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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE4DD5 it is the complementary color #51B22A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE4DD5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE4DD5 shade: #B34DD0, #C45FE3, #D571F6, #E683FF and #F795FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE4DD5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE4DD5 shade: #AE4DD5, #9D3BC2, #8C29AF, #7B179C and #6A0589

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE4DD5 shade: #AE4DD5, #D34DD5, #D54DB3, #D54D8E and #D54D6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE4DD5 shade: #AE4DD5, #8A4DD5, #654DD5 and #4D4DD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE4DD5 shade matches the following richer shades: #AE4DD5, #B63CE7 and #BD2AF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE4DD5 shade: #AE4DD5, #A75FC4, #9F71B2, #9883A0 and #90948E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE4DD5 shade: #644DD5, #884DD5, #AD4DD5, #D14DD5 and #D54DB6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE4DD5 shade: #8428A9, #9E2FCA, #AE4DD5, #BE6FDD and #CD90E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE4DD5 shade: #AE4DD5, #D54D5B and #4DD576

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE4DD5 shade: #AE4DD5, #D5AD4D and #4DD5AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE4DD5 shade: #AE4DD5, #D54D5B, #76D54D and #4DD5C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE4DD5 shade: #AE4DD5, #D5694D, #76D54D and #4DBAD5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 64 / 0 / 16

HEX #AE4DD5

RGB 174 77 213

HSL 282.79, 0.62%, 0.57%

LAB 50.82, 60.27, -53.16

 

Complementary color

CMYK 54 / 0 / 76 / 30

HEX #51B22A

RGB 81 178 42

HSL 102.79, 0.62%, 0.43%

LAB 64.77, -52.09, 56.67

 

CMYK 14 / 63 / 0 / 18

HEX #B34DD0

RGB 179 77 208

HSL 286.72, 0.58%, 0.56%

LAB 51.2, 60.43, -49.64

 

CMYK 14 / 58 / 0 / 11

HEX #C45FE3

RGB 196 95 227

HSL 285.91, 0.7%, 0.63%

LAB 57.53, 60.01, -50.21

 

CMYK 13 / 54 / 0 / 4

HEX #D571F6

RGB 213 113 246

HSL 285.11, 0.88%, 0.7%

LAB 63.84, 59.42, -50.62

 

CMYK 10 / 49 / 0 / 0

HEX #E683FF

RGB 230 131 255

HSL 287.9, 1%, 0.76%

LAB 69.67, 56.79, -46.24

 

CMYK 3 / 42 / 0 / 0

HEX #F795FF

RGB 247 149 255

HSL 295.47, 1%, 0.79%

LAB 75.13, 52.52, -37.56

 

CMYK 18 / 64 / 0 / 16

HEX #AE4DD5

RGB 174 77 213

HSL 282.79, 0.62%, 0.57%

LAB 50.82, 60.27, -53.16

 

CMYK 19 / 70 / 0 / 24

HEX #9D3BC2

RGB 157 59 194

HSL 283.56, 0.53%, 0.5%

LAB 44.51, 60.44, -52.46

 

CMYK 20 / 77 / 0 / 31

HEX #8C29AF

RGB 140 41 175

HSL 284.33, 0.62%, 0.42%

LAB 38.3, 60.07, -51.41

 

CMYK 21 / 85 / 0 / 39

HEX #7B179C

RGB 123 23 156

HSL 285.11, 0.74%, 0.35%

LAB 32.31, 58.78, -49.79

 

CMYK 23 / 96 / 0 / 46

HEX #6A0589

RGB 106 5 137

HSL 285.91, 0.93%, 0.28%

LAB 26.67, 56.07, -47.36

 

CMYK 18 / 64 / 0 / 16

HEX #AE4DD5

RGB 174 77 213

HSL 282.79, 0.62%, 0.57%

LAB 50.82, 60.27, -53.16

 

CMYK 1 / 64 / 0 / 16

HEX #D34DD5

RGB 211 77 213

HSL 299.12, 0.62%, 0.57%

LAB 56.05, 68.85, -44.51

 

