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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE617D it is the complementary color #519E82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE617D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE617D shade: #B36178, #C4738B, #D5859E, #E697B1 and #F7A9C4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE617D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE617D shade: #AE617D, #9D4F6A, #8C3D57, #7B2B44 and #6A1931

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE617D shade: #AE617D, #AE6168 and #AE6161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE617D shade: #AE617D, #AE6191, #AE61A6, #A061AE and #8C61AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE617D shade matches the following richer shades: #AE617D, #C14D77, #D43A72, #E8276D and #FB1368

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE617D shade: #AE617D, #9A7482, #878887, #739B8D and #60AE92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE617D shade: #AE61A6, #AE6191, #AE617D, #AE6168 and #AE6E61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE617D shade: #7C4056, #974E69, #AE617D, #BC7C93 and #CA97AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE617D shade: #AE617D, #AEA161 and #619CAE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE617D shade: #AE617D, #7DAE61 and #617DAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE617D shade: #AE617D, #AEA161, #61AE91 and #616EAE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE617D shade: #AE617D, #A3AE61, #61AE91 and #6B61AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 28 / 32

HEX #AE617D

RGB 174 97 125

HSL 338.18, 0.32%, 0.53%

LAB 50.72, 34.6, -1.85

 

Complementary color

CMYK 49 / 0 / 18 / 38

HEX #519E82

RGB 81 158 130

HSL 158.18, 0.32%, 0.47%

LAB 59.72, -30.74, 7.35

 

CMYK 0 / 46 / 33 / 30

HEX #B36178

RGB 179 97 120

HSL 343.17, 0.35%, 0.54%

LAB 51.25, 35.74, 1.99

 

CMYK 0 / 41 / 29 / 23

HEX #C4738B

RGB 196 115 139

HSL 342.22, 0.41%, 0.61%

LAB 57.91, 34.83, 0.77

 

CMYK 0 / 38 / 26 / 16

HEX #D5859E

RGB 213 133 158

HSL 341.25, 0.49%, 0.68%

LAB 64.48, 33.96, -0.28

 

CMYK 0 / 34 / 23 / 10

HEX #E697B1

RGB 230 151 177

HSL 340.25, 0.61%, 0.75%

LAB 70.96, 33.15, -1.22

 

CMYK 0 / 32 / 21 / 3

HEX #F7A9C4

RGB 247 169 196

HSL 339.23, 0.83%, 0.82%

LAB 77.36, 32.39, -2.08

 

CMYK 0 / 44 / 28 / 32

HEX #AE617D

RGB 174 97 125

HSL 338.18, 0.32%, 0.53%

LAB 50.72, 34.6, -1.85

 

CMYK 0 / 50 / 32 / 38

HEX #9D4F6A

RGB 157 79 106

HSL 339.23, 0.33%, 0.46%

LAB 43.95, 35.51, -0.58

 

CMYK 0 / 56 / 38 / 45

HEX #8C3D57

RGB 140 61 87

HSL 340.25, 0.39%, 0.39%

LAB 37.12, 36.39, 0.98

 

CMYK 0 / 65 / 45 / 52

HEX #7B2B44

RGB 123 43 68

HSL 341.25, 0.48%, 0.33%

LAB 30.29, 37.1, 3.02

 

CMYK 0 / 76 / 54 / 58

HEX #6A1931

RGB 106 25 49

HSL 342.22, 0.62%, 0.26%

LAB 23.61, 37.3, 5.85

 

CMYK 0 / 44 / 28 / 32

HEX #AE617D

RGB 174 97 125

HSL 338.18, 0.32%, 0.53%

LAB 50.72, 34.6, -1.85

 

CMYK 0 / 44 / 40 / 32

HEX #AE6168

RGB 174 97 104

HSL 354.55, 0.32%, 0.53%

LAB 50.15, 31.89, 9.85

 

CMYK 0 / 44 / 44 / 32

HEX #AE6161

RGB 174 97 97

HSL 0, 0.32%, 0.53%

LAB 49.99, 31.09, 13.79

 

