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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE3486 it is the complementary color #51CB79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE3486. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE3486 shade: #B33481, #C44694, #D558A7, #E66ABA and #F77CCD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE3486. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE3486 shade: #AE3486, #9D2273, #8C1060, #7B004D and #6A003A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE3486 shade: #AD3485, #AD3464, #AD3444 and #AD3434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE3486 shade: #AD3485, #AD34A6, #9334AD, #7234AD and #5234AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE3486 shade matches the following richer shades: #AD3485, #BF218B and #D10F92

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE3486 shade: #AD3485, #9B467F, #885879, #766A72 and #647C6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE3486 shade: #9334AD, #AD34A7, #AD3486, #AD3466 and #AD3446

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE3486 shade: #6D2154, #8D2A6D, #AD3485, #C7439C and #D063AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE3486 shade: #AE3486, #AD7234 and #34ADA3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE3486 shade: #AE3486, #86AD34 and #3486AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE3486 shade: #AE3486, #AD7234, #34AD5A and #346EAD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE3486 shade: #AE3486, #AD9734, #34AD5A and #344AAD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 23 / 32

HEX #AE3486

RGB 174 52 134

HSL 319.67, 0.54%, 0.44%

LAB 43.03, 57.09, -18.85

 

Complementary color

CMYK 60 / 0 / 40 / 20

HEX #51CB79

RGB 81 203 121

HSL 139.67, 0.54%, 0.56%

LAB 73.44, -52.04, 31.01

 

CMYK 0 / 71 / 28 / 30

HEX #B33481

RGB 179 52 129

HSL 323.62, 0.55%, 0.45%

LAB 43.69, 57.78, -14.7

 

CMYK 0 / 64 / 24 / 23

HEX #C44694

RGB 196 70 148

HSL 322.86, 0.52%, 0.52%

LAB 49.8, 57.93, -16.61

 

CMYK 0 / 59 / 22 / 16

HEX #D558A7

RGB 213 88 167

HSL 322.08, 0.6%, 0.59%

LAB 56, 57.68, -18.11

 

CMYK 0 / 54 / 19 / 10

HEX #E66ABA

RGB 230 106 186

HSL 321.29, 0.71%, 0.66%

LAB 62.23, 57.19, -19.33

 

CMYK 0 / 50 / 17 / 3

HEX #F77CCD

RGB 247 124 205

HSL 320.49, 0.88%, 0.73%

LAB 68.46, 56.58, -20.35

 

CMYK 0 / 70 / 23 / 32

HEX #AE3486

RGB 174 52 134

HSL 319.67, 0.54%, 0.44%

LAB 43.03, 57.09, -18.85

 

CMYK 0 / 78 / 27 / 38

HEX #9D2273

RGB 157 34 115

HSL 320.49, 0.64%, 0.37%

LAB 37.02, 56.29, -16.56

 

CMYK 0 / 89 / 31 / 45

HEX #8C1060

RGB 140 16 96

HSL 321.29, 0.79%, 0.31%

LAB 31.33, 54.36, -13.45

 

CMYK 0 / 100 / 37 / 52

HEX #7B004D

RGB 123 0 77

HSL 322.44, 1%, 0.24%

LAB 26, 51.07, -9.34

 

CMYK 0 / 100 / 45 / 58

HEX #6A003A

RGB 106 0 58

HSL 327.17, 1%, 0.21%

LAB 21.47, 45.13, -3.51

 

CMYK 0 / 70 / 23 / 32

HEX #AD3485

RGB 173 52 133

HSL 319.83, 0.54%, 0.44%

LAB 42.81, 56.69, -18.58

 

CMYK 0 / 70 / 42 / 32

HEX #AD3464

RGB 173 52 100

HSL 336.2, 0.54%, 0.44%

LAB 41.63, 52.73, 0.05

 

CMYK 0 / 70 / 61 / 32

HEX #AD3444

RGB 173 52 68

HSL 352.07, 0.54%, 0.44%

LAB 40.83, 49.97, 18.98

 

CMYK 0 / 70 / 70 / 32

HEX #AD3434

RGB 173 52 52

HSL 0, 0.54%, 0.44%

LAB 40.55, 49, 28.46

 

CMYK 0 / 70 / 23 / 32

HEX #AD3485

RGB 173 52 133

HSL 319.83, 0.54%, 0.44%

LAB 42.81, 56.69, -18.58

 

CMYK 0 / 70 / 4 / 32

HEX #AD34A6

RGB 173 52 166

HSL 303.47, 0.54%, 0.44%

LAB 44.37, 61.62, -36.06

 

CMYK 15 / 70 / 0 / 32

HEX #9334AD

RGB 147 52 173

HSL 287.11, 0.54%, 0.44%

LAB 40.7, 56.94, -46.31

 

CMYK 34 / 70 / 0 / 32

HEX #7234AD

RGB 114 52 173

HSL 270.74, 0.54%, 0.44%

LAB 36.08, 49.91, -53.98

 

CMYK 53 / 70 / 0 / 32

HEX #5234AD

RGB 82 52 173

HSL 254.88, 0.54%, 0.44%

LAB 32.41, 43.91, -60.13

 

CMYK 0 / 70 / 23 / 32

HEX #AD3485

RGB 173 52 133

HSL 319.83, 0.54%, 0.44%

LAB 42.81, 56.69, -18.58

 

CMYK 0 / 83 / 27 / 25

HEX #BF218B

RGB 191 33 139

HSL 319.75, 0.71%, 0.44%

LAB 44.27, 67.62, -19.72

 

CMYK 0 / 93 / 30 / 18

HEX #D10F92

RGB 209 15 146

HSL 319.48, 0.87%, 0.44%

LAB 46.94, 75.29, -19.58

 

