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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE99EB3F it is the complementary color #5166143F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE99EB3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE99EB3F shade: #B399E63F, #C4ABF93F, #D5BDFF3F, #E6CFFF3F and #F7E1FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE99EB3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE99EB3F shade: #AE99EB3F, #9D87D83F, #8C75C53F, #7B63B23F and #6A519F3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE99EB3F shade: #AE99EB, #C499EB, #DA99EB, #EB99E5 and #EB99CF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE99EB3F shade: #AE99EB and #9999EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE99EB3F shade matches the following richer shades: #AE99EB, #A98FF5 and #A485FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE99EB3F shade: #AE99EB, #B3A3E1, #B7ADD7, #BCB7CD and #C1C0C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE99EB3F shade: #99B0EB, #999AEB, #AD99EB, #C399EB and #D999EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE99EB3F shade: #7754DD, #9276E4, #AE99EB, #C9BBF2 and #E5DEF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE99EB3F shade: #AE99EB, #EB99C6 and #A5EB99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE99EB3F shade: #AE99EB, #EBAD99 and #99EBAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE99EB3F shade: #AE99EB, #EB99C6, #D6EB99 and #99EBBE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE99EB3F shade: #AE99EB, #EB99AD, #D6EB99 and #99EBD6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 9 / 0 / 2

HEX #AE99EB3F

RGBA 174 153 235 0.25

HSLA 255.37, 0.67%, 0.76%, 0.25

LABA 67.86, 24.87, -38.54, 0.25

 

Complementary color

CMYK 5 / 0 / 20 / 15

HEX #5166143F

RGBA 81 102 20 0.25

HSLA 75.37, 0.67%, 0.24%, 0.25

LABA 40.09, -20.18, 40.56, 0.25

 

CMYK 6 / 8 / 0 / 2

HEX #B399E63F

RGBA 179 153 230 0.25

HSLA 260.26, 0.61%, 0.75%, 0.25

LABA 68.08, 25.15, -35.42, 0.25

 

CMYK 5 / 8 / 0 / 1

HEX #C4ABF93F

RGBA 196 171 249 0.25

HSLA 259.23, 0.87%, 0.82%, 0.25

LABA 74.64, 24.53, -35.48, 0.25

 

CMYK 4 / 6 / 0 / 0

HEX #D5BDFF3F

RGBA 213 189 255 0.25

HSLA 261.82, 1%, 0.87%, 0.25

LABA 80.61, 21.13, -29.39, 0.25

 

CMYK 2 / 5 / 0 / 0

HEX #E6CFFF3F

RGBA 230 207 255 0.25

HSLA 268.75, 1%, 0.91%, 0.25

LABA 86.34, 16.77, -20.53, 0.25

 

CMYK 1 / 3 / 0 / 0

HEX #F7E1FF3F

RGBA 247 225 255 0.25

HSLA 284, 1%, 0.94%, 0.25

LABA 92.06, 12.77, -11.79, 0.25

 

CMYK 6 / 9 / 0 / 2

HEX #AE99EB3F

RGBA 174 153 235 0.25

HSLA 255.37, 0.67%, 0.76%, 0.25

LABA 67.86, 24.87, -38.54, 0.25

 

CMYK 7 / 9 / 0 / 4

HEX #9D87D83F

RGBA 157 135 216 0.25

HSLA 256.3, 0.51%, 0.69%, 0.25

LABA 61.18, 25.58, -38.56, 0.25

 

CMYK 7 / 10 / 0 / 6

HEX #8C75C53F

RGBA 140 117 197 0.25

HSLA 257.25, 0.41%, 0.62%, 0.25

LABA 54.37, 26.37, -38.62, 0.25

 

CMYK 8 / 11 / 0 / 8

HEX #7B63B23F

RGBA 123 99 178 0.25

HSLA 258.23, 0.34%, 0.54%, 0.25

LABA 47.43, 27.26, -38.71, 0.25

 