CMYK 0 / 44 / 28 / 32

HEX #AE617D

RGB 174 97 125

HSL 338.18, 0.32%, 0.53%

LAB 50.72, 34.6, -1.85

 

CMYK 0 / 44 / 17 / 32

HEX #AE6191

RGB 174 97 145

HSL 322.6, 0.32%, 0.53%

LAB 51.37, 37.64, -12.75

 

CMYK 0 / 44 / 5 / 32

HEX #AE61A6

RGB 174 97 166

HSL 306.23, 0.32%, 0.53%

LAB 52.18, 41.24, -23.87

 

CMYK 8 / 44 / 0 / 32

HEX #A061AE

RGB 160 97 174

HSL 289.09, 0.32%, 0.53%

LAB 50.78, 38.44, -30.84

 

CMYK 20 / 44 / 0 / 32

HEX #8C61AE

RGB 140 97 174

HSL 273.51, 0.32%, 0.53%

LAB 48.49, 32.39, -34.59

 

CMYK 0 / 44 / 28 / 32

HEX #AE617D

RGB 174 97 125

HSL 338.18, 0.32%, 0.53%

LAB 50.72, 34.6, -1.85

 

CMYK 0 / 60 / 38 / 24

HEX #C14D77

RGB 193 77 119

HSL 338.28, 0.48%, 0.53%

LAB 49.47, 50.41, 0.24

 

CMYK 0 / 73 / 46 / 17

HEX #D43A72

RGB 212 58 114

HSL 338.18, 0.64%, 0.53%

LAB 49.78, 63.2, 4.13

 

CMYK 0 / 83 / 53 / 9

HEX #E8276D

RGB 232 39 109

HSL 338.24, 0.81%, 0.53%

LAB 51.51, 73.32, 10.12

 

CMYK 0 / 92 / 59 / 2

HEX #FB1368

RGB 251 19 104

HSL 338.02, 0.97%, 0.53%

LAB 54, 80.67, 17.17

 

CMYK 0 / 44 / 28 / 32

HEX #AE617D

RGB 174 97 125

HSL 338.18, 0.32%, 0.53%

LAB 50.72, 34.6, -1.85

 

CMYK 0 / 25 / 16 / 40

HEX #9A7482

RGB 154 116 130

HSL 337.89, 0.16%, 0.53%

LAB 52.92, 17.2, -1.86

 

CMYK 1 / 0 / 1 / 47

HEX #878887

RGB 135 136 135

HSL 120, 0%, 0.53%

LAB 56.59, -0.56, 0.4

 

CMYK 26 / 0 / 9 / 39

HEX #739B8D

RGB 115 155 141

HSL 159, 0.17%, 0.53%

LAB 60.79, -16.73, 2.9

 

CMYK 45 / 0 / 16 / 32

HEX #60AE92

RGB 96 174 146

HSL 158.46, 0.33%, 0.53%

LAB 65.62, -30.82, 6.94

 

CMYK 0 / 44 / 5 / 32

HEX #AE61A6

RGB 174 97 166

HSL 306.23, 0.32%, 0.53%

LAB 52.18, 41.24, -23.87

 

CMYK 0 / 44 / 17 / 32

HEX #AE6191

RGB 174 97 145

HSL 322.6, 0.32%, 0.53%

LAB 51.37, 37.64, -12.75

 

CMYK 0 / 44 / 28 / 32

HEX #AE617D

RGB 174 97 125

HSL 338.18, 0.32%, 0.53%

LAB 50.72, 34.6, -1.85

 

CMYK 0 / 44 / 40 / 32

HEX #AE6168

RGB 174 97 104

HSL 354.55, 0.32%, 0.53%

LAB 50.15, 31.89, 9.85

 

CMYK 0 / 37 / 44 / 32

HEX #AE6E61

RGB 174 110 97

HSL 10.13, 0.32%, 0.53%

LAB 52.96, 23.9, 17.87

 

