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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE783A it is the complementary color #5187C5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE783A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE783A shade: #B37835, #C48A48, #D59C5B, #E6AE6E and #F7C081

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE783A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE783A shade: #AE783A, #9D6627, #8C5414, #7B4201 and #6A3000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE783A shade: #AC7739, #AC5839 and #AC3939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE783A shade: #AC7739, #AC9639, #A4AC39, #85AC39 and #66AC39

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE783A shade matches the following richer shades: #AC7739, #BF7827, #D17914 and #E47B02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE783A shade: #AC7739, #9A754C, #87745F, #747371 and #627284

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE783A shade: #AC3939, #AC5839, #AC7739, #AC9539 and #A4AC39

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE783A shade: #6E4C25, #8D612F, #AC7739, #C38C4C and #CE9F6B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE783A shade: #AE783A, #58AC39 and #4939AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE783A shade: #AE783A, #39AC77 and #7739AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE783A shade: #AE783A, #58AC39, #396FAC and #8E39AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE783A shade: #AE783A, #39AC3D, #396FAC and #AC39A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 67 / 32

HEX #AE783A

RGB 174 120 58

HSL 32.07, 0.5%, 0.45%

LAB 54.8, 14.91, 41.66

 

Complementary color

CMYK 59 / 31 / 0 / 23

HEX #5187C5

RGB 81 135 197

HSL 212.07, 0.5%, 0.55%

LAB 55.18, 0.8, -37.62

 

CMYK 0 / 33 / 70 / 30

HEX #B37835

RGB 179 120 53

HSL 31.9, 0.54%, 0.45%

LAB 55.35, 16.81, 44.89

 

CMYK 0 / 30 / 63 / 23

HEX #C48A48

RGB 196 138 72

HSL 31.94, 0.51%, 0.53%

LAB 61.98, 15.38, 43.46

 

CMYK 0 / 27 / 57 / 16

HEX #D59C5B

RGB 213 156 91

HSL 31.97, 0.59%, 0.6%

LAB 68.52, 14.16, 41.99

 

CMYK 0 / 24 / 52 / 10

HEX #E6AE6E

RGB 230 174 110

HSL 32, 0.71%, 0.67%

LAB 74.96, 13.11, 40.56

 

CMYK 0 / 22 / 48 / 3

HEX #F7C081

RGB 247 192 129

HSL 32.03, 0.88%, 0.74%

LAB 81.32, 12.19, 39.2

 

CMYK 0 / 31 / 67 / 32

HEX #AE783A

RGB 174 120 58

HSL 32.07, 0.5%, 0.45%

LAB 54.8, 14.91, 41.66

 

CMYK 0 / 35 / 75 / 38

HEX #9D6627

RGB 157 102 39

HSL 32.03, 0.6%, 0.38%

LAB 48.03, 16.48, 43.02

 

CMYK 0 / 40 / 86 / 45

HEX #8C5414

RGB 140 84 20

HSL 32, 0.75%, 0.31%

LAB 41.16, 18.37, 43.85

 

CMYK 0 / 46 / 99 / 52

HEX #7B4201

RGB 123 66 1

HSL 31.97, 0.98%, 0.24%

LAB 34.21, 20.58, 43.86

 

CMYK 0 / 55 / 100 / 58

HEX #6A3000

RGB 106 48 0

HSL 27.17, 1%, 0.21%

LAB 27.24, 23.23, 37.94

 

CMYK 0 / 31 / 67 / 33

HEX #AC7739

RGB 172 119 57

HSL 32.35, 0.5%, 0.45%

LAB 54.3, 14.53, 41.53

 

CMYK 0 / 49 / 67 / 33

HEX #AC5839

RGB 172 88 57

HSL 16.17, 0.5%, 0.45%

LAB 47.03, 31.73, 33.22

 

CMYK 0 / 67 / 67 / 33

HEX #AC3939

RGB 172 57 57

HSL 0, 0.5%, 0.45%

LAB 41.2, 46.88, 26.19

 

CMYK 0 / 31 / 67 / 33

HEX #AC7739

RGB 172 119 57

HSL 32.35, 0.5%, 0.45%

LAB 54.3, 14.53, 41.53

 

CMYK 0 / 13 / 67 / 33

HEX #AC9639

RGB 172 150 57

HSL 48.52, 0.5%, 0.45%

LAB 62.41, -2.67, 50.31

 

CMYK 5 / 0 / 67 / 33

HEX #A4AC39

RGB 164 172 57

HSL 64.17, 0.5%, 0.45%

LAB 67.79, -17.74, 55.69

 

CMYK 23 / 0 / 67 / 33

HEX #85AC39

RGB 133 172 57

HSL 80.35, 0.5%, 0.45%

LAB 65.58, -30.59, 52.71

 

CMYK 41 / 0 / 67 / 33

HEX #66AC39

RGB 102 172 57

HSL 96.52, 0.5%, 0.45%

LAB 63.86, -42.08, 50.36

 

CMYK 0 / 31 / 67 / 33

HEX #AC7739

RGB 172 119 57

HSL 32.35, 0.5%, 0.45%

LAB 54.3, 14.53, 41.53

 

CMYK 0 / 37 / 80 / 25

HEX #BF7827

RGB 191 120 39

HSL 31.97, 0.66%, 0.45%

LAB 56.74, 21.4, 52.98

 

CMYK 0 / 42 / 90 / 18

HEX #D17914

RGB 209 121 20

HSL 32.06, 0.83%, 0.45%

LAB 59.23, 28.05, 62.27

 

CMYK 0 / 46 / 99 / 11

HEX #E47B02

RGB 228 123 2

HSL 32.12, 0.98%, 0.45%

LAB 62.22, 34.66, 68.85

 

