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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE4694 it is the complementary color #51B96B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE4694. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE4694 shade: #B3468F, #C458A2, #D56AB5, #E67CC8 and #F78EDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE4694. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE4694 shade: #AE4694, #9D3481, #8C226E, #7B105B and #6A0048

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE4694 shade: #AF4695, #AF4678, #AF465C and #AF4646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE4694 shade: #AF4695, #AD46AF, #9146AF, #7446AF and #5846AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE4694 shade matches the following richer shades: #AF4695, #C3329F, #D71EA9 and #EA0AB2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE4694 shade: #AF4695, #9B5A8B, #876D81, #748177 and #60956D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE4694 shade: #9146AF, #AD46AF, #AF4695, #AF4679 and #AF465D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE4694 shade: #742E63, #923A7C, #AF4695, #BF5FA7 and #CB7CB7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE4694 shade: #AE4694, #AF7546 and #46AF9F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE4694 shade: #AE4694, #95AF46 and #4695AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE4694 shade: #AE4694, #AF7546, #46AF60 and #4680AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE4694 shade: #AE4694, #AF9546, #46AF60 and #4660AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 15 / 32

HEX #AE4694

RGB 174 70 148

HSL 315, 0.43%, 0.48%

LAB 46.33, 51.64, -22.23

 

Complementary color

CMYK 56 / 0 / 42 / 27

HEX #51B96B

RGB 81 185 107

HSL 135, 0.43%, 0.52%

LAB 67.66, -47.23, 30.7

 

CMYK 0 / 61 / 20 / 30

HEX #B3468F

RGB 179 70 143

HSL 319.82, 0.44%, 0.49%

LAB 46.91, 52.34, -18.28

 

CMYK 0 / 55 / 17 / 23

HEX #C458A2

RGB 196 88 162

HSL 318.89, 0.48%, 0.56%

LAB 53.3, 51.91, -19.54

 

CMYK 0 / 50 / 15 / 16

HEX #D56AB5

RGB 213 106 181

HSL 317.94, 0.56%, 0.63%

LAB 59.7, 51.3, -20.55

 

CMYK 0 / 46 / 13 / 10

HEX #E67CC8

RGB 230 124 200

HSL 316.98, 0.68%, 0.69%

LAB 66.07, 50.61, -21.4

 

CMYK 0 / 43 / 11 / 3

HEX #F78EDB

RGB 247 142 219

HSL 316, 0.87%, 0.76%

LAB 72.39, 49.89, -22.14

 

CMYK 0 / 60 / 15 / 32

HEX #AE4694

RGB 174 70 148

HSL 315, 0.43%, 0.48%

LAB 46.33, 51.64, -22.23

 

CMYK 0 / 67 / 18 / 38

HEX #9D3481

RGB 157 52 129

HSL 316, 0.5%, 0.41%

LAB 39.93, 51.76, -20.8

 

CMYK 0 / 76 / 21 / 45

HEX #8C226E

RGB 140 34 110

HSL 316.98, 0.61%, 0.34%

LAB 33.66, 51.27, -18.85

 

CMYK 0 / 87 / 26 / 52

HEX #7B105B

RGB 123 16 91

HSL 317.94, 0.77%, 0.27%

LAB 27.67, 49.68, -16.09

 

CMYK 0 / 100 / 32 / 58

HEX #6A0048

RGB 106 0 72

HSL 319.25, 1%, 0.21%

LAB 22.06, 46.66, -12.29

 

CMYK 0 / 60 / 15 / 31

HEX #AF4695

RGB 175 70 149

HSL 314.86, 0.43%, 0.48%

LAB 46.53, 52.08, -22.51

 

CMYK 0 / 60 / 31 / 31

HEX #AF4678

RGB 175 70 120

HSL 331.43, 0.43%, 0.48%

LAB 45.43, 47.97, -6.65

 