CMYK 0 / 48 / 31 / 51

HEX #7C4056

RGB 124 64 86

HSL 338, 0.32%, 0.37%

LAB 35.25, 28.71, -1.41

 

CMYK 0 / 48 / 30 / 41

HEX #974E69

RGB 151 78 105

HSL 337.81, 0.32%, 0.45%

LAB 42.84, 33.73, -1.7

 

CMYK 0 / 44 / 28 / 32

HEX #AE617D

RGB 174 97 125

HSL 338.18, 0.32%, 0.53%

LAB 50.72, 34.6, -1.85

 

CMYK 0 / 34 / 22 / 26

HEX #BC7C93

RGB 188 124 147

HSL 338.44, 0.32%, 0.61%

LAB 59.17, 28.16, -2.12

 

CMYK 0 / 25 / 16 / 21

HEX #CA97AA

RGB 202 151 170

HSL 337.65, 0.32%, 0.69%

LAB 67.72, 22.02, -2.43

 

CMYK 0 / 44 / 28 / 32

HEX #AE617D

RGB 174 97 125

HSL 338.18, 0.32%, 0.53%

LAB 50.72, 34.6, -1.85

 

CMYK 0 / 7 / 44 / 32

HEX #AEA161

RGB 174 161 97

HSL 49.87, 0.32%, 0.53%

LAB 66.02, -4.41, 34.94

 

CMYK 44 / 10 / 0 / 32

HEX #619CAE

RGB 97 156 174

HSL 194.03, 0.32%, 0.53%

LAB 61.11, -14.35, -15.39

 

CMYK 0 / 44 / 28 / 32

HEX #AE617D

RGB 174 97 125

HSL 338.18, 0.32%, 0.53%

LAB 50.72, 34.6, -1.85

 

CMYK 28 / 0 / 44 / 32

HEX #7DAE61

RGB 125 174 97

HSL 98.18, 0.32%, 0.53%

LAB 66.13, -30.48, 34.33

 

CMYK 44 / 28 / 0 / 32

HEX #617DAE

RGB 97 125 174

HSL 218.18, 0.32%, 0.53%

LAB 52.14, 3.23, -29.15

 

CMYK 0 / 44 / 28 / 32

HEX #AE617D

RGB 174 97 125

HSL 338.18, 0.32%, 0.53%

LAB 50.72, 34.6, -1.85

 

CMYK 0 / 7 / 44 / 32

HEX #AEA161

RGB 174 161 97

HSL 49.87, 0.32%, 0.53%

LAB 66.02, -4.41, 34.94

 

CMYK 44 / 0 / 17 / 32

HEX #61AE91

RGB 97 174 145

HSL 157.4, 0.32%, 0.53%

LAB 65.64, -30.78, 7.52

 

CMYK 44 / 37 / 0 / 32

HEX #616EAE

RGB 97 110 174

HSL 229.87, 0.32%, 0.53%

LAB 47.94, 12.29, -35.71

 

CMYK 0 / 44 / 28 / 32

HEX #AE617D

RGB 174 97 125

HSL 338.18, 0.32%, 0.53%

LAB 50.72, 34.6, -1.85

 

CMYK 6 / 0 / 44 / 32

HEX #A3AE61

RGB 163 174 97

HSL 68.57, 0.32%, 0.53%

LAB 68.69, -15.79, 38.09

 

CMYK 44 / 0 / 17 / 32

HEX #61AE91

RGB 97 174 145

HSL 157.4, 0.32%, 0.53%

LAB 65.64, -30.78, 7.52

 

CMYK 39 / 44 / 0 / 32

HEX #6B61AE

RGB 107 97 174

HSL 247.79, 0.32%, 0.53%

LAB 45.26, 22.95, -39.89

 

Description

Color code: HEX #AE617D | qconv.com Color code: HEX #AE617D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 97 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 97 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 28 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 28% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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