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Color name
HEX #AE7A18

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE7A18 it is the complementary color #5185E7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE7A18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE7A18 shade: #B37A13, #C48C26, #D59E39, #E6B04C and #F7C25F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE7A18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE7A18 shade: #AE7A18, #9D6805, #8C5600, #7B4400 and #6A3200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE7A18 shade: #AF7B18, #AF5218, #AF2918 and #AF1818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE7A18 shade: #AF7B18, #AFA318, #92AF18, #69AF18 and #40AF18

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE7A18 shade matches the following richer shades: #AF7B18 and #BF8008

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE7A18 shade: #AF7B18, #9F7628, #8F7138, #7F6C48 and #6F6758

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE7A18 shade: #AF2A18, #AF5218, #AF7A18, #AFA218 and #93AF18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE7A18 shade: #66480E, #8B6113, #AF7B18, #D3941D and #E4A736

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE7A18 shade: #AE7A18, #2FAF18 and #3E18AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE7A18 shade: #AE7A18, #18AF7A and #7A18AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE7A18 shade: #AE7A18, #2FAF18, #184DAF and #9818AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE7A18 shade: #AE7A18, #18AF2F, #184DAF and #AF1898

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 86 / 32

HEX #AE7A18

RGB 174 122 24

HSL 39.2, 0.76%, 0.39%

LAB 55.06, 12.28, 56

 

Complementary color

CMYK 65 / 42 / 0 / 9

HEX #5185E7

RGB 81 133 231

HSL 219.2, 0.76%, 0.61%

LAB 56.38, 13.44, -54.85

 

CMYK 0 / 32 / 89 / 30

HEX #B37A13

RGB 179 122 19

HSL 38.63, 0.81%, 0.39%

LAB 55.63, 14.42, 58.1

 

CMYK 0 / 29 / 81 / 23

HEX #C48C26

RGB 196 140 38

HSL 38.73, 0.68%, 0.46%

LAB 62.2, 12.56, 58.57

 

CMYK 0 / 26 / 73 / 16

HEX #D59E39

RGB 213 158 57

HSL 38.85, 0.65%, 0.53%

LAB 68.68, 10.98, 58.08

 

CMYK 0 / 23 / 67 / 10

HEX #E6B04C

RGB 230 176 76

HSL 38.96, 0.75%, 0.6%

LAB 75.07, 9.62, 57.12

 

CMYK 0 / 21 / 62 / 3

HEX #F7C25F

RGB 247 194 95

HSL 39.08, 0.9%, 0.67%

LAB 81.39, 8.44, 55.96

 

CMYK 0 / 30 / 86 / 32

HEX #AE7A18

RGB 174 122 24

HSL 39.2, 0.76%, 0.39%

LAB 55.06, 12.28, 56

 

CMYK 0 / 34 / 97 / 38

HEX #9D6805

RGB 157 104 5

HSL 39.08, 0.94%, 0.32%

LAB 48.36, 14.33, 54.54

 

CMYK 0 / 39 / 100 / 45

HEX #8C5600

RGB 140 86 0

HSL 36.86, 1%, 0.27%

LAB 41.58, 16.76, 50.13

 

CMYK 0 / 45 / 100 / 52

HEX #7B4400

RGB 123 68 0

HSL 33.17, 1%, 0.24%

LAB 34.69, 19.38, 44.54

 

CMYK 0 / 53 / 100 / 58

HEX #6A3200

RGB 106 50 0

HSL 28.3, 1%, 0.21%

LAB 27.7, 22.07, 38.34

 

CMYK 0 / 30 / 86 / 31

HEX #AF7B18

RGB 175 123 24

HSL 39.34, 0.76%, 0.39%

LAB 55.43, 12.17, 56.35

 

CMYK 0 / 53 / 86 / 31

HEX #AF5218

RGB 175 82 24

HSL 23.05, 0.76%, 0.39%

LAB 45.93, 34.68, 48.44

 

