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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE336D it is the complementary color #51CC92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE336D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE336D shade: #B33368, #C4457B, #D5578E, #E669A1 and #F77BB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE336D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE336D shade: #AE336D, #9D215A, #8C0F47, #7B0034 and #6A0021

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE336D shade: #AE326D, #AE324B and #AE3232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE336D shade: #AE326D, #AE328E, #AD32AE, #8B32AE and #6A32AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE336D shade matches the following richer shades: #AE326D, #C0206C and #D20E6B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE336D shade: #AE326D, #9C456E, #8A576F, #776970 and #657B71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE336D shade: #AC32AE, #AE328F, #AE326E, #AE324D and #AE3932

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE336D shade: #6E2045, #8E2959, #AE326D, #C84281 and #D16296

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE336D shade: #AE336D, #AE8B32 and #32A0AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE336D shade: #AE336D, #6EAE32 and #326EAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE336D shade: #AE336D, #AE8B32, #32AE72 and #3255AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE336D shade: #AE336D, #ACAE32, #32AE72 and #3532AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 37 / 32

HEX #AE336D

RGB 174 51 109

HSL 331.71, 0.55%, 0.44%

LAB 41.95, 54.37, -5.06

 

Complementary color

CMYK 60 / 0 / 28 / 20

HEX #51CC92

RGB 81 204 146

HSL 151.71, 0.55%, 0.56%

LAB 74.2, -47.69, 18.93

 

CMYK 0 / 72 / 42 / 30

HEX #B33368

RGB 179 51 104

HSL 335.16, 0.56%, 0.45%

LAB 42.69, 55.29, -0.76

 

CMYK 0 / 65 / 37 / 23

HEX #C4457B

RGB 196 69 123

HSL 334.49, 0.52%, 0.52%

LAB 48.79, 55.28, -3.11

 

CMYK 0 / 59 / 33 / 16

HEX #D5578E

RGB 213 87 142

HSL 333.81, 0.6%, 0.59%

LAB 54.99, 54.89, -4.99

 

CMYK 0 / 54 / 30 / 10

HEX #E669A1

RGB 230 105 161

HSL 333.12, 0.71%, 0.66%

LAB 61.22, 54.29, -6.54

 

CMYK 0 / 50 / 27 / 3

HEX #F77BB4

RGB 247 123 180

HSL 332.42, 0.89%, 0.73%

LAB 67.45, 53.58, -7.84

 

CMYK 0 / 71 / 37 / 32

HEX #AE336D

RGB 174 51 109

HSL 331.71, 0.55%, 0.44%

LAB 41.95, 54.37, -5.06

 

CMYK 0 / 79 / 43 / 38

HEX #9D215A

RGB 157 33 90

HSL 332.42, 0.65%, 0.37%

LAB 35.97, 53.74, -2.25

 

CMYK 0 / 89 / 49 / 45

HEX #8C0F47

RGB 140 15 71

HSL 333.12, 0.81%, 0.3%

LAB 30.33, 51.98, 1.51

 

CMYK 0 / 100 / 58 / 52

HEX #7B0034

RGB 123 0 52

HSL 334.63, 1%, 0.24%

LAB 25.13, 48.79, 6.46

 

CMYK 0 / 100 / 69 / 58

HEX #6A0021

RGB 106 0 33

HSL 341.32, 1%, 0.21%

LAB 20.73, 43.16, 13.1

 

CMYK 0 / 71 / 37 / 32

HEX #AE326D

RGB 174 50 109

HSL 331.45, 0.55%, 0.44%

LAB 41.82, 54.75, -5.26

 

CMYK 0 / 71 / 57 / 32

HEX #AE324B

RGB 174 50 75

HSL 347.9, 0.55%, 0.44%

LAB 40.88, 51.57, 14.7

 

CMYK 0 / 71 / 71 / 32

HEX #AE3232

RGB 174 50 50

HSL 0, 0.55%, 0.44%

LAB 40.43, 50.01, 29.56

 

CMYK 0 / 71 / 37 / 32

HEX #AE326D

RGB 174 50 109

HSL 331.45, 0.55%, 0.44%

LAB 41.82, 54.75, -5.26

 

CMYK 0 / 71 / 18 / 32

HEX #AE328E

RGB 174 50 142

HSL 315.48, 0.55%, 0.44%

LAB 43.11, 58.93, -23.59

 

CMYK 1 / 71 / 0 / 32

HEX #AD32AE

RGB 173 50 174

HSL 299.52, 0.55%, 0.44%

LAB 44.55, 63.65, -40.52

 

CMYK 20 / 71 / 0 / 32

HEX #8B32AE

RGB 139 50 174

HSL 283.06, 0.55%, 0.44%

LAB 39.29, 56.23, -49.23

 

CMYK 39 / 71 / 0 / 32

HEX #6A32AE

RGB 106 50 174

HSL 267.1, 0.55%, 0.44%

LAB 34.81, 49.55, -56.7

 

CMYK 0 / 71 / 37 / 32

HEX #AE326D

RGB 174 50 109

HSL 331.45, 0.55%, 0.44%

LAB 41.82, 54.75, -5.26

 

CMYK 0 / 83 / 44 / 25

HEX #C0206C

RGB 192 32 108

HSL 331.5, 0.71%, 0.44%

LAB 43.24, 64.83, -2.15

 

CMYK 0 / 93 / 49 / 18

HEX #D20E6B

RGB 210 14 107

HSL 331.53, 0.88%, 0.44%

LAB 45.74, 71.99, 2.54

 

CMYK 0 / 71 / 37 / 32

HEX #AE326D

RGB 174 50 109

HSL 331.45, 0.55%, 0.44%

LAB 41.82, 54.75, -5.26

 

