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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE2F73 it is the complementary color #51D08C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE2F73. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE2F73 shade: #B32F6E, #C44181, #D55394, #E665A7 and #F777BA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE2F73. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE2F73 shade: #AE2F73, #9D1D60, #8C0B4D, #7B003A and #6A0027

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE2F73 shade: #AC2F72, #AC2F50 and #AC2F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE2F73 shade: #AC2F72, #AC2F94, #A32FAC, #812FAC and #5F2FAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE2F73 shade matches the following richer shades: #AC2F72, #BE1D73 and #D00C75

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE2F73 shade: #AC2F72, #9A4171, #895370, #77646E and #65766D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE2F73 shade: #A22FAC, #AC2F95, #AC2F74, #AC2F53 and #AC2F31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE2F73 shade: #6B1D47, #8C265D, #AC2F72, #C93B87 and #D25C9B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE2F73 shade: #AE2F73, #AC802F and #2FA6AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE2F73 shade: #AE2F73, #74AC2F and #2F74AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE2F73 shade: #AE2F73, #AC802F, #2FAC67 and #2F5BAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE2F73 shade: #AE2F73, #ACA62F, #2FAC67 and #2F35AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 34 / 32

HEX #AE2F73

RGB 174 47 115

HSL 327.87, 0.57%, 0.43%

LAB 41.64, 56.51, -9.26

 

Complementary color

CMYK 61 / 0 / 33 / 18

HEX #51D08C

RGB 81 208 140

HSL 147.87, 0.57%, 0.57%

LAB 75.3, -50.53, 23.61

 

CMYK 0 / 74 / 39 / 30

HEX #B32F6E

RGB 179 47 110

HSL 331.36, 0.58%, 0.44%

LAB 42.37, 57.34, -4.96

 

CMYK 0 / 67 / 34 / 23

HEX #C44181

RGB 196 65 129

HSL 330.69, 0.53%, 0.51%

LAB 48.39, 57.59, -7.34

 

CMYK 0 / 61 / 31 / 16

HEX #D55394

RGB 213 83 148

HSL 330, 0.61%, 0.58%

LAB 54.52, 57.38, -9.22

 

CMYK 0 / 56 / 27 / 10

HEX #E665A7

RGB 230 101 167

HSL 329.3, 0.72%, 0.65%

LAB 60.71, 56.9, -10.75

 

CMYK 0 / 52 / 25 / 3

HEX #F777BA

RGB 247 119 186

HSL 328.59, 0.89%, 0.72%

LAB 66.91, 56.28, -12.03

 

CMYK 0 / 73 / 34 / 32

HEX #AE2F73

RGB 174 47 115

HSL 327.87, 0.57%, 0.43%

LAB 41.64, 56.51, -9.26

 

CMYK 0 / 82 / 39 / 38

HEX #9D1D60

RGB 157 29 96

HSL 328.59, 0.69%, 0.36%

LAB 35.77, 55.51, -6.4

 

CMYK 0 / 92 / 45 / 45

HEX #8C0B4D

RGB 140 11 77

HSL 329.3, 0.85%, 0.3%

LAB 30.28, 53.25, -2.55

 

CMYK 0 / 100 / 53 / 52

HEX #7B003A

RGB 123 0 58

HSL 331.71, 1%, 0.24%

LAB 25.31, 49.26, 2.57

 

CMYK 0 / 100 / 63 / 58

HEX #6A0027

RGB 106 0 39

HSL 337.92, 1%, 0.21%

LAB 20.87, 43.54, 9.04

 

CMYK 0 / 73 / 34 / 33

HEX #AC2F72

RGB 172 47 114

HSL 327.84, 0.57%, 0.43%

LAB 41.25, 55.84, -9.27

 

CMYK 0 / 73 / 53 / 33

HEX #AC2F50

RGB 172 47 80

HSL 344.16, 0.57%, 0.43%

LAB 40.22, 52.46, 10.59

 

CMYK 0 / 73 / 73 / 33

HEX #AC2F2F

RGB 172 47 47

HSL 0, 0.57%, 0.43%

LAB 39.6, 50.35, 30.28

 

CMYK 0 / 73 / 34 / 33

HEX #AC2F72

RGB 172 47 114

HSL 327.84, 0.57%, 0.43%

LAB 41.25, 55.84, -9.27

 

CMYK 0 / 73 / 14 / 33

HEX #AC2F94

RGB 172 47 148

HSL 311.52, 0.57%, 0.43%

LAB 42.68, 60.35, -27.93

 

CMYK 5 / 73 / 0 / 33

HEX #A32FAC

RGB 163 47 172

HSL 295.68, 0.57%, 0.43%

LAB 42.46, 62.15, -42.76

 

CMYK 25 / 73 / 0 / 33

HEX #812FAC

RGB 129 47 172

HSL 279.36, 0.57%, 0.43%

LAB 37.26, 54.97, -51.38

 

CMYK 45 / 73 / 0 / 33

HEX #5F2FAC

RGB 95 47 172

HSL 263.04, 0.57%, 0.43%

LAB 32.8, 48.48, -58.83

 

CMYK 0 / 73 / 34 / 33

HEX #AC2F72

RGB 172 47 114

HSL 327.84, 0.57%, 0.43%

LAB 41.25, 55.84, -9.27

 

CMYK 0 / 85 / 39 / 25

HEX #BE1D73

RGB 190 29 115

HSL 327.95, 0.74%, 0.43%

LAB 42.86, 65.67, -7.13

 

CMYK 0 / 94 / 44 / 18

HEX #D00C75

RGB 208 12 117

HSL 327.86, 0.89%, 0.43%

LAB 45.58, 72.56, -3.94

 

