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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE6DCE it is the complementary color #519231. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE6DCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE6DCE shade: #B36DC9, #C47FDC, #D591EF, #E6A3FF and #F7B5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE6DCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE6DCE shade: #AE6DCE, #9D5BBB, #8C49A8, #7B3795 and #6A2582

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE6DCE shade: #AE6DCE, #C86DCE, #CE6DBA, #CE6DA0 and #CE6D85

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE6DCE shade: #AE6DCE, #946DCE, #7A6DCE and #6D6DCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE6DCE shade matches the following richer shades: #AE6DCE, #B35DDE, #B94EED and #BE3EFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE6DCE shade: #AE6DCE, #A97DBE, #A38DAF, #9E9C9F and #99AC8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE6DCE shade: #7A6DCE, #946DCE, #AE6DCE, #C86DCE and #CE6DBB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE6DCE shade: #883AAF, #9D4EC4, #AE6DCE, #BF8CD8 and #D0ABE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE6DCE shade: #AE6DCE, #CE6D7A and #6DCE87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE6DCE shade: #AE6DCE, #CEAE6D and #6DCEAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE6DCE shade: #AE6DCE, #CE6D7A, #8DCE6D and #6DCEC1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE6DCE shade: #AE6DCE, #CE7D6D, #8DCE6D and #6DBECE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 47 / 0 / 19

HEX #AE6DCE

RGB 174 109 206

HSL 280.21, 0.5%, 0.62%

LAB 56.48, 42.75, -40.19

 

Complementary color

CMYK 45 / 0 / 66 / 43

HEX #519231

RGB 81 146 49

HSL 100.21, 0.5%, 0.38%

LAB 54.58, -38.76, 43.51

 

CMYK 11 / 46 / 0 / 21

HEX #B36DC9

RGB 179 109 201

HSL 285.65, 0.46%, 0.61%

LAB 56.82, 43.14, -36.77

 

CMYK 11 / 42 / 0 / 14

HEX #C47FDC

RGB 196 127 220

HSL 284.52, 0.57%, 0.68%

LAB 63.41, 42.36, -37.02

 

CMYK 11 / 39 / 0 / 6

HEX #D591EF

RGB 213 145 239

HSL 283.4, 0.75%, 0.75%

LAB 69.92, 41.6, -37.25

 

CMYK 10 / 36 / 0 / 0

HEX #E6A3FF

RGB 230 163 255

HSL 283.7, 1%, 0.82%

LAB 76.21, 40.27, -36.02

 

CMYK 3 / 29 / 0 / 0

HEX #F7B5FF

RGB 247 181 255

HSL 293.51, 1%, 0.85%

LAB 81.86, 35.94, -27.19

 

CMYK 16 / 47 / 0 / 19

HEX #AE6DCE

RGB 174 109 206

HSL 280.21, 0.5%, 0.62%

LAB 56.48, 42.75, -40.19

 

CMYK 16 / 51 / 0 / 27

HEX #9D5BBB

RGB 157 91 187

HSL 281.25, 0.41%, 0.55%

LAB 49.78, 43.57, -39.98

 

CMYK 17 / 57 / 0 / 34

HEX #8C49A8

RGB 140 73 168

HSL 282.32, 0.39%, 0.47%

LAB 43.01, 44.33, -39.7

 

CMYK 17 / 63 / 0 / 42

HEX #7B3795

RGB 123 55 149

HSL 283.4, 0.46%, 0.4%

LAB 36.2, 44.95, -39.27

 

CMYK 18 / 72 / 0 / 49

HEX #6A2582

RGB 106 37 130

HSL 284.52, 0.56%, 0.33%

LAB 29.41, 45.2, -38.56

 

CMYK 16 / 47 / 0 / 19

HEX #AE6DCE

RGB 174 109 206

HSL 280.21, 0.5%, 0.62%

LAB 56.48, 42.75, -40.19

 

CMYK 3 / 47 / 0 / 19

HEX #C86DCE

RGB 200 109 206

HSL 296.29, 0.5%, 0.62%

LAB 59.59, 50.2, -35.08

 

