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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE9622 it is the complementary color #5169DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE9622. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE9622 shade: #B3961D, #C4A830, #D5BA43, #E6CC56 and #F7DE69

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE9622. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE9622 shade: #AE9622, #9D840F, #8C7200, #7B6000 and #6A4E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE9622 shade: #AF9723, #AF7123, #AF4B23, #AF2523 and #AF2323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE9622 shade: #AF9723, #A1AF23, #7BAF23, #55AF23 and #30AF23

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE9622 shade matches the following richer shades: #AF9723, #C0A212 and #D0AD01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE9622 shade: #AF9723, #9E8B33, #8D8044, #7C7555 and #6B6A66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE9622 shade: #AF4A23, #AF7023, #AF9523, #A3AF23 and #7EAF23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE9622 shade: #6A5B15, #8C791C, #AF9723, #D1B429 and #DBC249

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE9622 shade: #AE9622, #23AF25 and #5D23AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE9622 shade: #AE9622, #23AF95 and #9523AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE9622 shade: #AE9622, #23AF25, #233CAF and #AF23AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE9622 shade: #AE9622, #23AF4F, #233CAF and #AF2382

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 80 / 32

HEX #AE9622

RGB 174 150 34

HSL 49.71, 0.67%, 0.41%

LAB 62.45, -2.88, 59.26

 

Complementary color

CMYK 63 / 52 / 0 / 13

HEX #5169DD

RGB 81 105 221

HSL 229.71, 0.67%, 0.59%

LAB 48.35, 27.25, -62.13

 

CMYK 0 / 16 / 84 / 30

HEX #B3961D

RGB 179 150 29

HSL 48.4, 0.72%, 0.41%

LAB 62.92, -0.79, 61.36

 

CMYK 0 / 14 / 76 / 23

HEX #C4A830

RGB 196 168 48

HSL 48.65, 0.61%, 0.48%

LAB 69.44, -2.19, 61.69

 

CMYK 0 / 13 / 69 / 16

HEX #D5BA43

RGB 213 186 67

HSL 48.9, 0.63%, 0.55%

LAB 75.87, -3.37, 61.26

 

CMYK 0 / 11 / 63 / 10

HEX #E6CC56

RGB 230 204 86

HSL 49.17, 0.74%, 0.62%

LAB 82.21, -4.37, 60.44

 

CMYK 0 / 10 / 57 / 3

HEX #F7DE69

RGB 247 222 105

HSL 49.44, 0.9%, 0.69%

LAB 88.47, -5.23, 59.42

 

CMYK 0 / 14 / 80 / 32

HEX #AE9622

RGB 174 150 34

HSL 49.71, 0.67%, 0.41%

LAB 62.45, -2.88, 59.26

 

CMYK 0 / 16 / 90 / 38

HEX #9D840F

RGB 157 132 15

HSL 49.44, 0.83%, 0.34%

LAB 55.79, -1.33, 58.1

 

CMYK 0 / 19 / 100 / 45

HEX #8C7200

RGB 140 114 0

HSL 48.86, 1%, 0.27%

LAB 49.02, 0.53, 55.17

 

CMYK 0 / 22 / 100 / 52

HEX #7B6000

RGB 123 96 0

HSL 46.83, 1%, 0.24%

LAB 42.12, 2.75, 49.48

 

CMYK 0 / 26 / 100 / 58

HEX #6A4E00

RGB 106 78 0

HSL 44.15, 1%, 0.21%

LAB 35.03, 5.11, 43.64

 

CMYK 0 / 14 / 80 / 31

HEX #AF9723

RGB 175 151 35

HSL 49.71, 0.67%, 0.41%

LAB 62.82, -2.93, 59.31

 

CMYK 0 / 35 / 80 / 31

HEX #AF7123

RGB 175 113 35

HSL 33.43, 0.67%, 0.41%

LAB 53, 18.12, 50.37

 

