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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE2375 it is the complementary color #51DC8A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE2375. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE2375 shade: #B32370, #C43583, #D54796, #E659A9 and #F76BBC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE2375. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE2375 shade: #AE2375, #9D1162, #8C004F, #7B003C and #6A0029

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE2375 shade: #AF2375, #AF234F, #AF232A and #AF2323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE2375 shade: #AF2375, #AF239B, #9C23AF, #7723AF and #5123AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE2375 shade matches the following richer shades: #AF2375, #C01278 and #D0017B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE2375 shade: #AF2375, #9E3372, #8D446F, #7C556C and #6B6669

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE2375 shade: #9C23AF, #AF239C, #AF2377, #AF2351 and #AF232C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE2375 shade: #6A1547, #8C1C5E, #AF2375, #D1298C and #DB499F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE2375 shade: #AE2375, #AF7723 and #23AFAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE2375 shade: #AE2375, #77AF23 and #2377AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE2375 shade: #AE2375, #AF7723, #23AF5B and #235BAF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE2375 shade: #AE2375, #AFA123, #23AF5B and #2331AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 33 / 32

HEX #AE2375

RGB 174 35 117

HSL 324.6, 0.67%, 0.41%

LAB 40.39, 60.51, -12.4

 

Complementary color

CMYK 63 / 0 / 37 / 14

HEX #51DC8A

RGB 81 220 138

HSL 144.6, 0.67%, 0.59%

LAB 78.91, -55.64, 29.5

 

CMYK 0 / 80 / 37 / 30

HEX #B32370

RGB 179 35 112

HSL 327.92, 0.67%, 0.42%

LAB 41.15, 61.22, -8.04

 

CMYK 0 / 73 / 33 / 23

HEX #C43583

RGB 196 53 131

HSL 327.27, 0.57%, 0.49%

LAB 46.87, 62.23, -10.82

 

CMYK 0 / 67 / 30 / 16

HEX #D54796

RGB 213 71 150

HSL 326.62, 0.63%, 0.56%

LAB 52.79, 62.55, -13

 

CMYK 0 / 61 / 27 / 10

HEX #E659A9

RGB 230 89 169

HSL 325.96, 0.74%, 0.63%

LAB 58.82, 62.43, -14.75

 

CMYK 0 / 57 / 24 / 3

HEX #F76BBC

RGB 247 107 188

HSL 325.29, 0.9%, 0.69%

LAB 64.9, 62.04, -16.19

 

CMYK 0 / 80 / 33 / 32

HEX #AE2375

RGB 174 35 117

HSL 324.6, 0.67%, 0.41%

LAB 40.39, 60.51, -12.4

 

CMYK 0 / 89 / 38 / 38

HEX #9D1162

RGB 157 17 98

HSL 325.29, 0.8%, 0.34%

LAB 34.9, 58.43, -8.99

 

CMYK 0 / 100 / 44 / 45

HEX #8C004F

RGB 140 0 79

HSL 326.14, 1%, 0.27%

LAB 29.76, 55.15, -4.65

 

CMYK 0 / 100 / 51 / 52

HEX #7B003C

RGB 123 0 60

HSL 330.73, 1%, 0.24%

LAB 25.37, 49.43, 1.29

 

CMYK 0 / 100 / 61 / 58

HEX #6A0029

RGB 106 0 41

HSL 336.79, 1%, 0.21%

LAB 20.92, 43.68, 7.69

 

CMYK 0 / 80 / 33 / 31

HEX #AF2375

RGB 175 35 117

HSL 324.86, 0.67%, 0.41%

LAB 40.57, 60.76, -12.09

 

CMYK 0 / 80 / 55 / 31

HEX #AF234F

RGB 175 35 79

HSL 341.14, 0.67%, 0.41%

LAB 39.38, 57.16, 10.14

 

CMYK 0 / 80 / 76 / 31

HEX #AF232A

RGB 175 35 42

HSL 357, 0.67%, 0.41%

LAB 38.7, 55.04, 32.4

 

CMYK 0 / 80 / 80 / 31

HEX #AF2323

RGB 175 35 35

HSL 0, 0.67%, 0.41%

LAB 38.62, 54.79, 36.39

 

CMYK 0 / 80 / 33 / 31

HEX #AF2375

RGB 175 35 117

HSL 324.86, 0.67%, 0.41%

LAB 40.57, 60.76, -12.09

 

CMYK 0 / 80 / 11 / 31

HEX #AF239B

RGB 175 35 155

HSL 308.57, 0.67%, 0.41%

LAB 42.28, 65.68, -32.74

 

CMYK 11 / 80 / 0 / 31

HEX #9C23AF

RGB 156 35 175

HSL 291.86, 0.67%, 0.41%

LAB 40.19, 65.03, -48.23

 

CMYK 32 / 80 / 0 / 31

HEX #7723AF

RGB 119 35 175

HSL 276, 0.67%, 0.41%

LAB 34.44, 58.38, -57.82

 

CMYK 54 / 80 / 0 / 31

HEX #5123AF

RGB 81 35 175

HSL 259.71, 0.67%, 0.41%

LAB 29.53, 52.7, -66.05

 

CMYK 0 / 80 / 33 / 31

HEX #AF2375

RGB 175 35 117

HSL 324.86, 0.67%, 0.41%

LAB 40.57, 60.76, -12.09

 

CMYK 0 / 91 / 38 / 25

HEX #C01278

RGB 192 18 120

HSL 324.83, 0.83%, 0.41%

LAB 42.76, 68.57, -10.34

 

CMYK 0 / 100 / 41 / 18

HEX #D0017B

RGB 208 1 123

HSL 324.64, 0.99%, 0.41%

LAB 45.44, 74.06, -7.84

 