CMYK 0 / 60 / 47 / 31

HEX #AF465C

RGB 175 70 92

HSL 347.43, 0.43%, 0.48%

LAB 44.61, 44.8, 9.34

 

CMYK 0 / 60 / 60 / 31

HEX #AF4646

RGB 175 70 70

HSL 0, 0.43%, 0.48%

LAB 44.14, 42.92, 22.15

 

CMYK 0 / 60 / 15 / 31

HEX #AF4695

RGB 175 70 149

HSL 314.86, 0.43%, 0.48%

LAB 46.53, 52.08, -22.51

 

CMYK 1 / 60 / 0 / 31

HEX #AD46AF

RGB 173 70 175

HSL 298.86, 0.43%, 0.48%

LAB 47.44, 55.88, -36.53

 

CMYK 17 / 60 / 0 / 31

HEX #9146AF

RGB 145 70 175

HSL 282.86, 0.43%, 0.48%

LAB 43.5, 48.68, -43.03

 

CMYK 34 / 60 / 0 / 31

HEX #7446AF

RGB 116 70 175

HSL 266.29, 0.43%, 0.48%

LAB 39.9, 41.5, -49

 

CMYK 50 / 60 / 0 / 31

HEX #5846AF

RGB 88 70 175

HSL 250.29, 0.43%, 0.48%

LAB 37.02, 35.21, -53.78

 

CMYK 0 / 60 / 15 / 31

HEX #AF4695

RGB 175 70 149

HSL 314.86, 0.43%, 0.48%

LAB 46.53, 52.08, -22.51

 

CMYK 0 / 74 / 18 / 24

HEX #C3329F

RGB 195 50 159

HSL 314.9, 0.59%, 0.48%

LAB 47.48, 66.46, -26.76

 

CMYK 0 / 86 / 21 / 16

HEX #D71EA9

RGB 215 30 169

HSL 314.92, 0.76%, 0.48%

LAB 49.79, 77.03, -28.83

 

CMYK 0 / 96 / 24 / 8

HEX #EA0AB2

RGB 234 10 178

HSL 315, 0.92%, 0.48%

LAB 52.87, 84.23, -29.06

 

CMYK 0 / 60 / 15 / 31

HEX #AF4695

RGB 175 70 149

HSL 314.86, 0.43%, 0.48%

LAB 46.53, 52.08, -22.51

 

CMYK 0 / 42 / 10 / 39

HEX #9B5A8B

RGB 155 90 139

HSL 314.77, 0.27%, 0.48%

LAB 47.16, 33.96, -15.8

 

CMYK 0 / 19 / 4 / 47

HEX #876D81

RGB 135 109 129

HSL 313.85, 0.11%, 0.48%

LAB 49.1, 13.91, -7.14

 

CMYK 10 / 0 / 8 / 49

HEX #748177

RGB 116 129 119

HSL 133.85, 0.05%, 0.48%

LAB 52.67, -6.84, 3.79

 

CMYK 36 / 0 / 27 / 42

HEX #60956D

RGB 96 149 109

HSL 134.72, 0.22%, 0.48%

LAB 57.16, -26.46, 15.68

 

CMYK 17 / 60 / 0 / 31

HEX #9146AF

RGB 145 70 175

HSL 282.86, 0.43%, 0.48%

LAB 43.5, 48.68, -43.03

 

CMYK 1 / 60 / 0 / 31

HEX #AD46AF

RGB 173 70 175

HSL 298.86, 0.43%, 0.48%

LAB 47.44, 55.88, -36.53

 

CMYK 0 / 60 / 15 / 31

HEX #AF4695

RGB 175 70 149

HSL 314.86, 0.43%, 0.48%

LAB 46.53, 52.08, -22.51

 

CMYK 0 / 60 / 31 / 31

HEX #AF4679

RGB 175 70 121

HSL 330.86, 0.43%, 0.48%

LAB 45.46, 48.1, -7.21

 

CMYK 0 / 60 / 47 / 31

HEX #AF465D

RGB 175 70 93

HSL 346.86, 0.43%, 0.48%

LAB 44.64, 44.9, 8.76

 

