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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE6278 it is the complementary color #519D87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE6278. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE6278 shade: #B36273, #C47486, #D58699, #E698AC and #F7AABF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE6278. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE6278 shade: #AE6278, #9D5065, #8C3E52, #7B2C3F and #6A1A2C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE6278 shade: #AE6177, #AE6162 and #AE6161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE6278 shade: #AE6177, #AE618C, #AE61A0, #A661AE and #9161AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE6278 shade matches the following richer shades: #AE6177, #C14D6F, #D43A67, #E8275F and #FB1356

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE6278 shade: #AE6177, #9A747F, #878887, #739B8F and #60AE98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE6278 shade: #AE61A1, #AE618C, #AE6178, #AE6163 and #AE7361

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE6278 shade: #7C4051, #974E63, #AE6177, #BC7C8E and #CA97A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE6278 shade: #AE6278, #AEA661 and #6196AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE6278 shade: #AE6278, #78AE61 and #6178AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE6278 shade: #AE6278, #AEA661, #61AE96 and #6168AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE6278 shade: #AE6278, #9EAE61, #61AE96 and #7061AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 31 / 32

HEX #AE6278

RGB 174 98 120

HSL 342.63, 0.32%, 0.53%

LAB 50.79, 33.37, 1.23

 

Complementary color

CMYK 48 / 0 / 14 / 38

HEX #519D87

RGB 81 157 135

HSL 162.63, 0.32%, 0.47%

LAB 59.54, -29.07, 4.27

 

CMYK 0 / 45 / 36 / 30

HEX #B36273

RGB 179 98 115

HSL 347.41, 0.35%, 0.54%

LAB 51.33, 34.57, 5.08

 

CMYK 0 / 41 / 32 / 23

HEX #C47486

RGB 196 116 134

HSL 346.5, 0.4%, 0.61%

LAB 57.99, 33.62, 3.79

 

CMYK 0 / 37 / 28 / 16

HEX #D58699

RGB 213 134 153

HSL 345.57, 0.48%, 0.68%

LAB 64.56, 32.73, 2.68

 

CMYK 0 / 34 / 25 / 10

HEX #E698AC

RGB 230 152 172

HSL 344.62, 0.61%, 0.75%

LAB 71.05, 31.91, 1.68

 

CMYK 0 / 31 / 23 / 3

HEX #F7AABF

RGB 247 170 191

HSL 343.64, 0.83%, 0.82%

LAB 77.45, 31.14, 0.78

 

CMYK 0 / 44 / 31 / 32

HEX #AE6278

RGB 174 98 120

HSL 342.63, 0.32%, 0.53%

LAB 50.79, 33.37, 1.23

 

CMYK 0 / 49 / 36 / 38

HEX #9D5065

RGB 157 80 101

HSL 343.64, 0.32%, 0.46%

LAB 44.01, 34.32, 2.58

 

CMYK 0 / 56 / 41 / 45

HEX #8C3E52

RGB 140 62 82

HSL 344.62, 0.39%, 0.4%

LAB 37.17, 35.26, 4.23

 

CMYK 0 / 64 / 49 / 52

HEX #7B2C3F

RGB 123 44 63

HSL 345.57, 0.47%, 0.33%

LAB 30.33, 36.08, 6.37

 

CMYK 0 / 75 / 58 / 58

HEX #6A1A2C

RGB 106 26 44

HSL 346.5, 0.61%, 0.26%

LAB 23.62, 36.46, 9.31

 

CMYK 0 / 44 / 32 / 32

HEX #AE6177

RGB 174 97 119

HSL 342.86, 0.32%, 0.53%

LAB 50.55, 33.78, 1.47

 

CMYK 0 / 44 / 44 / 32

HEX #AE6162

RGB 174 97 98

HSL 359.22, 0.32%, 0.53%

LAB 50.01, 31.2, 13.23

 