CMYK 0 / 80 / 33 / 31

HEX #AF2375

RGB 175 35 117

HSL 324.86, 0.67%, 0.41%

LAB 40.57, 60.76, -12.09

 

CMYK 0 / 68 / 28 / 38

HEX #9E3372

RGB 158 51 114

HSL 324.67, 0.51%, 0.41%

LAB 39.33, 50.34, -12.4

 

CMYK 0 / 52 / 21 / 45

HEX #8D446F

RGB 141 68 111

HSL 324.66, 0.35%, 0.41%

LAB 39.49, 36.45, -10.55

 

CMYK 0 / 31 / 13 / 51

HEX #7C556C

RGB 124 85 108

HSL 324.62, 0.19%, 0.41%

LAB 41, 20.04, -6.66

 

CMYK 0 / 5 / 2 / 58

HEX #6B6669

RGB 107 102 105

HSL 324, 0.02%, 0.41%

LAB 43.72, 2.57, -0.99

 

CMYK 11 / 80 / 0 / 31

HEX #9C23AF

RGB 156 35 175

HSL 291.86, 0.67%, 0.41%

LAB 40.19, 65.03, -48.23

 

CMYK 0 / 80 / 11 / 31

HEX #AF239C

RGB 175 35 156

HSL 308.14, 0.67%, 0.41%

LAB 42.33, 65.82, -33.26

 

CMYK 0 / 80 / 32 / 31

HEX #AF2377

RGB 175 35 119

HSL 324, 0.67%, 0.41%

LAB 40.65, 60.98, -13.22

 

CMYK 0 / 80 / 54 / 31

HEX #AF2351

RGB 175 35 81

HSL 340.29, 0.67%, 0.41%

LAB 39.43, 57.31, 8.94

 

CMYK 0 / 80 / 75 / 31

HEX #AF232C

RGB 175 35 44

HSL 356.14, 0.67%, 0.41%

LAB 38.72, 55.12, 31.23

 

CMYK 0 / 80 / 33 / 58

HEX #6A1547

RGB 106 21 71

HSL 324.71, 0.67%, 0.25%

LAB 23.85, 41.23, -8.87

 

CMYK 0 / 80 / 33 / 45

HEX #8C1C5E

RGB 140 28 94

HSL 324.64, 0.67%, 0.33%

LAB 32.29, 51.12, -10.68

 

CMYK 0 / 80 / 33 / 31

HEX #AF2375

RGB 175 35 117

HSL 324.86, 0.67%, 0.41%

LAB 40.57, 60.76, -12.09

 

CMYK 0 / 80 / 33 / 18

HEX #D1298C

RGB 209 41 140

HSL 324.64, 0.67%, 0.49%

LAB 48.3, 70.02, -13.88

 

CMYK 0 / 67 / 27 / 14

HEX #DB499F

RGB 219 73 159

HSL 324.66, 0.67%, 0.57%

LAB 54.37, 64.54, -15.82

 

CMYK 0 / 80 / 33 / 32

HEX #AE2375

RGB 174 35 117

HSL 324.6, 0.67%, 0.41%

LAB 40.39, 60.51, -12.4

 

CMYK 0 / 32 / 80 / 31

HEX #AF7723

RGB 175 119 35

HSL 36, 0.67%, 0.41%

LAB 54.48, 14.76, 51.74

 

CMYK 80 / 0 / 0 / 31

HEX #23AFAF

RGB 35 175 175

HSL 180, 0.67%, 0.41%

LAB 65.05, -34.38, -10.21

 

CMYK 0 / 80 / 33 / 32

HEX #AE2375

RGB 174 35 117

HSL 324.6, 0.67%, 0.41%

LAB 40.39, 60.51, -12.4

 

CMYK 32 / 0 / 80 / 31

HEX #77AF23

RGB 119 175 35

HSL 84, 0.67%, 0.41%

LAB 65.52, -38.7, 60.18

 

CMYK 80 / 32 / 0 / 31

HEX #2377AF

RGB 35 119 175

HSL 204, 0.67%, 0.41%

LAB 47.81, -4.68, -36.69

 

CMYK 0 / 80 / 33 / 32

HEX #AE2375

RGB 174 35 117

HSL 324.6, 0.67%, 0.41%

LAB 40.39, 60.51, -12.4

 

CMYK 0 / 32 / 80 / 31

HEX #AF7723

RGB 175 119 35

HSL 36, 0.67%, 0.41%

LAB 54.48, 14.76, 51.74

 

CMYK 80 / 0 / 48 / 31

HEX #23AF5B

RGB 35 175 91

HSL 144, 0.67%, 0.41%

LAB 63.15, -54.52, 32.98

 

CMYK 80 / 48 / 0 / 31

HEX #235BAF

RGB 35 91 175

HSL 216, 0.67%, 0.41%

LAB 39.47, 12.93, -49.98

 

CMYK 0 / 80 / 33 / 32

HEX #AE2375

RGB 174 35 117

HSL 324.6, 0.67%, 0.41%

LAB 40.39, 60.51, -12.4

 

CMYK 0 / 8 / 80 / 31

HEX #AFA123

RGB 175 161 35

HSL 54, 0.67%, 0.41%

LAB 65.53, -8.28, 61.72

 

CMYK 80 / 0 / 48 / 31

HEX #23AF5B

RGB 35 175 91

HSL 144, 0.67%, 0.41%

LAB 63.15, -54.52, 32.98

 

CMYK 80 / 72 / 0 / 31

HEX #2331AF

RGB 35 49 175

HSL 234, 0.67%, 0.41%

LAB 28.51, 40.43, -67.85

 

Description

Color code: HEX #AE2375 | qconv.com Color code: HEX #AE2375 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 35 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 35 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 33 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 33% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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