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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE1194 it is the complementary color #51EE6B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE1194. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE1194 shade: #B3118F, #C423A2, #D535B5, #E647C8 and #F759DB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE1194. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE1194 shade: #AE1194, #9D0081, #8C006E, #7B005B and #6A0048

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE1194 shade: #AC1192, #AC1168, #AC113F, #AC1115 and #AC1111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE1194 shade: #AC1192, #9C11AC, #7211AC, #4811AC and #1E11AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE1194 shade matches the following richer shades: #AC1192 and #BB029C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE1194 shade: #AC1192, #9C2088, #8D307E, #7E3F73 and #6F4E69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE1194 shade: #7011AC, #9A11AC, #AC1195, #AC116B and #AC1142

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE1194 shade: #610A52, #860D72, #AC1192, #D115B2 and #EA26C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE1194 shade: #AE1194, #AC4711 and #11AC85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE1194 shade: #AE1194, #95AC11 and #1195AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE1194 shade: #AE1194, #AC4711, #11AC28 and #1176AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE1194 shade: #AE1194, #AC7611, #11AC28 and #1147AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 15 / 32

HEX #AE1194

RGB 174 17 148

HSL 309.94, 0.82%, 0.37%

LAB 40.47, 68.17, -31.36

 

Complementary color

CMYK 66 / 0 / 55 / 7

HEX #51EE6B

RGB 81 238 107

HSL 129.94, 0.82%, 0.63%

LAB 83.94, -66.96, 50.96

 

CMYK 0 / 91 / 20 / 30

HEX #B3118F

RGB 179 17 143

HSL 313.33, 0.83%, 0.38%

LAB 41.16, 68.52, -27.16

 

CMYK 0 / 82 / 17 / 23

HEX #C423A2

RGB 196 35 162

HSL 312.67, 0.7%, 0.45%

LAB 46.37, 71.15, -30.25

 

CMYK 0 / 75 / 15 / 16

HEX #D535B5

RGB 213 53 181

HSL 312, 0.66%, 0.52%

LAB 51.87, 72.72, -32.65

 

CMYK 0 / 69 / 13 / 10

HEX #E647C8

RGB 230 71 200

HSL 311.32, 0.76%, 0.59%

LAB 57.56, 73.53, -34.53

 

CMYK 0 / 64 / 11 / 3

HEX #F759DB

RGB 247 89 219

HSL 310.63, 0.91%, 0.66%

LAB 63.37, 73.82, -36.03

 

CMYK 0 / 90 / 15 / 32

HEX #AE1194

RGB 174 17 148

HSL 309.94, 0.82%, 0.37%

LAB 40.47, 68.17, -31.36

 

CMYK 0 / 100 / 18 / 38

HEX #9D0081

RGB 157 0 129

HSL 310.7, 1%, 0.31%

LAB 35.5, 64.42, -27.69

 

CMYK 0 / 100 / 21 / 45

HEX #8C006E

RGB 140 0 110

HSL 312.86, 1%, 0.27%

LAB 31.12, 58.62, -22.8

 

CMYK 0 / 100 / 26 / 52

HEX #7B005B

RGB 123 0 91

HSL 315.61, 1%, 0.24%

LAB 26.64, 52.7, -17.69

 

CMYK 0 / 100 / 32 / 58

HEX #6A0048

RGB 106 0 72

HSL 319.25, 1%, 0.21%

LAB 22.06, 46.66, -12.29

 

CMYK 0 / 90 / 15 / 33

HEX #AC1192

RGB 172 17 146

HSL 310.06, 0.82%, 0.37%

LAB 39.99, 67.5, -30.92

 

CMYK 0 / 90 / 40 / 33

HEX #AC1168

RGB 172 17 104

HSL 326.32, 0.82%, 0.37%

LAB 38.15, 62.57, -7.64

 