CMYK 0 / 77 / 86 / 31

HEX #AF2918

RGB 175 41 24

HSL 6.75, 0.76%, 0.39%

LAB 39.18, 52.62, 42.73

 

CMYK 0 / 86 / 86 / 31

HEX #AF1818

RGB 175 24 24

HSL 0, 0.76%, 0.39%

LAB 37.54, 57.26, 41.32

 

CMYK 0 / 30 / 86 / 31

HEX #AF7B18

RGB 175 123 24

HSL 39.34, 0.76%, 0.39%

LAB 55.43, 12.17, 56.35

 

CMYK 0 / 7 / 86 / 31

HEX #AFA318

RGB 175 163 24

HSL 55.23, 0.76%, 0.39%

LAB 66.04, -9.66, 65.08

 

CMYK 17 / 0 / 86 / 31

HEX #92AF18

RGB 146 175 24

HSL 71.52, 0.76%, 0.39%

LAB 67.15, -28.33, 65.07

 

CMYK 40 / 0 / 86 / 31

HEX #69AF18

RGB 105 175 24

HSL 87.81, 0.76%, 0.39%

LAB 64.75, -44.25, 62.07

 

CMYK 63 / 0 / 86 / 31

HEX #40AF18

RGB 64 175 24

HSL 104.11, 0.76%, 0.39%

LAB 63.19, -56.3, 60.1

 

CMYK 0 / 30 / 86 / 31

HEX #AF7B18

RGB 175 123 24

HSL 39.34, 0.76%, 0.39%

LAB 55.43, 12.17, 56.35

 

CMYK 0 / 33 / 96 / 25

HEX #BF8008

RGB 191 128 8

HSL 39.34, 0.92%, 0.39%

LAB 58.54, 16.28, 63.1

 

CMYK 0 / 30 / 86 / 31

HEX #AF7B18

RGB 175 123 24

HSL 39.34, 0.76%, 0.39%

LAB 55.43, 12.17, 56.35

 

CMYK 0 / 26 / 75 / 38

HEX #9F7628

RGB 159 118 40

HSL 39.33, 0.6%, 0.39%

LAB 52.38, 8.31, 47.02

 

CMYK 0 / 21 / 61 / 44

HEX #8F7138

RGB 143 113 56

HSL 39.31, 0.44%, 0.39%

LAB 49.42, 4.88, 35.61

 

CMYK 0 / 15 / 43 / 50

HEX #7F6C48

RGB 127 108 72

HSL 39.27, 0.28%, 0.39%

LAB 46.59, 2.14, 22.91

 

CMYK 0 / 7 / 21 / 56

HEX #6F6758

RGB 111 103 88

HSL 39.13, 0.12%, 0.39%

LAB 43.92, 0.43, 9.61

 

CMYK 0 / 76 / 86 / 31

HEX #AF2A18

RGB 175 42 24

HSL 7.15, 0.76%, 0.39%

LAB 39.3, 52.29, 42.83

HEX #AF2A18

CMYK 0 / 53 / 86 / 31

HEX #AF5218

RGB 175 82 24

HSL 23.05, 0.76%, 0.39%

LAB 45.93, 34.68, 48.44

HEX #AF5218

CMYK 0 / 30 / 86 / 31

HEX #AF7A18

RGB 175 122 24

HSL 38.94, 0.76%, 0.39%

LAB 55.17, 12.73, 56.14

HEX #AF7A18

CMYK 0 / 7 / 86 / 31

HEX #AFA218

RGB 175 162 24

HSL 54.83, 0.76%, 0.39%

LAB 65.76, -9.13, 64.86

HEX #AFA218

CMYK 16 / 0 / 86 / 31

HEX #93AF18

RGB 147 175 24

HSL 71.13, 0.76%, 0.39%

LAB 67.22, -27.91, 65.16

HEX #93AF18

CMYK 0 / 29 / 86 / 60

HEX #66480E

RGB 102 72 14

HSL 39.55, 0.76%, 0.23%

LAB 32.9, 7.21, 36.94

 

