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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE4446 it is the complementary color #51BBB9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE4446. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE4446 shade: #B34441, #C45654, #D56867, #E67A7A and #F78C8D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE4446. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE4446 shade: #AE4446, #9D3233, #8C2020, #7B0E0D and #6A0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE4446 shade: #AD4345 and #AD4343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE4446 shade: #AD4345, #AD4362, #AD437E, #AD439A and #A243AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE4446 shade matches the following richer shades: #AD4345, #C03032, #D31C20 and #E7090D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE4446 shade: #AD4345, #995758, #866A6A, #727D7D and #5F9190

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE4446 shade: #AD437F, #AD4363, #AD4347, #AD5C43 and #AD7843

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE4446 shade: #712C2D, #8F3839, #AD4345, #BF5A5C and #CA7879

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE4446 shade: #AE4446, #9BAD43 and #4371AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE4446 shade: #AE4446, #47AD43 and #4347AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE4446 shade: #AE4446, #9BAD43, #43ADA9 and #5543AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE4446 shade: #AE4446, #7BAD43, #43ADA9 and #7443AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 60 / 32

HEX #AE4446

RGB 174 68 70

HSL 358.87, 0.44%, 0.47%

LAB 43.62, 43.51, 21.44

 

Complementary color

CMYK 57 / 0 / 1 / 27

HEX #51BBB9

RGB 81 187 185

HSL 178.87, 0.44%, 0.53%

LAB 70.03, -30.69, -8.2

 

CMYK 0 / 62 / 64 / 30

HEX #B34441

RGB 179 68 65

HSL 1.58, 0.47%, 0.48%

LAB 44.38, 44.94, 25.6

 

CMYK 0 / 56 / 57 / 23

HEX #C45654

RGB 196 86 84

HSL 1.07, 0.49%, 0.55%

LAB 50.72, 43.87, 23.03

 

CMYK 0 / 51 / 52 / 16

HEX #D56867

RGB 213 104 103

HSL 0.55, 0.57%, 0.62%

LAB 57.1, 42.74, 20.88

 

CMYK 0 / 47 / 47 / 10

HEX #E67A7A

RGB 230 122 122

HSL 0, 0.68%, 0.69%

LAB 63.46, 41.63, 19.04

 

CMYK 0 / 43 / 43 / 3

HEX #F78C8D

RGB 247 140 141

HSL 359.44, 0.87%, 0.76%

LAB 69.79, 40.57, 17.43

 

CMYK 0 / 61 / 60 / 32

HEX #AE4446

RGB 174 68 70

HSL 358.87, 0.44%, 0.47%

LAB 43.62, 43.51, 21.44

 

CMYK 0 / 68 / 68 / 38

HEX #9D3233

RGB 157 50 51

HSL 359.44, 0.52%, 0.41%

LAB 37.28, 44.36, 24.4

 

CMYK 0 / 77 / 77 / 45

HEX #8C2020

RGB 140 32 32

HSL 0, 0.63%, 0.34%

LAB 31.14, 44.75, 28.07

 

CMYK 0 / 89 / 89 / 52

HEX #7B0E0D

RGB 123 14 13

HSL 0.55, 0.81%, 0.27%

LAB 25.42, 44.14, 32.15

 

CMYK 0 / 100 / 100 / 58

HEX #6A0000

RGB 106 0 0

HSL 0, 1%, 0.21%

LAB 20.3, 42, 31.02

 

CMYK 0 / 61 / 60 / 32

HEX #AD4345

RGB 173 67 69

HSL 358.87, 0.44%, 0.47%

LAB 43.25, 43.54, 21.54

 

CMYK 0 / 61 / 61 / 32

HEX #AD4343

RGB 173 67 67

HSL 0, 0.44%, 0.47%

LAB 43.22, 43.4, 22.71

 

CMYK 0 / 61 / 60 / 32

HEX #AD4345

RGB 173 67 69

HSL 358.87, 0.44%, 0.47%

LAB 43.25, 43.54, 21.54

 

CMYK 0 / 61 / 43 / 32

HEX #AD4362

RGB 173 67 98

HSL 342.45, 0.44%, 0.47%

LAB 43.92, 46.13, 4.61

 

CMYK 0 / 61 / 27 / 32

HEX #AD437E

RGB 173 67 126

HSL 326.6, 0.44%, 0.47%

LAB 44.81, 49.5, -11.27

 

CMYK 0 / 61 / 11 / 32

HEX #AD439A

RGB 173 67 154

HSL 310.75, 0.44%, 0.47%

LAB 45.95, 53.65, -26.42

 

CMYK 6 / 61 / 0 / 32

HEX #A243AD

RGB 162 67 173

HSL 293.77, 0.44%, 0.47%

LAB 45.24, 54.04, -38.94

 

CMYK 0 / 61 / 60 / 32

HEX #AD4345

RGB 173 67 69

HSL 358.87, 0.44%, 0.47%

LAB 43.25, 43.54, 21.54

 

CMYK 0 / 75 / 74 / 25

HEX #C03032

RGB 192 48 50

HSL 359.17, 0.6%, 0.47%

LAB 43.58, 56.43, 34.09

 

CMYK 0 / 87 / 85 / 17

HEX #D31C20

RGB 211 28 32

HSL 358.69, 0.77%, 0.47%

LAB 45.34, 66.48, 46.94

 

CMYK 0 / 96 / 94 / 9

HEX #E7090D

RGB 231 9 13

HSL 358.92, 0.93%, 0.47%

LAB 48.53, 73.73, 58.86

 

CMYK 0 / 61 / 60 / 32

HEX #AD4345

RGB 173 67 69

HSL 358.87, 0.44%, 0.47%

LAB 43.25, 43.54, 21.54

 

