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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE51163F it is the complementary color #51AEE93F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE51163F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE51163F shade: #B351113F, #C463243F, #D575373F, #E6874A3F and #F7995D3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE51163F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE51163F shade: #AE51163F, #9D3F033F, #8C2D003F, #7B1B003F and #6A09003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE51163F shade: #AC5015, #AC2715 and #AC1515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE51163F shade: #AC5015, #AC7915, #ACA215, #8FAC15 and #66AC15

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE51163F shade matches the following richer shades: #AC5015 and #BC4C06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE51163F shade: #AC5015, #9D5425, #8D5735, #7D5B44 and #6E5E54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE51163F shade: #AC152C, #AC2715, #AC4F15, #AC7815 and #ACA015

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE51163F shade: #632E0C, #883F11, #AC5015, #D1611A and #E5762F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE51163F shade: #AE5116, #54AC15 and #1518AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE51163F shade: #AE5116, #15AC4F and #4F15AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE51163F shade: #AE5116, #54AC15, #1573AC and #6D15AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE51163F shade: #AE5116, #27AC15, #1573AC and #9B15AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 22 / 8

HEX #AE51163F

RGBA 174 81 22 0.25

HSLA 23.29, 0.78%, 0.38%, 0.25

LABA 45.55, 34.74, 48.83, 0.25

 

Complementary color

CMYK 16 / 6 / 0 / 2

HEX #51AEE93F

RGBA 81 174 233 0.25

HSLA 203.29, 0.78%, 0.62%, 0.25

LABA 67.95, -9.59, -37.7, 0.25

 

CMYK 0 / 14 / 23 / 7

HEX #B351113F

RGBA 179 81 17 0.25

HSLA 23.7, 0.83%, 0.38%, 0.25

LABA 46.32, 36.65, 51.51, 0.25

 

CMYK 0 / 12 / 20 / 6

HEX #C463243F

RGBA 196 99 36 0.25

HSLA 23.63, 0.69%, 0.45%, 0.25

LABA 52.72, 34.69, 50.74, 0.25

 

CMYK 0 / 11 / 19 / 4

HEX #D575373F

RGBA 213 117 55 0.25

HSLA 23.54, 0.65%, 0.53%, 0.25

LABA 59.11, 32.9, 49.24, 0.25

 

CMYK 0 / 10 / 17 / 2

HEX #E6874A3F

RGBA 230 135 74 0.25

HSLA 23.46, 0.76%, 0.6%, 0.25

LABA 65.47, 31.27, 47.54, 0.25

 

CMYK 0 / 10 / 16 / 1

HEX #F7995D3F

RGBA 247 153 93 0.25

HSLA 23.38, 0.91%, 0.67%, 0.25

LABA 71.79, 29.81, 45.83, 0.25

 

CMYK 0 / 13 / 22 / 8

HEX #AE51163F

RGBA 174 81 22 0.25

HSLA 23.29, 0.78%, 0.38%, 0.25

LABA 45.55, 34.74, 48.83, 0.25

 

CMYK 0 / 15 / 25 / 10

HEX #9D3F033F

RGBA 157 63 3 0.25

HSLA 23.38, 0.96%, 0.31%, 0.25

LABA 39.12, 36.74, 48.98, 0.25

 

CMYK 0 / 17 / 25 / 11

HEX #8C2D003F

RGBA 140 45 0 0.25

HSLA 19.29, 1%, 0.27%, 0.25

LABA 32.81, 38.69, 44.86, 0.25

 

CMYK 0 / 20 / 25 / 13

HEX #7B1B003F

RGBA 123 27 0 0.25

HSLA 13.17, 1%, 0.24%, 0.25

LABA 26.72, 39.99, 38.73, 0.25

 

CMYK 0 / 23 / 25 / 15

HEX #6A09003F

RGBA 106 9 0 0.25

HSLA 5.09, 1%, 0.21%, 0.25

LABA 21.05, 39.83, 31.86, 0.25

 