CMYK 8 / 12 / 0 / 9

HEX #6A519F3F

RGBA 106 81 159 0.25

HSLA 259.23, 0.33%, 0.47%, 0.25

LABA 40.33, 28.25, -38.85, 0.25

 

CMYK 26 / 35 / 0 / 8

HEX #AE99EB

RGB 174 153 235

HSL 255.37, 0.67%, 0.76%

LAB 67.86, 24.87, -38.54

 

CMYK 17 / 35 / 0 / 8

HEX #C499EB

RGB 196 153 235

HSL 271.46, 0.67%, 0.76%

LAB 69.84, 31.35, -35.31

 

CMYK 7 / 35 / 0 / 8

HEX #DA99EB

RGB 218 153 235

HSL 287.56, 0.67%, 0.76%

LAB 72.02, 38.02, -31.76

 

CMYK 0 / 35 / 3 / 8

HEX #EB99E5

RGB 235 153 229

HSL 304.39, 0.67%, 0.76%

LAB 73.61, 42.17, -25.87

 

CMYK 0 / 35 / 12 / 8

HEX #EB99CF

RGB 235 153 207

HSL 320.49, 0.67%, 0.76%

LAB 72.86, 38.42, -14.94

 

CMYK 26 / 35 / 0 / 8

HEX #AE99EB

RGB 174 153 235

HSL 255.37, 0.67%, 0.76%

LAB 67.86, 24.87, -38.54

 

CMYK 35 / 35 / 0 / 8

HEX #9999EB

RGB 153 153 235

HSL 240, 0.67%, 0.76%

LAB 66.18, 18.99, -41.29

 

CMYK 26 / 35 / 0 / 8

HEX #AE99EB

RGB 174 153 235

HSL 255.37, 0.67%, 0.76%

LAB 67.86, 24.87, -38.54

 

CMYK 31 / 42 / 0 / 4

HEX #A98FF5

RGB 169 143 245

HSL 255.29, 0.84%, 0.76%

LAB 65.49, 31.58, -47.77

 

CMYK 36 / 48 / 0 / 0

HEX #A485FF

RGB 164 133 255

HSL 255.25, 1%, 0.76%

LAB 63.25, 38.48, -56.83

 

CMYK 26 / 35 / 0 / 8

HEX #AE99EB

RGB 174 153 235

HSL 255.37, 0.67%, 0.76%

LAB 67.86, 24.87, -38.54

 

CMYK 20 / 28 / 0 / 12

HEX #B3A3E1

RGB 179 163 225

HSL 255.48, 0.51%, 0.76%

LAB 70.33, 18.41, -29.2

 

CMYK 15 / 20 / 0 / 16

HEX #B7ADD7

RGB 183 173 215

HSL 254.29, 0.34%, 0.76%

LAB 72.8, 11.89, -19.91

 

CMYK 8 / 11 / 0 / 20

HEX #BCB7CD

RGB 188 183 205

HSL 253.64, 0.18%, 0.76%

LAB 75.43, 5.98, -10.45

 

CMYK 1 / 2 / 0 / 24

HEX #C1C0C3

RGB 193 192 195

HSL 260, 0.02%, 0.76%

LAB 77.86, 0.91, -1.39

 

CMYK 35 / 25 / 0 / 8

HEX #99B0EB

RGB 153 176 235

HSL 223.17, 0.67%, 0.76%

LAB 72.11, 6, -32.07

 

CMYK 35 / 34 / 0 / 8

HEX #999AEB

RGB 153 154 235

HSL 239.27, 0.67%, 0.76%

LAB 66.43, 18.42, -40.9

 

CMYK 26 / 35 / 0 / 8

HEX #AD99EB

RGB 173 153 235

HSL 254.63, 0.67%, 0.76%

LAB 67.77, 24.58, -38.68

 

CMYK 17 / 35 / 0 / 8

HEX #C399EB

RGB 195 153 235

HSL 270.73, 0.67%, 0.76%

LAB 69.74, 31.05, -35.47

 

CMYK 8 / 35 / 0 / 8

HEX #D999EB

RGB 217 153 235

HSL 286.83, 0.67%, 0.76%

LAB 71.91, 37.72, -31.93

 

