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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE61FB it is the complementary color #519E04. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE61FB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE61FB shade: #B361F6, #C473FF, #D585FF, #E697FF and #F7A9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE61FB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE61FB shade: #AE61FB, #9D4FE8, #8C3DD5, #7B2BC2 and #6A19AF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE61FB shade: #AD60FB, #D760FB, #FB60F5, #FB60CB and #FB60A1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE61FB shade: #AD60FB, #8460FB and #6060FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE61FB shade matches the following richer shades: #AD60FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE61FB shade: #AD60FB, #AD6DEE, #AD7AE1, #AD87D3 and #AD95C6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE61FB shade: #6065FB, #8460FB, #AD60FB, #D760FB and #FB60F6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE61FB shade: #840FF9, #9938FA, #AD60FB, #C288FC and #D7B0FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE61FB shade: #AE61FB, #FB608E and #60FB6F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE61FB shade: #AE61FB, #FBAD60 and #60FBAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE61FB shade: #AE61FB, #FB608E, #ADFB60 and #60FBCC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE61FB shade: #AE61FB, #FB6060, #ADFB60 and #60FBFB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 61 / 0 / 2

HEX #AE61FB

RGB 174 97 251

HSL 270, 0.95%, 0.68%

LAB 56.6, 59.08, -65.23

 

Complementary color

CMYK 49 / 0 / 97 / 38

HEX #519E04

RGB 81 158 4

HSL 90, 0.95%, 0.32%

LAB 58.24, -45.99, 59.63

 

CMYK 27 / 61 / 0 / 4

HEX #B361F6

RGB 179 97 246

HSL 273.02, 0.89%, 0.67%

LAB 56.87, 59.04, -61.99

 

CMYK 23 / 55 / 0 / 0

HEX #C473FF

RGB 196 115 255

HSL 274.71, 1%, 0.73%

LAB 62.69, 56.05, -57.53

 

CMYK 16 / 48 / 0 / 0

HEX #D585FF

RGB 213 133 255

HSL 279.34, 1%, 0.76%

LAB 68.12, 51.2, -48.8

 

CMYK 10 / 41 / 0 / 0

HEX #E697FF

RGB 230 151 255

HSL 285.58, 1%, 0.8%

LAB 73.66, 46.58, -39.99

 

CMYK 3 / 34 / 0 / 0

HEX #F7A9FF

RGB 247 169 255

HSL 294.42, 1%, 0.83%

LAB 79.25, 42.23, -31.19

 

CMYK 31 / 61 / 0 / 2

HEX #AE61FB

RGB 174 97 251

HSL 270, 0.95%, 0.68%

LAB 56.6, 59.08, -65.23

 

CMYK 32 / 66 / 0 / 9

HEX #9D4FE8

RGB 157 79 232

HSL 270.59, 0.77%, 0.61%

LAB 50.2, 59.81, -65.03

 

CMYK 34 / 71 / 0 / 16

HEX #8C3DD5

RGB 140 61 213

HSL 271.18, 0.64%, 0.54%

LAB 43.82, 60.32, -64.66

 

CMYK 37 / 78 / 0 / 24

HEX #7B2BC2

RGB 123 43 194

HSL 271.79, 0.64%, 0.46%

LAB 37.54, 60.38, -63.96

 

CMYK 39 / 86 / 0 / 31

HEX #6A19AF

RGB 106 25 175

HSL 272.4, 0.75%, 0.39%

LAB 31.47, 59.62, -62.74

 

CMYK 31 / 62 / 0 / 2

HEX #AD60FB

RGB 173 96 251

HSL 269.81, 0.95%, 0.68%

LAB 56.3, 59.35, -65.71

 

CMYK 14 / 62 / 0 / 2

HEX #D760FB

RGB 215 96 251

HSL 286.06, 0.95%, 0.68%

LAB 61.46, 68.71, -57.15

 

CMYK 0 / 62 / 2 / 2

HEX #FB60F5

RGB 251 96 245

HSL 302.32, 0.95%, 0.68%

LAB 66.11, 76.06, -46.16

 

CMYK 0 / 62 / 19 / 2

HEX #FB60CB

RGB 251 96 203

HSL 318.58, 0.95%, 0.68%

LAB 64.31, 69.84, -25.52

 

CMYK 0 / 62 / 36 / 2

HEX #FB60A1

RGB 251 96 161

HSL 334.84, 0.95%, 0.68%

LAB 62.88, 64.68, -3.72

 

CMYK 31 / 62 / 0 / 2

HEX #AD60FB

RGB 173 96 251

HSL 269.81, 0.95%, 0.68%

LAB 56.3, 59.35, -65.71

 

CMYK 47 / 62 / 0 / 2

HEX #8460FB

RGB 132 96 251

HSL 253.94, 0.95%, 0.68%

LAB 52.1, 51.04, -72.7

 

CMYK 62 / 62 / 0 / 2

HEX #6060FB

RGB 96 96 251

HSL 240, 0.95%, 0.68%

LAB 49.27, 44.96, -77.43

 

CMYK 31 / 62 / 0 / 2

HEX #AD60FB

RGB 173 96 251

HSL 269.81, 0.95%, 0.68%

LAB 56.3, 59.35, -65.71

 

CMYK 31 / 62 / 0 / 2

HEX #AD60FB

RGB 173 96 251

HSL 269.81, 0.95%, 0.68%

LAB 56.3, 59.35, -65.71

 

