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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE2865CE it is the complementary color #51D79ACE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE2865CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE2865CE shade: #B32860CE, #C43A73CE, #D54C86CE, #E65E99CE and #F770ACCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE2865CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE2865CE shade: #AE2865CE, #9D1652CE, #8C043FCE, #7B002CCE and #6A0019CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE2865CE shade: #AF2865, #AF2841 and #AF2828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE2865CE shade: #AF2865, #AF2889, #AF28AE, #8B28AF and #6728AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE2865CE shade matches the following richer shades: #AF2865, #C01663 and #D10562

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE2865CE shade: #AF2865, #9D3967, #8C4A68, #7B5C6A and #696D6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE2865CE shade: #AF28AF, #AF288B, #AF2867, #AF2843 and #AF3128

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE2865CE shade: #6B183E, #8D2052, #AF2865, #D03079 and #D8518E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE2865CE shade: #AE2865, #AF8B28 and #289DAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE2865CE shade: #AE2865, #67AF28 and #2867AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE2865CE shade: #AE2865, #AF8B28, #28AF70 and #284CAF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE2865CE shade: #AE2865, #AAAF28, #28AF70 and #2C28AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 34 / 26

HEX #AE2865CE

RGBA 174 40 101 0.81

HSLA 332.69, 0.63%, 0.42%, 0.81

LABA 40.34, 57.33, -2.45, 0.81

 

Complementary color

CMYK 50 / 0 / 23 / 13

HEX #51D79ACE

RGBA 81 215 154 0.81

HSLA 152.69, 0.63%, 0.58%, 0.81

LABA 77.69, -50.55, 19.53, 0.81

 

CMYK 0 / 63 / 38 / 24

HEX #B32860CE

RGBA 179 40 96 0.81

HSLA 335.83, 0.63%, 0.43%, 0.81

LABA 41.13, 58.22, 1.97, 0.81

 

CMYK 0 / 57 / 33 / 19

HEX #C43A73CE

RGBA 196 58 115 0.81

HSLA 335.22, 0.54%, 0.5%, 0.81

LABA 46.97, 58.75, -0.92, 0.81

 

CMYK 0 / 52 / 30 / 13

HEX #D54C86CE

RGBA 213 76 134 0.81

HSLA 334.6, 0.62%, 0.57%, 0.81

LABA 52.99, 58.71, -3.2, 0.81

 

CMYK 0 / 48 / 27 / 8

HEX #E65E99CE

RGBA 230 94 153 0.81

HSLA 333.97, 0.73%, 0.64%, 0.81

LABA 59.09, 58.32, -5.06, 0.81

 

CMYK 0 / 44 / 25 / 3

HEX #F770ACCE

RGBA 247 112 172 0.81

HSLA 333.33, 0.89%, 0.7%, 0.81

LABA 65.23, 57.74, -6.61, 0.81

 

CMYK 0 / 62 / 34 / 26

HEX #AE2865CE

RGBA 174 40 101 0.81

HSLA 332.69, 0.63%, 0.42%, 0.81

LABA 40.34, 57.33, -2.45, 0.81

 

CMYK 0 / 70 / 39 / 31

HEX #9D1652CE

RGBA 157 22 82 0.81

HSLA 333.33, 0.75%, 0.35%, 0.81

LABA 34.7, 55.88, 1.06, 0.81

 

CMYK 0 / 79 / 45 / 37

HEX #8C043FCE

RGBA 140 4 63 0.81

HSLA 333.97, 0.94%, 0.28%, 0.81

LABA 29.47, 53.15, 5.62, 0.81

 

CMYK 0 / 81 / 52 / 42

HEX #7B002CCE

RGBA 123 0 44 0.81

HSLA 338.54, 1%, 0.24%, 0.81

LABA 24.93, 48.25, 11.7, 0.81

 

CMYK 0 / 81 / 62 / 47

HEX #6A0019CE

RGBA 106 0 25 0.81

HSLA 345.85, 1%, 0.21%, 0.81

LABA 20.57, 42.75, 18.52, 0.81

 

