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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE1BBE it is the complementary color #51E441. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE1BBE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE1BBE shade: #B31BB9, #C42DCC, #D53FDF, #E651F2 and #F763FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE1BBE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE1BBE shade: #AE1BBE, #9D09AB, #8C0098, #7B0085 and #6A0072

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE1BBE shade: #B01BC0, #C01BA4, #C01B77, #C01B4B and #C01B1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE1BBE shade: #B01BC0, #831BC0, #571BC0, #2B1BC0 and #1B1BC0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE1BBE shade matches the following richer shades: #B01BC0 and #BE0AD2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE1BBE shade: #B01BC0, #A12DAE, #933F9C, #85518B and #776279

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE1BBE shade: #581BC0, #841BC0, #AF1BC0, #C01BA4 and #C01B79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE1BBE shade: #6E1178, #8F169C, #B01BC0, #CD25E0 and #D649E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE1BBE shade: #AE1BBE, #C02C1B and #1BC06E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE1BBE shade: #AE1BBE, #C0AF1B and #1BC0AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE1BBE shade: #AE1BBE, #C02C1B, #2CC01B and #1BAFC0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE1BBE shade: #AE1BBE, #C05D1B, #2CC01B and #1B7EC0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 86 / 0 / 25

HEX #AE1BBE

RGB 174 27 190

HSL 294.11, 0.75%, 0.43%

LAB 43.51, 72.76, -51.59

 

Complementary color

CMYK 64 / 0 / 71 / 11

HEX #51E441

RGB 81 228 65

HSL 114.11, 0.75%, 0.57%

LAB 80.53, -67.9, 64.45

 

CMYK 3 / 85 / 0 / 27

HEX #B31BB9

RGB 179 27 185

HSL 297.72, 0.75%, 0.42%

LAB 44.05, 72.84, -47.74

 

CMYK 4 / 78 / 0 / 20

HEX #C42DCC

RGB 196 45 204

HSL 296.98, 0.64%, 0.49%

LAB 49.46, 74.85, -49.98

 

CMYK 4 / 72 / 0 / 13

HEX #D53FDF

RGB 213 63 223

HSL 296.25, 0.71%, 0.56%

LAB 55.1, 75.98, -51.66

 

CMYK 5 / 67 / 0 / 5

HEX #E651F2

RGB 230 81 242

HSL 295.53, 0.86%, 0.63%

LAB 60.89, 76.49, -52.96

 

CMYK 3 / 61 / 0 / 0

HEX #F763FF

RGB 247 99 255

HSL 296.92, 1%, 0.69%

LAB 66.46, 75.56, -51.15

 

CMYK 8 / 86 / 0 / 25

HEX #AE1BBE

RGB 174 27 190

HSL 294.11, 0.75%, 0.43%

LAB 43.51, 72.76, -51.59

 

CMYK 8 / 95 / 0 / 33

HEX #9D09AB

RGB 157 9 171

HSL 294.81, 0.9%, 0.35%

LAB 38.38, 69.55, -48.75

 

CMYK 8 / 100 / 0 / 40

HEX #8C0098

RGB 140 0 152

HSL 295.26, 1%, 0.3%

LAB 33.65, 64.81, -45.04

 

CMYK 8 / 100 / 0 / 48

HEX #7B0085

RGB 123 0 133

HSL 295.49, 1%, 0.26%

LAB 29.17, 58.9, -40.67

 

CMYK 7 / 100 / 0 / 55

HEX #6A0072

RGB 106 0 114

HSL 295.79, 1%, 0.22%

LAB 24.57, 52.85, -36.18

 

CMYK 8 / 86 / 0 / 25

HEX #B01BC0

RGB 176 27 192

HSL 294.18, 0.75%, 0.43%

LAB 43.97, 73.44, -51.99

 

CMYK 0 / 86 / 15 / 25

HEX #C01BA4

RGB 192 27 164

HSL 310.18, 0.75%, 0.43%

LAB 45.18, 72.25, -33.37

 

