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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE46D3 it is the complementary color #51B92C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE46D3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE46D3 shade: #B346CE, #C458E1, #D56AF4, #E67CFF and #F78EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE46D3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE46D3 shade: #AE46D3, #9D34C0, #8C22AD, #7B109A and #6A0087

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE46D3 shade: #AE45D3, #D345D2, #D345AC, #D34586 and #D3455F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE46D3 shade: #AE45D3, #8845D3, #6145D3 and #4545D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE46D3 shade matches the following richer shades: #AE45D3, #B733E6 and #C020F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE46D3 shade: #AE45D3, #A558C1, #9C6AAE, #947D9C and #8B8F89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE46D3 shade: #6245D3, #8845D3, #AD45D3, #D345D3 and #D345AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE46D3 shade: #8026A0, #9B2DC2, #AE45D3, #BD67DB and #CB88E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE46D3 shade: #AE46D3, #D3454F and #45D375

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE46D3 shade: #AE46D3, #D3AD45 and #45D3AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE46D3 shade: #AE46D3, #D3454F, #6BD345 and #45D3CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE46D3 shade: #AE46D3, #D36645, #6BD345 and #45B2D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 67 / 0 / 17

HEX #AE46D3

RGB 174 70 211

HSL 284.26, 0.62%, 0.55%

LAB 49.6, 62.92, -53.97

 

Complementary color

CMYK 56 / 0 / 76 / 27

HEX #51B92C

RGB 81 185 44

HSL 104.26, 0.62%, 0.45%

LAB 67, -54.54, 58.18

 

CMYK 13 / 66 / 0 / 19

HEX #B346CE

RGB 179 70 206

HSL 288.09, 0.58%, 0.54%

LAB 50, 63.06, -50.41

 

CMYK 13 / 61 / 0 / 12

HEX #C458E1

RGB 196 88 225

HSL 287.3, 0.7%, 0.61%

LAB 56.24, 62.84, -51.13

 

CMYK 13 / 57 / 0 / 4

HEX #D56AF4

RGB 213 106 244

HSL 286.52, 0.86%, 0.69%

LAB 62.5, 62.37, -51.66

 

CMYK 10 / 51 / 0 / 0

HEX #E67CFF

RGB 230 124 255

HSL 288.55, 1%, 0.74%

LAB 68.36, 60.22, -48.3

 

CMYK 3 / 44 / 0 / 0

HEX #F78EFF

RGB 247 142 255

HSL 295.75, 1%, 0.78%

LAB 73.77, 56.02, -39.68

 

CMYK 18 / 67 / 0 / 17

HEX #AE46D3

RGB 174 70 211

HSL 284.26, 0.62%, 0.55%

LAB 49.6, 62.92, -53.97

 

CMYK 18 / 73 / 0 / 25

HEX #9D34C0

RGB 157 52 192

HSL 285, 0.57%, 0.48%

LAB 43.4, 62.79, -53.07

 

CMYK 19 / 80 / 0 / 32

HEX #8C22AD

RGB 140 34 173

HSL 285.76, 0.67%, 0.41%

LAB 37.37, 61.97, -51.73

 

CMYK 20 / 90 / 0 / 40

HEX #7B109A

RGB 123 16 154

HSL 286.52, 0.81%, 0.33%

LAB 31.61, 60, -49.71

 

CMYK 21 / 100 / 0 / 47

HEX #6A0087

RGB 106 0 135

HSL 287.11, 1%, 0.26%

LAB 26.2, 56.63, -46.89

 

CMYK 18 / 67 / 0 / 17

HEX #AE45D3

RGB 174 69 211

HSL 284.37, 0.62%, 0.55%

LAB 49.45, 63.34, -54.21

 

CMYK 0 / 67 / 0 / 17

HEX #D345D2

RGB 211 69 210

HSL 300.42, 0.62%, 0.55%

LAB 54.82, 71.37, -44.75

 