CMYK 0 / 77 / 42 / 31

HEX #AF2865

RGB 175 40 101

HSL 332.89, 0.63%, 0.42%

LAB 40.53, 57.6, -2.15

 

CMYK 0 / 77 / 63 / 31

HEX #AF2841

RGB 175 40 65

HSL 348.89, 0.63%, 0.42%

LAB 39.6, 54.68, 19.32

 

CMYK 0 / 77 / 77 / 31

HEX #AF2828

RGB 175 40 40

HSL 0, 0.63%, 0.42%

LAB 39.22, 53.43, 34.15

 

CMYK 0 / 77 / 42 / 31

HEX #AF2865

RGB 175 40 101

HSL 332.89, 0.63%, 0.42%

LAB 40.53, 57.6, -2.15

 

CMYK 0 / 77 / 22 / 31

HEX #AF2889

RGB 175 40 137

HSL 316.89, 0.63%, 0.42%

LAB 41.9, 61.78, -22.4

 

CMYK 0 / 77 / 1 / 31

HEX #AF28AE

RGB 175 40 174

HSL 300.44, 0.63%, 0.42%

LAB 43.78, 67.22, -41.72

 

CMYK 21 / 77 / 0 / 31

HEX #8B28AF

RGB 139 40 175

HSL 284, 0.63%, 0.42%

LAB 38.02, 60.23, -51.86

 

CMYK 41 / 77 / 0 / 31

HEX #6728AF

RGB 103 40 175

HSL 268, 0.63%, 0.42%

LAB 32.91, 53.8, -60.4

 

CMYK 0 / 77 / 42 / 31

HEX #AF2865

RGB 175 40 101

HSL 332.89, 0.63%, 0.42%

LAB 40.53, 57.6, -2.15

 

CMYK 0 / 89 / 48 / 25

HEX #C01663

RGB 192 22 99

HSL 332.82, 0.79%, 0.42%

LAB 42.28, 66.04, 2.07

 

CMYK 0 / 98 / 53 / 18

HEX #D10562

RGB 209 5 98

HSL 332.65, 0.95%, 0.42%

LAB 45.01, 71.92, 7.06

 

CMYK 0 / 77 / 42 / 31

HEX #AF2865

RGB 175 40 101

HSL 332.89, 0.63%, 0.42%

LAB 40.53, 57.6, -2.15

 

CMYK 0 / 64 / 34 / 38

HEX #9D3967

RGB 157 57 103

HSL 332.4, 0.47%, 0.42%

LAB 39.7, 46.05, -4.98

 

CMYK 0 / 47 / 26 / 45

HEX #8C4A68

RGB 140 74 104

HSL 332.73, 0.31%, 0.42%

LAB 40.37, 31.75, -4.91

 

CMYK 0 / 25 / 14 / 52

HEX #7B5C6A

RGB 123 92 106

HSL 332.9, 0.14%, 0.42%

LAB 42.62, 15.08, -3.04

 

CMYK 4 / 0 / 2 / 57

HEX #696D6B

RGB 105 109 107

HSL 150, 0.02%, 0.42%

LAB 45.64, -1.94, 0.58

 

CMYK 0 / 77 / 0 / 31

HEX #AF28AF

RGB 175 40 175

HSL 300, 0.63%, 0.42%

LAB 43.84, 67.38, -42.22

 

CMYK 0 / 77 / 21 / 31

HEX #AF288B

RGB 175 40 139

HSL 316, 0.63%, 0.42%

LAB 41.99, 62.05, -23.48

 

CMYK 0 / 77 / 41 / 31

HEX #AF2867

RGB 175 40 103

HSL 332, 0.63%, 0.42%

LAB 40.59, 57.8, -3.31

 

CMYK 0 / 77 / 62 / 31

HEX #AF2843

RGB 175 40 67

HSL 348, 0.63%, 0.42%

LAB 39.64, 54.81, 18.11

 