CMYK 0 / 30 / 86 / 45

HEX #8B6113

RGB 139 97 19

HSL 39, 0.76%, 0.31%

LAB 44.36, 10.29, 46.9

 

CMYK 0 / 30 / 86 / 31

HEX #AF7B18

RGB 175 123 24

HSL 39.34, 0.76%, 0.39%

LAB 55.43, 12.17, 56.35

 

CMYK 0 / 30 / 86 / 17

HEX #D3941D

RGB 211 148 29

HSL 39.23, 0.76%, 0.47%

LAB 65.84, 14.53, 65.19

 

CMYK 0 / 27 / 76 / 11

HEX #E4A736

RGB 228 167 54

HSL 38.97, 0.76%, 0.55%

LAB 72.49, 12.48, 63.53

 

CMYK 0 / 30 / 86 / 32

HEX #AE7A18

RGB 174 122 24

HSL 39.2, 0.76%, 0.39%

LAB 55.06, 12.28, 56

 

CMYK 73 / 0 / 86 / 31

HEX #2FAF18

RGB 47 175 24

HSL 110.86, 0.76%, 0.39%

LAB 62.79, -59.73, 59.59

 

CMYK 65 / 86 / 0 / 31

HEX #3E18AF

RGB 62 24 175

HSL 255.1, 0.76%, 0.39%

LAB 26.08, 55.08, -71.82

 

CMYK 0 / 30 / 86 / 32

HEX #AE7A18

RGB 174 122 24

HSL 39.2, 0.76%, 0.39%

LAB 55.06, 12.28, 56

 

CMYK 86 / 0 / 30 / 31

HEX #18AF7A

RGB 24 175 122

HSL 158.94, 0.76%, 0.39%

LAB 63.56, -49.44, 16.98

 

CMYK 30 / 86 / 0 / 31

HEX #7A18AF

RGB 122 24 175

HSL 278.94, 0.76%, 0.39%

LAB 33.74, 62.18, -58.93

 

CMYK 0 / 30 / 86 / 32

HEX #AE7A18

RGB 174 122 24

HSL 39.2, 0.76%, 0.39%

LAB 55.06, 12.28, 56

 

CMYK 73 / 0 / 86 / 31

HEX #2FAF18

RGB 47 175 24

HSL 110.86, 0.76%, 0.39%

LAB 62.79, -59.73, 59.59

 

CMYK 86 / 56 / 0 / 31

HEX #184DAF

RGB 24 77 175

HSL 218.94, 0.76%, 0.39%

LAB 35.2, 21.26, -56.91

 

CMYK 13 / 86 / 0 / 31

HEX #9818AF

RGB 152 24 175

HSL 290.86, 0.76%, 0.39%

LAB 38.59, 67.02, -50.84

 

CMYK 0 / 30 / 86 / 32

HEX #AE7A18

RGB 174 122 24

HSL 39.2, 0.76%, 0.39%

LAB 55.06, 12.28, 56

 

CMYK 86 / 0 / 73 / 31

HEX #18AF2F

RGB 24 175 47

HSL 129.14, 0.76%, 0.39%

LAB 62.56, -61.28, 52.28

 

CMYK 86 / 56 / 0 / 31

HEX #184DAF

RGB 24 77 175

HSL 218.94, 0.76%, 0.39%

LAB 35.2, 21.26, -56.91

 

CMYK 0 / 86 / 13 / 31

HEX #AF1898

RGB 175 24 152

HSL 309.14, 0.76%, 0.39%

LAB 41.27, 67.73, -32.52

 

Description

Color code: HEX #AE7A18 | qconv.com Color code: HEX #AE7A18 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 122 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 122 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 86 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 86% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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