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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE613A it is the complementary color #519EC5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE613A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE613A shade: #B36135, #C47348, #D5855B, #E6976E and #F7A981

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE613A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE613A shade: #AE613A, #9D4F27, #8C3D14, #7B2B01 and #6A1900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE613A shade: #AC6039, #AC4139 and #AC3939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE613A shade: #AC6039, #AC7F39, #AC9E39, #9BAC39 and #7DAC39

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE613A shade matches the following richer shades: #AC6039, #BF5A27, #D15414 and #E44E02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE613A shade: #AC6039, #9A664C, #876C5F, #747271 and #627884

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE613A shade: #AC3950, #AC4139, #AC6039, #AC7E39 and #AC9D39

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE613A shade: #6E3D25, #8D4F2F, #AC6039, #C3744C and #CE8C6B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE613A shade: #AE613A, #6FAC39 and #3941AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE613A shade: #AE613A, #39AC60 and #6039AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE613A shade: #AE613A, #6FAC39, #3986AC and #7739AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE613A shade: #AE613A, #4DAC39, #3986AC and #9939AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 67 / 32

HEX #AE613A

RGB 174 97 58

HSL 20.17, 0.5%, 0.45%

LAB 49.32, 27.73, 35.41

 

Complementary color

CMYK 59 / 20 / 0 / 23

HEX #519EC5

RGB 81 158 197

HSL 200.17, 0.5%, 0.55%

LAB 61.86, -12.27, -27.24

 

CMYK 0 / 46 / 70 / 30

HEX #B36135

RGB 179 97 53

HSL 20.95, 0.54%, 0.45%

LAB 49.97, 29.52, 39.01

 

CMYK 0 / 41 / 63 / 23

HEX #C47348

RGB 196 115 72

HSL 20.81, 0.51%, 0.53%

LAB 56.55, 27.96, 37.11

 

CMYK 0 / 38 / 57 / 16

HEX #D5855B

RGB 213 133 91

HSL 20.66, 0.59%, 0.6%

LAB 63.07, 26.58, 35.33

 

CMYK 0 / 34 / 52 / 10

HEX #E6976E

RGB 230 151 110

HSL 20.5, 0.71%, 0.67%

LAB 69.53, 25.37, 33.7

 

CMYK 0 / 32 / 48 / 3

HEX #F7A981

RGB 247 169 129

HSL 20.34, 0.88%, 0.74%

LAB 75.91, 24.28, 32.21

 

CMYK 0 / 44 / 67 / 32

HEX #AE613A

RGB 174 97 58

HSL 20.17, 0.5%, 0.45%

LAB 49.32, 27.73, 35.41

 

CMYK 0 / 50 / 75 / 38

HEX #9D4F27

RGB 157 79 39

HSL 20.34, 0.6%, 0.38%

LAB 42.62, 29.4, 37.41

 

CMYK 0 / 56 / 86 / 45

HEX #8C3D14

RGB 140 61 20

HSL 20.5, 0.75%, 0.31%

LAB 35.91, 31.25, 39.25

 

CMYK 0 / 65 / 99 / 52

HEX #7B2B01

RGB 123 43 1

HSL 20.66, 0.98%, 0.24%

LAB 29.26, 33.12, 40.45

 

CMYK 0 / 76 / 100 / 58

HEX #6A1900

RGB 106 25 0

HSL 14.15, 1%, 0.21%

LAB 22.86, 34.76, 33.78

 

CMYK 0 / 44 / 67 / 33

HEX #AC6039

RGB 172 96 57

HSL 20.35, 0.5%, 0.45%

LAB 48.8, 27.38, 35.28

 

CMYK 0 / 62 / 67 / 33

HEX #AC4139

RGB 172 65 57

HSL 4.17, 0.5%, 0.45%

LAB 42.53, 43.32, 27.82

 

CMYK 0 / 67 / 67 / 33

HEX #AC3939

RGB 172 57 57

HSL 0, 0.5%, 0.45%

LAB 41.2, 46.88, 26.19

 

CMYK 0 / 44 / 67 / 33

HEX #AC6039

RGB 172 96 57

HSL 20.35, 0.5%, 0.45%

LAB 48.8, 27.38, 35.28

 

CMYK 0 / 26 / 67 / 33

HEX #AC7F39

RGB 172 127 57

HSL 36.52, 0.5%, 0.45%

LAB 56.33, 10.03, 43.78

 

CMYK 0 / 8 / 67 / 33

HEX #AC9E39

RGB 172 158 57

HSL 52.7, 0.5%, 0.45%

LAB 64.58, -6.97, 52.59

 

CMYK 10 / 0 / 67 / 33

HEX #9BAC39

RGB 155 172 57

HSL 68.87, 0.5%, 0.45%

LAB 67.1, -21.56, 54.77

 

CMYK 27 / 0 / 67 / 33

HEX #7DAC39

RGB 125 172 57

HSL 84.52, 0.5%, 0.45%

LAB 65.09, -33.72, 52.04

 

CMYK 0 / 44 / 67 / 33

HEX #AC6039

RGB 172 96 57

HSL 20.35, 0.5%, 0.45%

LAB 48.8, 27.38, 35.28

 

CMYK 0 / 53 / 80 / 25

HEX #BF5A27

RGB 191 90 39

HSL 20.13, 0.66%, 0.45%

LAB 50.14, 37.43, 46.71

 

CMYK 0 / 60 / 90 / 18

HEX #D15414

RGB 209 84 20

HSL 20.32, 0.83%, 0.45%

LAB 51.78, 46.74, 56.77

 

CMYK 0 / 66 / 99 / 11

HEX #E44E02

RGB 228 78 2

HSL 20.18, 0.98%, 0.45%

LAB 53.97, 55.86, 64.08

 