CMYK 0 / 90 / 63 / 33

HEX #AC113F

RGB 172 17 63

HSL 342.19, 0.82%, 0.37%

LAB 36.99, 59.33, 17.03

 

CMYK 0 / 90 / 88 / 33

HEX #AC1115

RGB 172 17 21

HSL 358.45, 0.82%, 0.37%

LAB 36.42, 57.7, 41.63

 

CMYK 0 / 90 / 90 / 33

HEX #AC1111

RGB 172 17 17

HSL 0, 0.82%, 0.37%

LAB 36.39, 57.63, 43.52

 

CMYK 0 / 90 / 15 / 33

HEX #AC1192

RGB 172 17 146

HSL 310.06, 0.82%, 0.37%

LAB 39.99, 67.5, -30.92

 

CMYK 9 / 90 / 0 / 33

HEX #9C11AC

RGB 156 17 172

HSL 293.81, 0.82%, 0.37%

LAB 38.63, 68.49, -48.95

 

CMYK 34 / 90 / 0 / 33

HEX #7211AC

RGB 114 17 172

HSL 277.55, 0.82%, 0.37%

LAB 31.71, 62.05, -60.51

 

CMYK 58 / 90 / 0 / 33

HEX #4811AC

RGB 72 17 172

HSL 261.29, 0.82%, 0.37%

LAB 26.03, 57.36, -70.06

 

CMYK 83 / 90 / 0 / 33

HEX #1E11AC

RGB 30 17 172

HSL 245.03, 0.82%, 0.37%

LAB 22.5, 54.83, -76.03

 

CMYK 0 / 90 / 15 / 33

HEX #AC1192

RGB 172 17 146

HSL 310.06, 0.82%, 0.37%

LAB 39.99, 67.5, -30.92

 

CMYK 0 / 99 / 17 / 27

HEX #BB029C

RGB 187 2 156

HSL 310.05, 0.98%, 0.37%

LAB 42.78, 73.36, -32.41

 

CMYK 0 / 90 / 15 / 33

HEX #AC1192

RGB 172 17 146

HSL 310.06, 0.82%, 0.37%

LAB 39.99, 67.5, -30.92

 

CMYK 0 / 79 / 13 / 39

HEX #9C2088

RGB 156 32 136

HSL 309.68, 0.66%, 0.37%

LAB 37.62, 59.52, -28.72

 

CMYK 0 / 66 / 11 / 45

HEX #8D307E

RGB 141 48 126

HSL 309.68, 0.49%, 0.37%

LAB 36.52, 48.57, -24.44

 

CMYK 0 / 50 / 9 / 51

HEX #7E3F73

RGB 126 63 115

HSL 310.48, 0.33%, 0.37%

LAB 36.42, 34.77, -17.92

 

CMYK 0 / 30 / 5 / 56

HEX #6F4E69

RGB 111 78 105

HSL 310.91, 0.17%, 0.37%

LAB 37.57, 18.74, -10.11

 

CMYK 35 / 90 / 0 / 33

HEX #7011AC

RGB 112 17 172

HSL 276.77, 0.82%, 0.37%

LAB 31.4, 61.79, -61.02

 

CMYK 10 / 90 / 0 / 33

HEX #9A11AC

RGB 154 17 172

HSL 293.03, 0.82%, 0.37%

LAB 38.29, 68.15, -49.53

 

CMYK 0 / 90 / 13 / 33

HEX #AC1195

RGB 172 17 149

HSL 308.9, 0.82%, 0.37%

LAB 40.15, 67.91, -32.5

 

CMYK 0 / 90 / 38 / 33

HEX #AC116B

RGB 172 17 107

HSL 325.16, 0.82%, 0.37%

LAB 38.26, 62.87, -9.37

 

CMYK 0 / 90 / 62 / 33

HEX #AC1142

RGB 172 17 66

HSL 341.03, 0.82%, 0.37%

LAB 37.05, 59.51, 15.18

 

