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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE34A2 it is the complementary color #51CB5D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE34A2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE34A2 shade: #B3349D, #C446B0, #D558C3, #E66AD6 and #F77CE9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE34A2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE34A2 shade: #AE34A2, #9D228F, #8C107C, #7B0069 and #6A0056

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE34A2 shade: #AD34A1, #AD3480, #AD3460, #AD343F and #AD3434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE34A2 shade: #AD34A1, #9834AD, #7734AD, #5734AD and #3634AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE34A2 shade matches the following richer shades: #AD34A1, #BF21AF and #D10FBE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE34A2 shade: #AD34A1, #9B4692, #885884, #766A75 and #647C67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE34A2 shade: #7634AD, #9734AD, #AD34A3, #AD3482 and #AD3462

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE34A2 shade: #6D2166, #8D2A83, #AD34A1, #C743BA and #D063C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE34A2 shade: #AE34A2, #AD5634 and #34AD86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE34A2 shade: #AE34A2, #A3AD34 and #34A3AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE34A2 shade: #AE34A2, #AD5634, #34AD3E and #348AAD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE34A2 shade: #AE34A2, #AD7A34, #34AD3E and #3466AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 7 / 32

HEX #AE34A2

RGB 174 52 162

HSL 305.9, 0.54%, 0.44%

LAB 44.32, 61.22, -33.74

 

Complementary color

CMYK 60 / 0 / 54 / 20

HEX #51CB5D

RGB 81 203 93

HSL 125.9, 0.54%, 0.56%

LAB 73.06, -56.3, 44.43

 

CMYK 0 / 71 / 12 / 30

HEX #B3349D

RGB 179 52 157

HSL 310.39, 0.55%, 0.45%

LAB 44.91, 61.65, -29.78

 

CMYK 0 / 64 / 10 / 23

HEX #C446B0

RGB 196 70 176

HSL 309.52, 0.52%, 0.52%

LAB 50.98, 61.98, -31.32

 

CMYK 0 / 59 / 8 / 16

HEX #D558C3

RGB 213 88 195

HSL 308.64, 0.6%, 0.59%

LAB 57.14, 61.86, -32.52

 

CMYK 0 / 54 / 7 / 10

HEX #E66AD6

RGB 230 106 214

HSL 307.74, 0.71%, 0.66%

LAB 63.33, 61.48, -33.47

 

CMYK 0 / 50 / 6 / 3

HEX #F77CE9

RGB 247 124 233

HSL 306.83, 0.88%, 0.73%

LAB 69.52, 60.94, -34.25

 

CMYK 0 / 70 / 7 / 32

HEX #AE34A2

RGB 174 52 162

HSL 305.9, 0.54%, 0.44%

LAB 44.32, 61.22, -33.74

 

CMYK 0 / 78 / 9 / 38

HEX #9D228F

RGB 157 34 143

HSL 306.83, 0.64%, 0.37%

LAB 38.37, 60.22, -31.84

 

CMYK 0 / 89 / 11 / 45

HEX #8C107C

RGB 140 16 124

HSL 307.74, 0.79%, 0.31%

LAB 32.7, 58.08, -29.2

 

CMYK 0 / 100 / 15 / 52

HEX #7B0069

RGB 123 0 105

HSL 308.78, 1%, 0.24%

LAB 27.38, 54.57, -25.69

 

CMYK 0 / 100 / 19 / 58

HEX #6A0056

RGB 106 0 86

HSL 311.32, 1%, 0.21%

LAB 22.78, 48.48, -20.66

 

CMYK 0 / 70 / 7 / 32

HEX #AD34A1

RGB 173 52 161

HSL 305.95, 0.54%, 0.44%

LAB 44.11, 60.82, -33.49

 

CMYK 0 / 70 / 26 / 32

HEX #AD3480

RGB 173 52 128

HSL 322.31, 0.54%, 0.44%

LAB 42.61, 56.02, -15.83

 

