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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE7F6E it is the complementary color #518091. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE7F6E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE7F6E shade: #B37F69, #C4917C, #D5A38F, #E6B5A2 and #F7C7B5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE7F6E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE7F6E shade: #AE7F6E, #9D6D5B, #8C5B48, #7B4935 and #6A3722

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE7F6E shade: #AE806F and #AE6F6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE7F6E shade: #AE806F, #AE916F, #AEA16F, #A9AE6F and #98AE6F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE7F6E shade matches the following richer shades: #AE806F, #C0775D, #D26F4B, #E46638 and #F65E26

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE7F6E shade: #AE806F, #9C8881, #899193, #7799A5 and #65A2B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE7F6E shade: #AE6F81, #AE6F70, #AE7F6F, #AE8F6F and #AEA06F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE7F6E shade: #815849, #9C6A57, #AE806F, #BD9789 and #CBAEA4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE7F6E shade: #AE7F6E, #91AE6F and #6F78AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE7F6E shade: #AE7F6E, #6FAE7F and #7F6FAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE7F6E shade: #AE7F6E, #91AE6F, #6F9EAE and #8B6FAE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE7F6E shade: #AE7F6E, #7FAE6F, #6F9EAE and #9E6FAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 37 / 32

HEX #AE7F6E

RGB 174 127 110

HSL 15.94, 0.28%, 0.56%

LAB 57.37, 15.89, 16.39

 

Complementary color

CMYK 44 / 12 / 0 / 43

HEX #518091

RGB 81 128 145

HSL 195.94, 0.28%, 0.44%

LAB 50.96, -11.25, -14.18

 

CMYK 0 / 29 / 41 / 30

HEX #B37F69

RGB 179 127 105

HSL 17.84, 0.33%, 0.56%

LAB 57.83, 17.33, 19.97

 

CMYK 0 / 26 / 37 / 23

HEX #C4917C

RGB 196 145 124

HSL 17.5, 0.38%, 0.63%

LAB 64.52, 16.47, 18.69

 

CMYK 0 / 23 / 33 / 16

HEX #D5A38F

RGB 213 163 143

HSL 17.14, 0.45%, 0.7%

LAB 71.09, 15.72, 17.53

 

CMYK 0 / 21 / 30 / 10

HEX #E6B5A2

RGB 230 181 162

HSL 16.76, 0.58%, 0.77%

LAB 77.57, 15.06, 16.46

 

CMYK 0 / 19 / 27 / 3

HEX #F7C7B5

RGB 247 199 181

HSL 16.36, 0.8%, 0.84%

LAB 83.94, 14.47, 15.46

 

CMYK 0 / 27 / 37 / 32

HEX #AE7F6E

RGB 174 127 110

HSL 15.94, 0.28%, 0.56%

LAB 57.37, 15.89, 16.39

 

CMYK 0 / 31 / 42 / 38

HEX #9D6D5B

RGB 157 109 91

HSL 16.36, 0.27%, 0.49%

LAB 50.52, 16.78, 17.71

 

CMYK 0 / 35 / 49 / 45

HEX #8C5B48

RGB 140 91 72

HSL 16.76, 0.32%, 0.42%

LAB 43.54, 17.83, 19.2

 

CMYK 0 / 41 / 57 / 52

HEX #7B4935

RGB 123 73 53

HSL 17.14, 0.4%, 0.35%

LAB 36.43, 19.09, 20.94

 

CMYK 0 / 48 / 68 / 58

HEX #6A3722

RGB 106 55 34

HSL 17.5, 0.51%, 0.27%

LAB 29.19, 20.61, 23

 

CMYK 0 / 26 / 36 / 32

HEX #AE806F

RGB 174 128 111

HSL 16.19, 0.28%, 0.56%

LAB 57.64, 15.45, 16.2

 

CMYK 0 / 36 / 36 / 32

HEX #AE6F6F

RGB 174 111 111

HSL 0, 0.28%, 0.56%

LAB 53.51, 25.01, 10.44

 

