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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE3CC5 it is the complementary color #51C33A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE3CC5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE3CC5 shade: #B33CC0, #C44ED3, #D560E6, #E672F9 and #F784FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE3CC5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE3CC5 shade: #AE3CC5, #9D2AB2, #8C189F, #7B068C and #6A0079

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE3CC5 shade: #AD3BC4, #C43BB6, #C43B91, #C43B6C and #C43B47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE3CC5 shade: #AD3BC4, #883BC4, #633BC4, #3E3BC4 and #3B3BC4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE3CC5 shade matches the following richer shades: #AD3BC4, #BB26D9 and #C911EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE3CC5 shade: #AD3BC4, #A04FB0, #92649B, #847986 and #768D72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE3CC5 shade: #623BC4, #863BC4, #AB3BC4, #C43BB9 and #C43B94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE3CC5 shade: #752885, #9131A5, #AD3BC4, #BA5ACE and #C87AD7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE3CC5 shade: #AE3CC5, #C43D3B and #3BC474

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE3CC5 shade: #AE3CC5, #C4AB3B and #3BC4AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE3CC5 shade: #AE3CC5, #C43D3B, #54C43B and #3BC2C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE3CC5 shade: #AE3CC5, #C4663B, #54C43B and #3B99C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 70 / 0 / 23

HEX #AE3CC5

RGB 174 60 197

HSL 289.93, 0.54%, 0.5%

LAB 47.32, 64.27, -49.56

 

Complementary color

CMYK 58 / 0 / 70 / 24

HEX #51C33A

RGB 81 195 58

HSL 109.93, 0.54%, 0.5%

LAB 70.24, -57.12, 56.43

 

CMYK 7 / 69 / 0 / 25

HEX #B33CC0

RGB 179 60 192

HSL 294.09, 0.52%, 0.49%

LAB 47.78, 64.46, -45.88

 

CMYK 7 / 63 / 0 / 17

HEX #C44ED3

RGB 196 78 211

HSL 293.23, 0.6%, 0.57%

LAB 53.91, 64.57, -46.91

 

CMYK 7 / 58 / 0 / 10

HEX #D560E6

RGB 213 96 230

HSL 292.39, 0.73%, 0.64%

LAB 60.09, 64.32, -47.68

 

CMYK 8 / 54 / 0 / 2

HEX #E672F9

RGB 230 114 249

HSL 291.56, 0.92%, 0.71%

LAB 66.29, 63.85, -48.27

 

CMYK 3 / 48 / 0 / 0

HEX #F784FF

RGB 247 132 255

HSL 296.1, 1%, 0.76%

LAB 71.89, 60.9, -42.61

 

CMYK 12 / 70 / 0 / 23

HEX #AE3CC5

RGB 174 60 197

HSL 289.93, 0.54%, 0.5%

LAB 47.32, 64.27, -49.56

 

CMYK 12 / 76 / 0 / 30

HEX #9D2AB2

RGB 157 42 178

HSL 290.74, 0.62%, 0.43%

LAB 41.28, 63.64, -48.26

 

CMYK 12 / 85 / 0 / 38

HEX #8C189F

RGB 140 24 159

HSL 291.56, 0.74%, 0.36%

LAB 35.46, 62.08, -46.38

 

CMYK 12 / 96 / 0 / 45

HEX #7B068C

RGB 123 6 140

HSL 292.39, 0.92%, 0.29%

LAB 30, 59.14, -43.7

 

CMYK 12 / 100 / 0 / 53

HEX #6A0079

RGB 106 0 121

HSL 292.56, 1%, 0.24%

LAB 25.09, 54.07, -39.83

 

CMYK 12 / 70 / 0 / 23

HEX #AD3BC4

RGB 173 59 196

HSL 289.93, 0.54%, 0.5%

LAB 46.97, 64.25, -49.54

 

CMYK 0 / 70 / 7 / 23

HEX #C43BB6

RGB 196 59 182

HSL 306.13, 0.54%, 0.5%

LAB 49.79, 67.05, -36.7

 

