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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE3DC4 it is the complementary color #51C23B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE3DC4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE3DC4 shade: #B33DBF, #C44FD2, #D561E5, #E673F8 and #F785FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE3DC4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE3DC4 shade: #AE3DC4, #9D2BB1, #8C199E, #7B078B and #6A0078

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE3DC4 shade: #AD3CC3, #C33CB5, #C33C90, #C33C6C and #C33C47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE3DC4 shade: #AD3CC3, #893CC3, #643CC3, #403CC3 and #3C3CC3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE3DC4 shade matches the following richer shades: #AD3CC3, #BB27D8 and #C913EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE3DC4 shade: #AD3CC3, #9F51AE, #91659A, #837A85 and #758E71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE3DC4 shade: #643CC3, #893CC3, #AD3CC3, #C33CB6 and #C33C92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE3DC4 shade: #752984, #9132A4, #AD3CC3, #BA5BCD and #C87BD6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE3DC4 shade: #AE3DC4, #C3403C and #3CC376

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE3DC4 shade: #AE3DC4, #C3AD3C and #3CC3AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE3DC4 shade: #AE3DC4, #C3403C, #52C33C and #3CBFC3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE3DC4 shade: #AE3DC4, #C3693C, #52C33C and #3C96C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 69 / 0 / 23

HEX #AE3DC4

RGB 174 61 196

HSL 290.22, 0.53%, 0.5%

LAB 47.39, 63.7, -48.86

 

Complementary color

CMYK 58 / 0 / 70 / 24

HEX #51C23B

RGB 81 194 59

HSL 110.22, 0.53%, 0.5%

LAB 69.93, -56.68, 55.73

 

CMYK 6 / 68 / 0 / 25

HEX #B33DBF

RGB 179 61 191

HSL 294.46, 0.52%, 0.49%

LAB 47.86, 63.9, -45.17

 

CMYK 7 / 62 / 0 / 18

HEX #C44FD2

RGB 196 79 210

HSL 293.59, 0.59%, 0.57%

LAB 54.01, 63.97, -46.18

 

CMYK 7 / 58 / 0 / 10

HEX #D561E5

RGB 213 97 229

HSL 292.73, 0.72%, 0.64%

LAB 60.21, 63.69, -46.94

 

CMYK 7 / 54 / 0 / 3

HEX #E673F8

RGB 230 115 248

HSL 291.88, 0.9%, 0.71%

LAB 66.41, 63.2, -47.53

 

CMYK 3 / 48 / 0 / 0

HEX #F785FF

RGB 247 133 255

HSL 296.07, 1%, 0.76%

LAB 72.07, 60.42, -42.32

 

CMYK 11 / 69 / 0 / 23

HEX #AE3DC4

RGB 174 61 196

HSL 290.22, 0.53%, 0.5%

LAB 47.39, 63.7, -48.86

 

CMYK 11 / 76 / 0 / 31

HEX #9D2BB1

RGB 157 43 177

HSL 291.04, 0.61%, 0.43%

LAB 41.33, 63.14, -47.58

 

CMYK 11 / 84 / 0 / 38

HEX #8C199E

RGB 140 25 158

HSL 291.88, 0.73%, 0.36%

LAB 35.48, 61.66, -45.75

 

CMYK 12 / 95 / 0 / 45

HEX #7B078B

RGB 123 7 139

HSL 292.73, 0.9%, 0.29%

LAB 29.98, 58.8, -43.11

 

CMYK 12 / 100 / 0 / 53

HEX #6A0078

RGB 106 0 120

HSL 293, 1%, 0.24%

LAB 25.01, 53.89, -39.32

 

CMYK 11 / 69 / 0 / 24

HEX #AD3CC3

RGB 173 60 195

HSL 290.22, 0.53%, 0.5%

LAB 47.05, 63.68, -48.84

 

CMYK 0 / 69 / 7 / 24

HEX #C33CB5

RGB 195 60 181

HSL 306.22, 0.53%, 0.5%

LAB 49.7, 66.3, -36.26

 

