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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE78F3 it is the complementary color #51870C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE78F3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE78F3 shade: #B378EE, #C48AFF, #D59CFF, #E6AEFF and #F7C0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE78F3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE78F3 shade: #AE78F3, #9D66E0, #8C54CD, #7B42BA and #6A30A7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE78F3 shade: #AD77F3, #CF77F3, #F077F3, #F377D4 and #F377B3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE78F3 shade: #AD77F3, #8C77F3 and #7777F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE78F3 shade matches the following richer shades: #AD77F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE78F3 shade: #AD77F3, #AF83E7, #B08FDB, #B29BCF and #B3A7C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE78F3 shade: #7783F3, #8C77F3, #AD77F3, #CE77F3 and #EF77F3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE78F3 shade: #802BED, #9751F0, #AD77F3, #C49DF6 and #DBC3FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE78F3 shade: #AE78F3, #F377A4 and #77F37B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE78F3 shade: #AE78F3, #F3AD77 and #77F3AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE78F3 shade: #AE78F3, #F377A4, #BDF377 and #77F3C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE78F3 shade: #AE78F3, #F3777F, #BDF377 and #77F3EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 51 / 0 / 5

HEX #AE78F3

RGB 174 120 243

HSL 266.34, 0.84%, 0.71%

LAB 60.7, 45.2, -54.24

 

Complementary color

CMYK 40 / 0 / 91 / 47

HEX #51870C

RGB 81 135 12

HSL 86.34, 0.84%, 0.29%

LAB 50.81, -36.28, 52.23

 

CMYK 25 / 50 / 0 / 7

HEX #B378EE

RGB 179 120 238

HSL 270, 0.78%, 0.7%

LAB 60.95, 45.31, -51.03

 

CMYK 23 / 46 / 0 / 0

HEX #C48AFF

RGB 196 138 255

HSL 269.74, 1%, 0.77%

LAB 67.38, 43.99, -50.1

 

CMYK 16 / 39 / 0 / 0

HEX #D59CFF

RGB 213 156 255

HSL 274.55, 1%, 0.81%

LAB 72.99, 39.02, -41.17

 

CMYK 10 / 32 / 0 / 0

HEX #E6AEFF

RGB 230 174 255

HSL 281.48, 1%, 0.84%

LAB 78.65, 34.41, -32.27

 

CMYK 3 / 25 / 0 / 0

HEX #F7C0FF

RGB 247 192 255

HSL 292.38, 1%, 0.88%

LAB 84.33, 30.13, -23.44

 

CMYK 28 / 51 / 0 / 5

HEX #AE78F3

RGB 174 120 243

HSL 266.34, 0.84%, 0.71%

LAB 60.7, 45.2, -54.24

 

CMYK 30 / 54 / 0 / 12

HEX #9D66E0

RGB 157 102 224

HSL 267.05, 0.66%, 0.64%

LAB 54.08, 46.15, -54.28

 

CMYK 32 / 59 / 0 / 20

HEX #8C54CD

RGB 140 84 205

HSL 267.77, 0.55%, 0.57%

LAB 47.4, 47.12, -54.29

 

CMYK 34 / 65 / 0 / 27

HEX #7B42BA

RGB 123 66 186

HSL 268.5, 0.48%, 0.49%

LAB 40.66, 48.03, -54.21

 

CMYK 37 / 71 / 0 / 35

HEX #6A30A7

RGB 106 48 167

HSL 269.24, 0.55%, 0.42%

LAB 33.92, 48.75, -53.95

 

CMYK 29 / 51 / 0 / 5

HEX #AD77F3

RGB 173 119 243

HSL 266.13, 0.84%, 0.71%

LAB 60.38, 45.49, -54.74

 

CMYK 15 / 51 / 0 / 5

HEX #CF77F3

RGB 207 119 243

HSL 282.58, 0.84%, 0.71%

LAB 64.1, 54.29, -48.6

 

CMYK 1 / 51 / 0 / 5

HEX #F077F3

RGB 240 119 243

HSL 298.55, 0.84%, 0.71%

LAB 68.16, 63.06, -41.94

 

CMYK 0 / 51 / 13 / 5

HEX #F377D4

RGB 243 119 212

HSL 315, 0.84%, 0.71%

LAB 67.28, 58.81, -26.11

 

CMYK 0 / 51 / 26 / 5

HEX #F377B3

RGB 243 119 179

HSL 330.97, 0.84%, 0.71%

LAB 66.14, 54.09, -9.29

 

CMYK 29 / 51 / 0 / 5

HEX #AD77F3

RGB 173 119 243

HSL 266.13, 0.84%, 0.71%

LAB 60.38, 45.49, -54.74

 

CMYK 42 / 51 / 0 / 5

HEX #8C77F3

RGB 140 119 243

HSL 250.16, 0.84%, 0.71%

LAB 57.31, 37.52, -59.83

 

CMYK 51 / 51 / 0 / 5

HEX #7777F3

RGB 119 119 243

HSL 240, 0.84%, 0.71%

LAB 55.67, 32.94, -62.54

 

CMYK 29 / 51 / 0 / 5

HEX #AD77F3

RGB 173 119 243

HSL 266.13, 0.84%, 0.71%

LAB 60.38, 45.49, -54.74

 

CMYK 29 / 51 / 0 / 5

HEX #AD77F3

RGB 173 119 243

HSL 266.13, 0.84%, 0.71%

LAB 60.38, 45.49, -54.74

 

CMYK 24 / 43 / 0 / 9

HEX #AF83E7

RGB 175 131 231

HSL 266.4, 0.68%, 0.71%

LAB 62.61, 36.56, -44.56

 