CMYK 0 / 60 / 15 / 55

HEX #742E63

RGB 116 46 99

HSL 314.57, 0.43%, 0.32%

LAB 30.8, 37.66, -16.57

 

CMYK 0 / 60 / 15 / 43

HEX #923A7C

RGB 146 58 124

HSL 315, 0.43%, 0.4%

LAB 38.89, 45.17, -19.47

 

CMYK 0 / 60 / 15 / 31

HEX #AF4695

RGB 175 70 149

HSL 314.86, 0.43%, 0.48%

LAB 46.53, 52.08, -22.51

 

CMYK 0 / 50 / 13 / 25

HEX #BF5FA7

RGB 191 95 167

HSL 315, 0.43%, 0.56%

LAB 54.08, 47.76, -21.33

 

CMYK 0 / 39 / 10 / 20

HEX #CB7CB7

RGB 203 124 183

HSL 315.19, 0.43%, 0.64%

LAB 62.11, 39.21, -18.14

 

CMYK 0 / 60 / 15 / 32

HEX #AE4694

RGB 174 70 148

HSL 315, 0.43%, 0.48%

LAB 46.33, 51.64, -22.23

 

CMYK 0 / 33 / 60 / 31

HEX #AF7546

RGB 175 117 70

HSL 26.86, 0.43%, 0.48%

LAB 54.32, 17.87, 34.87

 

CMYK 60 / 0 / 9 / 31

HEX #46AF9F

RGB 70 175 159

HSL 170.86, 0.43%, 0.48%

LAB 65.33, -34.03, -0.81

 

CMYK 0 / 60 / 15 / 32

HEX #AE4694

RGB 174 70 148

HSL 315, 0.43%, 0.48%

LAB 46.33, 51.64, -22.23

 

CMYK 15 / 0 / 60 / 31

HEX #95AF46

RGB 149 175 70

HSL 74.86, 0.43%, 0.48%

LAB 67.64, -24.59, 49.64

 

CMYK 60 / 15 / 0 / 31

HEX #4695AF

RGB 70 149 175

HSL 194.86, 0.43%, 0.48%

LAB 57.93, -16.36, -20.89

 

CMYK 0 / 60 / 15 / 32

HEX #AE4694

RGB 174 70 148

HSL 315, 0.43%, 0.48%

LAB 46.33, 51.64, -22.23

 

CMYK 0 / 33 / 60 / 31

HEX #AF7546

RGB 175 117 70

HSL 26.86, 0.43%, 0.48%

LAB 54.32, 17.87, 34.87

 

CMYK 60 / 0 / 45 / 31

HEX #46AF60

RGB 70 175 96

HSL 134.86, 0.43%, 0.48%

LAB 64, -47.61, 31.64

 

CMYK 60 / 27 / 0 / 31

HEX #4680AF

RGB 70 128 175

HSL 206.86, 0.43%, 0.48%

LAB 51.65, -4.56, -30.59

 

CMYK 0 / 60 / 15 / 32

HEX #AE4694

RGB 174 70 148

HSL 315, 0.43%, 0.48%

LAB 46.33, 51.64, -22.23

 

CMYK 0 / 15 / 60 / 31

HEX #AF9546

RGB 175 149 70

HSL 45.14, 0.43%, 0.48%

LAB 62.55, 0.07, 44.51

 

CMYK 60 / 0 / 45 / 31

HEX #46AF60

RGB 70 175 96

HSL 134.86, 0.43%, 0.48%

LAB 64, -47.61, 31.64

 

CMYK 60 / 45 / 0 / 31

HEX #4660AF

RGB 70 96 175

HSL 225.14, 0.43%, 0.48%

LAB 42.4, 15.1, -45.19

 

Description

Color code: HEX #AE4694 | qconv.com Color code: HEX #AE4694 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 70 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 70 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 15 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 15% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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