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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE3E72 it is the complementary color #51C18D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE3E72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE3E72 shade: #B33E6D, #C45080, #D56293, #E674A6 and #F786B9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE3E72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE3E72 shade: #AE3E72, #9D2C5F, #8C1A4C, #7B0839 and #6A0026

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE3E72 shade: #AC3E71, #AC3E54 and #AC3E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE3E72 shade: #AC3E71, #AC3E8F, #AC3EAC, #8E3EAC and #713EAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE3E72 shade matches the following richer shades: #AC3E71, #BF2B70, #D2186F and #E5056D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE3E72 shade: #AC3E71, #995173, #866474, #737775 and #618A77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE3E72 shade: #AC3EAC, #AC3E8F, #AC3E72, #AC3E54 and #AC463E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE3E72 shade: #702849, #8E335D, #AC3E71, #C15386 and #CC719B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE3E72 shade: #AE3E72, #AC8F3E and #3E9EAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE3E72 shade: #AE3E72, #72AC3E and #3E72AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE3E72 shade: #AE3E72, #AC8F3E, #3EAC79 and #3E5CAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE3E72 shade: #AE3E72, #A9AC3E, #3EAC79 and #423EAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 34 / 32

HEX #AE3E72

RGB 174 62 114

HSL 332.14, 0.47%, 0.46%

LAB 43.74, 50.5, -5.5

 

Complementary color

CMYK 58 / 0 / 27 / 24

HEX #51C18D

RGB 81 193 141

HSL 152.14, 0.47%, 0.54%

LAB 70.74, -44.11, 16.81

 

CMYK 0 / 65 / 39 / 30

HEX #B33E6D

RGB 179 62 109

HSL 335.9, 0.49%, 0.47%

LAB 44.42, 51.46, -1.32

 

CMYK 0 / 59 / 35 / 23

HEX #C45080

RGB 196 80 128

HSL 335.17, 0.5%, 0.54%

LAB 50.72, 51.04, -3.27

 

CMYK 0 / 54 / 31 / 16

HEX #D56293

RGB 213 98 147

HSL 334.43, 0.58%, 0.61%

LAB 57.06, 50.4, -4.85

 

CMYK 0 / 50 / 28 / 10

HEX #E674A6

RGB 230 116 166

HSL 333.68, 0.7%, 0.68%

LAB 63.4, 49.65, -6.17

 

CMYK 0 / 46 / 25 / 3

HEX #F786B9

RGB 247 134 185

HSL 332.92, 0.88%, 0.75%

LAB 69.7, 48.86, -7.31

 

CMYK 0 / 64 / 34 / 32

HEX #AE3E72

RGB 174 62 114

HSL 332.14, 0.47%, 0.46%

LAB 43.74, 50.5, -5.5

 

CMYK 0 / 72 / 39 / 38

HEX #9D2C5F

RGB 157 44 95

HSL 332.92, 0.56%, 0.39%

LAB 37.47, 50.51, -3.23

 

CMYK 0 / 81 / 46 / 45

HEX #8C1A4C

RGB 140 26 76

HSL 333.68, 0.69%, 0.33%

LAB 31.43, 49.75, -0.2

 

CMYK 0 / 93 / 54 / 52

HEX #7B0839

RGB 123 8 57

HSL 334.43, 0.88%, 0.26%

LAB 25.8, 47.66, 3.96

 

CMYK 0 / 100 / 64 / 58

HEX #6A0026

RGB 106 0 38

HSL 338.49, 1%, 0.21%

LAB 20.84, 43.47, 9.71

 

CMYK 0 / 64 / 34 / 33

HEX #AC3E71

RGB 172 62 113

HSL 332.18, 0.47%, 0.46%

LAB 43.37, 49.76, -5.47

 

CMYK 0 / 64 / 51 / 33

HEX #AC3E54

RGB 172 62 84

HSL 348, 0.47%, 0.46%

LAB 42.55, 46.7, 11.32

 