CMYK 27 / 54 / 0 / 7

HEX #AD6DEE

RGB 173 109 238

HSL 269.77, 0.79%, 0.68%

LAB 58.03, 49.67, -55.71

 

CMYK 23 / 46 / 0 / 12

HEX #AD7AE1

RGB 173 122 225

HSL 269.71, 0.63%, 0.68%

LAB 60.1, 39.61, -45.17

 

CMYK 18 / 36 / 0 / 17

HEX #AD87D3

RGB 173 135 211

HSL 270, 0.46%, 0.68%

LAB 62.44, 29.14, -33.69

 

CMYK 13 / 25 / 0 / 22

HEX #AD95C6

RGB 173 149 198

HSL 269.39, 0.3%, 0.68%

LAB 65.32, 18.37, -21.97

 

CMYK 62 / 60 / 0 / 2

HEX #6065FB

RGB 96 101 251

HSL 238.06, 0.95%, 0.68%

LAB 50.4, 42.01, -75.59

 

CMYK 47 / 62 / 0 / 2

HEX #8460FB

RGB 132 96 251

HSL 253.94, 0.95%, 0.68%

LAB 52.1, 51.04, -72.7

 

CMYK 31 / 62 / 0 / 2

HEX #AD60FB

RGB 173 96 251

HSL 269.81, 0.95%, 0.68%

LAB 56.3, 59.35, -65.71

 

CMYK 14 / 62 / 0 / 2

HEX #D760FB

RGB 215 96 251

HSL 286.06, 0.95%, 0.68%

LAB 61.46, 68.71, -57.15

 

CMYK 0 / 62 / 2 / 2

HEX #FB60F6

RGB 251 96 246

HSL 301.94, 0.95%, 0.68%

LAB 66.16, 76.21, -46.64

 

CMYK 47 / 94 / 0 / 2

HEX #840FF9

RGB 132 15 249

HSL 270, 0.95%, 0.52%

LAB 41.35, 80.6, -89.19

 

CMYK 39 / 78 / 0 / 2

HEX #9938FA

RGB 153 56 250

HSL 270, 0.95%, 0.6%

LAB 47.63, 72.88, -79.34

 

CMYK 31 / 62 / 0 / 2

HEX #AD60FB

RGB 173 96 251

HSL 269.81, 0.95%, 0.68%

LAB 56.3, 59.35, -65.71

 

CMYK 23 / 46 / 0 / 1

HEX #C288FC

RGB 194 136 252

HSL 270, 0.95%, 0.76%

LAB 66.6, 43.85, -49.7

 

CMYK 15 / 30 / 0 / 1

HEX #D7B0FD

RGB 215 176 253

HSL 270.39, 0.95%, 0.84%

LAB 77.63, 28.36, -32.87

 

CMYK 31 / 61 / 0 / 2

HEX #AE61FB

RGB 174 97 251

HSL 270, 0.95%, 0.68%

LAB 56.6, 59.08, -65.23

 

CMYK 0 / 62 / 43 / 2

HEX #FB608E

RGB 251 96 142

HSL 342.19, 0.95%, 0.68%

LAB 62.36, 62.74, 6.48

 

CMYK 62 / 0 / 56 / 2

HEX #60FB6F

RGB 96 251 111

HSL 125.81, 0.95%, 0.68%

LAB 88.27, -68.03, 54.38

 

CMYK 31 / 61 / 0 / 2

HEX #AE61FB

RGB 174 97 251

HSL 270, 0.95%, 0.68%

LAB 56.6, 59.08, -65.23

 

CMYK 0 / 31 / 62 / 2

HEX #FBAD60

RGB 251 173 96

HSL 29.81, 0.95%, 0.68%

LAB 76.82, 21.14, 50.36

 

CMYK 62 / 0 / 31 / 2

HEX #60FBAD

RGB 96 251 173

HSL 149.81, 0.95%, 0.68%

LAB 89.16, -58.26, 25.53

 

CMYK 31 / 61 / 0 / 2

HEX #AE61FB

RGB 174 97 251

HSL 270, 0.95%, 0.68%

LAB 56.6, 59.08, -65.23

 

CMYK 0 / 62 / 43 / 2

HEX #FB608E

RGB 251 96 142

HSL 342.19, 0.95%, 0.68%

LAB 62.36, 62.74, 6.48

 

CMYK 31 / 0 / 62 / 2

HEX #ADFB60

RGB 173 251 96

HSL 90.19, 0.95%, 0.68%

LAB 91.11, -47.96, 64.83

 

CMYK 62 / 0 / 19 / 2

HEX #60FBCC

RGB 96 251 204

HSL 161.81, 0.95%, 0.68%

LAB 89.79, -51.75, 10.5

 

CMYK 31 / 61 / 0 / 2

HEX #AE61FB

RGB 174 97 251

HSL 270, 0.95%, 0.68%

LAB 56.6, 59.08, -65.23

 

CMYK 0 / 62 / 62 / 2

HEX #FB6060

RGB 251 96 96

HSL 0, 0.95%, 0.68%

LAB 61.41, 59.11, 31.63

 

CMYK 31 / 0 / 62 / 2

HEX #ADFB60

RGB 173 251 96

HSL 90.19, 0.95%, 0.68%

LAB 91.11, -47.96, 64.83

 

CMYK 62 / 0 / 0 / 2

HEX #60FBFB

RGB 96 251 251

HSL 180, 0.95%, 0.68%

LAB 90.98, -40.15, -12.14

 

Description

Color code: HEX #AE61FB | qconv.com Color code: HEX #AE61FB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 97 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 97 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 61 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 61% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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