CMYK 0 / 56 / 29 / 39

HEX #9C456E

RGB 156 69 110

HSL 331.72, 0.39%, 0.44%

LAB 41.92, 40.9, -6.05

 

CMYK 0 / 37 / 20 / 46

HEX #8A576F

RGB 138 87 111

HSL 331.76, 0.23%, 0.44%

LAB 43.31, 24.72, -4.87

 

CMYK 0 / 12 / 6 / 53

HEX #776970

RGB 119 105 112

HSL 330, 0.06%, 0.44%

LAB 45.9, 6.85, -1.89

 

CMYK 18 / 0 / 8 / 52

HEX #657B71

RGB 101 123 113

HSL 152.73, 0.1%, 0.44%

LAB 49.65, -10.2, 2.8

 

CMYK 1 / 71 / 0 / 32

HEX #AC32AE

RGB 172 50 174

HSL 299.03, 0.55%, 0.44%

LAB 44.39, 63.43, -40.79

 

CMYK 0 / 71 / 18 / 32

HEX #AE328F

RGB 174 50 143

HSL 315, 0.55%, 0.44%

LAB 43.16, 59.07, -24.13

 

CMYK 0 / 71 / 37 / 32

HEX #AE326E

RGB 174 50 110

HSL 330.97, 0.55%, 0.44%

LAB 41.85, 54.86, -5.83

 

CMYK 0 / 71 / 56 / 32

HEX #AE324D

RGB 174 50 77

HSL 346.94, 0.55%, 0.44%

LAB 40.92, 51.72, 13.51

 

CMYK 0 / 67 / 71 / 32

HEX #AE3932

RGB 174 57 50

HSL 3.39, 0.55%, 0.44%

LAB 41.46, 47.19, 30.77

 

CMYK 0 / 71 / 37 / 57

HEX #6E2045

RGB 110 32 69

HSL 331.54, 0.55%, 0.28%

LAB 26.09, 37.88, -4.08

 

CMYK 0 / 71 / 37 / 44

HEX #8E2959

RGB 142 41 89

HSL 331.49, 0.55%, 0.36%

LAB 34.1, 46.52, -4.69

 

CMYK 0 / 71 / 37 / 32

HEX #AE326D

RGB 174 50 109

HSL 331.45, 0.55%, 0.44%

LAB 41.82, 54.75, -5.26

 

CMYK 0 / 67 / 36 / 22

HEX #C84281

RGB 200 66 129

HSL 331.79, 0.55%, 0.52%

LAB 49.2, 58.35, -6.05

 

CMYK 0 / 53 / 28 / 18

HEX #D16296

RGB 209 98 150

HSL 331.89, 0.55%, 0.6%

LAB 56.58, 49.49, -7.39

 

CMYK 0 / 71 / 37 / 32

HEX #AE336D

RGB 174 51 109

HSL 331.71, 0.55%, 0.44%

LAB 41.95, 54.37, -5.06

 

CMYK 0 / 20 / 71 / 32

HEX #AE8B32

RGB 174 139 50

HSL 43.06, 0.55%, 0.44%

LAB 59.61, 3.84, 50.53

 

CMYK 71 / 8 / 0 / 32

HEX #32A0AE

RGB 50 160 174

HSL 186.77, 0.55%, 0.44%

LAB 60.67, -25.71, -16.21

 

CMYK 0 / 71 / 37 / 32

HEX #AE336D

RGB 174 51 109

HSL 331.71, 0.55%, 0.44%

LAB 41.95, 54.37, -5.06

 

CMYK 37 / 0 / 71 / 32

HEX #6EAE32

RGB 110 174 50

HSL 90.97, 0.55%, 0.44%

LAB 64.82, -40.7, 54.27

 

CMYK 71 / 37 / 0 / 32

HEX #326EAE

RGB 50 110 174

HSL 210.97, 0.55%, 0.44%

LAB 45.48, 2.37, -39.77

 

CMYK 0 / 71 / 37 / 32

HEX #AE336D

RGB 174 51 109

HSL 331.71, 0.55%, 0.44%

LAB 41.95, 54.37, -5.06

 

CMYK 0 / 20 / 71 / 32

HEX #AE8B32

RGB 174 139 50

HSL 43.06, 0.55%, 0.44%

LAB 59.61, 3.84, 50.53

 

CMYK 71 / 0 / 34 / 32

HEX #32AE72

RGB 50 174 114

HSL 150.97, 0.55%, 0.44%

LAB 63.48, -47.74, 21.29

 

CMYK 71 / 51 / 0 / 32

HEX #3255AE

RGB 50 85 174

HSL 223.06, 0.55%, 0.44%

LAB 38.25, 18.39, -51.32

 

CMYK 0 / 71 / 37 / 32

HEX #AE336D

RGB 174 51 109

HSL 331.71, 0.55%, 0.44%

LAB 41.95, 54.37, -5.06

 

CMYK 1 / 0 / 71 / 32

HEX #ACAE32

RGB 172 174 50

HSL 60.97, 0.55%, 0.44%

LAB 68.95, -15.71, 59.75

 

CMYK 71 / 0 / 34 / 32

HEX #32AE72

RGB 50 174 114

HSL 150.97, 0.55%, 0.44%

LAB 63.48, -47.74, 21.29

 

CMYK 70 / 71 / 0 / 32

HEX #3532AE

RGB 53 50 174

HSL 241.45, 0.55%, 0.44%

LAB 29.65, 41.22, -65.34

 

Description

Color code: HEX #AE336D | qconv.com Color code: HEX #AE336D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 51 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 51 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 37 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 37% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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