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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE87FD3F it is the complementary color #5178023F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE87FD3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE87FD3F shade: #B387F83F, #C499FF3F, #D5ABFF3F, #E6BDFF3F and #F7CFFF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE87FD3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE87FD3F shade: #AE87FD3F, #9D75EA3F, #8C63D73F, #7B51C43F and #6A3FB13F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE87FD3F shade: #AE86FD, #CE86FD, #EE86FD, #FD86ED and #FD86CD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE87FD3F shade: #AE86FD, #8E86FD and #8686FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE87FD3F shade matches the following richer shades: #AE86FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE87FD3F shade: #AE86FD, #B190F3, #B49AE9, #B8A4DF and #BBAED6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE87FD3F shade: #86A0FD, #8C86FD, #AC86FD, #CC86FD and #EB86FD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE87FD3F shade: #7735FC, #925EFD, #AE86FD, #C9AFFE and #E5D8FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE87FD3F shade: #AE87FD, #FD86C0 and #90FD86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE87FD3F shade: #AE87FD, #FDAC86 and #86FDAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE87FD3F shade: #AE87FD, #FD86C0, #D8FD86 and #86FDC4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE87FD3F shade: #AE87FD, #FD869C, #D8FD86 and #86FDE7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 12 / 0 / 0

HEX #AE87FD3F

RGBA 174 135 253 0.25

HSLA 259.83, 0.97%, 0.76%, 0.25

LABA 64.5, 39.37, -53.7, 0.25

 

Complementary color

CMYK 8 / 0 / 25 / 13

HEX #5178023F

RGBA 81 120 2 0.25

HSLA 79.83, 0.97%, 0.24%, 0.25

LABA 45.89, -29.77, 50.2, 0.25

 

CMYK 7 / 11 / 0 / 1

HEX #B387F83F

RGBA 179 135 248 0.25

HSLA 263.36, 0.89%, 0.75%, 0.25

LABA 64.71, 39.46, -50.58, 0.25

 

CMYK 6 / 10 / 0 / 0

HEX #C499FF3F

RGBA 196 153 255 0.25

HSLA 265.29, 1%, 0.8%, 0.25

LABA 70.69, 35.81, -44.88, 0.25

 

CMYK 4 / 8 / 0 / 0

HEX #D5ABFF3F

RGBA 213 171 255 0.25

HSLA 270, 1%, 0.84%, 0.25

LABA 76.37, 30.9, -35.91, 0.25

 

CMYK 2 / 6 / 0 / 0

HEX #E6BDFF3F

RGBA 230 189 255 0.25

HSLA 277.27, 1%, 0.87%, 0.25

LABA 82.08, 26.37, -27.01, 0.25

 

CMYK 1 / 5 / 0 / 0

HEX #F7CFFF3F

RGBA 247 207 255 0.25

HSLA 290, 1%, 0.91%, 0.25

LABA 87.79, 22.2, -18.2, 0.25

 

CMYK 8 / 12 / 0 / 0

HEX #AE87FD3F

RGBA 174 135 253 0.25

HSLA 259.83, 0.97%, 0.76%, 0.25

LABA 64.5, 39.37, -53.7, 0.25

 

CMYK 8 / 13 / 0 / 2

HEX #9D75EA3F

RGBA 157 117 234 0.25

HSLA 260.51, 0.74%, 0.69%, 0.25

LABA 57.88, 40.35, -53.83, 0.25

 

CMYK 9 / 13 / 0 / 4

HEX #8C63D73F

RGBA 140 99 215 0.25

HSLA 261.21, 0.59%, 0.62%, 0.25

LABA 51.16, 41.4, -53.97, 0.25

 

CMYK 9 / 15 / 0 / 6

HEX #7B51C43F

RGBA 123 81 196 0.25

HSLA 261.91, 0.49%, 0.54%, 0.25

LABA 44.35, 42.5, -54.09, 0.25

 