CMYK 0 / 44 / 44 / 32

HEX #AE6161

RGB 174 97 97

HSL 0, 0.32%, 0.53%

LAB 49.99, 31.09, 13.79

 

CMYK 0 / 44 / 32 / 32

HEX #AE6177

RGB 174 97 119

HSL 342.86, 0.32%, 0.53%

LAB 50.55, 33.78, 1.47

 

CMYK 0 / 44 / 20 / 32

HEX #AE618C

RGB 174 97 140

HSL 326.49, 0.32%, 0.53%

LAB 51.2, 36.84, -10.05

 

CMYK 0 / 44 / 8 / 32

HEX #AE61A0

RGB 174 97 160

HSL 310.91, 0.32%, 0.53%

LAB 51.93, 40.17, -20.72

 

CMYK 5 / 44 / 0 / 32

HEX #A661AE

RGB 166 97 174

HSL 293.77, 0.32%, 0.53%

LAB 51.51, 40.27, -29.64

 

CMYK 17 / 44 / 0 / 32

HEX #9161AE

RGB 145 97 174

HSL 277.4, 0.32%, 0.53%

LAB 49.04, 33.89, -33.69

 

CMYK 0 / 44 / 32 / 32

HEX #AE6177

RGB 174 97 119

HSL 342.86, 0.32%, 0.53%

LAB 50.55, 33.78, 1.47

 

CMYK 0 / 60 / 42 / 24

HEX #C14D6F

RGB 193 77 111

HSL 342.41, 0.48%, 0.53%

LAB 49.24, 49.54, 4.75

 

CMYK 0 / 73 / 51 / 17

HEX #D43A67

RGB 212 58 103

HSL 342.47, 0.64%, 0.53%

LAB 49.5, 62.27, 10.41

 

CMYK 0 / 83 / 59 / 9

HEX #E8275F

RGB 232 39 95

HSL 342.59, 0.81%, 0.53%

LAB 51.19, 72.38, 18.19

 

CMYK 0 / 92 / 66 / 2

HEX #FB1356

RGB 251 19 86

HSL 342.67, 0.97%, 0.53%

LAB 53.65, 79.7, 27.55

 

CMYK 0 / 44 / 32 / 32

HEX #AE6177

RGB 174 97 119

HSL 342.86, 0.32%, 0.53%

LAB 50.55, 33.78, 1.47

 

CMYK 0 / 25 / 18 / 40

HEX #9A747F

RGB 154 116 127

HSL 342.63, 0.16%, 0.53%

LAB 52.83, 16.69, -0.22

 

CMYK 1 / 0 / 1 / 47

HEX #878887

RGB 135 136 135

HSL 120, 0%, 0.53%

LAB 56.59, -0.56, 0.4

 

CMYK 26 / 0 / 8 / 39

HEX #739B8F

RGB 115 155 143

HSL 162, 0.17%, 0.53%

LAB 60.84, -16.3, 1.85

 

CMYK 45 / 0 / 13 / 32

HEX #60AE98

RGB 96 174 152

HSL 163.08, 0.33%, 0.53%

LAB 65.77, -29.43, 3.83

 

CMYK 0 / 44 / 7 / 32

HEX #AE61A1

RGB 174 97 161

HSL 310.13, 0.32%, 0.53%

LAB 51.97, 40.35, -21.25

 

CMYK 0 / 44 / 20 / 32

HEX #AE618C

RGB 174 97 140

HSL 326.49, 0.32%, 0.53%

LAB 51.2, 36.84, -10.05

 

CMYK 0 / 44 / 31 / 32

HEX #AE6178

RGB 174 97 120

HSL 342.08, 0.32%, 0.53%

LAB 50.57, 33.91, 0.92

 

CMYK 0 / 44 / 43 / 32

HEX #AE6163

RGB 174 97 99

HSL 358.44, 0.32%, 0.53%

LAB 50.04, 31.31, 12.67

 

CMYK 0 / 34 / 44 / 32

HEX #AE7361

RGB 174 115 97

HSL 14.03, 0.32%, 0.53%

LAB 54.16, 21.1, 19.48

 