CMYK 0 / 47 / 10 / 19

HEX #CE6DBA

RGB 206 109 186

HSL 312.37, 0.5%, 0.62%

LAB 59.53, 48.46, -23.75

 

CMYK 0 / 47 / 22 / 19

HEX #CE6DA0

RGB 206 109 160

HSL 328.45, 0.5%, 0.62%

LAB 58.6, 44.41, -10.22

 

CMYK 0 / 47 / 35 / 19

HEX #CE6D85

RGB 206 109 133

HSL 345.15, 0.5%, 0.62%

LAB 57.8, 40.8, 4.27

 

CMYK 16 / 47 / 0 / 19

HEX #AE6DCE

RGB 174 109 206

HSL 280.21, 0.5%, 0.62%

LAB 56.48, 42.75, -40.19

 

CMYK 28 / 47 / 0 / 19

HEX #946DCE

RGB 148 109 206

HSL 264.12, 0.5%, 0.62%

LAB 53.7, 35.5, -44.76

 

CMYK 41 / 47 / 0 / 19

HEX #7A6DCE

RGB 122 109 206

HSL 248.04, 0.5%, 0.62%

LAB 51.3, 28.7, -48.71

 

CMYK 47 / 47 / 0 / 19

HEX #6D6DCE

RGB 109 109 206

HSL 240, 0.5%, 0.62%

LAB 50.27, 25.56, -50.42

 

CMYK 16 / 47 / 0 / 19

HEX #AE6DCE

RGB 174 109 206

HSL 280.21, 0.5%, 0.62%

LAB 56.48, 42.75, -40.19

 

CMYK 19 / 58 / 0 / 13

HEX #B35DDE

RGB 179 93 222

HSL 280, 0.66%, 0.62%

LAB 54.75, 55.77, -51.94

 

CMYK 22 / 67 / 0 / 7

HEX #B94EED

RGB 185 78 237

HSL 280.38, 0.82%, 0.62%

LAB 53.9, 67.12, -61.7

 

CMYK 25 / 75 / 0 / 1

HEX #BE3EFD

RGB 190 62 253

HSL 280.21, 0.98%, 0.62%

LAB 53.48, 77.37, -71.28

 

CMYK 16 / 47 / 0 / 19

HEX #AE6DCE

RGB 174 109 206

HSL 280.21, 0.5%, 0.62%

LAB 56.48, 42.75, -40.19

 

CMYK 11 / 34 / 0 / 25

HEX #A97DBE

RGB 169 125 190

HSL 280.62, 0.33%, 0.62%

LAB 58.81, 28.94, -27.51

 

CMYK 7 / 19 / 0 / 31

HEX #A38DAF

RGB 163 141 175

HSL 278.82, 0.18%, 0.62%

LAB 61.6, 14.7, -14.78

 

CMYK 1 / 2 / 0 / 38

HEX #9E9C9F

RGB 158 156 159

HSL 280, 0.02%, 0.62%

LAB 64.6, 1.3, -1.32

 

CMYK 11 / 0 / 17 / 33

HEX #99AC8F

RGB 153 172 143

HSL 99.31, 0.15%, 0.62%

LAB 68.21, -12.1, 12.72

 

CMYK 41 / 47 / 0 / 19

HEX #7A6DCE

RGB 122 109 206

HSL 248.04, 0.5%, 0.62%

LAB 51.3, 28.7, -48.71

 

CMYK 28 / 47 / 0 / 19

HEX #946DCE

RGB 148 109 206

HSL 264.12, 0.5%, 0.62%

LAB 53.7, 35.5, -44.76

 

CMYK 16 / 47 / 0 / 19

HEX #AE6DCE

RGB 174 109 206

HSL 280.21, 0.5%, 0.62%

LAB 56.48, 42.75, -40.19

 

CMYK 3 / 47 / 0 / 19

HEX #C86DCE

RGB 200 109 206

HSL 296.29, 0.5%, 0.62%

LAB 59.59, 50.2, -35.08

 