CMYK 0 / 57 / 80 / 31

HEX #AF4B23

RGB 175 75 35

HSL 17.14, 0.67%, 0.41%

LAB 44.61, 38.58, 42.38

 

CMYK 0 / 79 / 80 / 31

HEX #AF2523

RGB 175 37 35

HSL 0.86, 0.67%, 0.41%

LAB 38.83, 54.2, 36.6

 

CMYK 0 / 80 / 80 / 31

HEX #AF2323

RGB 175 35 35

HSL 0, 0.67%, 0.41%

LAB 38.62, 54.79, 36.39

 

CMYK 0 / 14 / 80 / 31

HEX #AF9723

RGB 175 151 35

HSL 49.71, 0.67%, 0.41%

LAB 62.82, -2.93, 59.31

 

CMYK 8 / 0 / 80 / 31

HEX #A1AF23

RGB 161 175 35

HSL 66, 0.67%, 0.41%

LAB 68.28, -21.61, 63.72

 

CMYK 30 / 0 / 80 / 31

HEX #7BAF23

RGB 123 175 35

HSL 82.29, 0.67%, 0.41%

LAB 65.74, -37.18, 60.47

 

CMYK 51 / 0 / 80 / 31

HEX #55AF23

RGB 85 175 35

HSL 98.57, 0.67%, 0.41%

LAB 63.93, -50.23, 58.14

 

CMYK 73 / 0 / 80 / 31

HEX #30AF23

RGB 48 175 35

HSL 114.43, 0.67%, 0.41%

LAB 62.85, -58.98, 56.74

 

CMYK 0 / 14 / 80 / 31

HEX #AF9723

RGB 175 151 35

HSL 49.71, 0.67%, 0.41%

LAB 62.82, -2.93, 59.31

 

CMYK 0 / 16 / 91 / 25

HEX #C0A212

RGB 192 162 18

HSL 49.66, 0.83%, 0.41%

LAB 67.35, -1.66, 68.02

 

CMYK 0 / 17 / 100 / 18

HEX #D0AD01

RGB 208 173 1

HSL 49.86, 0.99%, 0.41%

LAB 71.76, -0.59, 74.25

 

CMYK 0 / 14 / 80 / 31

HEX #AF9723

RGB 175 151 35

HSL 49.71, 0.67%, 0.41%

LAB 62.82, -2.93, 59.31

 

CMYK 0 / 12 / 68 / 38

HEX #9E8B33

RGB 158 139 51

HSL 49.35, 0.51%, 0.41%

LAB 58.01, -3.29, 47.93

 

CMYK 0 / 9 / 52 / 45

HEX #8D8044

RGB 141 128 68

HSL 49.32, 0.35%, 0.41%

LAB 53.51, -3.49, 34.1

 

CMYK 0 / 6 / 31 / 51

HEX #7C7555

RGB 124 117 85

HSL 49.23, 0.19%, 0.41%

LAB 49.09, -2.67, 18.66

 

CMYK 0 / 1 / 5 / 58

HEX #6B6A66

RGB 107 106 102

HSL 48, 0.02%, 0.41%

LAB 44.79, -0.41, 2.37

 

CMYK 0 / 58 / 80 / 31

HEX #AF4A23

RGB 175 74 35

HSL 16.71, 0.67%, 0.41%

LAB 44.42, 39.07, 42.19

 

CMYK 0 / 36 / 80 / 31

HEX #AF7023

RGB 175 112 35

HSL 33, 0.67%, 0.41%

LAB 52.76, 18.68, 50.14

 

CMYK 0 / 15 / 80 / 31

HEX #AF9523

RGB 175 149 35

HSL 48.86, 0.67%, 0.41%

LAB 62.28, -1.85, 58.83

 

CMYK 7 / 0 / 80 / 31

HEX #A3AF23

RGB 163 175 35

HSL 65.14, 0.67%, 0.41%

LAB 68.44, -20.75, 63.91

 

CMYK 28 / 0 / 80 / 31

HEX #7EAF23

RGB 126 175 35

HSL 81, 0.67%, 0.41%

LAB 65.92, -36.02, 60.7

 

