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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE2EAF it is the complementary color #51D150. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE2EAF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE2EAF shade: #B32EAA, #C440BD, #D552D0, #E664E3 and #F776F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE2EAF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE2EAF shade: #AE2EAF, #9D1C9C, #8C0A89, #7B0076 and #6A0063

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE2EAF shade: #AC2EAD, #AD2E8C, #AD2E6A, #AD2E47 and #AD2E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE2EAF shade: #AC2EAD, #8A2EAD, #682EAD, #452EAD and #2E2EAD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE2EAF shade matches the following richer shades: #AC2EAD, #BE1CBF and #CF0BD1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE2EAF shade: #AC2EAD, #9B409C, #89528A, #786378 and #667566

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE2EAF shade: #672EAD, #892EAD, #AB2EAD, #AD2E8D and #AD2E6C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE2EAF shade: #6B1D6C, #8C258D, #AC2EAD, #C93ACB and #D25BD3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE2EAF shade: #AE2EAF, #AD452E and #2EAD78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE2EAF shade: #AE2EAF, #ADAB2E and #2EADAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE2EAF shade: #AE2EAF, #AD452E, #30AD2E and #2E96AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE2EAF shade: #AE2EAF, #AD6C2E, #30AD2E and #2E70AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 74 / 0 / 31

HEX #AE2EAF

RGB 174 46 175

HSL 299.53, 0.58%, 0.43%

LAB 44.3, 65.36, -41.49

 

Complementary color

CMYK 61 / 0 / 62 / 18

HEX #51D150

RGB 81 209 80

HSL 119.53, 0.58%, 0.57%

LAB 74.78, -60.03, 52.35

 

CMYK 0 / 74 / 5 / 30

HEX #B32EAA

RGB 179 46 170

HSL 304.06, 0.59%, 0.44%

LAB 44.86, 65.65, -37.6

 

CMYK 0 / 67 / 4 / 23

HEX #C440BD

RGB 196 64 189

HSL 303.18, 0.53%, 0.51%

LAB 50.78, 66.35, -39.21

 

CMYK 0 / 62 / 2 / 16

HEX #D552D0

RGB 213 82 208

HSL 302.29, 0.61%, 0.58%

LAB 56.82, 66.5, -40.44

 

CMYK 0 / 57 / 1 / 10

HEX #E664E3

RGB 230 100 227

HSL 301.38, 0.72%, 0.65%

LAB 62.91, 66.3, -41.4

 

CMYK 0 / 52 / 0 / 3

HEX #F776F6

RGB 247 118 246

HSL 300.47, 0.89%, 0.72%

LAB 69.03, 65.89, -42.17

 

CMYK 1 / 74 / 0 / 31

HEX #AE2EAF

RGB 174 46 175

HSL 299.53, 0.58%, 0.43%

LAB 44.3, 65.36, -41.49

 

CMYK 0 / 82 / 1 / 38

HEX #9D1C9C

RGB 157 28 156

HSL 300.47, 0.7%, 0.36%

LAB 38.55, 63.85, -39.46

 

CMYK 0 / 93 / 2 / 45

HEX #8C0A89

RGB 140 10 137

HSL 301.38, 0.87%, 0.29%

LAB 33.13, 61.03, -36.64

 

CMYK 0 / 100 / 4 / 52

HEX #7B0076

RGB 123 0 118

HSL 302.44, 1%, 0.24%

LAB 28.16, 56.49, -32.8

 

CMYK 0 / 100 / 7 / 58

HEX #6A0063

RGB 106 0 99

HSL 303.96, 1%, 0.21%

LAB 23.56, 50.4, -28.06

 

CMYK 1 / 73 / 0 / 32

HEX #AC2EAD

RGB 172 46 173

HSL 299.53, 0.58%, 0.43%

LAB 43.86, 64.6, -41.03

 

CMYK 0 / 73 / 19 / 32

HEX #AD2E8C

RGB 173 46 140

HSL 315.59, 0.58%, 0.43%

LAB 42.36, 59.79, -23.56

 