CMYK 0 / 47 / 9 / 19

HEX #CE6DBB

RGB 206 109 187

HSL 311.75, 0.5%, 0.62%

LAB 59.57, 48.63, -24.26

 

CMYK 22 / 67 / 0 / 31

HEX #883AAF

RGB 136 58 175

HSL 280, 0.5%, 0.46%

LAB 40.17, 52.29, -48.42

 

CMYK 20 / 60 / 0 / 23

HEX #9D4EC4

RGB 157 78 196

HSL 280.17, 0.5%, 0.54%

LAB 47.76, 52.22, -48.41

 

CMYK 16 / 47 / 0 / 19

HEX #AE6DCE

RGB 174 109 206

HSL 280.21, 0.5%, 0.62%

LAB 56.48, 42.75, -40.19

 

CMYK 12 / 35 / 0 / 15

HEX #BF8CD8

RGB 191 140 216

HSL 280.26, 0.49%, 0.7%

LAB 65.59, 32.94, -31.46

 

CMYK 8 / 25 / 0 / 11

HEX #D0ABE3

RGB 208 171 227

HSL 279.64, 0.5%, 0.78%

LAB 74.88, 23.53, -23.1

 

CMYK 16 / 47 / 0 / 19

HEX #AE6DCE

RGB 174 109 206

HSL 280.21, 0.5%, 0.62%

LAB 56.48, 42.75, -40.19

 

CMYK 0 / 47 / 41 / 19

HEX #CE6D7A

RGB 206 109 122

HSL 351.96, 0.5%, 0.62%

LAB 57.52, 39.53, 10.28

 

CMYK 47 / 0 / 34 / 19

HEX #6DCE87

RGB 109 206 135

HSL 136.08, 0.5%, 0.62%

LAB 75.54, -44.03, 26.71

 

CMYK 16 / 47 / 0 / 19

HEX #AE6DCE

RGB 174 109 206

HSL 280.21, 0.5%, 0.62%

LAB 56.48, 42.75, -40.19

 

CMYK 0 / 16 / 47 / 19

HEX #CEAE6D

RGB 206 174 109

HSL 40.21, 0.5%, 0.62%

LAB 72.56, 3.15, 37.56

 

CMYK 47 / 0 / 16 / 19

HEX #6DCEAE

RGB 109 206 174

HSL 160.21, 0.5%, 0.62%

LAB 76.34, -36.21, 7.12

 

CMYK 16 / 47 / 0 / 19

HEX #AE6DCE

RGB 174 109 206

HSL 280.21, 0.5%, 0.62%

LAB 56.48, 42.75, -40.19

 

CMYK 0 / 47 / 41 / 19

HEX #CE6D7A

RGB 206 109 122

HSL 351.96, 0.5%, 0.62%

LAB 57.52, 39.53, 10.28

 

CMYK 32 / 0 / 47 / 19

HEX #8DCE6D

RGB 141 206 109

HSL 100.21, 0.5%, 0.62%

LAB 76.62, -38.1, 41.62

 

CMYK 47 / 0 / 6 / 19

HEX #6DCEC1

RGB 109 206 193

HSL 171.96, 0.5%, 0.62%

LAB 76.83, -31.76, -2.4

 

CMYK 16 / 47 / 0 / 19

HEX #AE6DCE

RGB 174 109 206

HSL 280.21, 0.5%, 0.62%

LAB 56.48, 42.75, -40.19

 

CMYK 0 / 39 / 47 / 19

HEX #CE7D6D

RGB 206 125 109

HSL 9.9, 0.5%, 0.62%

LAB 60.69, 29.69, 22.11

 

CMYK 32 / 0 / 47 / 19

HEX #8DCE6D

RGB 141 206 109

HSL 100.21, 0.5%, 0.62%

LAB 76.62, -38.1, 41.62

 

CMYK 47 / 8 / 0 / 19

HEX #6DBECE

RGB 109 190 206

HSL 189.9, 0.5%, 0.62%

LAB 72.58, -20.53, -15.76

 

Description

Color code: HEX #AE6DCE | qconv.com Color code: HEX #AE6DCE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 109 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 109 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 47 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 47% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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