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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE76AD it is the complementary color #518952. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE76AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #AE76AD: #B376A8, #C488BB, #D59ACE, #E6ACE1 and #F7BEF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE76AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #AE76AD: #AE76AD, #9D649A, #8C5287, #7B4074 and #6A2E61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 1 / 32

HEX #AE76AD

RGB 174 118 173

HSL 301.07, 0.26%, 0.57%

LAB 57.05, 31.06, -20.44

 

Complementary color

CMYK 41 / 0 / 40 / 46

HEX #518952

RGB 81 137 82

HSL 121.07, 0.26%, 0.43%

LAB 52.12, -30.43, 23.85

 

CMYK 0 / 34 / 6 / 30

HEX #B376A8

RGB 179 118 168

HSL 310.82, 0.29%, 0.58%

LAB 57.43, 31.81, -16.93

 

CMYK 0 / 31 / 5 / 23

HEX #C488BB

RGB 196 136 187

HSL 309, 0.34%, 0.65%

LAB 64.11, 31.09, -17.45

 

CMYK 0 / 28 / 3 / 16

HEX #D59ACE

RGB 213 154 206

HSL 307.12, 0.41%, 0.72%

LAB 70.67, 30.4, -17.92

 

CMYK 0 / 25 / 2 / 10

HEX #E6ACE1

RGB 230 172 225

HSL 305.17, 0.54%, 0.79%

LAB 77.14, 29.77, -18.38

 

CMYK 0 / 23 / 1 / 3

HEX #F7BEF4

RGB 247 190 244

HSL 303.16, 0.78%, 0.86%

LAB 83.51, 29.17, -18.81

 

CMYK 0 / 32 / 1 / 32

HEX #AE76AD

RGB 174 118 173

HSL 301.07, 0.26%, 0.57%

LAB 57.05, 31.06, -20.44

 

CMYK 0 / 36 / 2 / 38

HEX #9D649A

RGB 157 100 154

HSL 303.16, 0.23%, 0.5%

LAB 50.23, 31.82, -19.99

 

CMYK 0 / 41 / 4 / 45

HEX #8C5287

RGB 140 82 135

HSL 305.17, 0.26%, 0.44%

LAB 43.3, 32.62, -19.47

 

CMYK 0 / 48 / 6 / 52

HEX #7B4074

RGB 123 64 116

HSL 307.12, 0.32%, 0.37%

LAB 36.25, 33.41, -18.85

 

CMYK 0 / 57 / 8 / 58

HEX #6A2E61

RGB 106 46 97

HSL 309, 0.39%, 0.3%

LAB 29.11, 34.11, -18.02

 

CMYK 0 / 32 / 1 / 32

HEX #AE76AD

RGB 174 118 173

HSL 301.07, 0.26%, 0.57%

LAB 57.05, 31.06, -20.44

 

CMYK 0 / 33 / 6 / 32

HEX #AD74A3

RGB 173 116 163

HSL 310.53, 0.26%, 0.57%

LAB 56.11, 29.97, -16.12

 

CMYK 0 / 33 / 12 / 32

HEX #AD7499

RGB 173 116 153

HSL 321.05, 0.26%, 0.57%

LAB 55.76, 28.18, -10.84

 

CMYK 0 / 33 / 17 / 32

HEX #AD7490

RGB 173 116 144

HSL 330.53, 0.26%, 0.57%

LAB 55.47, 26.65, -6.04

 

CMYK 0 / 33 / 23 / 32

HEX #AD7486

RGB 173 116 134

HSL 341.05, 0.26%, 0.57%

LAB 55.17, 25.05, -0.65

 

CMYK 0 / 32 / 1 / 32

HEX #AE76AD

RGB 174 118 173

HSL 301.07, 0.26%, 0.57%

LAB 57.05, 31.06, -20.44

 

CMYK 0 / 32 / 0 / 12

HEX #E199E0

RGB 225 153 224

HSL 300.83, 0.55%, 0.74%

LAB 72.34, 38.12, -25.17

 

CMYK 0 / 33 / 0 / 92

HEX #150E15

RGB 21 14 21

HSL 300, 0.2%, 0.07%

LAB 4.77, 4.1, -2.93

 

CMYK 0 / 32 / 0 / 72

HEX #483148

RGB 72 49 72

HSL 300, 0.19%, 0.24%

LAB 23.81, 15, -10.13

 

CMYK 0 / 33 / 1 / 52

HEX #7B537A

RGB 123 83 122

HSL 301.5, 0.19%, 0.4%

LAB 40.9, 23.58, -15.42

 

CMYK 0 / 32 / 1 / 32

HEX #AE76AD

RGB 174 118 173

HSL 301.07, 0.26%, 0.57%

LAB 57.05, 31.06, -20.44

 

CMYK 0 / 25 / 33 / 32

HEX #AD8174

RGB 173 129 116

HSL 13.68, 0.26%, 0.57%

LAB 57.89, 15.13, 13.66

 

CMYK 33 / 0 / 12 / 32

HEX #74AD98

RGB 116 173 152

HSL 157.89, 0.26%, 0.57%

LAB 66.42, -23.3, 4.88

 

CMYK 0 / 32 / 1 / 32

HEX #AE76AD

RGB 174 118 173

HSL 301.07, 0.26%, 0.57%

LAB 57.05, 31.06, -20.44

 

CMYK 1 / 0 / 33 / 32

HEX #ACAD74

RGB 172 173 116

HSL 61.05, 0.26%, 0.57%

LAB 69.41, -9.4, 29.23

 

CMYK 33 / 1 / 0 / 32

HEX #74ACAD

RGB 116 172 173

HSL 181.05, 0.26%, 0.57%

LAB 66.7, -17.94, -6.36

 

CMYK 0 / 32 / 1 / 32

HEX #AE76AD

RGB 174 118 173

HSL 301.07, 0.26%, 0.57%

LAB 57.05, 31.06, -20.44

 

CMYK 0 / 25 / 33 / 32

HEX #AD8174

RGB 173 129 116

HSL 13.68, 0.26%, 0.57%

LAB 57.89, 15.13, 13.66

 

CMYK 33 / 0 / 32 / 32

HEX #74AD75

RGB 116 173 117

HSL 121.05, 0.26%, 0.57%

LAB 65.66, -30.1, 23.03

 

CMYK 33 / 7 / 0 / 32

HEX #74A1AD

RGB 116 161 173

HSL 192.63, 0.26%, 0.57%

LAB 63.52, -12.12, -11.09

 

CMYK 0 / 32 / 1 / 32

HEX #AE76AD

RGB 174 118 173

HSL 301.07, 0.26%, 0.57%

LAB 57.05, 31.06, -20.44

 

CMYK 0 / 16 / 33 / 32

HEX #AD9274

RGB 173 146 116

HSL 31.58, 0.26%, 0.57%

LAB 62.26, 5.62, 19.68

 

CMYK 33 / 0 / 32 / 32

HEX #74AD75

RGB 116 173 117

HSL 121.05, 0.26%, 0.57%

LAB 65.66, -30.1, 23.03

 

CMYK 33 / 17 / 0 / 32

HEX #7490AD

RGB 116 144 173

HSL 210.53, 0.26%, 0.57%

LAB 58.67, -2.72, -18.42

 

Description

Color code: HEX #AE76AD | qconv.com Color code: HEX #AE76AD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 118 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 118 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 1 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 1% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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