CMYK 0 / 64 / 16 / 16

HEX #D54DB3

RGB 213 77 179

HSL 315, 0.62%, 0.57%

LAB 54.77, 64.04, -26.97

 

CMYK 0 / 64 / 33 / 16

HEX #D54D8E

RGB 213 77 142

HSL 331.32, 0.62%, 0.57%

LAB 53.39, 59.2, -7.36

 

CMYK 0 / 64 / 50 / 16

HEX #D54D6A

RGB 213 77 106

HSL 347.21, 0.62%, 0.57%

LAB 52.39, 55.55, 12.67

 

CMYK 18 / 64 / 0 / 16

HEX #AE4DD5

RGB 174 77 213

HSL 282.79, 0.62%, 0.57%

LAB 50.82, 60.27, -53.16

 

CMYK 35 / 64 / 0 / 16

HEX #8A4DD5

RGB 138 77 213

HSL 266.91, 0.62%, 0.57%

LAB 46.33, 52.31, -60.6

 

CMYK 53 / 64 / 0 / 16

HEX #654DD5

RGB 101 77 213

HSL 250.59, 0.62%, 0.57%

LAB 42.58, 45.05, -66.87

 

CMYK 64 / 64 / 0 / 16

HEX #4D4DD5

RGB 77 77 213

HSL 240, 0.62%, 0.57%

LAB 40.72, 41.18, -69.98

 

CMYK 18 / 64 / 0 / 16

HEX #AE4DD5

RGB 174 77 213

HSL 282.79, 0.62%, 0.57%

LAB 50.82, 60.27, -53.16

 

CMYK 21 / 74 / 0 / 9

HEX #B63CE7

RGB 182 60 231

HSL 282.81, 0.78%, 0.57%

LAB 50.62, 72.33, -63.62

 

CMYK 24 / 83 / 0 / 2

HEX #BD2AF9

RGB 189 42 249

HSL 282.61, 0.95%, 0.57%

LAB 51.05, 82.25, -72.99

 

CMYK 18 / 64 / 0 / 16

HEX #AE4DD5

RGB 174 77 213

HSL 282.79, 0.62%, 0.57%

LAB 50.82, 60.27, -53.16

 

CMYK 15 / 52 / 0 / 23

HEX #A75FC4

RGB 167 95 196

HSL 282.77, 0.46%, 0.57%

LAB 52.27, 46.14, -41.17

 

CMYK 11 / 37 / 0 / 30

HEX #9F71B2

RGB 159 113 178

HSL 282.46, 0.3%, 0.57%

LAB 54.44, 30, -27.47

 

CMYK 5 / 18 / 0 / 37

HEX #9883A0

RGB 152 131 160

HSL 283.45, 0.13%, 0.57%

LAB 57.51, 13.5, -12.48

 

CMYK 3 / 0 / 4 / 42

HEX #90948E

RGB 144 148 142

HSL 100, 0.03%, 0.57%

LAB 60.84, -2.61, 2.65

 

CMYK 53 / 64 / 0 / 16

HEX #644DD5

RGB 100 77 213

HSL 250.15, 0.62%, 0.57%

LAB 42.49, 44.87, -67.01

 

CMYK 36 / 64 / 0 / 16

HEX #884DD5

RGB 136 77 213

HSL 266.03, 0.62%, 0.57%

LAB 46.1, 51.89, -60.98

 

CMYK 19 / 64 / 0 / 16

HEX #AD4DD5

RGB 173 77 213

HSL 282.35, 0.62%, 0.57%

LAB 50.68, 60.04, -53.38

 

CMYK 2 / 64 / 0 / 16

HEX #D14DD5

RGB 209 77 213

HSL 298.24, 0.62%, 0.57%

LAB 55.75, 68.38, -45

 

CMYK 0 / 64 / 15 / 16

HEX #D54DB6

RGB 213 77 182

HSL 313.68, 0.62%, 0.57%

LAB 54.9, 64.48, -28.52

 

