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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE367D it is the complementary color #51C982. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE367D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE367D shade: #B33678, #C4488B, #D55A9E, #E66CB1 and #F77EC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE367D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE367D shade: #AE367D, #9D246A, #8C1257, #7B0044 and #6A0031

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE367D shade: #B0367E, #B0365D, #B0363C and #B03636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE367D shade: #B0367E, #B0369F, #A036B0, #7F36B0 and #5E36B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE367D shade matches the following richer shades: #B0367E, #C22381 and #D51185

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE367D shade: #B0367E, #9D487A, #8A5B77, #786E74 and #658070

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE367D shade: #9F36B0, #B0369F, #B0367F, #B0365E and #B0363E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE367D shade: #702351, #902C67, #B0367E, #C74893 and #D068A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE367D shade: #AE367D, #B07F36 and #36B0B0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE367D shade: #AE367D, #7FB036 and #367FB0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE367D shade: #AE367D, #B07F36, #36B067 and #3667B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE367D shade: #AE367D, #B0A336, #36B067 and #3642B0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 28 / 32

HEX #AE367D

RGB 174 54 125

HSL 324.5, 0.53%, 0.45%

LAB 42.94, 55.14, -13.47

 

Complementary color

CMYK 60 / 0 / 35 / 21

HEX #51C982

RGB 81 201 130

HSL 144.5, 0.53%, 0.55%

LAB 72.98, -49.62, 25.72

 

CMYK 0 / 70 / 33 / 30

HEX #B33678

RGB 179 54 120

HSL 328.32, 0.54%, 0.46%

LAB 43.62, 55.94, -9.28

 

CMYK 0 / 63 / 29 / 23

HEX #C4488B

RGB 196 72 139

HSL 327.58, 0.51%, 0.53%

LAB 49.78, 55.92, -11.27

 

CMYK 0 / 58 / 26 / 16

HEX #D55A9E

RGB 213 90 158

HSL 326.83, 0.59%, 0.59%

LAB 56.01, 55.55, -12.84

 

CMYK 0 / 53 / 23 / 10

HEX #E66CB1

RGB 230 108 177

HSL 326.07, 0.71%, 0.66%

LAB 62.27, 54.99, -14.14

 

CMYK 0 / 49 / 21 / 3

HEX #F77EC4

RGB 247 126 196

HSL 325.29, 0.88%, 0.73%

LAB 68.52, 54.31, -15.23

 

CMYK 0 / 69 / 28 / 32

HEX #AE367D

RGB 174 54 125

HSL 324.5, 0.53%, 0.45%

LAB 42.94, 55.14, -13.47

 

CMYK 0 / 77 / 32 / 38

HEX #9D246A

RGB 157 36 106

HSL 325.29, 0.63%, 0.38%

LAB 36.87, 54.56, -11.11

 

CMYK 0 / 87 / 38 / 45

HEX #8C1257

RGB 140 18 87

HSL 326.07, 0.77%, 0.31%

LAB 31.11, 52.93, -7.92

 

CMYK 0 / 100 / 45 / 52

HEX #7B0044

RGB 123 0 68

HSL 326.83, 1%, 0.24%

LAB 25.65, 50.15, -3.77

 

CMYK 0 / 100 / 54 / 58

HEX #6A0031

RGB 106 0 49

HSL 332.26, 1%, 0.21%

LAB 21.15, 44.3, 2.36

 

CMYK 0 / 69 / 28 / 31

HEX #B0367E

RGB 176 54 126

HSL 324.59, 0.53%, 0.45%

LAB 43.32, 55.83, -13.47

 

CMYK 0 / 69 / 47 / 31

HEX #B0365D

RGB 176 54 93

HSL 340.82, 0.53%, 0.45%

LAB 42.24, 52.17, 5.39

 

CMYK 0 / 69 / 66 / 31

HEX #B0363C

RGB 176 54 60

HSL 357.05, 0.53%, 0.45%

LAB 41.52, 49.64, 24.92

 

CMYK 0 / 69 / 69 / 31

HEX #B03636

RGB 176 54 54

HSL 0, 0.53%, 0.45%

LAB 41.43, 49.31, 28.44

 

CMYK 0 / 69 / 28 / 31

HEX #B0367E

RGB 176 54 126

HSL 324.59, 0.53%, 0.45%

LAB 43.32, 55.83, -13.47

 

CMYK 0 / 69 / 10 / 31

HEX #B0369F

RGB 176 54 159

HSL 308.36, 0.53%, 0.45%

LAB 44.76, 60.5, -31.23

 

CMYK 9 / 69 / 0 / 31

HEX #A036B0

RGB 160 54 176

HSL 292.13, 0.53%, 0.45%

LAB 43.13, 59.62, -44.08

 

CMYK 28 / 69 / 0 / 31

HEX #7F36B0

RGB 127 54 176

HSL 275.9, 0.53%, 0.45%

LAB 38.35, 52.38, -52.02

 

CMYK 47 / 69 / 0 / 31

HEX #5E36B0

RGB 94 54 176

HSL 259.67, 0.53%, 0.45%

LAB 34.3, 45.81, -58.78

 

CMYK 0 / 69 / 28 / 31

HEX #B0367E

RGB 176 54 126

HSL 324.59, 0.53%, 0.45%

LAB 43.32, 55.83, -13.47

 

CMYK 0 / 82 / 34 / 24

HEX #C22381

RGB 194 35 129

HSL 324.53, 0.69%, 0.45%

LAB 44.6, 66.72, -13.07

 

CMYK 0 / 92 / 38 / 16

HEX #D51185

RGB 213 17 133

HSL 324.49, 0.85%, 0.45%

LAB 47.29, 74.59, -11.1

 