CMYK 0 / 70 / 23 / 32

HEX #AD3485

RGB 173 52 133

HSL 319.83, 0.54%, 0.44%

LAB 42.81, 56.69, -18.58

 

CMYK 0 / 55 / 18 / 39

HEX #9B467F

RGB 155 70 127

HSL 319.76, 0.38%, 0.44%

LAB 42.58, 42.57, -15.52

 

CMYK 0 / 35 / 11 / 47

HEX #885879

RGB 136 88 121

HSL 318.75, 0.21%, 0.44%

LAB 43.65, 25.14, -10.5

 

CMYK 0 / 10 / 3 / 54

HEX #766A72

RGB 118 106 114

HSL 320, 0.05%, 0.44%

LAB 46.14, 6.26, -2.75

 

CMYK 19 / 0 / 13 / 51

HEX #647C6C

RGB 100 124 108

HSL 140, 0.11%, 0.44%

LAB 49.75, -12.17, 5.87

 

CMYK 15 / 70 / 0 / 32

HEX #9334AD

RGB 147 52 173

HSL 287.11, 0.54%, 0.44%

LAB 40.7, 56.94, -46.31

 

CMYK 0 / 70 / 3 / 32

HEX #AD34A7

RGB 173 52 167

HSL 302.98, 0.54%, 0.44%

LAB 44.42, 61.79, -36.57

 

CMYK 0 / 70 / 23 / 32

HEX #AD3486

RGB 173 52 134

HSL 319.34, 0.54%, 0.44%

LAB 42.86, 56.82, -19.13

 

CMYK 0 / 70 / 41 / 32

HEX #AD3466

RGB 173 52 102

HSL 335.21, 0.54%, 0.44%

LAB 41.69, 52.94, -1.11

 

CMYK 0 / 70 / 60 / 32

HEX #AD3446

RGB 173 52 70

HSL 351.07, 0.54%, 0.44%

LAB 40.87, 50.11, 17.79

 

CMYK 0 / 70 / 23 / 57

HEX #6D2154

RGB 109 33 84

HSL 319.74, 0.54%, 0.28%

LAB 26.67, 39.22, -13.23

 

CMYK 0 / 70 / 23 / 45

HEX #8D2A6D

RGB 141 42 109

HSL 319.39, 0.54%, 0.36%

LAB 34.85, 48.44, -16.37

 

CMYK 0 / 70 / 23 / 32

HEX #AD3485

RGB 173 52 133

HSL 319.83, 0.54%, 0.44%

LAB 42.81, 56.69, -18.58

 

CMYK 0 / 66 / 22 / 22

HEX #C7439C

RGB 199 67 156

HSL 319.55, 0.54%, 0.52%

LAB 50.16, 61.05, -20.77

 

CMYK 0 / 52 / 17 / 18

HEX #D063AC

RGB 208 99 172

HSL 319.82, 0.54%, 0.6%

LAB 57.38, 51.8, -18.98

 

CMYK 0 / 70 / 23 / 32

HEX #AE3486

RGB 174 52 134

HSL 319.67, 0.54%, 0.44%

LAB 43.03, 57.09, -18.85

 

CMYK 0 / 34 / 70 / 32

HEX #AD7234

RGB 173 114 52

HSL 30.74, 0.54%, 0.44%

LAB 53.13, 17.48, 42.76

 

CMYK 70 / 0 / 6 / 32

HEX #34ADA3

RGB 52 173 163

HSL 175.04, 0.54%, 0.44%

LAB 64.37, -34.99, -4.5

 

CMYK 0 / 70 / 23 / 32

HEX #AE3486

RGB 174 52 134

HSL 319.67, 0.54%, 0.44%

LAB 43.03, 57.09, -18.85

 

CMYK 23 / 0 / 70 / 32

HEX #86AD34

RGB 134 173 52

HSL 79.34, 0.54%, 0.44%

LAB 65.91, -31.01, 55.06

 

CMYK 70 / 23 / 0 / 32

HEX #3486AD

RGB 52 134 173

HSL 199.34, 0.54%, 0.44%

LAB 52.73, -11.88, -27.82

 

CMYK 0 / 70 / 23 / 32

HEX #AE3486

RGB 174 52 134

HSL 319.67, 0.54%, 0.44%

LAB 43.03, 57.09, -18.85

 

CMYK 0 / 34 / 70 / 32

HEX #AD7234

RGB 173 114 52

HSL 30.74, 0.54%, 0.44%

LAB 53.13, 17.48, 42.76

 

CMYK 70 / 0 / 48 / 32

HEX #34AD5A

RGB 52 173 90

HSL 138.84, 0.54%, 0.44%

LAB 62.81, -51.46, 33.12

 

CMYK 70 / 36 / 0 / 32

HEX #346EAD

RGB 52 110 173

HSL 211.24, 0.54%, 0.44%

LAB 45.5, 2.31, -39.15

 

CMYK 0 / 70 / 23 / 32

HEX #AE3486

RGB 174 52 134

HSL 319.67, 0.54%, 0.44%

LAB 43.03, 57.09, -18.85

 

CMYK 0 / 13 / 70 / 32

HEX #AD9734

RGB 173 151 52

HSL 49.09, 0.54%, 0.44%

LAB 62.73, -3.06, 52.82

 

CMYK 70 / 0 / 48 / 32

HEX #34AD5A

RGB 52 173 90

HSL 138.84, 0.54%, 0.44%

LAB 62.81, -51.46, 33.12

 

CMYK 70 / 57 / 0 / 32

HEX #344AAD

RGB 52 74 173

HSL 229.09, 0.54%, 0.44%

LAB 35.29, 25.55, -55.52

 

Description

Color code: HEX #AE3486 | qconv.com Color code: HEX #AE3486 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 52 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 52 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 23 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 23% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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