CMYK 0 / 69 / 26 / 24

HEX #C33C90

RGB 195 60 144

HSL 322.67, 0.53%, 0.5%

LAB 48.07, 61.06, -16.87

 

CMYK 0 / 69 / 45 / 24

HEX #C33C6C

RGB 195 60 108

HSL 338.67, 0.53%, 0.5%

LAB 46.86, 57.02, 3.19

 

CMYK 0 / 69 / 64 / 24

HEX #C33C47

RGB 195 60 71

HSL 355.11, 0.53%, 0.5%

LAB 46.03, 54.1, 24.67

 

CMYK 11 / 69 / 0 / 24

HEX #AD3CC3

RGB 173 60 195

HSL 290.22, 0.53%, 0.5%

LAB 47.05, 63.68, -48.84

 

CMYK 30 / 69 / 0 / 24

HEX #893CC3

RGB 137 60 195

HSL 274.22, 0.53%, 0.5%

LAB 41.98, 56.05, -57.25

 

CMYK 49 / 69 / 0 / 24

HEX #643CC3

RGB 100 60 195

HSL 257.78, 0.53%, 0.5%

LAB 37.63, 49.01, -64.52

 

CMYK 67 / 69 / 0 / 24

HEX #403CC3

RGB 64 60 195

HSL 241.78, 0.53%, 0.5%

LAB 34.52, 43.63, -69.73

 

CMYK 69 / 69 / 0 / 24

HEX #3C3CC3

RGB 60 60 195

HSL 240, 0.53%, 0.5%

LAB 34.26, 43.15, -70.18

 

CMYK 11 / 69 / 0 / 24

HEX #AD3CC3

RGB 173 60 195

HSL 290.22, 0.53%, 0.5%

LAB 47.05, 63.68, -48.84

 

CMYK 13 / 82 / 0 / 15

HEX #BB27D8

RGB 187 39 216

HSL 290.17, 0.69%, 0.5%

LAB 48.23, 76.75, -58.93

 

CMYK 15 / 92 / 0 / 7

HEX #C913EC

RGB 201 19 236

HSL 290.32, 0.85%, 0.5%

LAB 50.62, 85.86, -66.31

 

CMYK 11 / 69 / 0 / 24

HEX #AD3CC3

RGB 173 60 195

HSL 290.22, 0.53%, 0.5%

LAB 47.05, 63.68, -48.84

 

CMYK 9 / 53 / 0 / 32

HEX #9F51AE

RGB 159 81 174

HSL 290.32, 0.36%, 0.5%

LAB 47.38, 46.65, -36.17

 

CMYK 6 / 34 / 0 / 40

HEX #91659A

RGB 145 101 154

HSL 289.81, 0.21%, 0.5%

LAB 49.08, 27.23, -21.88

 

CMYK 2 / 8 / 0 / 48

HEX #837A85

RGB 131 122 133

HSL 289.09, 0.04%, 0.5%

LAB 52.33, 5.59, -4.74

 

CMYK 18 / 0 / 20 / 44

HEX #758E71

RGB 117 142 113

HSL 111.72, 0.11%, 0.5%

LAB 56.41, -14.75, 12.56

 

CMYK 49 / 69 / 0 / 24

HEX #643CC3

RGB 100 60 195

HSL 257.78, 0.53%, 0.5%

LAB 37.63, 49.01, -64.52

 

CMYK 30 / 69 / 0 / 24

HEX #893CC3

RGB 137 60 195

HSL 274.22, 0.53%, 0.5%

LAB 41.98, 56.05, -57.25

 

CMYK 11 / 69 / 0 / 24

HEX #AD3CC3

RGB 173 60 195

HSL 290.22, 0.53%, 0.5%

LAB 47.05, 63.68, -48.84

 

CMYK 0 / 69 / 7 / 24

HEX #C33CB6

RGB 195 60 182

HSL 305.78, 0.53%, 0.5%

LAB 49.75, 66.46, -36.77

 

