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Color name
HEX #AE205B

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE205B it is the complementary color #51DFA4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE205B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE205B shade: #B32056, #C43269, #D5447C, #E6568F and #F768A2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE205B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE205B shade: #AE205B, #9D0E48, #8C0035, #7B0022 and #6A000F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE205B shade: #AC205A, #AC2034 and #AC2020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE205B shade: #AC205A, #AC2080, #AC20A6, #8D20AC and #6720AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE205B shade matches the following richer shades: #AC205A and #BD0F57

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE205B shade: #AC205A, #9C305D, #8B4160, #7B5162 and #6A6265

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE205B shade: #AC20A5, #AC2080, #AC205A, #AC2035 and #AC3020

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE205B shade: #671336, #8A1948, #AC205A, #CF266C and #DC4282

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE205B shade: #AE205B, #AC8E20 and #2093AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE205B shade: #AE205B, #5AAC20 and #205AAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE205B shade: #AE205B, #AC8E20, #20AC72 and #203EAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE205B shade: #AE205B, #A1AC20, #20AC72 and #2B20AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 48 / 32

HEX #AE205B

RGB 174 32 91

HSL 335.07, 0.69%, 0.4%

LAB 39.22, 58.69, 2.25

 

Complementary color

CMYK 64 / 0 / 26 / 13

HEX #51DFA4

RGB 81 223 164

HSL 155.07, 0.69%, 0.6%

LAB 80.29, -51.69, 17.89

 

CMYK 0 / 82 / 52 / 30

HEX #B32056

RGB 179 32 86

HSL 337.96, 0.7%, 0.41%

LAB 40.06, 59.6, 6.76

 

CMYK 0 / 74 / 46 / 23

HEX #C43269

RGB 196 50 105

HSL 337.4, 0.59%, 0.48%

LAB 45.68, 60.58, 3.35

 

CMYK 0 / 68 / 42 / 16

HEX #D5447C

RGB 213 68 124

HSL 336.83, 0.63%, 0.55%

LAB 51.54, 60.83, 0.65

 

CMYK 0 / 63 / 38 / 10

HEX #E6568F

RGB 230 86 143

HSL 336.25, 0.74%, 0.62%

LAB 57.52, 60.63, -1.54

 

CMYK 0 / 58 / 34 / 3

HEX #F768A2

RGB 247 104 162

HSL 335.66, 0.9%, 0.69%

LAB 63.58, 60.17, -3.35

 

CMYK 0 / 82 / 48 / 32

HEX #AE205B

RGB 174 32 91

HSL 335.07, 0.69%, 0.4%

LAB 39.22, 58.69, 2.25

 

CMYK 0 / 91 / 54 / 38

HEX #9D0E48

RGB 157 14 72

HSL 335.66, 0.84%, 0.34%

LAB 33.88, 56.59, 6.4

 

CMYK 0 / 100 / 62 / 45

HEX #8C0035

RGB 140 0 53

HSL 337.29, 1%, 0.27%

LAB 28.99, 53.09, 11.69

 

CMYK 0 / 100 / 72 / 52

HEX #7B0022

RGB 123 0 34

HSL 343.41, 1%, 0.24%

LAB 24.72, 47.69, 18.31

 

CMYK 0 / 100 / 86 / 58

HEX #6A000F

RGB 106 0 15

HSL 351.51, 1%, 0.21%

LAB 20.43, 42.37, 24.76

 

CMYK 0 / 81 / 48 / 33

HEX #AC205A

RGB 172 32 90

HSL 335.14, 0.69%, 0.4%

LAB 38.8, 58.07, 2.22

 

CMYK 0 / 81 / 70 / 33

HEX #AC2034

RGB 172 32 52

HSL 351.43, 0.69%, 0.4%

LAB 37.93, 55.45, 25.24

 

CMYK 0 / 81 / 81 / 33

HEX #AC2020

RGB 172 32 32

HSL 0, 0.69%, 0.4%

LAB 37.68, 54.65, 36.93

 

CMYK 0 / 81 / 48 / 33

HEX #AC205A

RGB 172 32 90

HSL 335.14, 0.69%, 0.4%

LAB 38.8, 58.07, 2.22

 

CMYK 0 / 81 / 26 / 33

HEX #AC2080

RGB 172 32 128

HSL 318.86, 0.69%, 0.4%

LAB 40.18, 62.13, -19.57

 

CMYK 0 / 81 / 3 / 33

HEX #AC20A6

RGB 172 32 166

HSL 302.57, 0.69%, 0.4%

LAB 42.09, 67.45, -39.68

 

CMYK 18 / 81 / 0 / 33

HEX #8D20AC

RGB 141 32 172

HSL 286.71, 0.69%, 0.4%

LAB 37.25, 62.55, -51.31

 

CMYK 40 / 81 / 0 / 33

HEX #6720AC

RGB 103 32 172

HSL 270.43, 0.69%, 0.4%

LAB 31.57, 56.21, -60.8

 

CMYK 0 / 81 / 48 / 33

HEX #AC205A

RGB 172 32 90

HSL 335.14, 0.69%, 0.4%

LAB 38.8, 58.07, 2.22

 

CMYK 0 / 92 / 54 / 26

HEX #BD0F57

RGB 189 15 87

HSL 335.17, 0.85%, 0.4%

LAB 40.97, 65.44, 7.7

 

CMYK 0 / 81 / 48 / 33

HEX #AC205A

RGB 172 32 90

HSL 335.14, 0.69%, 0.4%

LAB 38.8, 58.07, 2.22

 