CMYK 10 / 16 / 0 / 8

HEX #6A3FB13F

RGBA 106 63 177 0.25

HSLA 262.63, 0.48%, 0.47%, 0.25

LABA 37.47, 43.62, -54.16, 0.25

 

CMYK 31 / 47 / 0 / 1

HEX #AE86FD

RGB 174 134 253

HSL 260.17, 0.97%, 0.76%

LAB 64.27, 39.93, -54.05

 

CMYK 19 / 47 / 0 / 1

HEX #CE86FD

RGB 206 134 253

HSL 276.3, 0.97%, 0.76%

LAB 67.47, 48.37, -48.78

 

CMYK 6 / 47 / 0 / 1

HEX #EE86FD

RGB 238 134 253

HSL 292.44, 0.97%, 0.76%

LAB 71.09, 57.11, -42.85

 

CMYK 0 / 47 / 6 / 1

HEX #FD86ED

RGB 253 134 237

HSL 308.07, 0.97%, 0.76%

LAB 72.26, 58.54, -32.15

 

CMYK 0 / 47 / 19 / 1

HEX #FD86CD

RGB 253 134 205

HSL 324.2, 0.97%, 0.76%

LAB 71.11, 53.59, -16.27

 

CMYK 31 / 47 / 0 / 1

HEX #AE86FD

RGB 174 134 253

HSL 260.17, 0.97%, 0.76%

LAB 64.27, 39.93, -54.05

 

CMYK 44 / 47 / 0 / 1

HEX #8E86FD

RGB 142 134 253

HSL 244.03, 0.97%, 0.76%

LAB 61.56, 32.11, -58.53

 

CMYK 47 / 47 / 0 / 1

HEX #8686FD

RGB 134 134 253

HSL 240, 0.97%, 0.76%

LAB 60.97, 30.3, -59.52

 

CMYK 31 / 47 / 0 / 1

HEX #AE86FD

RGB 174 134 253

HSL 260.17, 0.97%, 0.76%

LAB 64.27, 39.93, -54.05

 

CMYK 31 / 47 / 0 / 1

HEX #AE86FD

RGB 174 134 253

HSL 260.17, 0.97%, 0.76%

LAB 64.27, 39.93, -54.05

 

CMYK 27 / 41 / 0 / 5

HEX #B190F3

RGB 177 144 243

HSL 260, 0.8%, 0.76%

LAB 66.34, 32.7, -45.29

 

CMYK 23 / 34 / 0 / 9

HEX #B49AE9

RGB 180 154 233

HSL 259.75, 0.64%, 0.76%

LAB 68.53, 25.59, -36.35

 

CMYK 17 / 26 / 0 / 13

HEX #B8A4DF

RGB 184 164 223

HSL 260.34, 0.48%, 0.76%

LAB 70.92, 18.94, -27.15

 

CMYK 13 / 19 / 0 / 16

HEX #BBAED6

RGB 187 174 214

HSL 259.5, 0.33%, 0.76%

LAB 73.35, 12.42, -18.5

 

CMYK 47 / 37 / 0 / 1

HEX #86A0FD

RGB 134 160 253

HSL 226.89, 0.97%, 0.76%

LAB 67.5, 15.18, -49.14

 

CMYK 45 / 47 / 0 / 1

HEX #8C86FD

RGB 140 134 253

HSL 243.03, 0.97%, 0.76%

LAB 61.41, 31.65, -58.79

 

CMYK 32 / 47 / 0 / 1

HEX #AC86FD

RGB 172 134 253

HSL 259.16, 0.97%, 0.76%

LAB 64.09, 39.42, -54.36

 

CMYK 19 / 47 / 0 / 1

HEX #CC86FD

RGB 204 134 253

HSL 275.29, 0.97%, 0.76%

LAB 67.26, 47.83, -49.13

 

CMYK 7 / 47 / 0 / 1

HEX #EB86FD

RGB 235 134 253

HSL 290.92, 0.97%, 0.76%

LAB 70.74, 56.28, -43.43

 