CMYK 0 / 64 / 64 / 33

HEX #AC3E3E

RGB 172 62 62

HSL 0, 0.47%, 0.46%

LAB 42.1, 45, 24.28

 

CMYK 0 / 64 / 34 / 33

HEX #AC3E71

RGB 172 62 113

HSL 332.18, 0.47%, 0.46%

LAB 43.37, 49.76, -5.47

 

CMYK 0 / 64 / 17 / 33

HEX #AC3E8F

RGB 172 62 143

HSL 315.82, 0.47%, 0.46%

LAB 44.52, 53.83, -22.05

 

CMYK 0 / 64 / 0 / 33

HEX #AC3EAC

RGB 172 62 172

HSL 300, 0.47%, 0.46%

LAB 45.9, 58.52, -37.21

 

CMYK 17 / 64 / 0 / 33

HEX #8E3EAC

RGB 142 62 172

HSL 283.64, 0.47%, 0.46%

LAB 41.49, 51.18, -44.48

 

CMYK 34 / 64 / 0 / 33

HEX #713EAC

RGB 113 62 172

HSL 267.82, 0.47%, 0.46%

LAB 37.72, 44.39, -50.74

 

CMYK 0 / 64 / 34 / 33

HEX #AC3E71

RGB 172 62 113

HSL 332.18, 0.47%, 0.46%

LAB 43.37, 49.76, -5.47

 

CMYK 0 / 77 / 41 / 25

HEX #BF2B70

RGB 191 43 112

HSL 332.03, 0.63%, 0.46%

LAB 44.2, 62.06, -3.26

 

CMYK 0 / 89 / 47 / 18

HEX #D2186F

RGB 210 24 111

HSL 331.94, 0.79%, 0.46%

LAB 46.32, 70.98, 0.89

 

CMYK 0 / 98 / 52 / 10

HEX #E5056D

RGB 229 5 109

HSL 332.14, 0.96%, 0.46%

LAB 49.34, 77.18, 6.97

 

CMYK 0 / 64 / 34 / 33

HEX #AC3E71

RGB 172 62 113

HSL 332.18, 0.47%, 0.46%

LAB 43.37, 49.76, -5.47

 

CMYK 0 / 47 / 25 / 40

HEX #995173

RGB 153 81 115

HSL 331.67, 0.31%, 0.46%

LAB 44.08, 34.27, -5.95

 

CMYK 0 / 25 / 13 / 47

HEX #866474

RGB 134 100 116

HSL 331.76, 0.15%, 0.46%

LAB 46.24, 16.41, -3.63

 

CMYK 3 / 0 / 2 / 53

HEX #737775

RGB 115 119 117

HSL 150, 0.02%, 0.46%

LAB 49.64, -1.91, 0.57

 

CMYK 30 / 0 / 14 / 46

HEX #618A77

RGB 97 138 119

HSL 152.2, 0.17%, 0.46%

LAB 54.08, -18.45, 5.65

 

CMYK 0 / 64 / 0 / 33

HEX #AC3EAC

RGB 172 62 172

HSL 300, 0.47%, 0.46%

LAB 45.9, 58.52, -37.21

 

CMYK 0 / 64 / 17 / 33

HEX #AC3E8F

RGB 172 62 143

HSL 315.82, 0.47%, 0.46%

LAB 44.52, 53.83, -22.05

 

CMYK 0 / 64 / 34 / 33

HEX #AC3E72

RGB 172 62 114

HSL 331.64, 0.47%, 0.46%

LAB 43.41, 49.88, -6.04

 

CMYK 0 / 64 / 51 / 33

HEX #AC3E54

RGB 172 62 84

HSL 348, 0.47%, 0.46%

LAB 42.55, 46.7, 11.32

 

CMYK 0 / 59 / 64 / 33

HEX #AC463E

RGB 172 70 62

HSL 4.36, 0.47%, 0.46%

LAB 43.51, 41.27, 26.05

 