CMYK 0 / 70 / 26 / 23

HEX #C43B91

RGB 196 59 145

HSL 322.34, 0.54%, 0.5%

LAB 48.14, 61.82, -17.34

 

CMYK 0 / 70 / 45 / 23

HEX #C43B6C

RGB 196 59 108

HSL 338.54, 0.54%, 0.5%

LAB 46.9, 57.69, 3.27

 

CMYK 0 / 70 / 64 / 23

HEX #C43B47

RGB 196 59 71

HSL 354.74, 0.54%, 0.5%

LAB 46.07, 54.81, 24.75

 

CMYK 12 / 70 / 0 / 23

HEX #AD3BC4

RGB 173 59 196

HSL 289.93, 0.54%, 0.5%

LAB 46.97, 64.25, -49.54

 

CMYK 31 / 70 / 0 / 23

HEX #883BC4

RGB 136 59 196

HSL 273.72, 0.54%, 0.5%

LAB 41.76, 56.52, -58.19

 

CMYK 49 / 70 / 0 / 23

HEX #633BC4

RGB 99 59 196

HSL 257.52, 0.54%, 0.5%

LAB 37.42, 49.64, -65.45

 

CMYK 68 / 70 / 0 / 23

HEX #3E3BC4

RGB 62 59 196

HSL 241.31, 0.54%, 0.5%

LAB 34.27, 44.3, -70.74

 

CMYK 70 / 70 / 0 / 23

HEX #3B3BC4

RGB 59 59 196

HSL 240, 0.54%, 0.5%

LAB 34.07, 43.95, -71.07

 

CMYK 12 / 70 / 0 / 23

HEX #AD3BC4

RGB 173 59 196

HSL 289.93, 0.54%, 0.5%

LAB 46.97, 64.25, -49.54

 

CMYK 14 / 82 / 0 / 15

HEX #BB26D9

RGB 187 38 217

HSL 289.94, 0.7%, 0.5%

LAB 48.21, 77.16, -59.52

 

CMYK 16 / 93 / 0 / 7

HEX #C911EE

RGB 201 17 238

HSL 289.95, 0.87%, 0.5%

LAB 50.68, 86.42, -67.34

 

CMYK 12 / 70 / 0 / 23

HEX #AD3BC4

RGB 173 59 196

HSL 289.93, 0.54%, 0.5%

LAB 46.97, 64.25, -49.54

 

CMYK 9 / 55 / 0 / 31

HEX #A04FB0

RGB 160 79 176

HSL 290.1, 0.38%, 0.5%

LAB 47.24, 48.34, -37.57

 

CMYK 6 / 35 / 0 / 39

HEX #92649B

RGB 146 100 155

HSL 290.18, 0.22%, 0.5%

LAB 49, 28.35, -22.59

 

CMYK 1 / 10 / 0 / 47

HEX #847986

RGB 132 121 134

HSL 290.77, 0.05%, 0.5%

LAB 52.18, 6.75, -5.55

 

CMYK 16 / 0 / 19 / 45

HEX #768D72

RGB 118 141 114

HSL 111.11, 0.11%, 0.5%

LAB 56.2, -13.66, 11.72

 

CMYK 50 / 70 / 0 / 23

HEX #623BC4

RGB 98 59 196

HSL 257.08, 0.54%, 0.5%

LAB 37.32, 49.47, -65.62

 

CMYK 32 / 70 / 0 / 23

HEX #863BC4

RGB 134 59 196

HSL 272.85, 0.54%, 0.5%

LAB 41.5, 56.13, -58.63

 

CMYK 13 / 70 / 0 / 23

HEX #AB3BC4

RGB 171 59 196

HSL 289.05, 0.54%, 0.5%

LAB 46.67, 63.82, -50.03

 

CMYK 0 / 70 / 6 / 23

HEX #C43BB9

RGB 196 59 185

HSL 304.82, 0.54%, 0.5%

LAB 49.94, 67.51, -38.21

 