CMYK 0 / 53 / 88 / 33

HEX #AC5015

RGB 172 80 21

HSL 23.44, 0.78%, 0.38%

LAB 45.03, 34.43, 48.64

 

CMYK 0 / 77 / 88 / 33

HEX #AC2715

RGB 172 39 21

HSL 7.15, 0.78%, 0.38%

LAB 38.33, 52.27, 43.2

 

CMYK 0 / 88 / 88 / 33

HEX #AC1515

RGB 172 21 21

HSL 0, 0.78%, 0.38%

LAB 36.67, 56.97, 41.84

 

CMYK 0 / 53 / 88 / 33

HEX #AC5015

RGB 172 80 21

HSL 23.44, 0.78%, 0.38%

LAB 45.03, 34.43, 48.64

 

CMYK 0 / 30 / 88 / 33

HEX #AC7915

RGB 172 121 21

HSL 39.74, 0.78%, 0.38%

LAB 54.55, 11.86, 56.35

 

CMYK 0 / 6 / 88 / 33

HEX #ACA215

RGB 172 162 21

HSL 56.03, 0.78%, 0.38%

LAB 65.49, -10.55, 65.18

 

CMYK 17 / 0 / 88 / 33

HEX #8FAC15

RGB 143 172 21

HSL 71.52, 0.78%, 0.38%

LAB 66.06, -28.23, 64.7

 

CMYK 41 / 0 / 88 / 33

HEX #66AC15

RGB 102 172 21

HSL 87.81, 0.78%, 0.38%

LAB 63.66, -44.15, 61.72

 

CMYK 0 / 53 / 88 / 33

HEX #AC5015

RGB 172 80 21

HSL 23.44, 0.78%, 0.38%

LAB 45.03, 34.43, 48.64

 

CMYK 0 / 60 / 97 / 26

HEX #BC4C06

RGB 188 76 6

HSL 23.08, 0.94%, 0.38%

LAB 46.81, 42.45, 55.47

 

CMYK 0 / 53 / 88 / 33

HEX #AC5015

RGB 172 80 21

HSL 23.44, 0.78%, 0.38%

LAB 45.03, 34.43, 48.64

 

CMYK 0 / 46 / 76 / 38

HEX #9D5425

RGB 157 84 37

HSL 23.5, 0.62%, 0.38%

LAB 43.72, 26.56, 39.57

 

CMYK 0 / 38 / 62 / 45

HEX #8D5735

RGB 141 87 53

HSL 23.18, 0.45%, 0.38%

LAB 42.36, 18.85, 28.84

 

CMYK 0 / 27 / 46 / 51

HEX #7D5B44

RGB 125 91 68

HSL 24.21, 0.3%, 0.38%

LAB 41.63, 10.82, 18.71

 

CMYK 0 / 15 / 24 / 57

HEX #6E5E54

RGB 110 94 84

HSL 23.08, 0.13%, 0.38%

LAB 41.15, 4.71, 8.12

 

CMYK 0 / 88 / 74 / 33

HEX #AC152C

RGB 172 21 44

HSL 350.86, 0.78%, 0.38%

LAB 36.91, 57.67, 28.99

 

CMYK 0 / 77 / 88 / 33

HEX #AC2715

RGB 172 39 21

HSL 7.15, 0.78%, 0.38%

LAB 38.33, 52.27, 43.2

 

CMYK 0 / 54 / 88 / 33

HEX #AC4F15

RGB 172 79 21

HSL 23.05, 0.78%, 0.38%

LAB 44.82, 34.94, 48.48

 

CMYK 0 / 30 / 88 / 33

HEX #AC7815

RGB 172 120 21

HSL 39.34, 0.78%, 0.38%

LAB 54.3, 12.42, 56.15

 

CMYK 0 / 7 / 88 / 33

HEX #ACA015

RGB 172 160 21

HSL 55.23, 0.78%, 0.38%

LAB 64.94, -9.49, 64.73

 