CMYK 0 / 31 / 67 / 33

HEX #AC7739

RGB 172 119 57

HSL 32.35, 0.5%, 0.45%

LAB 54.3, 14.53, 41.53

 

CMYK 0 / 24 / 51 / 40

HEX #9A754C

RGB 154 117 76

HSL 31.54, 0.34%, 0.45%

LAB 51.97, 9.28, 28.13

 

CMYK 0 / 14 / 30 / 47

HEX #87745F

RGB 135 116 95

HSL 31.5, 0.17%, 0.45%

LAB 50.06, 4, 14.35

 

CMYK 0 / 1 / 3 / 55

HEX #747371

RGB 116 115 113

HSL 40, 0.01%, 0.45%

LAB 48.47, -0.01, 1.23

 

CMYK 26 / 14 / 0 / 48

HEX #627284

RGB 98 114 132

HSL 211.76, 0.15%, 0.45%

LAB 47.36, -1.6, -11.86

 

CMYK 0 / 67 / 67 / 33

HEX #AC3939

RGB 172 57 57

HSL 0, 0.5%, 0.45%

LAB 41.2, 46.88, 26.19

 

CMYK 0 / 49 / 67 / 33

HEX #AC5839

RGB 172 88 57

HSL 16.17, 0.5%, 0.45%

LAB 47.03, 31.73, 33.22

 

CMYK 0 / 31 / 67 / 33

HEX #AC7739

RGB 172 119 57

HSL 32.35, 0.5%, 0.45%

LAB 54.3, 14.53, 41.53

 

CMYK 0 / 13 / 67 / 33

HEX #AC9539

RGB 172 149 57

HSL 48, 0.5%, 0.45%

LAB 62.14, -2.13, 50.02

 

CMYK 5 / 0 / 67 / 33

HEX #A4AC39

RGB 164 172 57

HSL 64.17, 0.5%, 0.45%

LAB 67.79, -17.74, 55.69

 

CMYK 0 / 31 / 66 / 57

HEX #6E4C25

RGB 110 76 37

HSL 32.05, 0.5%, 0.29%

LAB 35.24, 9.95, 28.47

 

CMYK 0 / 31 / 67 / 45

HEX #8D612F

RGB 141 97 47

HSL 31.91, 0.5%, 0.37%

LAB 44.83, 12.58, 35.01

 

CMYK 0 / 31 / 67 / 33

HEX #AC7739

RGB 172 119 57

HSL 32.35, 0.5%, 0.45%

LAB 54.3, 14.53, 41.53

 

CMYK 0 / 28 / 61 / 24

HEX #C38C4C

RGB 195 140 76

HSL 32.27, 0.5%, 0.53%

LAB 62.41, 14.13, 41.9

 

CMYK 0 / 23 / 48 / 19

HEX #CE9F6B

RGB 206 159 107

HSL 31.52, 0.5%, 0.61%

LAB 68.74, 11.02, 33.75

 

CMYK 0 / 31 / 67 / 32

HEX #AE783A

RGB 174 120 58

HSL 32.07, 0.5%, 0.45%

LAB 54.8, 14.91, 41.66

 

CMYK 49 / 0 / 67 / 33

HEX #58AC39

RGB 88 172 57

HSL 103.83, 0.5%, 0.45%

LAB 63.24, -46.58, 49.52

 

CMYK 58 / 67 / 0 / 33

HEX #4939AC

RGB 73 57 172

HSL 248.35, 0.5%, 0.45%

LAB 32.53, 39.25, -59.37

 

CMYK 0 / 31 / 67 / 32

HEX #AE783A

RGB 174 120 58

HSL 32.07, 0.5%, 0.45%

LAB 54.8, 14.91, 41.66

 

CMYK 67 / 0 / 31 / 33

HEX #39AC77

RGB 57 172 119

HSL 152.35, 0.5%, 0.45%

LAB 63.1, -44.7, 18.08

 

CMYK 31 / 67 / 0 / 33

HEX #7739AC

RGB 119 57 172

HSL 272.35, 0.5%, 0.45%

LAB 37.53, 48.29, -51.01

 

CMYK 0 / 31 / 67 / 32

HEX #AE783A

RGB 174 120 58

HSL 32.07, 0.5%, 0.45%

LAB 54.8, 14.91, 41.66

 

CMYK 49 / 0 / 67 / 33

HEX #58AC39

RGB 88 172 57

HSL 103.83, 0.5%, 0.45%

LAB 63.24, -46.58, 49.52

 

CMYK 67 / 35 / 0 / 33

HEX #396FAC

RGB 57 111 172

HSL 211.83, 0.5%, 0.45%

LAB 45.93, 2.16, -37.87

 

CMYK 17 / 67 / 0 / 33

HEX #8E39AC

RGB 142 57 172

HSL 284.35, 0.5%, 0.45%

LAB 40.66, 53.48, -45.81

 

CMYK 0 / 31 / 67 / 32

HEX #AE783A

RGB 174 120 58

HSL 32.07, 0.5%, 0.45%

LAB 54.8, 14.91, 41.66

 

CMYK 67 / 0 / 65 / 33

HEX #39AC3D

RGB 57 172 61

HSL 122.09, 0.5%, 0.45%

LAB 62.26, -54.08, 46.44

 

CMYK 67 / 35 / 0 / 33

HEX #396FAC

RGB 57 111 172

HSL 211.83, 0.5%, 0.45%

LAB 45.93, 2.16, -37.87

 

CMYK 0 / 67 / 2 / 33

HEX #AC39A8

RGB 172 57 168

HSL 302.09, 0.5%, 0.45%

LAB 44.98, 59.84, -36.3

 

Description

Color code: HEX #AE783A | qconv.com Color code: HEX #AE783A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 120 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 120 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 67 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 67% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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