CMYK 0 / 70 / 24 / 23

HEX #C43B94

RGB 196 59 148

HSL 321.02, 0.54%, 0.5%

LAB 48.26, 62.2, -18.96

 

CMYK 12 / 70 / 0 / 48

HEX #752885

RGB 117 40 133

HSL 289.68, 0.54%, 0.34%

LAB 31.79, 47.11, -36.52

 

CMYK 12 / 70 / 0 / 35

HEX #9131A5

RGB 145 49 165

HSL 289.66, 0.54%, 0.42%

LAB 39.47, 56.15, -43.52

 

CMYK 12 / 70 / 0 / 23

HEX #AD3BC4

RGB 173 59 196

HSL 289.93, 0.54%, 0.5%

LAB 46.97, 64.25, -49.54

 

CMYK 10 / 56 / 0 / 19

HEX #BA5ACE

RGB 186 90 206

HSL 289.66, 0.54%, 0.58%

LAB 54.25, 55.75, -43.61

 

CMYK 7 / 43 / 0 / 16

HEX #C87AD7

RGB 200 122 215

HSL 290.32, 0.54%, 0.66%

LAB 62.6, 45.19, -35.46

 

CMYK 12 / 70 / 0 / 23

HEX #AE3CC5

RGB 174 60 197

HSL 289.93, 0.54%, 0.5%

LAB 47.32, 64.27, -49.56

 

CMYK 0 / 69 / 70 / 23

HEX #C43D3B

RGB 196 61 59

HSL 0.88, 0.54%, 0.5%

LAB 46.16, 53.37, 32.02

 

CMYK 70 / 0 / 41 / 23

HEX #3BC474

RGB 59 196 116

HSL 144.96, 0.54%, 0.5%

LAB 70.64, -54.41, 29.82

 

CMYK 12 / 70 / 0 / 23

HEX #AE3CC5

RGB 174 60 197

HSL 289.93, 0.54%, 0.5%

LAB 47.32, 64.27, -49.56

 

CMYK 0 / 13 / 70 / 23

HEX #C4AB3B

RGB 196 171 59

HSL 49.05, 0.54%, 0.5%

LAB 70.3, -3.26, 58.33

 

CMYK 70 / 0 / 13 / 23

HEX #3BC4AB

RGB 59 196 171

HSL 169.05, 0.54%, 0.5%

LAB 71.79, -42.22, 1.98

 

CMYK 12 / 70 / 0 / 23

HEX #AE3CC5

RGB 174 60 197

HSL 289.93, 0.54%, 0.5%

LAB 47.32, 64.27, -49.56

 

CMYK 0 / 69 / 70 / 23

HEX #C43D3B

RGB 196 61 59

HSL 0.88, 0.54%, 0.5%

LAB 46.16, 53.37, 32.02

 

CMYK 57 / 0 / 70 / 23

HEX #54C43B

RGB 84 196 59

HSL 109.05, 0.54%, 0.5%

LAB 70.65, -56.65, 56.51

 

CMYK 70 / 1 / 0 / 23

HEX #3BC2C4

RGB 59 194 196

HSL 180.88, 0.54%, 0.5%

LAB 71.89, -34.45, -11.5

 

CMYK 12 / 70 / 0 / 23

HEX #AE3CC5

RGB 174 60 197

HSL 289.93, 0.54%, 0.5%

LAB 47.32, 64.27, -49.56

 

CMYK 0 / 48 / 70 / 23

HEX #C4663B

RGB 196 102 59

HSL 18.83, 0.54%, 0.5%

LAB 53.55, 34.11, 40.54

 

CMYK 57 / 0 / 70 / 23

HEX #54C43B

RGB 84 196 59

HSL 109.05, 0.54%, 0.5%

LAB 70.65, -56.65, 56.51

 

CMYK 70 / 22 / 0 / 23

HEX #3B99C4

RGB 59 153 196

HSL 198.83, 0.54%, 0.5%

LAB 59.61, -13.63, -30.2

 

Description

Color code: HEX #AE3CC5 | qconv.com Color code: HEX #AE3CC5 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 60 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 60 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 70 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 70% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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