CMYK 0 / 69 / 28 / 31

HEX #B0367E

RGB 176 54 126

HSL 324.59, 0.53%, 0.45%

LAB 43.32, 55.83, -13.47

 

CMYK 0 / 54 / 22 / 38

HEX #9D487A

RGB 157 72 122

HSL 324.71, 0.37%, 0.45%

LAB 43.07, 41.44, -11.69

 

CMYK 0 / 34 / 14 / 46

HEX #8A5B77

RGB 138 91 119

HSL 324.26, 0.21%, 0.45%

LAB 44.54, 23.77, -7.91

 

CMYK 0 / 8 / 3 / 53

HEX #786E74

RGB 120 110 116

HSL 324, 0.04%, 0.45%

LAB 47.5, 5.06, -1.92

 

CMYK 21 / 0 / 13 / 50

HEX #658070

RGB 101 128 112

HSL 144.44, 0.12%, 0.45%

LAB 51.12, -13.18, 5.51

 

CMYK 10 / 69 / 0 / 31

HEX #9F36B0

RGB 159 54 176

HSL 291.64, 0.53%, 0.45%

LAB 42.98, 59.39, -44.33

 

CMYK 0 / 69 / 10 / 31

HEX #B0369F

RGB 176 54 159

HSL 308.36, 0.53%, 0.45%

LAB 44.76, 60.5, -31.23

 

CMYK 0 / 69 / 28 / 31

HEX #B0367F

RGB 176 54 127

HSL 324.1, 0.53%, 0.45%

LAB 43.36, 55.96, -14.03

 

CMYK 0 / 69 / 47 / 31

HEX #B0365E

RGB 176 54 94

HSL 340.33, 0.53%, 0.45%

LAB 42.27, 52.27, 4.8

 

CMYK 0 / 69 / 65 / 31

HEX #B0363E

RGB 176 54 62

HSL 356.07, 0.53%, 0.45%

LAB 41.56, 49.76, 23.74

 

CMYK 0 / 69 / 28 / 56

HEX #702351

RGB 112 35 81

HSL 324.16, 0.52%, 0.29%

LAB 27.41, 38.81, -10.07

 

CMYK 0 / 69 / 28 / 44

HEX #902C67

RGB 144 44 103

HSL 324.6, 0.53%, 0.37%

LAB 35.42, 47.66, -11.64

 

CMYK 0 / 69 / 28 / 31

HEX #B0367E

RGB 176 54 126

HSL 324.59, 0.53%, 0.45%

LAB 43.32, 55.83, -13.47

 

CMYK 0 / 64 / 26 / 22

HEX #C74893

RGB 199 72 147

HSL 324.57, 0.53%, 0.53%

LAB 50.55, 57.82, -14.83

 

CMYK 0 / 50 / 20 / 18

HEX #D068A6

RGB 208 104 166

HSL 324.23, 0.53%, 0.61%

LAB 58.1, 48.46, -14.42

 

CMYK 0 / 69 / 28 / 32

HEX #AE367D

RGB 174 54 125

HSL 324.5, 0.53%, 0.45%

LAB 42.94, 55.14, -13.47

 

CMYK 0 / 28 / 69 / 31

HEX #B07F36

RGB 176 127 54

HSL 35.9, 0.53%, 0.45%

LAB 56.76, 11.63, 45.81

 

CMYK 69 / 0 / 0 / 31

HEX #36B0B0

RGB 54 176 176

HSL 180, 0.53%, 0.45%

LAB 65.72, -32.4, -9.72

 

CMYK 0 / 69 / 28 / 32

HEX #AE367D

RGB 174 54 125

HSL 324.5, 0.53%, 0.45%

LAB 42.94, 55.14, -13.47

 

CMYK 28 / 0 / 69 / 31

HEX #7FB036

RGB 127 176 54

HSL 84.1, 0.53%, 0.45%

LAB 66.39, -35.01, 54.64

 

CMYK 69 / 28 / 0 / 31

HEX #367FB0

RGB 54 127 176

HSL 204.1, 0.53%, 0.45%

LAB 50.8, -6.52, -32.54

 

CMYK 0 / 69 / 28 / 32

HEX #AE367D

RGB 174 54 125

HSL 324.5, 0.53%, 0.45%

LAB 42.94, 55.14, -13.47

 

CMYK 0 / 28 / 69 / 31

HEX #B07F36

RGB 176 127 54

HSL 35.9, 0.53%, 0.45%

LAB 56.76, 11.63, 45.81

 

CMYK 69 / 0 / 41 / 31

HEX #36B067

RGB 54 176 103

HSL 144.1, 0.53%, 0.45%

LAB 64.01, -50, 27.9

 

CMYK 69 / 41 / 0 / 31

HEX #3667B0

RGB 54 103 176

HSL 215.9, 0.53%, 0.45%

LAB 43.68, 8.11, -43.78

 

CMYK 0 / 69 / 28 / 32

HEX #AE367D

RGB 174 54 125

HSL 324.5, 0.53%, 0.45%

LAB 42.94, 55.14, -13.47

 

CMYK 0 / 7 / 69 / 31

HEX #B0A336

RGB 176 163 54

HSL 53.61, 0.53%, 0.45%

LAB 66.28, -8.04, 55.69

 

CMYK 69 / 0 / 41 / 31

HEX #36B067

RGB 54 176 103

HSL 144.1, 0.53%, 0.45%

LAB 64.01, -50, 27.9

 

CMYK 69 / 63 / 0 / 31

HEX #3642B0

RGB 54 66 176

HSL 234.1, 0.53%, 0.45%

LAB 33.6, 32.13, -60.06

 

Description

Color code: HEX #AE367D | qconv.com Color code: HEX #AE367D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 54 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 54 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 28 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 28% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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