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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE7521 it is the complementary color #518ADE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE7521. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE7521 shade: #B3751C, #C4872F, #D59942, #E6AB55 and #F7BD68

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE7521. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE7521 shade: #AE7521, #9D630E, #8C5100, #7B3F00 and #6A2D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE7521 shade: #B07621, #B05021, #B02921 and #B02121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE7521 shade: #B07621, #B09C21, #9CB021, #76B021 and #50B021

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE7521 shade matches the following richer shades: #B07621 and #C17911

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE7521 shade: #B07621, #9F7332, #8E7043, #7D6C54 and #6C6965

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE7521 shade: #B02921, #B04E21, #B07421, #B09A21 and #9FB021

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE7521 shade: #6A4814, #8D5F1B, #B07621, #D28D28 and #DCA048

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE7521 shade: #AE7521, #40B021 and #3C21B0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE7521 shade: #AE7521, #21B074 and #7421B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE7521 shade: #AE7521, #40B021, #215DB0 and #9121B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE7521 shade: #AE7521, #21B02D, #215DB0 and #B021A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 81 / 32

HEX #AE7521

RGB 174 117 33

HSL 35.74, 0.68%, 0.41%

LAB 53.85, 15.36, 51.88

 

Complementary color

CMYK 64 / 38 / 0 / 13

HEX #518ADE

RGB 81 138 222

HSL 215.74, 0.68%, 0.59%

LAB 57.27, 7.36, -48.41

 

CMYK 0 / 35 / 84 / 30

HEX #B3751C

RGB 179 117 28

HSL 35.36, 0.73%, 0.41%

LAB 54.44, 17.43, 54.44

 

CMYK 0 / 31 / 76 / 23

HEX #C4872F

RGB 196 135 47

HSL 35.44, 0.61%, 0.48%

LAB 61.02, 15.65, 54.01

 

CMYK 0 / 28 / 69 / 16

HEX #D59942

RGB 213 153 66

HSL 35.51, 0.64%, 0.55%

LAB 67.52, 14.13, 52.99

 

CMYK 0 / 26 / 63 / 10

HEX #E6AB55

RGB 230 171 85

HSL 35.59, 0.74%, 0.62%

LAB 73.94, 12.81, 51.73

 

CMYK 0 / 23 / 58 / 3

HEX #F7BD68

RGB 247 189 104

HSL 35.66, 0.9%, 0.69%

LAB 80.27, 11.68, 50.4

 

CMYK 0 / 33 / 81 / 32

HEX #AE7521

RGB 174 117 33

HSL 35.74, 0.68%, 0.41%

LAB 53.85, 15.36, 51.88

 

CMYK 0 / 37 / 91 / 38

HEX #9D630E

RGB 157 99 14

HSL 35.66, 0.84%, 0.34%

LAB 47.14, 17.34, 51.59

 

CMYK 0 / 42 / 100 / 45

HEX #8C5100

RGB 140 81 0

HSL 34.71, 1%, 0.27%

LAB 40.35, 19.66, 49.34

 

CMYK 0 / 49 / 100 / 52

HEX #7B3F00

RGB 123 63 0

HSL 30.73, 1%, 0.24%

LAB 33.49, 22.29, 43.8

 

CMYK 0 / 58 / 100 / 58

HEX #6A2D00

RGB 106 45 0

HSL 25.47, 1%, 0.21%

LAB 26.57, 24.93, 37.35

 

CMYK 0 / 33 / 81 / 31

HEX #B07621

RGB 176 118 33

HSL 35.66, 0.68%, 0.41%

LAB 54.34, 15.7, 52.42

 

CMYK 0 / 55 / 81 / 31

HEX #B05021

RGB 176 80 33

HSL 19.72, 0.68%, 0.41%

LAB 45.74, 36.38, 44.47

 

CMYK 0 / 77 / 81 / 31

HEX #B02921

RGB 176 41 33

HSL 3.36, 0.68%, 0.41%

LAB 39.46, 53.18, 38.41

 

CMYK 0 / 81 / 81 / 31

HEX #B02121

RGB 176 33 33

HSL 0, 0.68%, 0.41%

LAB 38.6, 55.58, 37.56

 

CMYK 0 / 33 / 81 / 31

HEX #B07621

RGB 176 118 33

HSL 35.66, 0.68%, 0.41%

LAB 54.34, 15.7, 52.42

 

CMYK 0 / 11 / 81 / 31

HEX #B09C21

RGB 176 156 33

HSL 51.61, 0.68%, 0.41%

LAB 64.26, -5.24, 61.24

 

CMYK 11 / 0 / 81 / 31

HEX #9CB021

RGB 156 176 33

HSL 68.39, 0.68%, 0.41%

LAB 68.19, -24.31, 64.04

 

CMYK 33 / 0 / 81 / 31

HEX #76B021

RGB 118 176 33

HSL 84.34, 0.68%, 0.41%

LAB 65.76, -39.61, 60.96

 

CMYK 55 / 0 / 81 / 31

HEX #50B021

RGB 80 176 33

HSL 100.28, 0.68%, 0.41%

LAB 64.05, -52.15, 58.77

 

CMYK 0 / 33 / 81 / 31

HEX #B07621

RGB 176 118 33

HSL 35.66, 0.68%, 0.41%

LAB 54.34, 15.7, 52.42

 

CMYK 0 / 37 / 91 / 24

HEX #C17911

RGB 193 121 17

HSL 35.45, 0.84%, 0.41%

LAB 57.13, 21.14, 60.49

 

CMYK 0 / 33 / 81 / 31

HEX #B07621

RGB 176 118 33

HSL 35.66, 0.68%, 0.41%

LAB 54.34, 15.7, 52.42

 