CMYK 0 / 44 / 67 / 33

HEX #AC6039

RGB 172 96 57

HSL 20.35, 0.5%, 0.45%

LAB 48.8, 27.38, 35.28

 

CMYK 0 / 34 / 51 / 40

HEX #9A664C

RGB 154 102 76

HSL 20, 0.34%, 0.45%

LAB 48.13, 17.89, 23.19

 

CMYK 0 / 20 / 30 / 47

HEX #876C5F

RGB 135 108 95

HSL 19.5, 0.17%, 0.45%

LAB 47.88, 8.66, 11.33

 

CMYK 0 / 2 / 3 / 55

HEX #747271

RGB 116 114 113

HSL 20, 0.01%, 0.45%

LAB 48.18, 0.57, 0.82

 

CMYK 26 / 9 / 0 / 48

HEX #627884

RGB 98 120 132

HSL 201.18, 0.15%, 0.45%

LAB 49.12, -5.1, -9.21

 

CMYK 0 / 67 / 53 / 33

HEX #AC3950

RGB 172 57 80

HSL 348, 0.5%, 0.45%

LAB 41.65, 48.52, 12.57

 

CMYK 0 / 62 / 67 / 33

HEX #AC4139

RGB 172 65 57

HSL 4.17, 0.5%, 0.45%

LAB 42.53, 43.32, 27.82

 

CMYK 0 / 44 / 67 / 33

HEX #AC6039

RGB 172 96 57

HSL 20.35, 0.5%, 0.45%

LAB 48.8, 27.38, 35.28

 

CMYK 0 / 27 / 67 / 33

HEX #AC7E39

RGB 172 126 57

HSL 36, 0.5%, 0.45%

LAB 56.08, 10.59, 43.5

 

CMYK 0 / 9 / 67 / 33

HEX #AC9D39

RGB 172 157 57

HSL 52.17, 0.5%, 0.45%

LAB 64.31, -6.44, 52.3

 

CMYK 0 / 45 / 66 / 57

HEX #6E3D25

RGB 110 61 37

HSL 19.73, 0.5%, 0.29%

LAB 31.31, 19.06, 23.87

 

CMYK 0 / 44 / 67 / 45

HEX #8D4F2F

RGB 141 79 47

HSL 20.43, 0.5%, 0.37%

LAB 40.34, 23.03, 29.85

 

CMYK 0 / 44 / 67 / 33

HEX #AC6039

RGB 172 96 57

HSL 20.35, 0.5%, 0.45%

LAB 48.8, 27.38, 35.28

 

CMYK 0 / 41 / 61 / 24

HEX #C3744C

RGB 195 116 76

HSL 20.17, 0.5%, 0.53%

LAB 56.7, 27.29, 35.09

 

CMYK 0 / 32 / 48 / 19

HEX #CE8C6B

RGB 206 140 107

HSL 20, 0.5%, 0.61%

LAB 64.11, 21.36, 27.77

 

CMYK 0 / 44 / 67 / 32

HEX #AE613A

RGB 174 97 58

HSL 20.17, 0.5%, 0.45%

LAB 49.32, 27.73, 35.41

 

CMYK 35 / 0 / 67 / 33

HEX #6FAC39

RGB 111 172 57

HSL 91.83, 0.5%, 0.45%

LAB 64.31, -38.94, 50.97

 

CMYK 67 / 62 / 0 / 33

HEX #3941AC

RGB 57 65 172

HSL 235.83, 0.5%, 0.45%

LAB 33.2, 31.78, -58.32

 

CMYK 0 / 44 / 67 / 32

HEX #AE613A

RGB 174 97 58

HSL 20.17, 0.5%, 0.45%

LAB 49.32, 27.73, 35.41

 

CMYK 67 / 0 / 44 / 33

HEX #39AC60

RGB 57 172 96

HSL 140.35, 0.5%, 0.45%

LAB 62.69, -49.16, 29.89

 

CMYK 44 / 67 / 0 / 33

HEX #6039AC

RGB 96 57 172

HSL 260.35, 0.5%, 0.45%

LAB 34.79, 43.47, -55.59

 

CMYK 0 / 44 / 67 / 32

HEX #AE613A

RGB 174 97 58

HSL 20.17, 0.5%, 0.45%

LAB 49.32, 27.73, 35.41

 

CMYK 35 / 0 / 67 / 33

HEX #6FAC39

RGB 111 172 57

HSL 91.83, 0.5%, 0.45%

LAB 64.31, -38.94, 50.97

 

CMYK 67 / 22 / 0 / 33

HEX #3986AC

RGB 57 134 172

HSL 199.83, 0.5%, 0.45%

LAB 52.84, -11.41, -27.05

 

CMYK 31 / 67 / 0 / 33

HEX #7739AC

RGB 119 57 172

HSL 272.35, 0.5%, 0.45%

LAB 37.53, 48.29, -51.01

 

CMYK 0 / 44 / 67 / 32

HEX #AE613A

RGB 174 97 58

HSL 20.17, 0.5%, 0.45%

LAB 49.32, 27.73, 35.41

 

CMYK 55 / 0 / 67 / 33

HEX #4DAC39

RGB 77 172 57

HSL 109.57, 0.5%, 0.45%

LAB 62.83, -49.73, 48.95

 

CMYK 67 / 22 / 0 / 33

HEX #3986AC

RGB 57 134 172

HSL 199.83, 0.5%, 0.45%

LAB 52.84, -11.41, -27.05

 

CMYK 11 / 67 / 0 / 33

HEX #9939AC

RGB 153 57 172

HSL 290.09, 0.5%, 0.45%

LAB 42.27, 56.04, -43.14

 

Description

Color code: HEX #AE613A | qconv.com Color code: HEX #AE613A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 97 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 97 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 67 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 67% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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