CMYK 0 / 86 / 38 / 25

HEX #C01B77

RGB 192 27 119

HSL 326.55, 0.75%, 0.43%

LAB 43.24, 66.95, -8.99

 

CMYK 0 / 86 / 61 / 25

HEX #C01B4B

RGB 192 27 75

HSL 342.55, 0.75%, 0.43%

LAB 42, 63.39, 16.81

 

CMYK 0 / 86 / 84 / 25

HEX #C01B1F

RGB 192 27 31

HSL 358.55, 0.75%, 0.43%

LAB 41.36, 61.51, 42.43

 

CMYK 8 / 86 / 0 / 25

HEX #B01BC0

RGB 176 27 192

HSL 294.18, 0.75%, 0.43%

LAB 43.97, 73.44, -51.99

 

CMYK 32 / 86 / 0 / 25

HEX #831BC0

RGB 131 27 192

HSL 277.82, 0.75%, 0.43%

LAB 36.77, 66.25, -64

 

CMYK 55 / 86 / 0 / 25

HEX #571BC0

RGB 87 27 192

HSL 261.82, 0.75%, 0.43%

LAB 30.92, 60.8, -73.84

 

CMYK 78 / 86 / 0 / 25

HEX #2B1BC0

RGB 43 27 192

HSL 245.82, 0.75%, 0.43%

LAB 27.03, 57.48, -80.4

 

CMYK 86 / 86 / 0 / 25

HEX #1B1BC0

RGB 27 27 192

HSL 240, 0.75%, 0.43%

LAB 26.22, 56.83, -81.76

 

CMYK 8 / 86 / 0 / 25

HEX #B01BC0

RGB 176 27 192

HSL 294.18, 0.75%, 0.43%

LAB 43.97, 73.44, -51.99

 

CMYK 10 / 95 / 0 / 18

HEX #BE0AD2

RGB 190 10 210

HSL 294, 0.91%, 0.43%

LAB 46.73, 80.93, -57.86

 

CMYK 8 / 86 / 0 / 25

HEX #B01BC0

RGB 176 27 192

HSL 294.18, 0.75%, 0.43%

LAB 43.97, 73.44, -51.99

 

CMYK 7 / 74 / 0 / 32

HEX #A12DAE

RGB 161 45 174

HSL 293.95, 0.59%, 0.43%

LAB 42.02, 62.75, -44.67

 

CMYK 6 / 60 / 0 / 39

HEX #933F9C

RGB 147 63 156

HSL 294.19, 0.42%, 0.43%

LAB 41.47, 48.75, -34.93

 

CMYK 4 / 42 / 0 / 45

HEX #85518B

RGB 133 81 139

HSL 293.79, 0.26%, 0.43%

LAB 42.36, 31.67, -23.41

 

CMYK 2 / 19 / 0 / 53

HEX #776279

RGB 119 98 121

HSL 294.78, 0.11%, 0.43%

LAB 44.29, 12.88, -9.72

 

CMYK 54 / 86 / 0 / 25

HEX #581BC0

RGB 88 27 192

HSL 262.18, 0.75%, 0.43%

LAB 31.03, 60.91, -73.65

 

CMYK 31 / 86 / 0 / 25

HEX #841BC0

RGB 132 27 192

HSL 278.18, 0.75%, 0.43%

LAB 36.92, 66.4, -63.75

 

CMYK 9 / 86 / 0 / 25

HEX #AF1BC0

RGB 175 27 192

HSL 293.82, 0.75%, 0.43%

LAB 43.8, 73.26, -52.27

 

CMYK 0 / 86 / 15 / 25

HEX #C01BA4

RGB 192 27 164

HSL 310.18, 0.75%, 0.43%

LAB 45.18, 72.25, -33.37

 

CMYK 0 / 86 / 37 / 25

HEX #C01B79

RGB 192 27 121

HSL 325.82, 0.75%, 0.43%

LAB 43.32, 67.15, -10.12

 

