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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE18CE it is the complementary color #51E731. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE18CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE18CE shade: #B318C9, #C42ADC, #D53CEF, #E64EFF and #F760FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE18CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE18CE shade: #AE18CE, #9D06BB, #8C00A8, #7B0095 and #6A0082

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE18CE shade: #AE18CD, #CD18BC, #CD188B, #CD185B and #CD182A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE18CE shade: #AE18CD, #7D18CD, #4C18CD, #1B18CD and #1818CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE18CE shade matches the following richer shades: #AE18CD and #BA06E0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE18CE shade: #AE18CD, #A12BBB, #953DA8, #895096 and #7D6283

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE18CE shade: #4B18CD, #7C18CD, #AC18CD, #CD18BE and #CD188E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE18CE shade: #6F0F84, #8E14A8, #AE18CD, #C529E6 and #CF4EEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE18CE shade: #AE18CE, #CD1B18 and #18CD64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE18CE shade: #AE18CE, #CDAC18 and #18CDAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE18CE shade: #AE18CE, #CD1B18, #39CD18 and #18CACD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE18CE shade: #AE18CE, #CD5218, #39CD18 and #1894CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 88 / 0 / 19

HEX #AE18CE

RGB 174 24 206

HSL 289.45, 0.79%, 0.45%

LAB 44.39, 76.02, -59.48

 

Complementary color

CMYK 65 / 0 / 79 / 9

HEX #51E731

RGB 81 231 49

HSL 109.45, 0.79%, 0.55%

LAB 81.36, -69.93, 70.39

 

CMYK 11 / 88 / 0 / 21

HEX #B318C9

RGB 179 24 201

HSL 292.54, 0.79%, 0.44%

LAB 44.88, 75.97, -55.75

 

CMYK 11 / 81 / 0 / 14

HEX #C42ADC

RGB 196 42 220

HSL 291.91, 0.72%, 0.51%

LAB 50.17, 78.26, -58.01

 

CMYK 11 / 75 / 0 / 6

HEX #D53CEF

RGB 213 60 239

HSL 291.28, 0.85%, 0.59%

LAB 55.7, 79.62, -59.72

 

CMYK 10 / 69 / 0 / 0

HEX #E64EFF

RGB 230 78 255

HSL 291.53, 1%, 0.65%

LAB 61.21, 79.78, -59.64

 

CMYK 3 / 62 / 0 / 0

HEX #F760FF

RGB 247 96 255

HSL 296.98, 1%, 0.69%

LAB 66.03, 76.75, -51.83

 

CMYK 16 / 88 / 0 / 19

HEX #AE18CE

RGB 174 24 206

HSL 289.45, 0.79%, 0.45%

LAB 44.39, 76.02, -59.48

 

CMYK 16 / 97 / 0 / 27

HEX #9D06BB

RGB 157 6 187

HSL 290.06, 0.94%, 0.38%

LAB 39.39, 72.56, -56.62

 

CMYK 17 / 100 / 0 / 34

HEX #8C00A8

RGB 140 0 168

HSL 290, 1%, 0.33%

LAB 34.81, 67.51, -52.87

 

CMYK 17 / 100 / 0 / 42

HEX #7B0095

RGB 123 0 149

HSL 289.53, 1%, 0.29%

LAB 30.35, 61.67, -48.68

 

CMYK 18 / 100 / 0 / 49

HEX #6A0082

RGB 106 0 130

HSL 288.92, 1%, 0.25%

LAB 25.79, 55.7, -44.4

 

CMYK 15 / 88 / 0 / 20

HEX #AE18CD

RGB 174 24 205

HSL 289.72, 0.79%, 0.45%

LAB 44.32, 75.84, -59.01

 

CMYK 0 / 88 / 8 / 20

HEX #CD18BC

RGB 205 24 188

HSL 305.64, 0.79%, 0.45%

LAB 48.59, 78.54, -41.99

 