CMYK 0 / 73 / 39 / 32

HEX #AD2E6A

RGB 173 46 106

HSL 331.65, 0.58%, 0.43%

LAB 41.02, 55.58, -4.59

 

CMYK 0 / 73 / 59 / 32

HEX #AD2E47

RGB 173 46 71

HSL 348.19, 0.58%, 0.43%

LAB 40.07, 52.45, 16.09

 

CMYK 0 / 73 / 73 / 32

HEX #AD2E2E

RGB 173 46 46

HSL 0, 0.58%, 0.43%

LAB 39.64, 51, 30.98

 

CMYK 1 / 73 / 0 / 32

HEX #AC2EAD

RGB 172 46 173

HSL 299.53, 0.58%, 0.43%

LAB 43.86, 64.6, -41.03

 

CMYK 20 / 73 / 0 / 32

HEX #8A2EAD

RGB 138 46 173

HSL 283.46, 0.58%, 0.43%

LAB 38.51, 57.42, -49.9

 

CMYK 40 / 73 / 0 / 32

HEX #682EAD

RGB 104 46 173

HSL 267.4, 0.58%, 0.43%

LAB 33.8, 50.82, -57.74

 

CMYK 60 / 73 / 0 / 32

HEX #452EAD

RGB 69 46 173

HSL 250.87, 0.58%, 0.43%

LAB 30, 45.19, -64.12

 

CMYK 73 / 73 / 0 / 32

HEX #2E2EAD

RGB 46 46 173

HSL 240, 0.58%, 0.43%

LAB 28.25, 42.48, -67.06

 

CMYK 1 / 73 / 0 / 32

HEX #AC2EAD

RGB 172 46 173

HSL 299.53, 0.58%, 0.43%

LAB 43.86, 64.6, -41.03

 

CMYK 1 / 85 / 0 / 25

HEX #BE1CBF

RGB 190 28 191

HSL 299.63, 0.74%, 0.43%

LAB 46.36, 75.56, -47.44

 

CMYK 1 / 95 / 0 / 18

HEX #CF0BD1

RGB 207 11 209

HSL 299.39, 0.9%, 0.43%

LAB 49.63, 83.39, -52.48

 

CMYK 1 / 73 / 0 / 32

HEX #AC2EAD

RGB 172 46 173

HSL 299.53, 0.58%, 0.43%

LAB 43.86, 64.6, -41.03

 

CMYK 1 / 59 / 0 / 39

HEX #9B409C

RGB 155 64 156

HSL 299.35, 0.42%, 0.43%

LAB 42.82, 50.43, -32.72

 

CMYK 1 / 41 / 0 / 46

HEX #89528A

RGB 137 82 138

HSL 298.93, 0.25%, 0.43%

LAB 43.05, 32.21, -21.71

 

CMYK 0 / 18 / 0 / 53

HEX #786378

RGB 120 99 120

HSL 300, 0.1%, 0.43%

LAB 44.62, 12.44, -8.6

 

CMYK 13 / 0 / 13 / 54

HEX #667566

RGB 102 117 102

HSL 120, 0.07%, 0.43%

LAB 47.63, -8.72, 6.4

 

CMYK 40 / 73 / 0 / 32

HEX #672EAD

RGB 103 46 173

HSL 266.93, 0.58%, 0.43%

LAB 33.68, 50.64, -57.95

 

CMYK 21 / 73 / 0 / 32

HEX #892EAD

RGB 137 46 173

HSL 282.99, 0.58%, 0.43%

LAB 38.36, 57.21, -50.15

 

CMYK 1 / 73 / 0 / 32

HEX #AB2EAD

RGB 171 46 173

HSL 299.06, 0.58%, 0.43%

LAB 43.7, 64.39, -41.3

 

CMYK 0 / 73 / 18 / 32

HEX #AD2E8D

RGB 173 46 141

HSL 315.12, 0.58%, 0.43%

LAB 42.4, 59.93, -24.1

 