CMYK 8 / 86 / 0 / 53

HEX #6E1178

RGB 110 17 120

HSL 294.17, 0.75%, 0.27%

LAB 26.94, 51.13, -36.18

 

CMYK 8 / 86 / 0 / 39

HEX #8F169C

RGB 143 22 156

HSL 294.18, 0.75%, 0.35%

LAB 35.62, 62.56, -44.28

 

CMYK 8 / 86 / 0 / 25

HEX #B01BC0

RGB 176 27 192

HSL 294.18, 0.75%, 0.43%

LAB 43.97, 73.44, -51.99

 

CMYK 8 / 83 / 0 / 12

HEX #CD25E0

RGB 205 37 224

HSL 293.9, 0.75%, 0.51%

LAB 51.48, 81.62, -58.1

 

CMYK 7 / 68 / 0 / 10

HEX #D649E5

RGB 214 73 229

HSL 294.23, 0.75%, 0.59%

LAB 56.8, 73.75, -52.33

 

CMYK 8 / 86 / 0 / 25

HEX #AE1BBE

RGB 174 27 190

HSL 294.11, 0.75%, 0.43%

LAB 43.51, 72.76, -51.59

 

CMYK 0 / 77 / 86 / 25

HEX #C02C1B

RGB 192 44 27

HSL 6.18, 0.75%, 0.43%

LAB 42.89, 56.99, 45.78

 

CMYK 86 / 0 / 43 / 25

HEX #1BC06E

RGB 27 192 110

HSL 150.18, 0.75%, 0.43%

LAB 68.79, -57.95, 30.41

 

CMYK 8 / 86 / 0 / 25

HEX #AE1BBE

RGB 174 27 190

HSL 294.11, 0.75%, 0.43%

LAB 43.51, 72.76, -51.59

 

CMYK 0 / 9 / 86 / 25

HEX #C0AF1B

RGB 192 175 27

HSL 53.82, 0.75%, 0.43%

LAB 70.83, -8.33, 68.95

 

CMYK 86 / 0 / 9 / 25

HEX #1BC0AF

RGB 27 192 175

HSL 173.82, 0.75%, 0.43%

LAB 70.2, -42.69, -2.59

 

CMYK 8 / 86 / 0 / 25

HEX #AE1BBE

RGB 174 27 190

HSL 294.11, 0.75%, 0.43%

LAB 43.51, 72.76, -51.59

 

CMYK 0 / 77 / 86 / 25

HEX #C02C1B

RGB 192 44 27

HSL 6.18, 0.75%, 0.43%

LAB 42.89, 56.99, 45.78

 

CMYK 77 / 0 / 86 / 25

HEX #2CC01B

RGB 44 192 27

HSL 113.82, 0.75%, 0.43%

LAB 68.25, -65.33, 63.74

 

CMYK 86 / 9 / 0 / 25

HEX #1BAFC0

RGB 27 175 192

HSL 186.18, 0.75%, 0.43%

LAB 65.51, -29.73, -18.97

 

CMYK 8 / 86 / 0 / 25

HEX #AE1BBE

RGB 174 27 190

HSL 294.11, 0.75%, 0.43%

LAB 43.51, 72.76, -51.59

 

CMYK 0 / 52 / 86 / 25

HEX #C05D1B

RGB 192 93 27

HSL 24, 0.75%, 0.43%

LAB 50.82, 35.93, 52.45

 

CMYK 77 / 0 / 86 / 25

HEX #2CC01B

RGB 44 192 27

HSL 113.82, 0.75%, 0.43%

LAB 68.25, -65.33, 63.74

 

CMYK 86 / 34 / 0 / 25

HEX #1B7EC0

RGB 27 126 192

HSL 204, 0.75%, 0.43%

LAB 50.64, -3.19, -42.04

 

Description

Color code: HEX #AE1BBE | qconv.com Color code: HEX #AE1BBE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 27 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 27 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 86 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 86% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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