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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE8D23 it is the complementary color #5172DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE8D23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE8D23 shade: #B38D1E, #C49F31, #D5B144, #E6C357 and #F7D56A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE8D23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE8D23 shade: #AE8D23, #9D7B10, #8C6900, #7B5700 and #6A4500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE8D23 shade: #AF8D23, #AF6823, #AF4223 and #AF2323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE8D23 shade: #AF8D23, #AAAF23, #84AF23, #5FAF23 and #39AF23

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE8D23 shade matches the following richer shades: #AF8D23, #C09612 and #D09F01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE8D23 shade: #AF8D23, #9E8433, #8D7C44, #7C7355 and #6B6A66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE8D23 shade: #AF4123, #AF6623, #AF8C23, #ACAF23 and #87AF23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE8D23 shade: #6A5615, #8C711C, #AF8D23, #D1A929 and #DBB849

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE8D23 shade: #AE8D23, #2AAF23 and #5423AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE8D23 shade: #AE8D23, #23AF8C and #8C23AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE8D23 shade: #AE8D23, #2AAF23, #2346AF and #A823AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE8D23 shade: #AE8D23, #23AF46, #2346AF and #AF238C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 80 / 32

HEX #AE8D23

RGB 174 141 35

HSL 45.76, 0.67%, 0.41%

LAB 60.04, 2.07, 56.78

 

Complementary color

CMYK 63 / 48 / 0 / 14

HEX #5172DC

RGB 81 114 220

HSL 225.76, 0.67%, 0.59%

LAB 50.63, 21.32, -57.89

 

CMYK 0 / 21 / 83 / 30

HEX #B38D1E

RGB 179 141 30

HSL 44.7, 0.71%, 0.41%

LAB 60.54, 4.16, 59.04

 

CMYK 0 / 19 / 75 / 23

HEX #C49F31

RGB 196 159 49

HSL 44.9, 0.6%, 0.48%

LAB 67.09, 2.66, 59.09

 

CMYK 0 / 17 / 68 / 16

HEX #D5B144

RGB 213 177 68

HSL 45.1, 0.63%, 0.55%

LAB 73.55, 1.4, 58.46

 

CMYK 0 / 15 / 62 / 10

HEX #E6C357

RGB 230 195 87

HSL 45.31, 0.74%, 0.62%

LAB 79.92, 0.33, 57.49

 

CMYK 0 / 14 / 57 / 3

HEX #F7D56A

RGB 247 213 106

HSL 45.53, 0.9%, 0.69%

LAB 86.21, -0.59, 56.38

 

CMYK 0 / 19 / 80 / 32

HEX #AE8D23

RGB 174 141 35

HSL 45.76, 0.67%, 0.41%

LAB 60.04, 2.07, 56.78

 

CMYK 0 / 22 / 90 / 38

HEX #9D7B10

RGB 157 123 16

HSL 45.53, 0.82%, 0.34%

LAB 53.35, 3.72, 55.96

 

CMYK 0 / 25 / 100 / 45

HEX #8C6900

RGB 140 105 0

HSL 45, 1%, 0.27%

LAB 46.55, 5.7, 53.45

 

CMYK 0 / 29 / 100 / 52

HEX #7B5700

RGB 123 87 0

HSL 42.44, 1%, 0.24%

LAB 39.63, 8.08, 47.77

 

CMYK 0 / 35 / 100 / 58

HEX #6A4500

RGB 106 69 0

HSL 39.06, 1%, 0.21%

LAB 32.53, 10.62, 41.96

 

CMYK 0 / 19 / 80 / 31

HEX #AF8D23

RGB 175 141 35

HSL 45.43, 0.67%, 0.41%

LAB 60.15, 2.52, 56.91

 

CMYK 0 / 41 / 80 / 31

HEX #AF6823

RGB 175 104 35

HSL 29.57, 0.67%, 0.41%

LAB 50.85, 23.15, 48.35

 