CMYK 0 / 70 / 45 / 32

HEX #AD3460

RGB 173 52 96

HSL 338.18, 0.54%, 0.44%

LAB 41.51, 52.33, 2.38

 

CMYK 0 / 70 / 64 / 32

HEX #AD343F

RGB 173 52 63

HSL 354.55, 0.54%, 0.44%

LAB 40.73, 49.64, 21.96

 

CMYK 0 / 70 / 70 / 32

HEX #AD3434

RGB 173 52 52

HSL 0, 0.54%, 0.44%

LAB 40.55, 49, 28.46

 

CMYK 0 / 70 / 7 / 32

HEX #AD34A1

RGB 173 52 161

HSL 305.95, 0.54%, 0.44%

LAB 44.11, 60.82, -33.49

 

CMYK 12 / 70 / 0 / 32

HEX #9834AD

RGB 152 52 173

HSL 289.59, 0.54%, 0.44%

LAB 41.45, 58.05, -45.06

 

CMYK 31 / 70 / 0 / 32

HEX #7734AD

RGB 119 52 173

HSL 273.22, 0.54%, 0.44%

LAB 36.73, 50.94, -52.9

 

CMYK 50 / 70 / 0 / 32

HEX #5734AD

RGB 87 52 173

HSL 257.36, 0.54%, 0.44%

LAB 32.92, 44.77, -59.27

 

CMYK 69 / 70 / 0 / 32

HEX #3634AD

RGB 54 52 173

HSL 240.99, 0.54%, 0.44%

LAB 30.05, 39.82, -64.08

 

CMYK 0 / 70 / 7 / 32

HEX #AD34A1

RGB 173 52 161

HSL 305.95, 0.54%, 0.44%

LAB 44.11, 60.82, -33.49

 

CMYK 0 / 83 / 8 / 25

HEX #BF21AF

RGB 191 33 175

HSL 306.08, 0.71%, 0.44%

LAB 45.99, 72.36, -38.64

 

CMYK 0 / 93 / 9 / 18

HEX #D10FBE

RGB 209 15 190

HSL 305.88, 0.87%, 0.44%

LAB 49.03, 80.67, -42.42

 

CMYK 0 / 70 / 7 / 32

HEX #AD34A1

RGB 173 52 161

HSL 305.95, 0.54%, 0.44%

LAB 44.11, 60.82, -33.49

 

CMYK 0 / 55 / 6 / 39

HEX #9B4692

RGB 155 70 146

HSL 306.35, 0.38%, 0.44%

LAB 43.4, 45.76, -25.8

 

CMYK 0 / 35 / 3 / 47

HEX #885884

RGB 136 88 132

HSL 305, 0.21%, 0.44%

LAB 44.06, 27.23, -16.54

 

CMYK 0 / 10 / 1 / 54

HEX #766A75

RGB 118 106 117

HSL 305, 0.05%, 0.44%

LAB 46.24, 6.87, -4.41

 

CMYK 19 / 0 / 17 / 51

HEX #647C67

RGB 100 124 103

HSL 127.5, 0.11%, 0.44%

LAB 49.62, -13.18, 8.62

 

CMYK 32 / 70 / 0 / 32

HEX #7634AD

RGB 118 52 173

HSL 272.73, 0.54%, 0.44%

LAB 36.6, 50.73, -53.12

 

CMYK 13 / 70 / 0 / 32

HEX #9734AD

RGB 151 52 173

HSL 289.09, 0.54%, 0.44%

LAB 41.3, 57.83, -45.31

 

CMYK 0 / 70 / 6 / 32

HEX #AD34A3

RGB 173 52 163

HSL 304.96, 0.54%, 0.44%

LAB 44.21, 61.14, -34.52

 

CMYK 0 / 70 / 25 / 32

HEX #AD3482

RGB 173 52 130

HSL 321.32, 0.54%, 0.44%

LAB 42.69, 56.28, -16.93

 

CMYK 0 / 70 / 43 / 32

HEX #AD3462

RGB 173 52 98

HSL 337.19, 0.54%, 0.44%

LAB 41.57, 52.53, 1.21

 

