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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE5E77 it is the complementary color #51A188. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE5E77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE5E77 shade: #B35E72, #C47085, #D58298, #E694AB and #F7A6BE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE5E77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE5E77 shade: #AE5E77, #9D4C64, #8C3A51, #7B283E and #6A162B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE5E77 shade: #AF6078, #AF6063 and #AF6060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE5E77 shade: #AF6078, #AF608E, #AF60A3, #A560AF and #9060AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE5E77 shade matches the following richer shades: #AF6078, #C24C71, #D5396A, #E92563 and #FC125B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE5E77 shade: #AF6078, #9B7380, #888687, #759A8E and #61AD95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE5E77 shade: #AF60A3, #AF608E, #AF6079, #AF6064 and #AF7160

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE5E77 shade: #7D3F52, #984D64, #AF6078, #BD7B90 and #CA96A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE5E77 shade: #AE5E77, #AFA560 and #6098AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE5E77 shade: #AE5E77, #79AF60 and #6079AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE5E77 shade: #AE5E77, #AFA560, #60AF96 and #6069AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE5E77 shade: #AE5E77, #A0AF60, #60AF96 and #6E60AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 32 / 32

HEX #AE5E77

RGB 174 94 119

HSL 341.25, 0.33%, 0.53%

LAB 49.9, 35.39, 0.53

 

Complementary color

CMYK 50 / 0 / 16 / 37

HEX #51A188

RGB 81 161 136

HSL 161.25, 0.33%, 0.47%

LAB 60.8, -30.77, 5.51

 

CMYK 0 / 47 / 36 / 30

HEX #B35E72

RGB 179 94 114

HSL 345.88, 0.36%, 0.54%

LAB 50.46, 36.58, 4.41

 

CMYK 0 / 43 / 32 / 23

HEX #C47085

RGB 196 112 133

HSL 345, 0.42%, 0.6%

LAB 57.09, 35.63, 3.08

 

CMYK 0 / 39 / 29 / 16

HEX #D58298

RGB 213 130 152

HSL 344.1, 0.5%, 0.67%

LAB 63.65, 34.73, 1.93

 

CMYK 0 / 36 / 26 / 10

HEX #E694AB

RGB 230 148 171

HSL 343.17, 0.62%, 0.74%

LAB 70.14, 33.89, 0.91

 

CMYK 0 / 33 / 23 / 3

HEX #F7A6BE

RGB 247 166 190

HSL 342.22, 0.84%, 0.81%

LAB 76.54, 33.1, -0.01

 

CMYK 0 / 46 / 32 / 32

HEX #AE5E77

RGB 174 94 119

HSL 341.25, 0.33%, 0.53%

LAB 49.9, 35.39, 0.53

 

CMYK 0 / 52 / 36 / 38

HEX #9D4C64

RGB 157 76 100

HSL 342.22, 0.35%, 0.46%

LAB 43.15, 36.32, 1.94

 

CMYK 0 / 59 / 42 / 45

HEX #8C3A51

RGB 140 58 81

HSL 343.17, 0.41%, 0.39%

LAB 36.36, 37.2, 3.7

 

CMYK 0 / 67 / 50 / 52

HEX #7B283E

RGB 123 40 62

HSL 344.1, 0.51%, 0.32%

LAB 29.6, 37.86, 6

 

CMYK 0 / 79 / 59 / 58

HEX #6A162B

RGB 106 22 43

HSL 345, 0.66%, 0.25%

LAB 23.04, 37.92, 9.21

 

CMYK 0 / 45 / 31 / 31

HEX #AF6078

RGB 175 96 120

HSL 341.77, 0.33%, 0.53%

LAB 50.49, 34.82, 0.82

 

CMYK 0 / 45 / 43 / 31

HEX #AF6063

RGB 175 96 99

HSL 357.72, 0.33%, 0.53%

LAB 49.95, 32.24, 12.57

 