CMYK 0 / 62 / 80 / 31

HEX #AF4223

RGB 175 66 35

HSL 13.29, 0.67%, 0.41%

LAB 42.96, 42.91, 40.76

 

CMYK 0 / 80 / 80 / 31

HEX #AF2323

RGB 175 35 35

HSL 0, 0.67%, 0.41%

LAB 38.62, 54.79, 36.39

 

CMYK 0 / 19 / 80 / 31

HEX #AF8D23

RGB 175 141 35

HSL 45.43, 0.67%, 0.41%

LAB 60.15, 2.52, 56.91

 

CMYK 3 / 0 / 80 / 31

HEX #AAAF23

RGB 170 175 35

HSL 62.14, 0.67%, 0.41%

LAB 68.99, -17.73, 64.61

 

CMYK 25 / 0 / 80 / 31

HEX #84AF23

RGB 132 175 35

HSL 78.43, 0.67%, 0.41%

LAB 66.28, -33.66, 61.16

 

CMYK 46 / 0 / 80 / 31

HEX #5FAF23

RGB 95 175 35

HSL 94.29, 0.67%, 0.41%

LAB 64.33, -47.13, 58.66

 

CMYK 67 / 0 / 80 / 31

HEX #39AF23

RGB 57 175 35

HSL 110.57, 0.67%, 0.41%

LAB 63.05, -57.27, 57

 

CMYK 0 / 19 / 80 / 31

HEX #AF8D23

RGB 175 141 35

HSL 45.43, 0.67%, 0.41%

LAB 60.15, 2.52, 56.91

 

CMYK 0 / 22 / 91 / 25

HEX #C09612

RGB 192 150 18

HSL 45.52, 0.83%, 0.41%

LAB 64.21, 4.81, 65.61

 

CMYK 0 / 24 / 100 / 18

HEX #D09F01

RGB 208 159 1

HSL 45.8, 0.99%, 0.41%

LAB 68.17, 6.86, 71.74

 

CMYK 0 / 19 / 80 / 31

HEX #AF8D23

RGB 175 141 35

HSL 45.43, 0.67%, 0.41%

LAB 60.15, 2.52, 56.91

 

CMYK 0 / 16 / 68 / 38

HEX #9E8433

RGB 158 132 51

HSL 45.42, 0.51%, 0.41%

LAB 56.1, 0.58, 45.91

 

CMYK 0 / 12 / 52 / 45

HEX #8D7C44

RGB 141 124 68

HSL 46.03, 0.35%, 0.41%

LAB 52.39, -1.24, 32.74

 

CMYK 0 / 7 / 31 / 51

HEX #7C7355

RGB 124 115 85

HSL 46.15, 0.19%, 0.41%

LAB 48.51, -1.53, 17.89

 

CMYK 0 / 1 / 5 / 58

HEX #6B6A66

RGB 107 106 102

HSL 48, 0.02%, 0.41%

LAB 44.79, -0.41, 2.37

 

CMYK 0 / 63 / 80 / 31

HEX #AF4123

RGB 175 65 35

HSL 12.86, 0.67%, 0.41%

LAB 42.79, 43.37, 40.58

 

CMYK 0 / 42 / 80 / 31

HEX #AF6623

RGB 175 102 35

HSL 28.71, 0.67%, 0.41%

LAB 50.38, 24.25, 47.91

 

CMYK 0 / 20 / 80 / 31

HEX #AF8C23

RGB 175 140 35

HSL 45, 0.67%, 0.41%

LAB 59.88, 3.07, 56.67

 

CMYK 2 / 0 / 80 / 31

HEX #ACAF23

RGB 172 175 35

HSL 61.29, 0.67%, 0.41%

LAB 69.15, -16.86, 64.81

 

CMYK 23 / 0 / 80 / 31

HEX #87AF23

RGB 135 175 35

HSL 77.14, 0.67%, 0.41%

LAB 66.47, -32.46, 61.4

 