CMYK 0 / 73 / 38 / 32

HEX #AD2E6C

RGB 173 46 108

HSL 330.71, 0.58%, 0.43%

LAB 41.09, 55.8, -5.74

 

CMYK 1 / 73 / 0 / 58

HEX #6B1D6C

RGB 107 29 108

HSL 299.24, 0.58%, 0.27%

LAB 26.98, 44.39, -28.46

 

CMYK 1 / 74 / 0 / 45

HEX #8C258D

RGB 140 37 141

HSL 299.42, 0.58%, 0.35%

LAB 35.64, 55.12, -35.12

 

CMYK 1 / 73 / 0 / 32

HEX #AC2EAD

RGB 172 46 173

HSL 299.53, 0.58%, 0.43%

LAB 43.86, 64.6, -41.03

 

CMYK 1 / 71 / 0 / 20

HEX #C93ACB

RGB 201 58 203

HSL 299.17, 0.58%, 0.51%

LAB 51.56, 71.83, -46.01

 

CMYK 0 / 57 / 0 / 17

HEX #D25BD3

RGB 210 91 211

HSL 299.5, 0.58%, 0.59%

LAB 57.93, 62.41, -40.42

 

CMYK 1 / 74 / 0 / 31

HEX #AE2EAF

RGB 174 46 175

HSL 299.53, 0.58%, 0.43%

LAB 44.3, 65.36, -41.49

 

CMYK 0 / 60 / 73 / 32

HEX #AD452E

RGB 173 69 46

HSL 10.87, 0.58%, 0.43%

LAB 43.27, 41.21, 35.08

 

CMYK 73 / 0 / 31 / 32

HEX #2EAD78

RGB 46 173 120

HSL 154.96, 0.58%, 0.43%

LAB 63.2, -46.67, 17.63

 

CMYK 1 / 74 / 0 / 31

HEX #AE2EAF

RGB 174 46 175

HSL 299.53, 0.58%, 0.43%

LAB 44.3, 65.36, -41.49

 

CMYK 0 / 1 / 73 / 32

HEX #ADAB2E

RGB 173 171 46

HSL 59.06, 0.58%, 0.43%

LAB 68.17, -13.93, 60.47

 

CMYK 73 / 0 / 1 / 32

HEX #2EADAB

RGB 46 173 171

HSL 179.06, 0.58%, 0.43%

LAB 64.49, -33.47, -8.8

 

CMYK 1 / 74 / 0 / 31

HEX #AE2EAF

RGB 174 46 175

HSL 299.53, 0.58%, 0.43%

LAB 44.3, 65.36, -41.49

 

CMYK 0 / 60 / 73 / 32

HEX #AD452E

RGB 173 69 46

HSL 10.87, 0.58%, 0.43%

LAB 43.27, 41.21, 35.08

 

CMYK 72 / 0 / 73 / 32

HEX #30AD2E

RGB 48 173 46

HSL 119.06, 0.58%, 0.43%

LAB 62.26, -57.55, 52.47

 

CMYK 73 / 13 / 0 / 32

HEX #2E96AD

RGB 46 150 173

HSL 190.87, 0.58%, 0.43%

LAB 57.47, -21.42, -20.52

 

CMYK 1 / 74 / 0 / 31

HEX #AE2EAF

RGB 174 46 175

HSL 299.53, 0.58%, 0.43%

LAB 44.3, 65.36, -41.49

 

CMYK 0 / 38 / 73 / 32

HEX #AD6C2E

RGB 173 108 46

HSL 29.29, 0.58%, 0.43%

LAB 51.62, 20.52, 44.06

 

CMYK 72 / 0 / 73 / 32

HEX #30AD2E

RGB 48 173 46

HSL 119.06, 0.58%, 0.43%

LAB 62.26, -57.55, 52.47

 

CMYK 73 / 35 / 0 / 32

HEX #2E70AD

RGB 46 112 173

HSL 208.82, 0.58%, 0.43%

LAB 45.89, 0.18, -38.54

 

Description

Color code: HEX #AE2EAF | qconv.com Color code: HEX #AE2EAF | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 46 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 46 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 74 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 74% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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