CMYK 20 / 35 / 0 / 14

HEX #B08FDB

RGB 176 143 219

HSL 266.05, 0.51%, 0.71%

LAB 64.95, 27.35, -34.22

 

CMYK 14 / 25 / 0 / 19

HEX #B29BCF

RGB 178 155 207

HSL 266.54, 0.35%, 0.71%

LAB 67.59, 18.56, -23.49

 

CMYK 8 / 14 / 0 / 24

HEX #B3A7C3

RGB 179 167 195

HSL 265.71, 0.19%, 0.71%

LAB 70.29, 9.69, -12.74

 

CMYK 51 / 46 / 0 / 5

HEX #7783F3

RGB 119 131 243

HSL 234.19, 0.84%, 0.71%

LAB 58.63, 25.81, -57.81

 

CMYK 42 / 51 / 0 / 5

HEX #8C77F3

RGB 140 119 243

HSL 250.16, 0.84%, 0.71%

LAB 57.31, 37.52, -59.83

 

CMYK 29 / 51 / 0 / 5

HEX #AD77F3

RGB 173 119 243

HSL 266.13, 0.84%, 0.71%

LAB 60.38, 45.49, -54.74

 

CMYK 15 / 51 / 0 / 5

HEX #CE77F3

RGB 206 119 243

HSL 282.1, 0.84%, 0.71%

LAB 63.99, 54.03, -48.8

 

CMYK 2 / 51 / 0 / 5

HEX #EF77F3

RGB 239 119 243

HSL 298.06, 0.84%, 0.71%

LAB 68.03, 62.79, -42.16

 

CMYK 46 / 82 / 0 / 7

HEX #802BED

RGB 128 43 237

HSL 266.29, 0.84%, 0.55%

LAB 41.89, 71.04, -81.55

 

CMYK 37 / 66 / 0 / 6

HEX #9751F0

RGB 151 81 240

HSL 266.42, 0.84%, 0.63%

LAB 50.4, 59.56, -69.24

 

CMYK 29 / 51 / 0 / 5

HEX #AD77F3

RGB 173 119 243

HSL 266.13, 0.84%, 0.71%

LAB 60.38, 45.49, -54.74

 

CMYK 20 / 36 / 0 / 4

HEX #C49DF6

RGB 196 157 246

HSL 266.29, 0.83%, 0.79%

LAB 71.22, 31.57, -39.17

 

CMYK 12 / 22 / 0 / 2

HEX #DBC3FA

RGB 219 195 250

HSL 266.18, 0.85%, 0.87%

LAB 82.37, 18.7, -23.97

 

CMYK 28 / 51 / 0 / 5

HEX #AE78F3

RGB 174 120 243

HSL 266.34, 0.84%, 0.71%

LAB 60.7, 45.2, -54.24

 

CMYK 0 / 51 / 33 / 5

HEX #F377A4

RGB 243 119 164

HSL 338.23, 0.84%, 0.71%

LAB 65.69, 52.2, -1.45

 

CMYK 51 / 0 / 49 / 5

HEX #77F37B

RGB 119 243 123

HSL 121.94, 0.84%, 0.71%

LAB 86.73, -58.26, 47.17

 

CMYK 28 / 51 / 0 / 5

HEX #AE78F3

RGB 174 120 243

HSL 266.34, 0.84%, 0.71%

LAB 60.7, 45.2, -54.24

 

CMYK 0 / 29 / 51 / 5

HEX #F3AD77

RGB 243 173 119

HSL 26.13, 0.84%, 0.71%

LAB 76.24, 19.68, 37.81

 

CMYK 51 / 0 / 29 / 5

HEX #77F3AD

RGB 119 243 173

HSL 146.13, 0.84%, 0.71%

LAB 87.5, -50.19, 23.38

 

CMYK 28 / 51 / 0 / 5

HEX #AE78F3

RGB 174 120 243

HSL 266.34, 0.84%, 0.71%

LAB 60.7, 45.2, -54.24

 

CMYK 0 / 51 / 33 / 5

HEX #F377A4

RGB 243 119 164

HSL 338.23, 0.84%, 0.71%

LAB 65.69, 52.2, -1.45

 

CMYK 22 / 0 / 51 / 5

HEX #BDF377

RGB 189 243 119

HSL 86.13, 0.84%, 0.71%

LAB 89.98, -36.71, 53.74

 

CMYK 51 / 0 / 19 / 5

HEX #77F3C6

RGB 119 243 198

HSL 158.23, 0.84%, 0.71%

LAB 88.02, -45.12, 11.18

 

CMYK 28 / 51 / 0 / 5

HEX #AE78F3

RGB 174 120 243

HSL 266.34, 0.84%, 0.71%

LAB 60.7, 45.2, -54.24

 

CMYK 0 / 51 / 48 / 5

HEX #F3777F

RGB 243 119 127

HSL 356.13, 0.84%, 0.71%

LAB 64.79, 48.25, 18.31

 

CMYK 22 / 0 / 51 / 5

HEX #BDF377

RGB 189 243 119

HSL 86.13, 0.84%, 0.71%

LAB 89.98, -36.71, 53.74

 

CMYK 51 / 0 / 3 / 5

HEX #77F3EB

RGB 119 243 235

HSL 176.13, 0.84%, 0.71%

LAB 88.93, -36.52, -6.78

 

Description

Color code: HEX #AE78F3 | qconv.com Color code: HEX #AE78F3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 120 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 120 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 51 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 51% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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