CMYK 0 / 70 / 6 / 57

HEX #6D2166

RGB 109 33 102

HSL 305.53, 0.54%, 0.28%

LAB 27.57, 42.18, -23.63

 

CMYK 0 / 70 / 7 / 45

HEX #8D2A83

RGB 141 42 131

HSL 306.06, 0.54%, 0.36%

LAB 35.9, 51.84, -28.52

 

CMYK 0 / 70 / 7 / 32

HEX #AD34A1

RGB 173 52 161

HSL 305.95, 0.54%, 0.44%

LAB 44.11, 60.82, -33.49

 

CMYK 0 / 66 / 7 / 22

HEX #C743BA

RGB 199 67 186

HSL 305.91, 0.54%, 0.52%

LAB 51.5, 65.46, -36.31

 

CMYK 0 / 52 / 5 / 18

HEX #D063C6

RGB 208 99 198

HSL 305.5, 0.54%, 0.6%

LAB 58.42, 55.97, -32.28

 

CMYK 0 / 70 / 7 / 32

HEX #AE34A2

RGB 174 52 162

HSL 305.9, 0.54%, 0.44%

LAB 44.32, 61.22, -33.74

 

CMYK 0 / 50 / 70 / 32

HEX #AD5634

RGB 173 86 52

HSL 16.86, 0.54%, 0.44%

LAB 46.69, 32.9, 35.63

 

CMYK 70 / 0 / 23 / 32

HEX #34AD86

RGB 52 173 134

HSL 160.66, 0.54%, 0.44%

LAB 63.62, -42.55, 10.54

 

CMYK 0 / 70 / 7 / 32

HEX #AE34A2

RGB 174 52 162

HSL 305.9, 0.54%, 0.44%

LAB 44.32, 61.22, -33.74

 

CMYK 6 / 0 / 70 / 32

HEX #A3AD34

RGB 163 173 52

HSL 64.96, 0.54%, 0.44%

LAB 67.96, -18.97, 57.8

 

CMYK 70 / 6 / 0 / 32

HEX #34A3AD

RGB 52 163 173

HSL 184.96, 0.54%, 0.44%

LAB 61.6, -27.24, -14.23

 

CMYK 0 / 70 / 7 / 32

HEX #AE34A2

RGB 174 52 162

HSL 305.9, 0.54%, 0.44%

LAB 44.32, 61.22, -33.74

 

CMYK 0 / 50 / 70 / 32

HEX #AD5634

RGB 173 86 52

HSL 16.86, 0.54%, 0.44%

LAB 46.69, 32.9, 35.63

 

CMYK 70 / 0 / 64 / 32

HEX #34AD3E

RGB 52 173 62

HSL 124.96, 0.54%, 0.44%

LAB 62.48, -55.29, 46.21

 

CMYK 70 / 20 / 0 / 32

HEX #348AAD

RGB 52 138 173

HSL 197.36, 0.54%, 0.44%

LAB 53.95, -14.11, -25.93

 

CMYK 0 / 70 / 7 / 32

HEX #AE34A2

RGB 174 52 162

HSL 305.9, 0.54%, 0.44%

LAB 44.32, 61.22, -33.74

 

CMYK 0 / 29 / 70 / 32

HEX #AD7A34

RGB 173 122 52

HSL 34.71, 0.54%, 0.44%

LAB 55.13, 12.98, 44.91

 

CMYK 70 / 0 / 64 / 32

HEX #34AD3E

RGB 52 173 62

HSL 124.96, 0.54%, 0.44%

LAB 62.48, -55.29, 46.21

 

CMYK 70 / 41 / 0 / 32

HEX #3466AD

RGB 52 102 173

HSL 215.21, 0.54%, 0.44%

LAB 43.14, 7.32, -42.9

 

Description

Color code: HEX #AE34A2 | qconv.com Color code: HEX #AE34A2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 52 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 52 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 7 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 7% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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