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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE37EA it is the complementary color #51C815. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE37EA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE37EA shade: #B337E5, #C449F8, #D55BFF, #E66DFF and #F77FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE37EA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE37EA shade: #AE37EA, #9D25D7, #8C13C4, #7B01B1 and #6A009E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE37EA shade: #AF39EA, #DF39EA, #EA39C6, #EA3996 and #EA3966

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE37EA shade: #AF39EA, #7F39EA, #4F39EA and #3939EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE37EA shade matches the following richer shades: #AF39EA and #B427FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE37EA shade: #AF39EA, #A94AD8, #A35CC7, #9D6EB5 and #977FA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE37EA shade: #4D39EA, #7D39EA, #AC39EA, #DB39EA and #EA39CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE37EA shade: #8414BC, #9E18E2, #AF39EA, #BE5EEE and #CD83F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE37EA shade: #AE37EA, #EA3953 and #39EA65

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE37EA shade: #AE37EA, #EAAC39 and #39EAAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE37EA shade: #AE37EA, #EA3953, #77EA39 and #39EAD0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE37EA shade: #AE37EA, #EA5339, #77EA39 and #39D0EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 76 / 0 / 8

HEX #AE37EA

RGB 174 55 234

HSL 279.89, 0.81%, 0.57%

LAB 49.1, 73.21, -67.84

 

Complementary color

CMYK 60 / 0 / 90 / 22

HEX #51C815

RGB 81 200 21

HSL 99.89, 0.81%, 0.43%

LAB 71.63, -60.89, 68.18

 

CMYK 22 / 76 / 0 / 10

HEX #B337E5

RGB 179 55 229

HSL 282.76, 0.77%, 0.56%

LAB 49.46, 73.11, -64.39

 

CMYK 21 / 71 / 0 / 3

HEX #C449F8

RGB 196 73 248

HSL 282.17, 0.93%, 0.63%

LAB 55.36, 73.54, -65.42

 

CMYK 16 / 64 / 0 / 0

HEX #D55BFF

RGB 213 91 255

HSL 284.63, 1%, 0.68%

LAB 60.65, 71.17, -60.68

 

CMYK 10 / 57 / 0 / 0

HEX #E66DFF

RGB 230 109 255

HSL 289.73, 1%, 0.71%

LAB 65.73, 67.25, -52.44

 

CMYK 3 / 50 / 0 / 0

HEX #F77FFF

RGB 247 127 255

HSL 296.25, 1%, 0.75%

LAB 70.99, 63.28, -44.02

 

CMYK 26 / 76 / 0 / 8

HEX #AE37EA

RGB 174 55 234

HSL 279.89, 0.81%, 0.57%

LAB 49.1, 73.21, -67.84

 

CMYK 27 / 83 / 0 / 16

HEX #9D25D7

RGB 157 37 215

HSL 280.45, 0.71%, 0.49%

LAB 43.36, 72.15, -66.46

 

CMYK 29 / 90 / 0 / 23

HEX #8C13C4

RGB 140 19 196

HSL 281.02, 0.82%, 0.42%

LAB 37.89, 70.04, -64.46

 

CMYK 31 / 99 / 0 / 31

HEX #7B01B1

RGB 123 1 177

HSL 281.59, 0.99%, 0.35%

LAB 32.72, 66.75, -61.8

 

CMYK 33 / 100 / 0 / 38

HEX #6A009E

RGB 106 0 158

HSL 280.25, 1%, 0.31%

LAB 28.2, 61.11, -57.83

 

CMYK 25 / 76 / 0 / 8

HEX #AF39EA

RGB 175 57 234

HSL 280, 0.81%, 0.57%

LAB 49.47, 72.7, -67.23

 

CMYK 5 / 76 / 0 / 8

HEX #DF39EA

RGB 223 57 234

HSL 296.27, 0.81%, 0.57%

LAB 56.64, 81.57, -55.32

 

CMYK 0 / 76 / 15 / 8

HEX #EA39C6

RGB 234 57 198

HSL 312.2, 0.81%, 0.57%

LAB 56.58, 78.54, -34.86

 

CMYK 0 / 76 / 36 / 8

HEX #EA3996

RGB 234 57 150

HSL 328.47, 0.81%, 0.57%

LAB 54.68, 72.83, -9.8

 

CMYK 0 / 76 / 56 / 8

HEX #EA3966

RGB 234 57 102

HSL 344.75, 0.81%, 0.57%

LAB 53.36, 68.7, 16.98

 

CMYK 25 / 76 / 0 / 8

HEX #AF39EA

RGB 175 57 234

HSL 280, 0.81%, 0.57%

LAB 49.47, 72.7, -67.23

 

CMYK 46 / 76 / 0 / 8

HEX #7F39EA

RGB 127 57 234

HSL 263.73, 0.81%, 0.57%

LAB 43.33, 64.92, -77.5

 

CMYK 66 / 76 / 0 / 8

HEX #4F39EA

RGB 79 57 234

HSL 247.46, 0.81%, 0.57%

LAB 38.78, 58.99, -85.16

 

CMYK 76 / 76 / 0 / 8

HEX #3939EA

RGB 57 57 234

HSL 240, 0.81%, 0.57%

LAB 37.37, 57.12, -87.53

 

CMYK 25 / 76 / 0 / 8

HEX #AF39EA

RGB 175 57 234

HSL 280, 0.81%, 0.57%

LAB 49.47, 72.7, -67.23

 

CMYK 29 / 85 / 0 / 1

HEX #B427FC

RGB 180 39 252

HSL 279.72, 0.97%, 0.57%

LAB 49.72, 82.21, -76.9

 

