB 153 175 142

HSL 100, 0.17%, 0.62%

LAB 69.03, -13.85, 14.42

 

CMYK 18 / 19 / 0 / 31

HEX #908EAF

RGB 144 142 175

HSL 243.64, 0.17%, 0.62%

LAB 60.22, 7.73, -17.02

 

CMYK 0 / 10 / 20 / 32

HEX #AE9C8C

RGB 174 156 140

HSL 28.24, 0.17%, 0.62%

LAB 65.49, 3.96, 10.78

 

CMYK 19 / 0 / 10 / 31

HEX #8EAF9D

RGB 142 175 157

HSL 147.27, 0.17%, 0.62%

LAB 68.64, -14.93, 5.51

 

CMYK 10 / 19 / 0 / 31

HEX #9D8EAF

RGB 157 142 175

HSL 267.27, 0.17%, 0.62%

LAB 61.32, 12.08, -15.25

 

CMYK 0 / 10 / 20 / 32

HEX #AE9C8C

RGB 174 156 140

HSL 28.24, 0.17%, 0.62%

LAB 65.49, 3.96, 10.78

 

CMYK 13 / 0 / 19 / 31

HEX #99AF8E

RGB 153 175 142

HSL 100, 0.17%, 0.62%

LAB 69.03, -13.85, 14.42

 

CMYK 19 / 9 / 0 / 31

HEX #8E9FAF

RGB 142 159 175

HSL 209.09, 0.17%, 0.62%

LAB 64.68, -2.5, -10.32

 

CMYK 6 / 19 / 0 / 31

HEX #A48EAF

RGB 164 142 175

HSL 280, 0.17%, 0.62%

LAB 61.94, 14.47, -14.25

 

CMYK 0 / 10 / 20 / 32

HEX #AE9C8C

RGB 174 156 140

HSL 28.24, 0.17%, 0.62%

LAB 65.49, 3.96, 10.78

 

CMYK 18 / 0 / 19 / 31

HEX #8FAF8E

RGB 143 175 142

HSL 118.18, 0.17%, 0.62%

LAB 68.35, -17.43, 13.37

 

CMYK 19 / 9 / 0 / 31

HEX #8E9FAF

RGB 142 159 175

HSL 209.09, 0.17%, 0.62%

LAB 64.68, -2.5, -10.32

 

CMYK 1 / 19 / 0 / 31

HEX #AD8EAF

RGB 173 142 175

HSL 296.36, 0.17%, 0.62%

LAB 62.78, 17.59, -12.9

 

Description

Color code: HEX #AE9C8C | qconv.com Color code: HEX #AE9C8C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 156 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 156 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 20 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 20% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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