CMYK 46 / 62 / 0 / 13

HEX #7754DD

RGB 119 84 221

HSL 255.33, 0.67%, 0.6%

LAB 46.29, 46.79, -65.33

 

CMYK 36 / 48 / 0 / 11

HEX #9276E4

RGB 146 118 228

HSL 255.27, 0.67%, 0.68%

LAB 56.75, 35.46, -52.33

 

CMYK 26 / 35 / 0 / 8

HEX #AE99EB

RGB 174 153 235

HSL 255.37, 0.67%, 0.76%

LAB 67.86, 24.87, -38.54

 

CMYK 17 / 23 / 0 / 5

HEX #C9BBF2

RGB 201 187 242

HSL 255.27, 0.68%, 0.84%

LAB 78.68, 15.73, -25.46

 

CMYK 8 / 10 / 0 / 3

HEX #E5DEF8

RGB 229 222 248

HSL 256.15, 0.65%, 0.92%

LAB 89.71, 7.17, -11.79

 

CMYK 26 / 35 / 0 / 8

HEX #AE99EB

RGB 174 153 235

HSL 255.37, 0.67%, 0.76%

LAB 67.86, 24.87, -38.54

 

CMYK 0 / 35 / 16 / 8

HEX #EB99C6

RGB 235 153 198

HSL 327.07, 0.67%, 0.76%

LAB 72.58, 36.99, -10.41

 

CMYK 30 / 0 / 35 / 8

HEX #A5EB99

RGB 165 235 153

HSL 111.22, 0.67%, 0.76%

LAB 86.86, -37.12, 33.03

 

CMYK 26 / 35 / 0 / 8

HEX #AE99EB

RGB 174 153 235

HSL 255.37, 0.67%, 0.76%

LAB 67.86, 24.87, -38.54

 

CMYK 0 / 26 / 35 / 8

HEX #EBAD99

RGB 235 173 153

HSL 14.63, 0.67%, 0.76%

LAB 75.98, 20.09, 19.19

 

CMYK 35 / 0 / 26 / 8

HEX #99EBAD

RGB 153 235 173

HSL 134.63, 0.67%, 0.76%

LAB 86.61, -37.6, 22.36

 

CMYK 26 / 35 / 0 / 8

HEX #AE99EB

RGB 174 153 235

HSL 255.37, 0.67%, 0.76%

LAB 67.86, 24.87, -38.54

 

CMYK 0 / 35 / 16 / 8

HEX #EB99C6

RGB 235 153 198

HSL 327.07, 0.67%, 0.76%

LAB 72.58, 36.99, -10.41

 

CMYK 9 / 0 / 35 / 8

HEX #D6EB99

RGB 214 235 153

HSL 75.37, 0.67%, 0.76%

LAB 89.87, -19.93, 37.54

 

CMYK 35 / 0 / 19 / 8

HEX #99EBBE

RGB 153 235 190

HSL 147.07, 0.67%, 0.76%

LAB 86.95, -34.45, 14.03

 

CMYK 26 / 35 / 0 / 8

HEX #AE99EB

RGB 174 153 235

HSL 255.37, 0.67%, 0.76%

LAB 67.86, 24.87, -38.54

 

CMYK 0 / 35 / 26 / 8

HEX #EB99AD

RGB 235 153 173

HSL 345.37, 0.67%, 0.76%

LAB 71.87, 33.31, 2.39

 

CMYK 9 / 0 / 35 / 8

HEX #D6EB99

RGB 214 235 153

HSL 75.37, 0.67%, 0.76%

LAB 89.87, -19.93, 37.54

 

CMYK 35 / 0 / 9 / 8

HEX #99EBD6

RGB 153 235 214

HSL 164.63, 0.67%, 0.76%

LAB 87.51, -29.54, 2.28

 

Description

Color code: HEX #AE99EB3F | qconv.com Color code: HEX #AE99EB3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 153 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 153 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 9 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 9% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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