CMYK 0 / 69 / 40 / 39

HEX #9C305D

RGB 156 48 93

HSL 335, 0.53%, 0.4%

LAB 37.79, 48.42, -1.51

 

CMYK 0 / 53 / 31 / 45

HEX #8B4160

RGB 139 65 96

HSL 334.86, 0.36%, 0.4%

LAB 38.05, 35.12, -3.36

 

CMYK 0 / 34 / 20 / 52

HEX #7B5162

RGB 123 81 98

HSL 335.71, 0.21%, 0.4%

LAB 39.54, 20.27, -2.65

 

CMYK 0 / 8 / 5 / 58

HEX #6A6265

RGB 106 98 101

HSL 337.5, 0.04%, 0.4%

LAB 42.37, 3.77, -0.56

 

CMYK 0 / 81 / 4 / 33

HEX #AC20A5

RGB 172 32 165

HSL 303, 0.69%, 0.4%

LAB 42.03, 67.3, -39.17

 

CMYK 0 / 81 / 26 / 33

HEX #AC2080

RGB 172 32 128

HSL 318.86, 0.69%, 0.4%

LAB 40.18, 62.13, -19.57

 

CMYK 0 / 81 / 48 / 33

HEX #AC205A

RGB 172 32 90

HSL 335.14, 0.69%, 0.4%

LAB 38.8, 58.07, 2.22

 

CMYK 0 / 81 / 69 / 33

HEX #AC2035

RGB 172 32 53

HSL 351, 0.69%, 0.4%

LAB 37.95, 55.5, 24.64

 

CMYK 0 / 72 / 81 / 33

HEX #AC3020

RGB 172 48 32

HSL 6.86, 0.69%, 0.4%

LAB 39.56, 49.39, 38.79

 

CMYK 0 / 82 / 48 / 60

HEX #671336

RGB 103 19 54

HSL 335, 0.69%, 0.24%

LAB 22.36, 39.05, 0.51

 

CMYK 0 / 82 / 48 / 46

HEX #8A1948

RGB 138 25 72

HSL 335.04, 0.69%, 0.32%

LAB 30.8, 49.1, 1.47

 

CMYK 0 / 81 / 48 / 33

HEX #AC205A

RGB 172 32 90

HSL 335.14, 0.69%, 0.4%

LAB 38.8, 58.07, 2.22

 

CMYK 0 / 82 / 48 / 19

HEX #CF266C

RGB 207 38 108

HSL 335.15, 0.69%, 0.48%

LAB 46.62, 67.19, 3.12

 

CMYK 0 / 70 / 41 / 14

HEX #DC4282

RGB 220 66 130

HSL 335.06, 0.69%, 0.56%

LAB 52.65, 64.17, -1.18

 

CMYK 0 / 82 / 48 / 32

HEX #AE205B

RGB 174 32 91

HSL 335.07, 0.69%, 0.4%

LAB 39.22, 58.69, 2.25

 

CMYK 0 / 17 / 81 / 33

HEX #AC8E20

RGB 172 142 32

HSL 47.14, 0.69%, 0.4%

LAB 60.09, 0.5, 57.73

 

CMYK 81 / 15 / 0 / 33

HEX #2093AC

RGB 32 147 172

HSL 190.71, 0.69%, 0.4%

LAB 56.24, -21.74, -21.86

 

CMYK 0 / 82 / 48 / 32

HEX #AE205B

RGB 174 32 91

HSL 335.07, 0.69%, 0.4%

LAB 39.22, 58.69, 2.25

 

CMYK 48 / 0 / 81 / 33

HEX #5AAC20

RGB 90 172 32

HSL 95.14, 0.69%, 0.4%

LAB 63.16, -47.69, 58.37

 

CMYK 81 / 48 / 0 / 33

HEX #205AAC

RGB 32 90 172

HSL 215.14, 0.69%, 0.4%

LAB 38.89, 12.1, -49.14

 

CMYK 0 / 82 / 48 / 32

HEX #AE205B

RGB 174 32 91

HSL 335.07, 0.69%, 0.4%

LAB 39.22, 58.69, 2.25

 

CMYK 0 / 17 / 81 / 33

HEX #AC8E20

RGB 172 142 32

HSL 47.14, 0.69%, 0.4%

LAB 60.09, 0.5, 57.73

 

CMYK 81 / 0 / 34 / 33

HEX #20AC72

RGB 32 172 114

HSL 155.14, 0.69%, 0.4%

LAB 62.53, -49.33, 19.96

 

CMYK 81 / 64 / 0 / 33

HEX #203EAC

RGB 32 62 172

HSL 227.14, 0.69%, 0.4%

LAB 31.19, 30.79, -61.66

 

CMYK 0 / 82 / 48 / 32

HEX #AE205B

RGB 174 32 91

HSL 335.07, 0.69%, 0.4%

LAB 39.22, 58.69, 2.25

 

CMYK 6 / 0 / 81 / 33

HEX #A1AC20

RGB 161 172 32

HSL 64.71, 0.69%, 0.4%

LAB 67.42, -20.22, 63.78

 

CMYK 81 / 0 / 34 / 33

HEX #20AC72

RGB 32 172 114

HSL 155.14, 0.69%, 0.4%

LAB 62.53, -49.33, 19.96

 

CMYK 75 / 81 / 0 / 33

HEX #2B20AC

RGB 43 32 172

HSL 244.71, 0.69%, 0.4%

LAB 25.34, 49.38, -71.29

 

Description

Color code: HEX #AE205B | qconv.com Color code: HEX #AE205B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 32 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 32 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 48 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 48% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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