CMYK 0 / 90 / 15 / 62

HEX #610A52

RGB 97 10 82

HSL 310.34, 0.81%, 0.21%

LAB 21.46, 43.64, -20.17

 

CMYK 0 / 90 / 15 / 47

HEX #860D72

RGB 134 13 114

HSL 309.92, 0.82%, 0.29%

LAB 30.81, 55.93, -25.93

 

CMYK 0 / 90 / 15 / 33

HEX #AC1192

RGB 172 17 146

HSL 310.06, 0.82%, 0.37%

LAB 39.99, 67.5, -30.92

 

CMYK 0 / 90 / 15 / 18

HEX #D115B2

RGB 209 21 178

HSL 309.89, 0.82%, 0.45%

LAB 48.64, 78.37, -36

 

CMYK 0 / 84 / 14 / 8

HEX #EA26C9

RGB 234 38 201

HSL 310.1, 0.82%, 0.53%

LAB 55.17, 83.41, -38.8

 

CMYK 0 / 90 / 15 / 32

HEX #AE1194

RGB 174 17 148

HSL 309.94, 0.82%, 0.37%

LAB 40.47, 68.17, -31.36

 

CMYK 0 / 59 / 90 / 33

HEX #AC4711

RGB 172 71 17

HSL 20.9, 0.82%, 0.37%

LAB 43.24, 38.89, 48.67

 

CMYK 90 / 0 / 23 / 33

HEX #11AC85

RGB 17 172 133

HSL 164.9, 0.82%, 0.37%

LAB 62.77, -46.08, 9.82

 

CMYK 0 / 90 / 15 / 32

HEX #AE1194

RGB 174 17 148

HSL 309.94, 0.82%, 0.37%

LAB 40.47, 68.17, -31.36

 

CMYK 13 / 0 / 90 / 33

HEX #95AC11

RGB 149 172 17

HSL 68.9, 0.82%, 0.37%

LAB 66.47, -25.79, 65.95

 

CMYK 90 / 13 / 0 / 33

HEX #1195AC

RGB 17 149 172

HSL 188.9, 0.82%, 0.37%

LAB 56.68, -23.89, -21.21

 

CMYK 0 / 90 / 15 / 32

HEX #AE1194

RGB 174 17 148

HSL 309.94, 0.82%, 0.37%

LAB 40.47, 68.17, -31.36

 

CMYK 0 / 59 / 90 / 33

HEX #AC4711

RGB 172 71 17

HSL 20.9, 0.82%, 0.37%

LAB 43.24, 38.89, 48.67

 

CMYK 90 / 0 / 77 / 33

HEX #11AC28

RGB 17 172 40

HSL 128.9, 0.82%, 0.37%

LAB 61.46, -61.5, 53.64

 

CMYK 90 / 31 / 0 / 33

HEX #1176AC

RGB 17 118 172

HSL 200.9, 0.82%, 0.37%

LAB 47.05, -6.71, -36.17

 

CMYK 0 / 90 / 15 / 32

HEX #AE1194

RGB 174 17 148

HSL 309.94, 0.82%, 0.37%

LAB 40.47, 68.17, -31.36

 

CMYK 0 / 31 / 90 / 33

HEX #AC7611

RGB 172 118 17

HSL 39.1, 0.82%, 0.37%

LAB 53.78, 13.46, 56.79

 

CMYK 90 / 0 / 77 / 33

HEX #11AC28

RGB 17 172 40

HSL 128.9, 0.82%, 0.37%

LAB 61.46, -61.5, 53.64

 

CMYK 90 / 59 / 0 / 33

HEX #1147AC

RGB 17 71 172

HSL 219.1, 0.82%, 0.37%

LAB 33.14, 23.67, -58.48

 

Description

Color code: HEX #AE1194 | qconv.com Color code: HEX #AE1194 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 17 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 17 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 15 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 15% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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