CMYK 0 / 43 / 42 / 40

HEX #995758

RGB 153 87 88

HSL 359.09, 0.28%, 0.47%

LAB 44.65, 27.33, 11.35

 

CMYK 0 / 21 / 21 / 47

HEX #866A6A

RGB 134 106 106

HSL 0, 0.12%, 0.47%

LAB 47.52, 11.14, 4.24

 

CMYK 9 / 0 / 0 / 51

HEX #727D7D

RGB 114 125 125

HSL 180, 0.05%, 0.47%

LAB 51.53, -4.06, -1.4

 

CMYK 34 / 0 / 1 / 43

HEX #5F9190

RGB 95 145 144

HSL 178.8, 0.21%, 0.47%

LAB 56.78, -16.91, -4.81

 

CMYK 0 / 61 / 27 / 32

HEX #AD437F

RGB 173 67 127

HSL 326.04, 0.44%, 0.47%

LAB 44.84, 49.64, -11.83

 

CMYK 0 / 61 / 43 / 32

HEX #AD4363

RGB 173 67 99

HSL 341.89, 0.44%, 0.47%

LAB 43.94, 46.24, 4.03

 

CMYK 0 / 61 / 59 / 32

HEX #AD4347

RGB 173 67 71

HSL 357.74, 0.44%, 0.47%

LAB 43.29, 43.69, 20.37

 

CMYK 0 / 47 / 61 / 32

HEX #AD5C43

RGB 173 92 67

HSL 14.15, 0.44%, 0.47%

LAB 48.19, 30.66, 28.99

 

CMYK 0 / 31 / 61 / 32

HEX #AD7843

RGB 173 120 67

HSL 30, 0.44%, 0.47%

LAB 54.79, 15.09, 36.97

 

CMYK 0 / 61 / 60 / 56

HEX #712C2D

RGB 113 44 45

HSL 359.13, 0.44%, 0.31%

LAB 28.12, 30.63, 14.91

 

CMYK 0 / 61 / 60 / 44

HEX #8F3839

RGB 143 56 57

HSL 359.31, 0.44%, 0.39%

LAB 35.91, 36.98, 18.41

 

CMYK 0 / 61 / 60 / 32

HEX #AD4345

RGB 173 67 69

HSL 358.87, 0.44%, 0.47%

LAB 43.25, 43.54, 21.54

 

CMYK 0 / 53 / 52 / 25

HEX #BF5A5C

RGB 191 90 92

HSL 358.81, 0.44%, 0.55%

LAB 50.88, 40.73, 18.37

 

CMYK 0 / 41 / 40 / 21

HEX #CA7879

RGB 202 120 121

HSL 359.27, 0.44%, 0.63%

LAB 59.32, 32.12, 13.3

 

CMYK 0 / 61 / 60 / 32

HEX #AE4446

RGB 174 68 70

HSL 358.87, 0.44%, 0.47%

LAB 43.62, 43.51, 21.44

 

CMYK 10 / 0 / 61 / 32

HEX #9BAD43

RGB 155 173 67

HSL 70.19, 0.44%, 0.47%

LAB 67.47, -21.36, 50.91

 

CMYK 61 / 35 / 0 / 32

HEX #4371AD

RGB 67 113 173

HSL 213.96, 0.44%, 0.47%

LAB 47, 3.15, -36.73

 

CMYK 0 / 61 / 60 / 32

HEX #AE4446

RGB 174 68 70

HSL 358.87, 0.44%, 0.47%

LAB 43.62, 43.51, 21.44

 

CMYK 59 / 0 / 61 / 32

HEX #47AD43

RGB 71 173 67

HSL 117.74, 0.44%, 0.47%

LAB 63.04, -50.62, 44.74

 

CMYK 61 / 59 / 0 / 32

HEX #4347AD

RGB 67 71 173

HSL 237.74, 0.44%, 0.47%

LAB 35.43, 29.91, -55.25

 

CMYK 0 / 61 / 60 / 32

HEX #AE4446

RGB 174 68 70

HSL 358.87, 0.44%, 0.47%

LAB 43.62, 43.51, 21.44

 

CMYK 10 / 0 / 61 / 32

HEX #9BAD43

RGB 155 173 67

HSL 70.19, 0.44%, 0.47%

LAB 67.47, -21.36, 50.91

 

CMYK 61 / 0 / 2 / 32

HEX #43ADA9

RGB 67 173 169

HSL 177.74, 0.44%, 0.47%

LAB 64.92, -30.93, -6.99

 

CMYK 51 / 61 / 0 / 32

HEX #5543AD

RGB 85 67 173

HSL 250.19, 0.44%, 0.47%

LAB 35.91, 35.8, -54.41

 

CMYK 0 / 61 / 60 / 32

HEX #AE4446

RGB 174 68 70

HSL 358.87, 0.44%, 0.47%

LAB 43.62, 43.51, 21.44

 

CMYK 29 / 0 / 61 / 32

HEX #7BAD43

RGB 123 173 67

HSL 88.3, 0.44%, 0.47%

LAB 65.36, -34.11, 47.99

 

CMYK 61 / 0 / 2 / 32

HEX #43ADA9

RGB 67 173 169

HSL 177.74, 0.44%, 0.47%

LAB 64.92, -30.93, -6.99

 

CMYK 33 / 61 / 0 / 32

HEX #7443AD

RGB 116 67 173

HSL 267.74, 0.44%, 0.47%

LAB 39.15, 42.64, -49.02

 

Description

Color code: HEX #AE4446 | qconv.com Color code: HEX #AE4446 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 68 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 68 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 60 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 60% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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