CMYK 0 / 72 / 77 / 31

HEX #AF3128

RGB 175 49 40

HSL 4, 0.63%, 0.42%

LAB 40.35, 50.28, 35.37

 

CMYK 0 / 78 / 42 / 58

HEX #6B183E

RGB 107 24 62

HSL 332.53, 0.63%, 0.26%

LAB 24.09, 39.36, -2.37

 

CMYK 0 / 77 / 42 / 45

HEX #8D2052

RGB 141 32 82

HSL 332.48, 0.63%, 0.34%

LAB 32.49, 48.76, -2.56

 

CMYK 0 / 77 / 42 / 31

HEX #AF2865

RGB 175 40 101

HSL 332.89, 0.63%, 0.42%

LAB 40.53, 57.6, -2.15

 

CMYK 0 / 77 / 42 / 18

HEX #D03079

RGB 208 48 121

HSL 332.63, 0.63%, 0.5%

LAB 48.14, 65.93, -2.62

 

CMYK 0 / 63 / 34 / 15

HEX #D8518E

RGB 216 81 142

HSL 332.89, 0.63%, 0.58%

LAB 54.49, 58.42, -5.68

 

CMYK 0 / 77 / 42 / 32

HEX #AE2865

RGB 174 40 101

HSL 332.69, 0.63%, 0.42%

LAB 40.34, 57.33, -2.45

 

CMYK 0 / 21 / 77 / 31

HEX #AF8B28

RGB 175 139 40

HSL 44, 0.63%, 0.42%

LAB 59.65, 3.81, 54.65

 

CMYK 77 / 10 / 0 / 31

HEX #289DAF

RGB 40 157 175

HSL 188, 0.63%, 0.42%

LAB 59.58, -25.1, -18.45

 

CMYK 0 / 77 / 42 / 32

HEX #AE2865

RGB 174 40 101

HSL 332.69, 0.63%, 0.42%

LAB 40.34, 57.33, -2.45

 

CMYK 41 / 0 / 77 / 31

HEX #67AF28

RGB 103 175 40

HSL 92, 0.63%, 0.42%

LAB 64.72, -44.2, 57.6

 

CMYK 77 / 41 / 0 / 31

HEX #2867AF

RGB 40 103 175

HSL 212, 0.63%, 0.42%

LAB 43.13, 5.76, -44.1

 

CMYK 0 / 77 / 42 / 32

HEX #AE2865

RGB 174 40 101

HSL 332.69, 0.63%, 0.42%

LAB 40.34, 57.33, -2.45

 

CMYK 0 / 21 / 77 / 31

HEX #AF8B28

RGB 175 139 40

HSL 44, 0.63%, 0.42%

LAB 59.65, 3.81, 54.65

 

CMYK 77 / 0 / 36 / 31

HEX #28AF70

RGB 40 175 112

HSL 152, 0.63%, 0.42%

LAB 63.57, -49.98, 22.47

 

CMYK 77 / 57 / 0 / 31

HEX #284CAF

RGB 40 76 175

HSL 224, 0.63%, 0.42%

LAB 35.43, 23.43, -56.51

 

CMYK 0 / 77 / 42 / 32

HEX #AE2865

RGB 174 40 101

HSL 332.69, 0.63%, 0.42%

LAB 40.34, 57.33, -2.45

 

CMYK 3 / 0 / 77 / 31

HEX #AAAF28

RGB 170 175 40

HSL 62.22, 0.63%, 0.42%

LAB 69.01, -17.54, 63.14

 

CMYK 77 / 0 / 36 / 31

HEX #28AF70

RGB 40 175 112

HSL 152, 0.63%, 0.42%

LAB 63.57, -49.98, 22.47

 

CMYK 75 / 77 / 0 / 31

HEX #2C28AF

RGB 44 40 175

HSL 241.78, 0.63%, 0.42%

LAB 27.15, 46.32, -70.08

 

Description

Color code: HEX #AE2865CE | qconv.com Color code: HEX #AE2865CE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 40 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 40 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 34 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 34% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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