CMYK 22 / 76 / 0 / 34

HEX #8428A9

RGB 132 40 169

HSL 282.79, 0.62%, 0.41%

LAB 36.53, 57.67, -50.74

 

CMYK 22 / 77 / 0 / 21

HEX #9E2FCA

RGB 158 47 202

HSL 282.97, 0.62%, 0.49%

LAB 43.6, 66.73, -58.55

 

CMYK 18 / 64 / 0 / 16

HEX #AE4DD5

RGB 174 77 213

HSL 282.79, 0.62%, 0.57%

LAB 50.82, 60.27, -53.16

 

CMYK 14 / 50 / 0 / 13

HEX #BE6FDD

RGB 190 111 221

HSL 283.09, 0.62%, 0.65%

LAB 59.47, 49.31, -43.81

 

CMYK 10 / 37 / 0 / 10

HEX #CD90E5

RGB 205 144 229

HSL 283.06, 0.62%, 0.73%

LAB 68.45, 37.72, -34.1

 

CMYK 18 / 64 / 0 / 16

HEX #AE4DD5

RGB 174 77 213

HSL 282.79, 0.62%, 0.57%

LAB 50.82, 60.27, -53.16

 

CMYK 0 / 64 / 57 / 16

HEX #D54D5B

RGB 213 77 91

HSL 353.82, 0.62%, 0.57%

LAB 52.07, 54.36, 21.18

 

CMYK 64 / 0 / 45 / 16

HEX #4DD576

RGB 77 213 118

HSL 138.09, 0.62%, 0.57%

LAB 76.36, -57.2, 36.29

 

CMYK 18 / 64 / 0 / 16

HEX #AE4DD5

RGB 174 77 213

HSL 282.79, 0.62%, 0.57%

LAB 50.82, 60.27, -53.16

 

CMYK 0 / 19 / 64 / 16

HEX #D5AD4D

RGB 213 173 77

HSL 42.35, 0.62%, 0.57%

LAB 72.61, 4.05, 53.49

 

CMYK 64 / 0 / 19 / 16

HEX #4DD5AD

RGB 77 213 173

HSL 162.35, 0.62%, 0.57%

LAB 77.39, -46.23, 9.02

 

CMYK 18 / 64 / 0 / 16

HEX #AE4DD5

RGB 174 77 213

HSL 282.79, 0.62%, 0.57%

LAB 50.82, 60.27, -53.16

 

CMYK 0 / 64 / 57 / 16

HEX #D54D5B

RGB 213 77 91

HSL 353.82, 0.62%, 0.57%

LAB 52.07, 54.36, 21.18

 

CMYK 45 / 0 / 64 / 16

HEX #76D54D

RGB 118 213 77

HSL 101.91, 0.62%, 0.57%

LAB 77.27, -52, 56.75

 

CMYK 64 / 0 / 6 / 16

HEX #4DD5C8

RGB 77 213 200

HSL 174.26, 0.62%, 0.57%

LAB 78.07, -39.49, -4.44

 

CMYK 18 / 64 / 0 / 16

HEX #AE4DD5

RGB 174 77 213

HSL 282.79, 0.62%, 0.57%

LAB 50.82, 60.27, -53.16

 

CMYK 0 / 51 / 64 / 16

HEX #D5694D

RGB 213 105 77

HSL 12.35, 0.62%, 0.57%

LAB 56.87, 40.27, 35.33

 

CMYK 45 / 0 / 64 / 16

HEX #76D54D

RGB 118 213 77

HSL 101.91, 0.62%, 0.57%

LAB 77.27, -52, 56.75

 

CMYK 64 / 13 / 0 / 16

HEX #4DBAD5

RGB 77 186 213

HSL 191.91, 0.62%, 0.57%

LAB 70.52, -22.85, -22.81

 

Description

Color code: HEX #AE4DD5 | qconv.com Color code: HEX #AE4DD5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 77 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 77 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 64 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 64% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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