CMYK 0 / 26 / 36 / 32

HEX #AE806F

RGB 174 128 111

HSL 16.19, 0.28%, 0.56%

LAB 57.64, 15.45, 16.2

 

CMYK 0 / 17 / 36 / 32

HEX #AE916F

RGB 174 145 111

HSL 32.38, 0.28%, 0.56%

LAB 62, 5.94, 22.13

 

CMYK 0 / 7 / 36 / 32

HEX #AEA16F

RGB 174 161 111

HSL 47.62, 0.28%, 0.56%

LAB 66.24, -2.82, 27.78

 

CMYK 3 / 0 / 36 / 32

HEX #A9AE6F

RGB 169 174 111

HSL 64.76, 0.28%, 0.56%

LAB 69.37, -11.75, 31.78

 

CMYK 13 / 0 / 36 / 32

HEX #98AE6F

RGB 152 174 111

HSL 80.95, 0.28%, 0.56%

LAB 68.09, -18.46, 29.87

 

CMYK 0 / 26 / 36 / 32

HEX #AE806F

RGB 174 128 111

HSL 16.19, 0.28%, 0.56%

LAB 57.64, 15.45, 16.2

 

CMYK 0 / 38 / 52 / 25

HEX #C0775D

RGB 192 119 93

HSL 15.76, 0.44%, 0.56%

LAB 57.26, 25.83, 26.29

 

CMYK 0 / 47 / 64 / 18

HEX #D26F4B

RGB 210 111 75

HSL 16, 0.6%, 0.56%

LAB 57.63, 35.91, 37.25

 

CMYK 0 / 55 / 75 / 11

HEX #E46638

RGB 228 102 56

HSL 16.05, 0.76%, 0.56%

LAB 58.3, 46.31, 48.61

 

CMYK 0 / 62 / 85 / 4

HEX #F65E26

RGB 246 94 38

HSL 16.15, 0.92%, 0.56%

LAB 59.65, 55.83, 59.03

 

CMYK 0 / 26 / 36 / 32

HEX #AE806F

RGB 174 128 111

HSL 16.19, 0.28%, 0.56%

LAB 57.64, 15.45, 16.2

 

CMYK 0 / 13 / 17 / 39

HEX #9C8881

RGB 156 136 129

HSL 15.56, 0.12%, 0.56%

LAB 58.28, 6.36, 6.53

 

CMYK 7 / 1 / 0 / 42

HEX #899193

RGB 137 145 147

HSL 192, 0.04%, 0.56%

LAB 59.59, -2.48, -2.07

 

CMYK 28 / 7 / 0 / 35

HEX #7799A5

RGB 119 153 165

HSL 195.65, 0.2%, 0.56%

LAB 61.15, -8.85, -10.12

 

CMYK 45 / 11 / 0 / 28

HEX #65A2B7

RGB 101 162 183

HSL 195.37, 0.36%, 0.56%

LAB 63.36, -14.08, -17.02

 

CMYK 0 / 36 / 26 / 32

HEX #AE6F81

RGB 174 111 129

HSL 342.86, 0.28%, 0.56%

LAB 53.98, 27.48, 0.55

 

CMYK 0 / 36 / 36 / 32

HEX #AE6F70

RGB 174 111 112

HSL 359.05, 0.28%, 0.56%

LAB 53.53, 25.13, 9.89

 

CMYK 0 / 27 / 36 / 32

HEX #AE7F6F

RGB 174 127 111

HSL 15.24, 0.28%, 0.56%

LAB 57.39, 16.01, 15.85

 

CMYK 0 / 18 / 36 / 32

HEX #AE8F6F

RGB 174 143 111

HSL 30.48, 0.28%, 0.56%

LAB 61.47, 7.05, 21.42

 

CMYK 0 / 8 / 36 / 32

HEX #AEA06F

RGB 174 160 111

HSL 46.67, 0.28%, 0.56%

LAB 65.97, -2.28, 27.42

 