CMYK 0 / 28 / 69 / 38

HEX #9F7332

RGB 159 115 50

HSL 35.78, 0.52%, 0.41%

LAB 51.68, 10.56, 41.68

 

CMYK 0 / 21 / 53 / 44

HEX #8E7043

RGB 142 112 67

HSL 36, 0.36%, 0.41%

LAB 49.18, 5.96, 29.37

 

CMYK 0 / 14 / 33 / 51

HEX #7D6C54

RGB 125 108 84

HSL 35.12, 0.2%, 0.41%

LAB 46.61, 2.82, 15.92

 

CMYK 0 / 3 / 6 / 58

HEX #6C6965

RGB 108 105 101

HSL 34.29, 0.03%, 0.41%

LAB 44.56, 0.38, 2.66

 

CMYK 0 / 77 / 81 / 31

HEX #B02921

RGB 176 41 33

HSL 3.36, 0.68%, 0.41%

LAB 39.46, 53.18, 38.41

 

CMYK 0 / 56 / 81 / 31

HEX #B04E21

RGB 176 78 33

HSL 18.88, 0.68%, 0.41%

LAB 45.34, 37.4, 44.1

 

CMYK 0 / 34 / 81 / 31

HEX #B07421

RGB 176 116 33

HSL 34.83, 0.68%, 0.41%

LAB 53.85, 16.82, 51.97

 

CMYK 0 / 13 / 81 / 31

HEX #B09A21

RGB 176 154 33

HSL 50.77, 0.68%, 0.41%

LAB 63.71, -4.17, 60.76

 

CMYK 10 / 0 / 81 / 31

HEX #9FB021

RGB 159 176 33

HSL 67.13, 0.68%, 0.41%

LAB 68.41, -23.04, 64.32

 

CMYK 0 / 32 / 81 / 58

HEX #6A4814

RGB 106 72 20

HSL 36.28, 0.68%, 0.25%

LAB 33.46, 9.43, 35.13

 

CMYK 0 / 33 / 81 / 45

HEX #8D5F1B

RGB 141 95 27

HSL 35.79, 0.68%, 0.33%

LAB 44.13, 12.67, 43.8

 

CMYK 0 / 33 / 81 / 31

HEX #B07621

RGB 176 118 33

HSL 35.66, 0.68%, 0.41%

LAB 54.34, 15.7, 52.42

 

CMYK 0 / 33 / 81 / 18

HEX #D28D28

RGB 210 141 40

HSL 35.65, 0.68%, 0.49%

LAB 64.08, 18.2, 60.17

 

CMYK 0 / 27 / 67 / 14

HEX #DCA048

RGB 220 160 72

HSL 35.68, 0.68%, 0.57%

LAB 70.05, 13.68, 53.2

 

CMYK 0 / 33 / 81 / 32

HEX #AE7521

RGB 174 117 33

HSL 35.74, 0.68%, 0.41%

LAB 53.85, 15.36, 51.88

 

CMYK 64 / 0 / 81 / 31

HEX #40B021

RGB 64 176 33

HSL 106.99, 0.68%, 0.41%

LAB 63.55, -56.21, 58.12

 

CMYK 66 / 81 / 0 / 31

HEX #3C21B0

RGB 60 33 176

HSL 251.33, 0.68%, 0.41%

LAB 27.25, 51.52, -70.48

 

CMYK 0 / 33 / 81 / 32

HEX #AE7521

RGB 174 117 33

HSL 35.74, 0.68%, 0.41%

LAB 53.85, 15.36, 51.88

 

CMYK 81 / 0 / 34 / 31

HEX #21B074

RGB 33 176 116

HSL 154.83, 0.68%, 0.41%

LAB 63.86, -50.33, 20.69

 

CMYK 34 / 81 / 0 / 31

HEX #7421B0

RGB 116 33 176

HSL 274.83, 0.68%, 0.41%

LAB 33.85, 58.8, -59.39

 

CMYK 0 / 33 / 81 / 32

HEX #AE7521

RGB 174 117 33

HSL 35.74, 0.68%, 0.41%

LAB 53.85, 15.36, 51.88

 

CMYK 64 / 0 / 81 / 31

HEX #40B021

RGB 64 176 33

HSL 106.99, 0.68%, 0.41%

LAB 63.55, -56.21, 58.12

 

CMYK 81 / 47 / 0 / 31

HEX #215DB0

RGB 33 93 176

HSL 214.83, 0.68%, 0.41%

LAB 40.06, 11.81, -49.63

 

CMYK 18 / 81 / 0 / 31

HEX #9121B0

RGB 145 33 176

HSL 286.99, 0.68%, 0.41%

LAB 38.27, 63.74, -52.01

 

CMYK 0 / 33 / 81 / 32

HEX #AE7521

RGB 174 117 33

HSL 35.74, 0.68%, 0.41%

LAB 53.85, 15.36, 51.88

 

CMYK 81 / 0 / 74 / 31

HEX #21B02D

RGB 33 176 45

HSL 125.03, 0.68%, 0.41%

LAB 62.98, -60.8, 53.47

 

CMYK 81 / 47 / 0 / 31

HEX #215DB0

RGB 33 93 176

HSL 214.83, 0.68%, 0.41%

LAB 40.06, 11.81, -49.63

 

CMYK 0 / 81 / 7 / 31

HEX #B021A4

RGB 176 33 164

HSL 305.03, 0.68%, 0.41%

LAB 42.76, 67.72, -37.38

 

Description

Color code: HEX #AE7521 | qconv.com Color code: HEX #AE7521 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 117 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 117 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 81 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 81% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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