CMYK 0 / 64 / 35 / 56

HEX #702849

RGB 112 40 73

HSL 332.5, 0.47%, 0.3%

LAB 27.96, 35.35, -3.93

 

CMYK 0 / 64 / 35 / 44

HEX #8E335D

RGB 142 51 93

HSL 332.31, 0.47%, 0.38%

LAB 35.81, 42.71, -4.72

 

CMYK 0 / 64 / 34 / 33

HEX #AC3E71

RGB 172 62 113

HSL 332.18, 0.47%, 0.46%

LAB 43.37, 49.76, -5.47

 

CMYK 0 / 57 / 31 / 24

HEX #C15386

RGB 193 83 134

HSL 332.18, 0.47%, 0.54%

LAB 50.97, 49.43, -6.54

 

CMYK 0 / 45 / 24 / 20

HEX #CC719B

RGB 204 113 155

HSL 332.31, 0.47%, 0.62%

LAB 58.99, 40.95, -6.78

 

CMYK 0 / 64 / 34 / 32

HEX #AE3E72

RGB 174 62 114

HSL 332.14, 0.47%, 0.46%

LAB 43.74, 50.5, -5.5

 

CMYK 0 / 17 / 64 / 33

HEX #AC8F3E

RGB 172 143 62

HSL 44.18, 0.47%, 0.46%

LAB 60.57, 1.47, 46.05

 

CMYK 64 / 8 / 0 / 33

HEX #3E9EAC

RGB 62 158 172

HSL 187.64, 0.47%, 0.46%

LAB 60.3, -23.47, -15.62

 

CMYK 0 / 64 / 34 / 32

HEX #AE3E72

RGB 174 62 114

HSL 332.14, 0.47%, 0.46%

LAB 43.74, 50.5, -5.5

 

CMYK 34 / 0 / 64 / 33

HEX #72AC3E

RGB 114 172 62

HSL 91.64, 0.47%, 0.46%

LAB 64.51, -37.43, 49.11

 

CMYK 64 / 34 / 0 / 33

HEX #3E72AC

RGB 62 114 172

HSL 211.64, 0.47%, 0.46%

LAB 47.02, 1.23, -36.13

 

CMYK 0 / 64 / 34 / 32

HEX #AE3E72

RGB 174 62 114

HSL 332.14, 0.47%, 0.46%

LAB 43.74, 50.5, -5.5

 

CMYK 0 / 17 / 64 / 33

HEX #AC8F3E

RGB 172 143 62

HSL 44.18, 0.47%, 0.46%

LAB 60.57, 1.47, 46.05

 

CMYK 64 / 0 / 30 / 33

HEX #3EAC79

RGB 62 172 121

HSL 152.18, 0.47%, 0.46%

LAB 63.27, -43.34, 17.24

 

CMYK 64 / 47 / 0 / 33

HEX #3E5CAC

RGB 62 92 172

HSL 223.64, 0.47%, 0.46%

LAB 40.67, 15.07, -46.23

 

CMYK 0 / 64 / 34 / 32

HEX #AE3E72

RGB 174 62 114

HSL 332.14, 0.47%, 0.46%

LAB 43.74, 50.5, -5.5

 

CMYK 2 / 0 / 64 / 33

HEX #A9AC3E

RGB 169 172 62

HSL 61.64, 0.47%, 0.46%

LAB 68.23, -15.29, 54.21

 

CMYK 64 / 0 / 30 / 33

HEX #3EAC79

RGB 62 172 121

HSL 152.18, 0.47%, 0.46%

LAB 63.27, -43.34, 17.24

 

CMYK 62 / 64 / 0 / 33

HEX #423EAC

RGB 66 62 172

HSL 242.18, 0.47%, 0.46%

LAB 33.1, 35.07, -58.46

 

Description

Color code: HEX #AE3E72 | qconv.com Color code: HEX #AE3E72 | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 62 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 62 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 34 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 34% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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