CMYK 0 / 88 / 32 / 20

HEX #CD188B

RGB 205 24 139

HSL 321.88, 0.79%, 0.45%

LAB 46.31, 72.49, -16.38

 

CMYK 0 / 88 / 56 / 20

HEX #CD185B

RGB 205 24 91

HSL 337.79, 0.79%, 0.45%

LAB 44.78, 68.27, 11

 

CMYK 0 / 88 / 80 / 20

HEX #CD182A

RGB 205 24 42

HSL 354.03, 0.79%, 0.45%

LAB 43.94, 65.87, 39.83

 

CMYK 15 / 88 / 0 / 20

HEX #AE18CD

RGB 174 24 205

HSL 289.72, 0.79%, 0.45%

LAB 44.32, 75.84, -59.01

 

CMYK 39 / 88 / 0 / 20

HEX #7D18CD

RGB 125 24 205

HSL 273.48, 0.79%, 0.45%

LAB 36.78, 68.91, -71.62

 

CMYK 63 / 88 / 0 / 20

HEX #4C18CD

RGB 76 24 205

HSL 257.24, 0.79%, 0.45%

LAB 30.87, 64.06, -81.57

 

CMYK 87 / 88 / 0 / 20

HEX #1B18CD

RGB 27 24 205

HSL 240.99, 0.79%, 0.45%

LAB 27.56, 61.67, -87.18

 

CMYK 88 / 88 / 0 / 20

HEX #1818CD

RGB 24 24 205

HSL 240, 0.79%, 0.45%

LAB 27.45, 61.6, -87.36

 

CMYK 15 / 88 / 0 / 20

HEX #AE18CD

RGB 174 24 205

HSL 289.72, 0.79%, 0.45%

LAB 44.32, 75.84, -59.01

 

CMYK 17 / 97 / 0 / 12

HEX #BA06E0

RGB 186 6 224

HSL 289.54, 0.95%, 0.45%

LAB 46.91, 82.97, -65.63

 

CMYK 15 / 88 / 0 / 20

HEX #AE18CD

RGB 174 24 205

HSL 289.72, 0.79%, 0.45%

LAB 44.32, 75.84, -59.01

 

CMYK 14 / 77 / 0 / 27

HEX #A12BBB

RGB 161 43 187

HSL 289.17, 0.63%, 0.45%

LAB 42.6, 65.75, -51.4

 

CMYK 11 / 64 / 0 / 34

HEX #953DA8

RGB 149 61 168

HSL 289.35, 0.47%, 0.45%

LAB 42.08, 52.54, -41.1

 

CMYK 9 / 47 / 0 / 41

HEX #895096

RGB 137 80 150

HSL 288.86, 0.3%, 0.45%

LAB 43.15, 35.8, -28.78

 

CMYK 5 / 25 / 0 / 49

HEX #7D6283

RGB 125 98 131

HSL 289.09, 0.14%, 0.45%

LAB 45.27, 17.2, -14.21

 

CMYK 63 / 88 / 0 / 20

HEX #4B18CD

RGB 75 24 205

HSL 256.91, 0.79%, 0.45%

LAB 30.78, 63.99, -81.73

 

CMYK 40 / 88 / 0 / 20

HEX #7C18CD

RGB 124 24 205

HSL 273.15, 0.79%, 0.45%

LAB 36.64, 68.78, -71.85

 

CMYK 16 / 88 / 0 / 20

HEX #AC18CD

RGB 172 24 205

HSL 289.06, 0.79%, 0.45%

LAB 43.99, 75.53, -59.56

 

CMYK 0 / 88 / 7 / 20

HEX #CD18BE

RGB 205 24 190

HSL 304.97, 0.79%, 0.45%

LAB 48.7, 78.82, -42.99

 

CMYK 0 / 88 / 31 / 20

HEX #CD188E

RGB 205 24 142

HSL 320.88, 0.79%, 0.45%

LAB 46.43, 72.81, -18.02

 

