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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE857A it is the complementary color #517A85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE857A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE857A shade: #B38575, #C49788, #D5A99B, #E6BBAE and #F7CDC1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE857A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE857A shade: #AE857A, #9D7367, #8C6154, #7B4F41 and #6A3D2E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE857A shade: #AE857A and #AE7A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE857A shade: #AE857A, #AE937A, #AEA17A, #ADAE7A and #9FAE7A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE857A shade matches the following richer shades: #AE857A, #BF7B69, #D07158, #E26746 and #F35D35

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE857A shade: #AE857A, #9C8F8C, #8B999D, #7AA3AE and #68ADC0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE857A shade: #AE7A8B, #AE7A7E, #AE847A, #AE927A and #AEA07A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE857A shade: #845C51, #9E6E61, #AE857A, #BD9D94 and #CDB4AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE857A shade: #AE857A, #99AE7A and #7A84AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE857A shade: #AE857A, #7AAE84 and #847AAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE857A shade: #AE857A, #99AE7A, #7AA3AE and #8F7AAE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE857A shade: #AE857A, #8AAE7A, #7AA3AE and #9E7AAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 30 / 32

HEX #AE857A

RGB 174 133 122

HSL 12.69, 0.24%, 0.58%

LAB 59.14, 14.1, 11.99

 

Complementary color

CMYK 39 / 8 / 0 / 48

HEX #517A85

RGB 81 122 133

HSL 192.69, 0.24%, 0.42%

LAB 48.71, -11.24, -10.52

 

CMYK 0 / 26 / 35 / 30

HEX #B38575

RGB 179 133 117

HSL 15.48, 0.29%, 0.58%

LAB 59.56, 15.43, 15.52

 

CMYK 0 / 23 / 31 / 23

HEX #C49788

RGB 196 151 136

HSL 15, 0.34%, 0.65%

LAB 66.25, 14.71, 14.39

 

CMYK 0 / 21 / 27 / 16

HEX #D5A99B

RGB 213 169 155

HSL 14.48, 0.41%, 0.72%

LAB 72.82, 14.07, 13.36

 

CMYK 0 / 19 / 24 / 10

HEX #E6BBAE

RGB 230 187 174

HSL 13.93, 0.53%, 0.79%

LAB 79.28, 13.5, 12.4

 

CMYK 0 / 17 / 22 / 3

HEX #F7CDC1

RGB 247 205 193

HSL 13.33, 0.77%, 0.86%

LAB 85.65, 12.99, 11.51

 

CMYK 0 / 24 / 30 / 32

HEX #AE857A

RGB 174 133 122

HSL 12.69, 0.24%, 0.58%

LAB 59.14, 14.1, 11.99

 

CMYK 0 / 27 / 34 / 38

HEX #9D7367

RGB 157 115 103

HSL 13.33, 0.22%, 0.51%

LAB 52.3, 14.85, 13.13

 

CMYK 0 / 31 / 40 / 45

HEX #8C6154

RGB 140 97 84

HSL 13.93, 0.25%, 0.44%

LAB 45.31, 15.72, 14.41

 

CMYK 0 / 36 / 47 / 52

HEX #7B4F41

RGB 123 79 65

HSL 14.48, 0.31%, 0.37%

LAB 38.17, 16.77, 15.89

 

CMYK 0 / 42 / 57 / 58

HEX #6A3D2E

RGB 106 61 46

HSL 15, 0.39%, 0.3%

LAB 30.88, 18.03, 17.65

 

CMYK 0 / 24 / 30 / 32

HEX #AE857A

RGB 174 133 122

HSL 12.69, 0.24%, 0.58%

LAB 59.14, 14.1, 11.99

 

CMYK 0 / 30 / 30 / 32

HEX #AE7A7A

RGB 174 122 122

HSL 0, 0.24%, 0.58%

LAB 56.41, 20.3, 8.14

 