CMYK 0 / 73 / 34 / 33

HEX #AC2F72

RGB 172 47 114

HSL 327.84, 0.57%, 0.43%

LAB 41.25, 55.84, -9.27

 

CMYK 0 / 58 / 27 / 40

HEX #9A4171

RGB 154 65 113

HSL 327.64, 0.41%, 0.43%

LAB 40.97, 42.64, -9.37

 

CMYK 0 / 39 / 18 / 46

HEX #895370

RGB 137 83 112

HSL 327.78, 0.25%, 0.43%

LAB 42.27, 26.83, -7.05

 

CMYK 0 / 16 / 8 / 53

HEX #77646E

RGB 119 100 110

HSL 328.42, 0.09%, 0.43%

LAB 44.46, 9.45, -2.8

 

CMYK 14 / 0 / 8 / 54

HEX #65766D

RGB 101 118 109

HSL 148.24, 0.08%, 0.43%

LAB 48.04, -8.23, 2.84

 

CMYK 6 / 73 / 0 / 33

HEX #A22FAC

RGB 162 47 172

HSL 295.2, 0.57%, 0.43%

LAB 42.3, 61.93, -43.02

 

CMYK 0 / 73 / 13 / 33

HEX #AC2F95

RGB 172 47 149

HSL 311.04, 0.57%, 0.43%

LAB 42.72, 60.5, -28.46

 

CMYK 0 / 73 / 33 / 33

HEX #AC2F74

RGB 172 47 116

HSL 326.88, 0.57%, 0.43%

LAB 41.32, 56.08, -10.4

 

CMYK 0 / 73 / 52 / 33

HEX #AC2F53

RGB 172 47 83

HSL 342.72, 0.57%, 0.43%

LAB 40.29, 52.71, 8.8

 

CMYK 0 / 73 / 72 / 33

HEX #AC2F31

RGB 172 47 49

HSL 359.04, 0.57%, 0.43%

LAB 39.62, 50.45, 29.12

 

CMYK 0 / 73 / 34 / 58

HEX #6B1D47

RGB 107 29 71

HSL 327.69, 0.57%, 0.27%

LAB 25.14, 38.48, -6.92

 

CMYK 0 / 73 / 34 / 45

HEX #8C265D

RGB 140 38 93

HSL 327.65, 0.57%, 0.35%

LAB 33.46, 47.58, -8.27

 

CMYK 0 / 73 / 34 / 33

HEX #AC2F72

RGB 172 47 114

HSL 327.84, 0.57%, 0.43%

LAB 41.25, 55.84, -9.27

 

CMYK 0 / 71 / 33 / 21

HEX #C93B87

RGB 201 59 135

HSL 327.89, 0.57%, 0.51%

LAB 48.63, 61.95, -10.51

 

CMYK 0 / 56 / 26 / 18

HEX #D25C9B

RGB 210 92 155

HSL 327.97, 0.57%, 0.59%

LAB 55.81, 53.32, -11.44

 

CMYK 0 / 73 / 34 / 32

HEX #AE2F73

RGB 174 47 115

HSL 327.87, 0.57%, 0.43%

LAB 41.64, 56.51, -9.26

 

CMYK 0 / 26 / 73 / 33

HEX #AC802F

RGB 172 128 47

HSL 38.88, 0.57%, 0.43%

LAB 56.5, 8.9, 48.59

 

CMYK 73 / 3 / 0 / 33

HEX #2FA6AC

RGB 47 166 172

HSL 182.88, 0.57%, 0.43%

LAB 62.39, -29.69, -12.51

 

CMYK 0 / 73 / 34 / 32

HEX #AE2F73

RGB 174 47 115

HSL 327.87, 0.57%, 0.43%

LAB 41.64, 56.51, -9.26

 

CMYK 33 / 0 / 73 / 33

HEX #74AC2F

RGB 116 172 47

HSL 86.88, 0.57%, 0.43%

LAB 64.5, -37.84, 55.18

 

CMYK 73 / 33 / 0 / 33

HEX #2F74AC

RGB 47 116 172

HSL 206.88, 0.57%, 0.43%

LAB 47.07, -2.47, -36.09

 

CMYK 0 / 73 / 34 / 32

HEX #AE2F73

RGB 174 47 115

HSL 327.87, 0.57%, 0.43%

LAB 41.64, 56.51, -9.26

 

CMYK 0 / 26 / 73 / 33

HEX #AC802F

RGB 172 128 47

HSL 38.88, 0.57%, 0.43%

LAB 56.5, 8.9, 48.59

 

CMYK 73 / 0 / 40 / 33

HEX #2FAC67

RGB 47 172 103

HSL 146.88, 0.57%, 0.43%

LAB 62.58, -49.62, 26

 

CMYK 73 / 47 / 0 / 33

HEX #2F5BAC

RGB 47 91 172

HSL 218.88, 0.57%, 0.43%

LAB 39.69, 13.27, -47.83

 

CMYK 0 / 73 / 34 / 32

HEX #AE2F73

RGB 174 47 115

HSL 327.87, 0.57%, 0.43%

LAB 41.64, 56.51, -9.26

 

CMYK 0 / 3 / 73 / 33

HEX #ACA62F

RGB 172 166 47

HSL 57.12, 0.57%, 0.43%

LAB 66.71, -11.73, 58.68

 

CMYK 73 / 0 / 40 / 33

HEX #2FAC67

RGB 47 172 103

HSL 146.88, 0.57%, 0.43%

LAB 62.58, -49.62, 26

 

CMYK 73 / 69 / 0 / 33

HEX #2F35AC

RGB 47 53 172

HSL 237.12, 0.57%, 0.43%

LAB 29.74, 38.05, -64.02

 

Description

Color code: HEX #AE2F73 | qconv.com Color code: HEX #AE2F73 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 47 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 47 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 34 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 34% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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