CMYK 0 / 67 / 18 / 17

HEX #D345AC

RGB 211 69 172

HSL 316.48, 0.62%, 0.55%

LAB 53.04, 65.64, -25.6

 

CMYK 0 / 67 / 36 / 17

HEX #D34586

RGB 211 69 134

HSL 332.54, 0.62%, 0.55%

LAB 51.64, 60.91, -5.23

 

CMYK 0 / 67 / 55 / 17

HEX #D3455F

RGB 211 69 95

HSL 349.01, 0.62%, 0.55%

LAB 50.61, 57.29, 16.75

 

CMYK 18 / 67 / 0 / 17

HEX #AE45D3

RGB 174 69 211

HSL 284.37, 0.62%, 0.55%

LAB 49.45, 63.34, -54.21

 

CMYK 36 / 67 / 0 / 17

HEX #8845D3

RGB 136 69 211

HSL 268.31, 0.62%, 0.55%

LAB 44.51, 55.39, -62.42

 

CMYK 54 / 67 / 0 / 17

HEX #6145D3

RGB 97 69 211

HSL 251.83, 0.62%, 0.55%

LAB 40.41, 48.25, -69.27

 

CMYK 67 / 67 / 0 / 17

HEX #4545D3

RGB 69 69 211

HSL 240, 0.62%, 0.55%

LAB 38.24, 44.22, -72.91

 

CMYK 18 / 67 / 0 / 17

HEX #AE45D3

RGB 174 69 211

HSL 284.37, 0.62%, 0.55%

LAB 49.45, 63.34, -54.21

 

CMYK 20 / 78 / 0 / 10

HEX #B733E6

RGB 183 51 230

HSL 284.25, 0.78%, 0.55%

LAB 49.68, 75.28, -64.58

 

CMYK 23 / 87 / 0 / 2

HEX #C020F9

RGB 192 32 249

HSL 284.24, 0.95%, 0.55%

LAB 50.78, 84.82, -73.41

 

CMYK 18 / 67 / 0 / 17

HEX #AE45D3

RGB 174 69 211

HSL 284.37, 0.62%, 0.55%

LAB 49.45, 63.34, -54.21

 

CMYK 15 / 54 / 0 / 24

HEX #A558C1

RGB 165 88 193

HSL 284, 0.46%, 0.55%

LAB 50.49, 48.6, -42.28

 

CMYK 10 / 39 / 0 / 32

HEX #9C6AAE

RGB 156 106 174

HSL 284.12, 0.3%, 0.55%

LAB 52.32, 32.17, -28.47

 

CMYK 5 / 20 / 0 / 39

HEX #947D9C

RGB 148 125 156

HSL 284.52, 0.14%, 0.55%

LAB 55.44, 14.73, -13.32

 

CMYK 3 / 0 / 4 / 44

HEX #8B8F89

RGB 139 143 137

HSL 100, 0.03%, 0.55%

LAB 58.92, -2.63, 2.67

 

CMYK 54 / 67 / 0 / 17

HEX #6245D3

RGB 98 69 211

HSL 252.25, 0.62%, 0.55%

LAB 40.5, 48.42, -69.12

 

CMYK 36 / 67 / 0 / 17

HEX #8845D3

RGB 136 69 211

HSL 268.31, 0.62%, 0.55%

LAB 44.51, 55.39, -62.42

 

CMYK 18 / 67 / 0 / 17

HEX #AD45D3

RGB 173 69 211

HSL 283.94, 0.62%, 0.55%

LAB 49.31, 63.12, -54.44

 

CMYK 0 / 67 / 0 / 17

HEX #D345D3

RGB 211 69 211

HSL 300, 0.62%, 0.55%

LAB 54.87, 71.53, -45.23

 

CMYK 0 / 67 / 18 / 17

HEX #D345AD

RGB 211 69 173

HSL 316.06, 0.62%, 0.55%

LAB 53.08, 65.77, -26.12

 