CMYK 0 / 24 / 30 / 32

HEX #AE857A

RGB 174 133 122

HSL 12.69, 0.24%, 0.58%

LAB 59.14, 14.1, 11.99

 

CMYK 0 / 16 / 30 / 32

HEX #AE937A

RGB 174 147 122

HSL 28.85, 0.24%, 0.58%

LAB 62.74, 6.28, 17

 

CMYK 0 / 7 / 30 / 32

HEX #AEA17A

RGB 174 161 122

HSL 45, 0.24%, 0.58%

LAB 66.44, -1.4, 22.06

 

CMYK 1 / 0 / 30 / 32

HEX #ADAE7A

RGB 173 174 122

HSL 61.15, 0.24%, 0.58%

LAB 69.87, -8.75, 26.65

 

CMYK 9 / 0 / 30 / 32

HEX #9FAE7A

RGB 159 174 122

HSL 77.31, 0.24%, 0.58%

LAB 68.79, -14.22, 25.01

 

CMYK 0 / 24 / 30 / 32

HEX #AE857A

RGB 174 133 122

HSL 12.69, 0.24%, 0.58%

LAB 59.14, 14.1, 11.99

 

CMYK 0 / 36 / 45 / 25

HEX #BF7B69

RGB 191 123 105

HSL 12.56, 0.4%, 0.58%

LAB 58.29, 24.42, 20.82

 

CMYK 0 / 46 / 58 / 18

HEX #D07158

RGB 208 113 88

HSL 12.5, 0.56%, 0.58%

LAB 57.97, 35, 30.42

 

CMYK 0 / 54 / 69 / 11

HEX #E26746

RGB 226 103 70

HSL 12.69, 0.73%, 0.58%

LAB 58.33, 45.74, 41.34

 

CMYK 0 / 62 / 78 / 5

HEX #F35D35

RGB 243 93 53

HSL 12.63, 0.89%, 0.58%

LAB 59.1, 55.65, 51.65

 

CMYK 0 / 24 / 30 / 32

HEX #AE857A

RGB 174 133 122

HSL 12.69, 0.24%, 0.58%

LAB 59.14, 14.1, 11.99

 

CMYK 0 / 8 / 10 / 39

HEX #9C8F8C

RGB 156 143 140

HSL 11.25, 0.07%, 0.58%

LAB 60.43, 4.29, 3.33

 

CMYK 11 / 3 / 0 / 38

HEX #8B999D

RGB 139 153 157

HSL 193.33, 0.08%, 0.58%

LAB 62.26, -4.14, -3.81

 

CMYK 30 / 6 / 0 / 32

HEX #7AA3AE

RGB 122 163 174

HSL 192.69, 0.24%, 0.58%

LAB 64.47, -11.18, -10.2

 

CMYK 46 / 10 / 0 / 25

HEX #68ADC0

RGB 104 173 192

HSL 192.95, 0.41%, 0.58%

LAB 67, -16.71, -16.51

 

CMYK 0 / 30 / 20 / 32

HEX #AE7A8B

RGB 174 122 139

HSL 340.38, 0.24%, 0.58%

LAB 56.86, 22.84, -1.07

 

CMYK 0 / 30 / 28 / 32

HEX #AE7A7E

RGB 174 122 126

HSL 355.38, 0.24%, 0.58%

LAB 56.51, 20.87, 5.96

 

CMYK 0 / 24 / 30 / 32

HEX #AE847A

RGB 174 132 122

HSL 11.54, 0.24%, 0.58%

LAB 58.89, 14.66, 11.64

 

CMYK 0 / 16 / 30 / 32

HEX #AE927A

RGB 174 146 122

HSL 27.69, 0.24%, 0.58%

LAB 62.48, 6.83, 16.64

 

CMYK 0 / 8 / 30 / 32

HEX #AEA07A

RGB 174 160 122

HSL 43.85, 0.24%, 0.58%

LAB 66.17, -0.86, 21.7

 