CMYK 53 / 79 / 0 / 1

HEX #7735FC

RGB 119 53 252

HSL 259.9, 0.97%, 0.6%

LAB 43.5, 69.97, -87.38

 

CMYK 42 / 63 / 0 / 1

HEX #925EFD

RGB 146 94 253

HSL 259.62, 0.98%, 0.68%

LAB 53.18, 55.32, -72.01

 

CMYK 31 / 47 / 0 / 1

HEX #AE86FD

RGB 174 134 253

HSL 260.17, 0.97%, 0.76%

LAB 64.27, 39.93, -54.05

 

CMYK 21 / 31 / 0 / 0

HEX #C9AFFE

RGB 201 175 254

HSL 259.75, 0.98%, 0.84%

LAB 76.21, 24.94, -35.71

 

CMYK 10 / 15 / 0 / 0

HEX #E5D8FE

RGB 229 216 254

HSL 260.53, 0.95%, 0.92%

LAB 88.41, 11.49, -16.88

 

CMYK 31 / 47 / 0 / 1

HEX #AE87FD

RGB 174 135 253

HSL 259.83, 0.97%, 0.76%

LAB 64.5, 39.37, -53.7

 

CMYK 0 / 47 / 24 / 1

HEX #FD86C0

RGB 253 134 192

HSL 330.76, 0.97%, 0.76%

LAB 70.69, 51.76, -9.66

 

CMYK 43 / 0 / 47 / 1

HEX #90FD86

RGB 144 253 134

HSL 114.96, 0.97%, 0.76%

LAB 90.73, -53.95, 47.14

 

CMYK 31 / 47 / 0 / 1

HEX #AE87FD

RGB 174 135 253

HSL 259.83, 0.97%, 0.76%

LAB 64.5, 39.37, -53.7

 

CMYK 0 / 32 / 47 / 1

HEX #FDAC86

RGB 253 172 134

HSL 19.16, 0.97%, 0.76%

LAB 77.35, 25.52, 31.57

 

CMYK 47 / 0 / 32 / 1

HEX #86FDAC

RGB 134 253 172

HSL 139.16, 0.97%, 0.76%

LAB 90.92, -50.85, 28.63

 

CMYK 31 / 47 / 0 / 1

HEX #AE87FD

RGB 174 135 253

HSL 259.83, 0.97%, 0.76%

LAB 64.5, 39.37, -53.7

 

CMYK 0 / 47 / 24 / 1

HEX #FD86C0

RGB 253 134 192

HSL 330.76, 0.97%, 0.76%

LAB 70.69, 51.76, -9.66

 

CMYK 15 / 0 / 47 / 1

HEX #D8FD86

RGB 216 253 134

HSL 78.66, 0.97%, 0.76%

LAB 94.56, -29.9, 52.71

 

CMYK 47 / 0 / 23 / 1

HEX #86FDC4

RGB 134 253 196

HSL 151.26, 0.97%, 0.76%

LAB 91.37, -46.35, 17.04

 

CMYK 31 / 47 / 0 / 1

HEX #AE87FD

RGB 174 135 253

HSL 259.83, 0.97%, 0.76%

LAB 64.5, 39.37, -53.7

 

CMYK 0 / 47 / 38 / 1

HEX #FD869C

RGB 253 134 156

HSL 348.91, 0.97%, 0.76%

LAB 69.71, 47.32, 9.04

 

CMYK 15 / 0 / 47 / 1

HEX #D8FD86

RGB 216 253 134

HSL 78.66, 0.97%, 0.76%

LAB 94.56, -29.9, 52.71

 

CMYK 47 / 0 / 9 / 1

HEX #86FDE7

RGB 134 253 231

HSL 168.91, 0.97%, 0.76%

LAB 92.17, -38.82, 0.12

 

Description

Color code: HEX #AE87FD3F | qconv.com Color code: HEX #AE87FD3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 135 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 135 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 12 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 12% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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