CMYK 20 / 76 / 0 / 37

HEX #8026A0

RGB 128 38 160

HSL 284.26, 0.62%, 0.39%

LAB 35.03, 55.78, -47.78

 

CMYK 20 / 77 / 0 / 24

HEX #9B2DC2

RGB 155 45 194

HSL 284.3, 0.62%, 0.47%

LAB 42.37, 65.28, -55.92

 

CMYK 18 / 67 / 0 / 17

HEX #AE45D3

RGB 174 69 211

HSL 284.37, 0.62%, 0.55%

LAB 49.45, 63.34, -54.21

 

CMYK 14 / 53 / 0 / 14

HEX #BD67DB

RGB 189 103 219

HSL 284.48, 0.62%, 0.63%

LAB 57.69, 52.72, -45.51

 

CMYK 11 / 40 / 0 / 11

HEX #CB88E3

RGB 203 136 227

HSL 284.18, 0.62%, 0.71%

LAB 66.41, 41.02, -36.18

 

CMYK 18 / 67 / 0 / 17

HEX #AE46D3

RGB 174 70 211

HSL 284.26, 0.62%, 0.55%

LAB 49.6, 62.92, -53.97

 

CMYK 0 / 67 / 63 / 17

HEX #D3454F

RGB 211 69 79

HSL 355.77, 0.62%, 0.55%

LAB 50.3, 56.18, 25.92

 

CMYK 67 / 0 / 45 / 17

HEX #45D375

RGB 69 211 117

HSL 140.28, 0.62%, 0.55%

LAB 75.54, -58.11, 35.7

 

CMYK 18 / 67 / 0 / 17

HEX #AE46D3

RGB 174 70 211

HSL 284.26, 0.62%, 0.55%

LAB 49.6, 62.92, -53.97

 

CMYK 0 / 18 / 67 / 17

HEX #D3AD45

RGB 211 173 69

HSL 43.94, 0.62%, 0.55%

LAB 72.34, 2.71, 56.7

 

CMYK 67 / 0 / 18 / 17

HEX #45D3AD

RGB 69 211 173

HSL 163.94, 0.62%, 0.55%

LAB 76.6, -46.69, 7.87

 

CMYK 18 / 67 / 0 / 17

HEX #AE46D3

RGB 174 70 211

HSL 284.26, 0.62%, 0.55%

LAB 49.6, 62.92, -53.97

 

CMYK 0 / 67 / 63 / 17

HEX #D3454F

RGB 211 69 79

HSL 355.77, 0.62%, 0.55%

LAB 50.3, 56.18, 25.92

 

CMYK 49 / 0 / 67 / 17

HEX #6BD345

RGB 107 211 69

HSL 103.94, 0.62%, 0.55%

LAB 76.16, -55.17, 58.66

 

CMYK 67 / 0 / 4 / 17

HEX #45D3CA

RGB 69 211 202

HSL 176.2, 0.62%, 0.55%

LAB 77.35, -39.25, -6.6

 

CMYK 18 / 67 / 0 / 17

HEX #AE46D3

RGB 174 70 211

HSL 284.26, 0.62%, 0.55%

LAB 49.6, 62.92, -53.97

 

CMYK 0 / 52 / 67 / 17

HEX #D36645

RGB 211 102 69

HSL 13.94, 0.62%, 0.55%

LAB 55.87, 40.54, 38.44

 

CMYK 49 / 0 / 67 / 17

HEX #6BD345

RGB 107 211 69

HSL 103.94, 0.62%, 0.55%

LAB 76.16, -55.17, 58.66

 

CMYK 67 / 16 / 0 / 17

HEX #45B2D3

RGB 69 178 211

HSL 193.94, 0.62%, 0.55%

LAB 67.88, -20.62, -25.78

 

Description

Color code: HEX #AE46D3 | qconv.com Color code: HEX #AE46D3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 70 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 70 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 67 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 67% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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