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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE692F it is the complementary color #5196D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE692F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE692F shade: #B3692A, #C47B3D, #D58D50, #E69F63 and #F7B176

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE692F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE692F shade: #AE692F, #9D571C, #8C4509, #7B3300 and #6A2100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE692F shade: #AC682F, #AC472F and #AC2F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE692F shade: #AC682F, #AC8A2F, #ACAC2F, #8BAC2F and #69AC2F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE692F shade matches the following richer shades: #AC682F, #BE671D and #D0650C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE692F shade: #AC682F, #9A6A41, #896B53, #776D64 and #656E76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE692F shade: #AC2F3A, #AC462F, #AC672F, #AC892F and #ACAA2F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE692F shade: #6B411D, #8C5526, #AC682F, #C97C3B and #D2925C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE692F shade: #AE692F, #5BAC2F and #352FAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE692F shade: #AE692F, #2FAC67 and #672FAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE692F shade: #AE692F, #5BAC2F, #2F74AC and #802FAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE692F shade: #AE692F, #35AC2F, #2F74AC and #A62FAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 73 / 32

HEX #AE692F

RGB 174 105 47

HSL 27.4, 0.57%, 0.43%

LAB 51.04, 22.68, 43.02

 

Complementary color

CMYK 61 / 28 / 0 / 18

HEX #5196D0

RGB 81 150 208

HSL 207.4, 0.57%, 0.57%

LAB 59.99, -4.3, -36.29

 

CMYK 0 / 41 / 77 / 30

HEX #B3692A

RGB 179 105 42

HSL 27.59, 0.62%, 0.43%

LAB 51.67, 24.6, 46.25

 

CMYK 0 / 37 / 69 / 23

HEX #C47B3D

RGB 196 123 61

HSL 27.56, 0.53%, 0.5%

LAB 58.26, 22.93, 44.76

 

CMYK 0 / 34 / 62 / 16

HEX #D58D50

RGB 213 141 80

HSL 27.52, 0.61%, 0.57%

LAB 64.78, 21.47, 43.17

 

CMYK 0 / 31 / 57 / 10

HEX #E69F63

RGB 230 159 99

HSL 27.48, 0.72%, 0.65%

LAB 71.23, 20.2, 41.61

 

CMYK 0 / 28 / 52 / 3

HEX #F7B176

RGB 247 177 118

HSL 27.44, 0.89%, 0.72%

LAB 77.59, 19.08, 40.13

 

CMYK 0 / 40 / 73 / 32

HEX #AE692F

RGB 174 105 47

HSL 27.4, 0.57%, 0.43%

LAB 51.04, 22.68, 43.02

 

CMYK 0 / 45 / 82 / 38

HEX #9D571C

RGB 157 87 28

HSL 27.44, 0.7%, 0.36%

LAB 44.33, 24.52, 44.36

 

CMYK 0 / 51 / 94 / 45

HEX #8C4509

RGB 140 69 9

HSL 27.48, 0.88%, 0.29%

LAB 37.57, 26.64, 44.69

 

CMYK 0 / 59 / 100 / 52

HEX #7B3300

RGB 123 51 0

HSL 24.88, 1%, 0.24%

LAB 30.83, 28.99, 42.04

 

CMYK 0 / 69 / 100 / 58

HEX #6A2100

RGB 106 33 0

HSL 18.68, 1%, 0.21%

LAB 24.17, 31.21, 35.1

 

CMYK 0 / 40 / 73 / 33

HEX #AC682F

RGB 172 104 47

HSL 27.36, 0.57%, 0.43%

LAB 50.54, 22.38, 42.41

 

CMYK 0 / 59 / 73 / 33

HEX #AC472F

RGB 172 71 47

HSL 11.52, 0.57%, 0.43%

LAB 43.48, 39.91, 34.72

 

CMYK 0 / 73 / 73 / 33

HEX #AC2F2F

RGB 172 47 47

HSL 0, 0.57%, 0.43%

LAB 39.6, 50.35, 30.28

 

CMYK 0 / 40 / 73 / 33

HEX #AC682F

RGB 172 104 47

HSL 27.36, 0.57%, 0.43%

LAB 50.54, 22.38, 42.41

 

CMYK 0 / 20 / 73 / 33

HEX #AC8A2F

RGB 172 138 47

HSL 43.68, 0.57%, 0.43%

LAB 59.12, 3.34, 51.23

 

CMYK 0 / 0 / 73 / 33

HEX #ACAC2F

RGB 172 172 47

HSL 60, 0.57%, 0.43%

LAB 68.37, -14.84, 60.28

 

CMYK 19 / 0 / 73 / 33

HEX #8BAC2F

RGB 139 172 47

HSL 75.84, 0.57%, 0.43%

LAB 65.9, -28.82, 57.04

 

CMYK 39 / 0 / 73 / 33

HEX #69AC2F

RGB 105 172 47

HSL 92.16, 0.57%, 0.43%

LAB 63.93, -41.81, 54.42

 

CMYK 0 / 40 / 73 / 33

HEX #AC682F

RGB 172 104 47

HSL 27.36, 0.57%, 0.43%

LAB 50.54, 22.38, 42.41

 

CMYK 0 / 46 / 85 / 25

HEX #BE671D

RGB 190 103 29

HSL 27.58, 0.74%, 0.43%

LAB 52.66, 29.9, 53.14

 

CMYK 0 / 51 / 94 / 18

HEX #D0650C

RGB 208 101 12

HSL 27.24, 0.89%, 0.43%

LAB 54.81, 37.98, 60.89

 

CMYK 0 / 40 / 73 / 33

HEX #AC682F

RGB 172 104 47

HSL 27.36, 0.57%, 0.43%

LAB 50.54, 22.38, 42.41

 