CMYK 0 / 54 / 88 / 61

HEX #632E0C

RGB 99 46 12

HSL 23.45, 0.78%, 0.22%

LAB 25.66, 21.57, 31.15

 

CMYK 0 / 54 / 88 / 47

HEX #883F11

RGB 136 63 17

HSL 23.19, 0.78%, 0.3%

LAB 35.65, 28.41, 40.07

 

CMYK 0 / 53 / 88 / 33

HEX #AC5015

RGB 172 80 21

HSL 23.44, 0.78%, 0.38%

LAB 45.03, 34.43, 48.64

 

CMYK 0 / 54 / 88 / 18

HEX #D1611A

RGB 209 97 26

HSL 23.28, 0.78%, 0.46%

LAB 54.22, 40.61, 56.65

 

CMYK 0 / 48 / 79 / 10

HEX #E5762F

RGB 229 118 47

HSL 23.41, 0.78%, 0.54%

LAB 61.5, 38.46, 55.96

 

CMYK 0 / 53 / 87 / 32

HEX #AE5116

RGB 174 81 22

HSL 23.29, 0.78%, 0.38%

LAB 45.55, 34.74, 48.83

 

CMYK 51 / 0 / 88 / 33

HEX #54AC15

RGB 84 172 21

HSL 94.97, 0.78%, 0.38%

LAB 62.88, -50.01, 60.74

 

CMYK 88 / 86 / 0 / 33

HEX #1518AC

RGB 21 24 172

HSL 238.81, 0.78%, 0.38%

LAB 22.97, 51.9, -75.25

 

CMYK 0 / 53 / 87 / 32

HEX #AE5116

RGB 174 81 22

HSL 23.29, 0.78%, 0.38%

LAB 45.55, 34.74, 48.83

 

CMYK 88 / 0 / 54 / 33

HEX #15AC4F

RGB 21 172 79

HSL 143.05, 0.78%, 0.38%

LAB 61.85, -56.79, 37.38

 

CMYK 54 / 88 / 0 / 33

HEX #4F15AC

RGB 79 21 172

HSL 263.05, 0.78%, 0.38%

LAB 27.23, 56.86, -68.04

 

CMYK 0 / 53 / 87 / 32

HEX #AE5116

RGB 174 81 22

HSL 23.29, 0.78%, 0.38%

LAB 45.55, 34.74, 48.83

 

CMYK 51 / 0 / 88 / 33

HEX #54AC15

RGB 84 172 21

HSL 94.97, 0.78%, 0.38%

LAB 62.88, -50.01, 60.74

 

CMYK 88 / 33 / 0 / 33

HEX #1573AC

RGB 21 115 172

HSL 202.65, 0.78%, 0.38%

LAB 46.18, -4.66, -37.54

 

CMYK 37 / 88 / 0 / 33

HEX #6D15AC

RGB 109 21 172

HSL 274.97, 0.78%, 0.38%

LAB 31.27, 60.45, -61.26

 

CMYK 0 / 53 / 87 / 32

HEX #AE5116

RGB 174 81 22

HSL 23.29, 0.78%, 0.38%

LAB 45.55, 34.74, 48.83

 

CMYK 77 / 0 / 88 / 33

HEX #27AC15

RGB 39 172 21

HSL 112.85, 0.78%, 0.38%

LAB 61.65, -60.2, 59.19

 

CMYK 88 / 33 / 0 / 33

HEX #1573AC

RGB 21 115 172

HSL 202.65, 0.78%, 0.38%

LAB 46.18, -4.66, -37.54

 

CMYK 10 / 88 / 0 / 33

HEX #9B15AC

RGB 155 21 172

HSL 293.25, 0.78%, 0.38%

LAB 38.7, 67.62, -48.86

 

Description

Color code: HEX #AE51163F | qconv.com Color code: HEX #AE51163F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 81 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 81 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 22 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 22% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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