CMYK 0 / 48 / 35 / 51

HEX #7C4051

RGB 124 64 81

HSL 343, 0.32%, 0.37%

LAB 35.09, 28, 1.55

 

CMYK 0 / 48 / 34 / 41

HEX #974E63

RGB 151 78 99

HSL 342.74, 0.32%, 0.45%

LAB 42.66, 32.91, 1.74

 

CMYK 0 / 44 / 32 / 32

HEX #AE6177

RGB 174 97 119

HSL 342.86, 0.32%, 0.53%

LAB 50.55, 33.78, 1.47

 

CMYK 0 / 34 / 24 / 26

HEX #BC7C8E

RGB 188 124 142

HSL 343.13, 0.32%, 0.61%

LAB 59.03, 27.41, 0.56

 

CMYK 0 / 25 / 18 / 21

HEX #CA97A6

RGB 202 151 166

HSL 342.35, 0.32%, 0.69%

LAB 67.61, 21.38, -0.36

 

CMYK 0 / 44 / 31 / 32

HEX #AE6278

RGB 174 98 120

HSL 342.63, 0.32%, 0.53%

LAB 50.79, 33.37, 1.23

 

CMYK 0 / 5 / 44 / 32

HEX #AEA661

RGB 174 166 97

HSL 53.77, 0.32%, 0.53%

LAB 67.38, -7.08, 36.65

 

CMYK 44 / 14 / 0 / 32

HEX #6196AE

RGB 97 150 174

HSL 198.7, 0.32%, 0.53%

LAB 59.35, -11.08, -18.06

 

CMYK 0 / 44 / 31 / 32

HEX #AE6278

RGB 174 98 120

HSL 342.63, 0.32%, 0.53%

LAB 50.79, 33.37, 1.23

 

CMYK 31 / 0 / 44 / 32

HEX #78AE61

RGB 120 174 97

HSL 102.08, 0.32%, 0.53%

LAB 65.85, -32.27, 33.91

 

CMYK 44 / 31 / 0 / 32

HEX #6178AE

RGB 97 120 174

HSL 222.08, 0.32%, 0.53%

LAB 50.72, 6.22, -31.35

 

CMYK 0 / 44 / 31 / 32

HEX #AE6278

RGB 174 98 120

HSL 342.63, 0.32%, 0.53%

LAB 50.79, 33.37, 1.23

 

CMYK 0 / 5 / 44 / 32

HEX #AEA661

RGB 174 166 97

HSL 53.77, 0.32%, 0.53%

LAB 67.38, -7.08, 36.65

 

CMYK 44 / 0 / 14 / 32

HEX #61AE96

RGB 97 174 150

HSL 161.3, 0.32%, 0.53%

LAB 65.76, -29.64, 4.93

 

CMYK 44 / 40 / 0 / 32

HEX #6168AE

RGB 97 104 174

HSL 234.55, 0.32%, 0.53%

LAB 46.31, 15.98, -38.29

 

CMYK 0 / 44 / 31 / 32

HEX #AE6278

RGB 174 98 120

HSL 342.63, 0.32%, 0.53%

LAB 50.79, 33.37, 1.23

 

CMYK 9 / 0 / 44 / 32

HEX #9EAE61

RGB 158 174 97

HSL 72.47, 0.32%, 0.53%

LAB 68.32, -17.81, 37.54

 

CMYK 44 / 0 / 14 / 32

HEX #61AE96

RGB 97 174 150

HSL 161.3, 0.32%, 0.53%

LAB 65.76, -29.64, 4.93

 

CMYK 36 / 44 / 0 / 32

HEX #7061AE

RGB 112 97 174

HSL 251.69, 0.32%, 0.53%

LAB 45.7, 24.31, -39.17

 

Description

Color code: HEX #AE6278 | qconv.com Color code: HEX #AE6278 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 98 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 98 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 31 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 31% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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