CMYK 0 / 45 / 45 / 31

HEX #AF6060

RGB 175 96 96

HSL 0, 0.33%, 0.53%

LAB 49.89, 31.92, 14.27

 

CMYK 0 / 45 / 31 / 31

HEX #AF6078

RGB 175 96 120

HSL 341.77, 0.33%, 0.53%

LAB 50.49, 34.82, 0.82

 

CMYK 0 / 45 / 19 / 31

HEX #AF608E

RGB 175 96 142

HSL 325.06, 0.33%, 0.53%

LAB 51.19, 38.03, -11.24

 

CMYK 0 / 45 / 7 / 31

HEX #AF60A3

RGB 175 96 163

HSL 309.11, 0.33%, 0.53%

LAB 51.98, 41.55, -22.41

 

CMYK 6 / 45 / 0 / 31

HEX #A560AF

RGB 165 96 175

HSL 292.41, 0.33%, 0.53%

LAB 51.22, 40.7, -30.68

 

CMYK 18 / 45 / 0 / 31

HEX #9060AF

RGB 144 96 175

HSL 276.46, 0.33%, 0.53%

LAB 48.75, 34.39, -34.73

 

CMYK 0 / 45 / 31 / 31

HEX #AF6078

RGB 175 96 120

HSL 341.77, 0.33%, 0.53%

LAB 50.49, 34.82, 0.82

 

CMYK 0 / 61 / 42 / 24

HEX #C24C71

RGB 194 76 113

HSL 341.19, 0.49%, 0.53%

LAB 49.29, 50.53, 3.63

 

CMYK 0 / 73 / 50 / 16

HEX #D5396A

RGB 213 57 106

HSL 341.15, 0.65%, 0.53%

LAB 49.63, 63.13, 8.8

 

CMYK 0 / 84 / 58 / 9

HEX #E92563

RGB 233 37 99

HSL 341.02, 0.82%, 0.53%

LAB 51.32, 73.31, 15.97

 

CMYK 0 / 93 / 64 / 1

HEX #FC125B

RGB 252 18 91

HSL 341.28, 0.98%, 0.53%

LAB 53.9, 80.28, 24.91

 

CMYK 0 / 45 / 31 / 31

HEX #AF6078

RGB 175 96 120

HSL 341.77, 0.33%, 0.53%

LAB 50.49, 34.82, 0.82

 

CMYK 0 / 26 / 17 / 39

HEX #9B7380

RGB 155 115 128

HSL 340.5, 0.17%, 0.53%

LAB 52.72, 17.82, -0.97

 

CMYK 0 / 1 / 1 / 47

HEX #888687

RGB 136 134 135

HSL 330, 0.01%, 0.53%

LAB 56.12, 0.94, -0.28

 

CMYK 24 / 0 / 8 / 40

HEX #759A8E

RGB 117 154 142

HSL 160.54, 0.15%, 0.53%

LAB 60.65, -15.33, 2.14

 

CMYK 44 / 0 / 14 / 32

HEX #61AD95

RGB 97 173 149

HSL 161.05, 0.32%, 0.53%

LAB 65.43, -29.38, 5.01

 

CMYK 0 / 45 / 7 / 31

HEX #AF60A3

RGB 175 96 163

HSL 309.11, 0.33%, 0.53%

LAB 51.98, 41.55, -22.41

 

CMYK 0 / 45 / 19 / 31

HEX #AF608E

RGB 175 96 142

HSL 325.06, 0.33%, 0.53%

LAB 51.19, 38.03, -11.24

 

CMYK 0 / 45 / 31 / 31

HEX #AF6079

RGB 175 96 121

HSL 341.01, 0.33%, 0.53%

LAB 50.52, 34.95, 0.26

 

CMYK 0 / 45 / 43 / 31

HEX #AF6064

RGB 175 96 100

HSL 356.96, 0.33%, 0.53%

LAB 49.98, 32.35, 12.01

 

CMYK 0 / 35 / 45 / 31

HEX #AF7160

RGB 175 113 96

HSL 12.91, 0.33%, 0.53%

LAB 53.78, 22.52, 19.57

 