CMYK 0 / 31 / 58 / 40

HEX #9A6A41

RGB 154 106 65

HSL 27.64, 0.41%, 0.43%

LAB 48.96, 14.58, 30.5

 

CMYK 0 / 22 / 39 / 46

HEX #896B53

RGB 137 107 83

HSL 26.67, 0.25%, 0.43%

LAB 47.57, 8.45, 18.01

 

CMYK 0 / 8 / 16 / 53

HEX #776D64

RGB 119 109 100

HSL 28.42, 0.09%, 0.43%

LAB 46.68, 2.26, 6.43

 

CMYK 14 / 7 / 0 / 54

HEX #656E76

RGB 101 110 118

HSL 208.24, 0.08%, 0.43%

LAB 45.94, -1.61, -5.61

 

CMYK 0 / 73 / 66 / 33

HEX #AC2F3A

RGB 172 47 58

HSL 354.72, 0.57%, 0.43%

LAB 39.76, 50.93, 23.78

 

CMYK 0 / 59 / 73 / 33

HEX #AC462F

RGB 172 70 47

HSL 11.04, 0.57%, 0.43%

LAB 43.3, 40.4, 34.51

 

CMYK 0 / 40 / 73 / 33

HEX #AC672F

RGB 172 103 47

HSL 26.88, 0.57%, 0.43%

LAB 50.31, 22.93, 42.16

 

CMYK 0 / 20 / 73 / 33

HEX #AC892F

RGB 172 137 47

HSL 43.2, 0.57%, 0.43%

LAB 58.85, 3.89, 50.97

 

CMYK 0 / 1 / 73 / 33

HEX #ACAA2F

RGB 172 170 47

HSL 59.04, 0.57%, 0.43%

LAB 67.82, -13.81, 59.75

 

CMYK 0 / 39 / 73 / 58

HEX #6B411D

RGB 107 65 29

HSL 27.69, 0.57%, 0.27%

LAB 31.8, 14.7, 28.93

 

CMYK 0 / 39 / 73 / 45

HEX #8C5526

RGB 140 85 38

HSL 27.65, 0.57%, 0.35%

LAB 41.55, 18.57, 36.05

 

CMYK 0 / 40 / 73 / 33

HEX #AC682F

RGB 172 104 47

HSL 27.36, 0.57%, 0.43%

LAB 50.54, 22.38, 42.41

 

CMYK 0 / 38 / 71 / 21

HEX #C97C3B

RGB 201 124 59

HSL 27.46, 0.57%, 0.51%

LAB 59.11, 24.38, 46.84

 

CMYK 0 / 30 / 56 / 18

HEX #D2925C

RGB 210 146 92

HSL 27.46, 0.57%, 0.59%

LAB 65.77, 18.4, 38.06

 

CMYK 0 / 40 / 73 / 32

HEX #AE692F

RGB 174 105 47

HSL 27.4, 0.57%, 0.43%

LAB 51.04, 22.68, 43.02

 

CMYK 47 / 0 / 73 / 33

HEX #5BAC2F

RGB 91 172 47

HSL 98.88, 0.57%, 0.43%

LAB 63.29, -46.46, 53.57

 

CMYK 69 / 73 / 0 / 33

HEX #352FAC

RGB 53 47 172

HSL 242.88, 0.57%, 0.43%

LAB 28.82, 42.31, -65.51

 

CMYK 0 / 40 / 73 / 32

HEX #AE692F

RGB 174 105 47

HSL 27.4, 0.57%, 0.43%

LAB 51.04, 22.68, 43.02

 

CMYK 73 / 0 / 40 / 33

HEX #2FAC67

RGB 47 172 103

HSL 146.88, 0.57%, 0.43%

LAB 62.58, -49.62, 26

 

CMYK 40 / 73 / 0 / 33

HEX #672FAC

RGB 103 47 172

HSL 266.88, 0.57%, 0.43%

LAB 33.76, 49.91, -57.22

 

CMYK 0 / 40 / 73 / 32

HEX #AE692F

RGB 174 105 47

HSL 27.4, 0.57%, 0.43%

LAB 51.04, 22.68, 43.02

 

CMYK 47 / 0 / 73 / 33

HEX #5BAC2F

RGB 91 172 47

HSL 98.88, 0.57%, 0.43%

LAB 63.29, -46.46, 53.57

 

CMYK 73 / 33 / 0 / 33

HEX #2F74AC

RGB 47 116 172

HSL 206.88, 0.57%, 0.43%

LAB 47.07, -2.47, -36.09

 

CMYK 26 / 73 / 0 / 33

HEX #802FAC

RGB 128 47 172

HSL 278.88, 0.57%, 0.43%

LAB 37.12, 54.77, -51.62

 

CMYK 0 / 40 / 73 / 32

HEX #AE692F

RGB 174 105 47

HSL 27.4, 0.57%, 0.43%

LAB 51.04, 22.68, 43.02

 

CMYK 69 / 0 / 73 / 33

HEX #35AC2F

RGB 53 172 47

HSL 117.12, 0.57%, 0.43%

LAB 62.06, -56.21, 51.91

 

CMYK 73 / 33 / 0 / 33

HEX #2F74AC

RGB 47 116 172

HSL 206.88, 0.57%, 0.43%

LAB 47.07, -2.47, -36.09

 

CMYK 3 / 73 / 0 / 33

HEX #A62FAC

RGB 166 47 172

HSL 297.12, 0.57%, 0.43%

LAB 42.94, 62.8, -41.96

 

Description

Color code: HEX #AE692F | qconv.com Color code: HEX #AE692F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 105 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 105 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 73 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 73% 32% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

12% - 828x430xshutterstock...
Link: http://blog.hiroshima.com.br

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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