CMYK 16 / 89 / 0 / 48

HEX #6F0F84

RGB 111 15 132

HSL 289.23, 0.8%, 0.29%

LAB 27.81, 54.02, -42.35

 

CMYK 15 / 88 / 0 / 34

HEX #8E14A8

RGB 142 20 168

HSL 289.46, 0.79%, 0.37%

LAB 36.13, 64.91, -50.71

 

CMYK 15 / 88 / 0 / 20

HEX #AE18CD

RGB 174 24 205

HSL 289.72, 0.79%, 0.45%

LAB 44.32, 75.84, -59.01

 

CMYK 14 / 82 / 0 / 10

HEX #C529E6

RGB 197 41 230

HSL 289.52, 0.79%, 0.53%

LAB 50.88, 80.37, -62.52

 

CMYK 12 / 67 / 0 / 8

HEX #CF4EEA

RGB 207 78 234

HSL 289.62, 0.79%, 0.61%

LAB 56.74, 71.23, -55.3

 

CMYK 16 / 88 / 0 / 19

HEX #AE18CE

RGB 174 24 206

HSL 289.45, 0.79%, 0.45%

LAB 44.39, 76.02, -59.48

 

CMYK 0 / 87 / 88 / 20

HEX #CD1B18

RGB 205 27 24

HSL 0.99, 0.79%, 0.45%

LAB 43.99, 64.9, 49.14

 

CMYK 88 / 0 / 51 / 20

HEX #18CD64

RGB 24 205 100

HSL 145.19, 0.79%, 0.45%

LAB 72.74, -64.28, 40.45

 

CMYK 16 / 88 / 0 / 19

HEX #AE18CE

RGB 174 24 206

HSL 289.45, 0.79%, 0.45%

LAB 44.39, 76.02, -59.48

 

CMYK 0 / 16 / 88 / 20

HEX #CDAC18

RGB 205 172 24

HSL 49.06, 0.79%, 0.45%

LAB 71.25, -1.08, 70.45

 

CMYK 88 / 0 / 16 / 20

HEX #18CDAC

RGB 24 205 172

HSL 169.06, 0.79%, 0.45%

LAB 74.08, -49.17, 4.7

 

CMYK 16 / 88 / 0 / 19

HEX #AE18CE

RGB 174 24 206

HSL 289.45, 0.79%, 0.45%

LAB 44.39, 76.02, -59.48

 

CMYK 0 / 87 / 88 / 20

HEX #CD1B18

RGB 205 27 24

HSL 0.99, 0.79%, 0.45%

LAB 43.99, 64.9, 49.14

 

CMYK 72 / 0 / 88 / 20

HEX #39CD18

RGB 57 205 24

HSL 109.06, 0.79%, 0.45%

LAB 72.63, -67.38, 68.26

 

CMYK 88 / 1 / 0 / 20

HEX #18CACD

RGB 24 202 205

HSL 180.99, 0.79%, 0.45%

LAB 74.09, -38.62, -13.15

 

CMYK 16 / 88 / 0 / 19

HEX #AE18CE

RGB 174 24 206

HSL 289.45, 0.79%, 0.45%

LAB 44.39, 76.02, -59.48

 

CMYK 0 / 60 / 88 / 20

HEX #CD5218

RGB 205 82 24

HSL 19.23, 0.79%, 0.45%

LAB 50.78, 46.26, 54.38

 

CMYK 72 / 0 / 88 / 20

HEX #39CD18

RGB 57 205 24

HSL 109.06, 0.79%, 0.45%

LAB 72.63, -67.38, 68.26

 

CMYK 88 / 28 / 0 / 20

HEX #1894CD

RGB 24 148 205

HSL 198.9, 0.79%, 0.45%

LAB 57.83, -11.3, -38.1

 

Description

Color code: HEX #AE18CE | qconv.com Color code: HEX #AE18CE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 24 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 24 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 88 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 88% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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