CMYK 0 / 14 / 80 / 58

HEX #6A5B15

RGB 106 91 21

HSL 49.41, 0.67%, 0.25%

LAB 38.9, -2.01, 39.87

 

CMYK 0 / 14 / 80 / 45

HEX #8C791C

RGB 140 121 28

HSL 49.82, 0.67%, 0.33%

LAB 51.08, -2.72, 49.78

 

CMYK 0 / 14 / 80 / 31

HEX #AF9723

RGB 175 151 35

HSL 49.71, 0.67%, 0.41%

LAB 62.82, -2.93, 59.31

 

CMYK 0 / 14 / 80 / 18

HEX #D1B429

RGB 209 180 41

HSL 49.64, 0.67%, 0.49%

LAB 73.78, -3.09, 68.39

 

CMYK 0 / 11 / 67 / 14

HEX #DBC249

RGB 219 194 73

HSL 49.73, 0.67%, 0.57%

LAB 78.53, -4.64, 61.73

 

CMYK 0 / 14 / 80 / 32

HEX #AE9622

RGB 174 150 34

HSL 49.71, 0.67%, 0.41%

LAB 62.45, -2.88, 59.26

 

CMYK 80 / 0 / 79 / 31

HEX #23AF25

RGB 35 175 37

HSL 120.86, 0.67%, 0.41%

LAB 62.63, -60.83, 55.84

 

CMYK 47 / 80 / 0 / 31

HEX #5D23AF

RGB 93 35 175

HSL 264.86, 0.67%, 0.41%

LAB 30.94, 54.33, -63.69

 

CMYK 0 / 14 / 80 / 32

HEX #AE9622

RGB 174 150 34

HSL 49.71, 0.67%, 0.41%

LAB 62.45, -2.88, 59.26

 

CMYK 80 / 0 / 15 / 31

HEX #23AF95

RGB 35 175 149

HSL 168.86, 0.67%, 0.41%

LAB 64.31, -41.77, 3.17

 

CMYK 15 / 80 / 0 / 31

HEX #9523AF

RGB 149 35 175

HSL 288.86, 0.67%, 0.41%

LAB 39.05, 63.71, -50.13

 

CMYK 0 / 14 / 80 / 32

HEX #AE9622

RGB 174 150 34

HSL 49.71, 0.67%, 0.41%

LAB 62.45, -2.88, 59.26

 

CMYK 80 / 0 / 79 / 31

HEX #23AF25

RGB 35 175 37

HSL 120.86, 0.67%, 0.41%

LAB 62.63, -60.83, 55.84

 

CMYK 80 / 66 / 0 / 31

HEX #233CAF

RGB 35 60 175

HSL 229.29, 0.67%, 0.41%

LAB 31.08, 33.49, -63.63

 

CMYK 0 / 80 / 2 / 31

HEX #AF23AC

RGB 175 35 172

HSL 301.29, 0.67%, 0.41%

LAB 43.2, 68.24, -41.45

 

CMYK 0 / 14 / 80 / 32

HEX #AE9622

RGB 174 150 34

HSL 49.71, 0.67%, 0.41%

LAB 62.45, -2.88, 59.26

 

CMYK 80 / 0 / 55 / 31

HEX #23AF4F

RGB 35 175 79

HSL 138.86, 0.67%, 0.41%

LAB 63, -56.41, 38.8

 

CMYK 80 / 66 / 0 / 31

HEX #233CAF

RGB 35 60 175

HSL 229.29, 0.67%, 0.41%

LAB 31.08, 33.49, -63.63

 

CMYK 0 / 80 / 26 / 31

HEX #AF2382

RGB 175 35 130

HSL 319.29, 0.67%, 0.41%

LAB 41.1, 62.3, -19.34

 

Description

Color code: HEX #AE9622 | qconv.com Color code: HEX #AE9622 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 150 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 150 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 80 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 80% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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