CMYK 25 / 76 / 0 / 8

HEX #AF39EA

RGB 175 57 234

HSL 280, 0.81%, 0.57%

LAB 49.47, 72.7, -67.23

 

CMYK 22 / 66 / 0 / 15

HEX #A94AD8

RGB 169 74 216

HSL 280.14, 0.65%, 0.57%

LAB 49.85, 61.11, -56.46

 

CMYK 18 / 54 / 0 / 22

HEX #A35CC7

RGB 163 92 199

HSL 279.81, 0.49%, 0.57%

LAB 51.34, 47.27, -44.39

 

CMYK 13 / 39 / 0 / 29

HEX #9D6EB5

RGB 157 110 181

HSL 279.72, 0.32%, 0.57%

LAB 53.66, 31.72, -30.43

 

CMYK 7 / 22 / 0 / 36

HEX #977FA3

RGB 151 127 163

HSL 280, 0.16%, 0.57%

LAB 56.49, 16.08, -15.76

 

CMYK 67 / 76 / 0 / 8

HEX #4D39EA

RGB 77 57 234

HSL 246.78, 0.81%, 0.57%

LAB 38.63, 58.8, -85.4

 

CMYK 47 / 76 / 0 / 8

HEX #7D39EA

RGB 125 57 234

HSL 263.05, 0.81%, 0.57%

LAB 43.1, 64.63, -77.88

 

CMYK 26 / 76 / 0 / 8

HEX #AC39EA

RGB 172 57 234

HSL 278.98, 0.81%, 0.57%

LAB 49.05, 72.18, -67.93

 

CMYK 6 / 76 / 0 / 8

HEX #DB39EA

RGB 219 57 234

HSL 294.92, 0.81%, 0.57%

LAB 56.01, 80.81, -56.35

 

CMYK 0 / 76 / 14 / 8

HEX #EA39CA

RGB 234 57 202

HSL 310.85, 0.81%, 0.57%

LAB 56.77, 79.08, -36.87

 

CMYK 30 / 89 / 0 / 26

HEX #8414BC

RGB 132 20 188

HSL 280, 0.81%, 0.41%

LAB 36.05, 67.17, -62.81

 

CMYK 30 / 89 / 0 / 11

HEX #9E18E2

RGB 158 24 226

HSL 279.8, 0.81%, 0.49%

LAB 43.38, 77.36, -72.71

 

CMYK 25 / 76 / 0 / 8

HEX #AF39EA

RGB 175 57 234

HSL 280, 0.81%, 0.57%

LAB 49.47, 72.7, -67.23

 

CMYK 20 / 61 / 0 / 7

HEX #BE5EEE

RGB 190 94 238

HSL 280, 0.81%, 0.65%

LAB 57.2, 61.27, -56.93

 

CMYK 15 / 46 / 0 / 5

HEX #CD83F2

RGB 205 131 242

HSL 280, 0.81%, 0.73%

LAB 66.23, 47.35, -44.72

 

CMYK 26 / 76 / 0 / 8

HEX #AE37EA

RGB 174 55 234

HSL 279.89, 0.81%, 0.57%

LAB 49.1, 73.21, -67.84

 

CMYK 0 / 76 / 65 / 8

HEX #EA3953

RGB 234 57 83

HSL 351.19, 0.81%, 0.57%

LAB 53, 67.54, 27.84

 

CMYK 76 / 0 / 57 / 8

HEX #39EA65

RGB 57 234 101

HSL 134.92, 0.81%, 0.57%

LAB 82.19, -70.2, 51.49

 

CMYK 26 / 76 / 0 / 8

HEX #AE37EA

RGB 174 55 234

HSL 279.89, 0.81%, 0.57%

LAB 49.1, 73.21, -67.84

 

CMYK 0 / 26 / 76 / 8

HEX #EAAC39

RGB 234 172 57

HSL 38.98, 0.81%, 0.57%

LAB 74.38, 12.51, 64.42

 

CMYK 76 / 0 / 26 / 8

HEX #39EAAC

RGB 57 234 172

HSL 158.98, 0.81%, 0.57%

LAB 83.28, -57.8, 17.81

 

CMYK 26 / 76 / 0 / 8

HEX #AE37EA

RGB 174 55 234

HSL 279.89, 0.81%, 0.57%

LAB 49.1, 73.21, -67.84

 

CMYK 0 / 76 / 65 / 8

HEX #EA3953

RGB 234 57 83

HSL 351.19, 0.81%, 0.57%

LAB 53, 67.54, 27.84

 

CMYK 49 / 0 / 76 / 8

HEX #77EA39

RGB 119 234 57

HSL 98.98, 0.81%, 0.57%

LAB 83.48, -61.18, 70.44

 

CMYK 76 / 0 / 11 / 8

HEX #39EAD0

RGB 57 234 208

HSL 171.19, 0.81%, 0.57%

LAB 84.11, -49.16, 0.11

 

CMYK 26 / 76 / 0 / 8

HEX #AE37EA

RGB 174 55 234

HSL 279.89, 0.81%, 0.57%

LAB 49.1, 73.21, -67.84

 

CMYK 0 / 65 / 76 / 8

HEX #EA5339

RGB 234 83 57

HSL 8.81, 0.81%, 0.57%

LAB 56.06, 56.96, 46.05

 

CMYK 49 / 0 / 76 / 8

HEX #77EA39

RGB 119 234 57

HSL 98.98, 0.81%, 0.57%

LAB 83.48, -61.18, 70.44

 

CMYK 76 / 11 / 0 / 8

HEX #39D0EA

RGB 57 208 234

HSL 188.81, 0.81%, 0.57%

LAB 77.23, -30.03, -23.98

 

Description

Color code: HEX #AE37EA | qconv.com Color code: HEX #AE37EA | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 55 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 55 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 76 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 76% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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