CMYK 0 / 19 / 80 / 58

HEX #6A5615

RGB 106 86 21

HSL 45.88, 0.67%, 0.25%

LAB 37.43, 0.96, 38.49

 

CMYK 0 / 19 / 80 / 45

HEX #8C711C

RGB 140 113 28

HSL 45.54, 0.67%, 0.33%

LAB 48.85, 1.82, 47.74

 

CMYK 0 / 19 / 80 / 31

HEX #AF8D23

RGB 175 141 35

HSL 45.43, 0.67%, 0.41%

LAB 60.15, 2.52, 56.91

 

CMYK 0 / 19 / 80 / 18

HEX #D1A929

RGB 209 169 41

HSL 45.71, 0.67%, 0.49%

LAB 70.93, 2.72, 65.88

 

CMYK 0 / 16 / 67 / 14

HEX #DBB849

RGB 219 184 73

HSL 45.62, 0.67%, 0.57%

LAB 75.96, 0.56, 59.04

 

CMYK 0 / 19 / 80 / 32

HEX #AE8D23

RGB 174 141 35

HSL 45.76, 0.67%, 0.41%

LAB 60.04, 2.07, 56.78

 

CMYK 76 / 0 / 80 / 31

HEX #2AAF23

RGB 42 175 35

HSL 117, 0.67%, 0.41%

LAB 62.74, -59.97, 56.59

 

CMYK 52 / 80 / 0 / 31

HEX #5423AF

RGB 84 35 175

HSL 261, 0.67%, 0.41%

LAB 29.87, 53.1, -65.48

 

CMYK 0 / 19 / 80 / 32

HEX #AE8D23

RGB 174 141 35

HSL 45.76, 0.67%, 0.41%

LAB 60.04, 2.07, 56.78

 

CMYK 80 / 0 / 20 / 31

HEX #23AF8C

RGB 35 175 140

HSL 165, 0.67%, 0.41%

LAB 64.09, -44.11, 7.84

 

CMYK 20 / 80 / 0 / 31

HEX #8C23AF

RGB 140 35 175

HSL 285, 0.67%, 0.41%

LAB 37.61, 62.05, -52.52

 

CMYK 0 / 19 / 80 / 32

HEX #AE8D23

RGB 174 141 35

HSL 45.76, 0.67%, 0.41%

LAB 60.04, 2.07, 56.78

 

CMYK 76 / 0 / 80 / 31

HEX #2AAF23

RGB 42 175 35

HSL 117, 0.67%, 0.41%

LAB 62.74, -59.97, 56.59

 

CMYK 80 / 60 / 0 / 31

HEX #2346AF

RGB 35 70 175

HSL 225, 0.67%, 0.41%

LAB 33.63, 26.9, -59.45

 

CMYK 4 / 80 / 0 / 31

HEX #A823AF

RGB 168 35 175

HSL 297, 0.67%, 0.41%

LAB 42.19, 67.34, -44.92

 

CMYK 0 / 19 / 80 / 32

HEX #AE8D23

RGB 174 141 35

HSL 45.76, 0.67%, 0.41%

LAB 60.04, 2.07, 56.78

 

CMYK 80 / 0 / 60 / 31

HEX #23AF46

RGB 35 175 70

HSL 135, 0.67%, 0.41%

LAB 62.89, -57.64, 42.98

 

CMYK 80 / 60 / 0 / 31

HEX #2346AF

RGB 35 70 175

HSL 225, 0.67%, 0.41%

LAB 33.63, 26.9, -59.45

 

CMYK 0 / 80 / 20 / 31

HEX #AF238C

RGB 175 35 140

HSL 315, 0.67%, 0.41%

LAB 41.55, 63.59, -24.79

 

Description

Color code: HEX #AE8D23 | qconv.com Color code: HEX #AE8D23 | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 141 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 141 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 80 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 80% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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