CMYK 0 / 69 / 25 / 24

HEX #C33C92

RGB 195 60 146

HSL 321.78, 0.53%, 0.5%

LAB 48.15, 61.31, -17.96

 

CMYK 11 / 69 / 0 / 48

HEX #752984

RGB 117 41 132

HSL 290.11, 0.53%, 0.34%

LAB 31.88, 46.47, -35.75

 

CMYK 12 / 70 / 0 / 36

HEX #9132A4

RGB 145 50 164

HSL 290, 0.53%, 0.42%

LAB 39.55, 55.55, -42.79

 

CMYK 11 / 69 / 0 / 24

HEX #AD3CC3

RGB 173 60 195

HSL 290.22, 0.53%, 0.5%

LAB 47.05, 63.68, -48.84

 

CMYK 9 / 56 / 0 / 20

HEX #BA5BCD

RGB 186 91 205

HSL 290, 0.53%, 0.58%

LAB 54.37, 55.08, -42.84

 

CMYK 7 / 43 / 0 / 16

HEX #C87BD6

RGB 200 123 214

HSL 290.77, 0.53%, 0.66%

LAB 62.76, 44.47, -34.65

 

CMYK 11 / 69 / 0 / 23

HEX #AE3DC4

RGB 174 61 196

HSL 290.22, 0.53%, 0.5%

LAB 47.39, 63.7, -48.86

 

CMYK 0 / 67 / 69 / 24

HEX #C3403C

RGB 195 64 60

HSL 1.78, 0.53%, 0.5%

LAB 46.44, 51.89, 31.72

 

CMYK 69 / 0 / 39 / 24

HEX #3CC376

RGB 60 195 118

HSL 145.78, 0.53%, 0.5%

LAB 70.38, -53.5, 28.44

 

CMYK 11 / 69 / 0 / 23

HEX #AE3DC4

RGB 174 61 196

HSL 290.22, 0.53%, 0.5%

LAB 47.39, 63.7, -48.86

 

CMYK 0 / 11 / 69 / 24

HEX #C3AD3C

RGB 195 173 60

HSL 50.22, 0.53%, 0.5%

LAB 70.74, -4.7, 58.34

 

CMYK 69 / 0 / 11 / 24

HEX #3CC3AD

RGB 60 195 173

HSL 170.22, 0.53%, 0.5%

LAB 71.56, -41.11, 0.56

 

CMYK 11 / 69 / 0 / 23

HEX #AE3DC4

RGB 174 61 196

HSL 290.22, 0.53%, 0.5%

LAB 47.39, 63.7, -48.86

 

CMYK 0 / 67 / 69 / 24

HEX #C3403C

RGB 195 64 60

HSL 1.78, 0.53%, 0.5%

LAB 46.44, 51.89, 31.72

 

CMYK 58 / 0 / 69 / 24

HEX #52C33C

RGB 82 195 60

HSL 110.22, 0.53%, 0.5%

LAB 70.28, -56.71, 55.72

 

CMYK 69 / 2 / 0 / 24

HEX #3CBFC3

RGB 60 191 195

HSL 181.78, 0.53%, 0.5%

LAB 70.98, -33.19, -12.31

 

CMYK 11 / 69 / 0 / 23

HEX #AE3DC4

RGB 174 61 196

HSL 290.22, 0.53%, 0.5%

LAB 47.39, 63.7, -48.86

 

CMYK 0 / 46 / 69 / 24

HEX #C3693C

RGB 195 105 60

HSL 20, 0.53%, 0.5%

LAB 54.06, 32.18, 40.55

 

CMYK 58 / 0 / 69 / 24

HEX #52C33C

RGB 82 195 60

HSL 110.22, 0.53%, 0.5%

LAB 70.28, -56.71, 55.72

 

CMYK 69 / 23 / 0 / 24

HEX #3C96C3

RGB 60 150 195

HSL 200, 0.53%, 0.5%

LAB 58.71, -12.17, -31.05

 

Description

Color code: HEX #AE3DC4 | qconv.com Color code: HEX #AE3DC4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 61 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 61 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 69 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 69% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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