CMYK 0 / 50 / 34 / 51

HEX #7D3F52

RGB 125 63 82

HSL 341.61, 0.33%, 0.37%

LAB 35.05, 29.08, 0.87

 

CMYK 0 / 49 / 34 / 40

HEX #984D64

RGB 152 77 100

HSL 341.6, 0.33%, 0.45%

LAB 42.62, 33.96, 1.08

 

CMYK 0 / 45 / 31 / 31

HEX #AF6078

RGB 175 96 120

HSL 341.77, 0.33%, 0.53%

LAB 50.49, 34.82, 0.82

 

CMYK 0 / 35 / 24 / 26

HEX #BD7B90

RGB 189 123 144

HSL 340.91, 0.33%, 0.61%

LAB 58.97, 28.63, -0.66

 

CMYK 0 / 26 / 17 / 21

HEX #CA96A7

RGB 202 150 167

HSL 340.38, 0.33%, 0.69%

LAB 67.4, 22.09, -1.23

 

CMYK 0 / 46 / 32 / 32

HEX #AE5E77

RGB 174 94 119

HSL 341.25, 0.33%, 0.53%

LAB 49.9, 35.39, 0.53

 

CMYK 0 / 6 / 45 / 31

HEX #AFA560

RGB 175 165 96

HSL 52.41, 0.33%, 0.53%

LAB 67.18, -6.24, 36.93

 

CMYK 45 / 13 / 0 / 31

HEX #6098AF

RGB 96 152 175

HSL 197.47, 0.33%, 0.53%

LAB 59.92, -12.15, -17.76

 

CMYK 0 / 46 / 32 / 32

HEX #AE5E77

RGB 174 94 119

HSL 341.25, 0.33%, 0.53%

LAB 49.9, 35.39, 0.53

 

CMYK 31 / 0 / 45 / 31

HEX #79AF60

RGB 121 175 96

HSL 101.01, 0.33%, 0.53%

LAB 66.19, -32.52, 34.87

 

CMYK 45 / 31 / 0 / 31

HEX #6079AF

RGB 96 121 175

HSL 221.01, 0.33%, 0.53%

LAB 50.99, 5.65, -31.53

 

CMYK 0 / 46 / 32 / 32

HEX #AE5E77

RGB 174 94 119

HSL 341.25, 0.33%, 0.53%

LAB 49.9, 35.39, 0.53

 

CMYK 0 / 6 / 45 / 31

HEX #AFA560

RGB 175 165 96

HSL 52.41, 0.33%, 0.53%

LAB 67.18, -6.24, 36.93

 

CMYK 45 / 0 / 14 / 31

HEX #60AF96

RGB 96 175 150

HSL 161.01, 0.33%, 0.53%

LAB 66.02, -30.38, 5.3

 

CMYK 45 / 40 / 0 / 31

HEX #6069AF

RGB 96 105 175

HSL 233.16, 0.33%, 0.53%

LAB 46.56, 15.41, -38.48

 

CMYK 0 / 46 / 32 / 32

HEX #AE5E77

RGB 174 94 119

HSL 341.25, 0.33%, 0.53%

LAB 49.9, 35.39, 0.53

 

CMYK 9 / 0 / 45 / 31

HEX #A0AF60

RGB 160 175 96

HSL 71.39, 0.33%, 0.53%

LAB 68.74, -17.63, 38.6

 

CMYK 45 / 0 / 14 / 31

HEX #60AF96

RGB 96 175 150

HSL 161.01, 0.33%, 0.53%

LAB 66.02, -30.38, 5.3

 

CMYK 37 / 45 / 0 / 31

HEX #6E60AF

RGB 110 96 175

HSL 250.63, 0.33%, 0.53%

LAB 45.33, 24.65, -40.36

 

Description

Color code: HEX #AE5E77 | qconv.com Color code: HEX #AE5E77 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 94 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 94 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 32 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 32% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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