CMYK 0 / 30 / 39 / 48

HEX #845C51

RGB 132 92 81

HSL 12.94, 0.24%, 0.42%

LAB 42.99, 14.88, 12.88

 

CMYK 0 / 30 / 39 / 38

HEX #9E6E61

RGB 158 110 97

HSL 12.79, 0.24%, 0.5%

LAB 51.02, 17.35, 14.89

 

CMYK 0 / 24 / 30 / 32

HEX #AE857A

RGB 174 133 122

HSL 12.69, 0.24%, 0.58%

LAB 59.14, 14.1, 11.99

 

CMYK 0 / 17 / 22 / 26

HEX #BD9D94

RGB 189 157 148

HSL 13.17, 0.24%, 0.66%

LAB 67.33, 10.41, 9.13

 

CMYK 0 / 12 / 16 / 20

HEX #CDB4AD

RGB 205 180 173

HSL 13.13, 0.24%, 0.74%

LAB 75.23, 7.81, 6.85

 

CMYK 0 / 24 / 30 / 32

HEX #AE857A

RGB 174 133 122

HSL 12.69, 0.24%, 0.58%

LAB 59.14, 14.1, 11.99

 

CMYK 12 / 0 / 30 / 32

HEX #99AE7A

RGB 153 174 122

HSL 84.23, 0.24%, 0.58%

LAB 68.35, -16.52, 24.35

 

CMYK 30 / 24 / 0 / 32

HEX #7A84AE

RGB 122 132 174

HSL 228.46, 0.24%, 0.58%

LAB 55.78, 6.26, -23.38

 

CMYK 0 / 24 / 30 / 32

HEX #AE857A

RGB 174 133 122

HSL 12.69, 0.24%, 0.58%

LAB 59.14, 14.1, 11.99

 

CMYK 30 / 0 / 24 / 32

HEX #7AAE84

RGB 122 174 132

HSL 131.54, 0.24%, 0.58%

LAB 66.58, -25.93, 16.18

 

CMYK 24 / 30 / 0 / 32

HEX #847AAE

RGB 132 122 174

HSL 251.54, 0.24%, 0.58%

LAB 53.9, 15.24, -26.21

 

CMYK 0 / 24 / 30 / 32

HEX #AE857A

RGB 174 133 122

HSL 12.69, 0.24%, 0.58%

LAB 59.14, 14.1, 11.99

 

CMYK 12 / 0 / 30 / 32

HEX #99AE7A

RGB 153 174 122

HSL 84.23, 0.24%, 0.58%

LAB 68.35, -16.52, 24.35

 

CMYK 30 / 6 / 0 / 32

HEX #7AA3AE

RGB 122 163 174

HSL 192.69, 0.24%, 0.58%

LAB 64.47, -11.18, -10.2

 

CMYK 18 / 30 / 0 / 32

HEX #8F7AAE

RGB 143 122 174

HSL 264.23, 0.24%, 0.58%

LAB 54.88, 18.75, -24.62

 

CMYK 0 / 24 / 30 / 32

HEX #AE857A

RGB 174 133 122

HSL 12.69, 0.24%, 0.58%

LAB 59.14, 14.1, 11.99

 

CMYK 21 / 0 / 30 / 32

HEX #8AAE7A

RGB 138 174 122

HSL 101.54, 0.24%, 0.58%

LAB 67.34, -22.1, 22.81

 

CMYK 30 / 6 / 0 / 32

HEX #7AA3AE

RGB 122 163 174

HSL 192.69, 0.24%, 0.58%

LAB 64.47, -11.18, -10.2

 

CMYK 9 / 30 / 0 / 32

HEX #9E7AAE

RGB 158 122 174

HSL 281.54, 0.24%, 0.58%

LAB 56.33, 23.67, -22.27

 

Description

Color code: HEX #AE857A | qconv.com Color code: HEX #AE857A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 133 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 133 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 30 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 30% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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