CMYK 0 / 32 / 43 / 49

HEX #815849

RGB 129 88 73

HSL 16.07, 0.28%, 0.4%

LAB 41.42, 14.96, 15.51

 

CMYK 0 / 32 / 44 / 39

HEX #9C6A57

RGB 156 106 87

HSL 16.52, 0.28%, 0.48%

LAB 49.57, 17.62, 18.74

 

CMYK 0 / 26 / 36 / 32

HEX #AE806F

RGB 174 128 111

HSL 16.19, 0.28%, 0.56%

LAB 57.64, 15.45, 16.2

 

CMYK 0 / 20 / 28 / 26

HEX #BD9789

RGB 189 151 137

HSL 16.15, 0.28%, 0.64%

LAB 65.56, 12.11, 12.76

 

CMYK 0 / 14 / 19 / 20

HEX #CBAEA4

RGB 203 174 164

HSL 15.38, 0.27%, 0.72%

LAB 73.32, 8.9, 9.01

 

CMYK 0 / 27 / 37 / 32

HEX #AE7F6E

RGB 174 127 110

HSL 15.94, 0.28%, 0.56%

LAB 57.37, 15.89, 16.39

 

CMYK 17 / 0 / 36 / 32

HEX #91AE6F

RGB 145 174 111

HSL 87.62, 0.28%, 0.56%

LAB 67.61, -21.14, 29.14

 

CMYK 36 / 31 / 0 / 32

HEX #6F78AE

RGB 111 120 174

HSL 231.43, 0.28%, 0.56%

LAB 51.69, 10.09, -29.78

 

CMYK 0 / 27 / 37 / 32

HEX #AE7F6E

RGB 174 127 110

HSL 15.94, 0.28%, 0.56%

LAB 57.37, 15.89, 16.39

 

CMYK 36 / 0 / 27 / 32

HEX #6FAE7F

RGB 111 174 127

HSL 135.24, 0.28%, 0.56%

LAB 65.89, -30.41, 17.87

 

CMYK 27 / 36 / 0 / 32

HEX #7F6FAE

RGB 127 111 174

HSL 255.24, 0.28%, 0.56%

LAB 50.61, 20.23, -31.35

 

CMYK 0 / 27 / 37 / 32

HEX #AE7F6E

RGB 174 127 110

HSL 15.94, 0.28%, 0.56%

LAB 57.37, 15.89, 16.39

 

CMYK 17 / 0 / 36 / 32

HEX #91AE6F

RGB 145 174 111

HSL 87.62, 0.28%, 0.56%

LAB 67.61, -21.14, 29.14

 

CMYK 36 / 9 / 0 / 32

HEX #6F9EAE

RGB 111 158 174

HSL 195.24, 0.28%, 0.56%

LAB 62.41, -11.67, -13.35

 

CMYK 20 / 36 / 0 / 32

HEX #8B6FAE

RGB 139 111 174

HSL 266.67, 0.28%, 0.56%

LAB 51.74, 23.92, -29.51

 

CMYK 0 / 27 / 37 / 32

HEX #AE7F6E

RGB 174 127 110

HSL 15.94, 0.28%, 0.56%

LAB 57.37, 15.89, 16.39

 

CMYK 27 / 0 / 36 / 32

HEX #7FAE6F

RGB 127 174 111

HSL 104.76, 0.28%, 0.56%

LAB 66.47, -27.77, 27.44

 

CMYK 36 / 9 / 0 / 32

HEX #6F9EAE

RGB 111 158 174

HSL 195.24, 0.28%, 0.56%

LAB 62.41, -11.67, -13.35

 

CMYK 9 / 36 / 0 / 32

HEX #9E6FAE

RGB 158 111 174

HSL 284.76, 0.28%, 0.56%

LAB 53.7, 29.96, -26.32

 

Description

Color code: HEX #AE7F6E | qconv.com Color code: HEX #AE7F6E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 127 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 127 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 37 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 37% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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