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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE097D it is the complementary color #51F682. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE097D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE097D shade: #B30978, #C41B8B, #D52D9E, #E63FB1 and #F751C4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE097D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE097D shade: #AE097D, #9D006A, #8C0057, #7B0044 and #6A0031

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE097D shade: #AE097D, #AE0951, #AE0924 and #AE0909

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE097D shade: #AE097D, #AE09AA, #8609AE, #5A09AE and #2D09AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE097D shade matches the following richer shades: #AE097D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE097D shade: #AE097D, #A01877, #912771, #82366B and #734565

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE097D shade: #8509AE, #AE09AC, #AE0980, #AE0954 and #AE0927

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE097D shade: #600545, #870761, #AE097D, #D60B9A and #F317B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE097D shade: #AE097D, #AE5909 and #09AE9B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE097D shade: #AE097D, #80AE09 and #0980AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE097D shade: #AE097D, #AE5909, #09AE38 and #095FAE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE097D shade: #AE097D, #AE8B09, #09AE38 and #092DAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 28 / 32

HEX #AE097D

RGB 174 9 125

HSL 317.82, 0.9%, 0.36%

LAB 39.03, 66.3, -19.46

 

Complementary color

CMYK 67 / 0 / 47 / 4

HEX #51F682

RGB 81 246 130

HSL 137.82, 0.9%, 0.64%

LAB 86.64, -66.54, 43.49

 

CMYK 0 / 95 / 33 / 30

HEX #B30978

RGB 179 9 120

HSL 320.82, 0.9%, 0.37%

LAB 39.81, 66.81, -15.06

 

CMYK 0 / 86 / 29 / 23

HEX #C41B8B

RGB 196 27 139

HSL 320.24, 0.76%, 0.44%

LAB 44.78, 69.99, -18.87

 

CMYK 0 / 79 / 26 / 16

HEX #D52D9E

RGB 213 45 158

HSL 319.64, 0.67%, 0.51%

LAB 50.09, 71.98, -21.87

 

CMYK 0 / 73 / 23 / 10

HEX #E63FB1

RGB 230 63 177

HSL 319.04, 0.77%, 0.57%

LAB 55.64, 73.1, -24.25

 

CMYK 0 / 67 / 21 / 3

HEX #F751C4

RGB 247 81 196

HSL 318.43, 0.91%, 0.64%

LAB 61.35, 73.61, -26.16

 

CMYK 0 / 95 / 28 / 32

HEX #AE097D

RGB 174 9 125

HSL 317.82, 0.9%, 0.36%

LAB 39.03, 66.3, -19.46

 

CMYK 0 / 100 / 32 / 38

HEX #9D006A

RGB 157 0 106

HSL 319.49, 1%, 0.31%

LAB 34.41, 61.66, -14.86

 

CMYK 0 / 100 / 38 / 45

HEX #8C0057

RGB 140 0 87

HSL 322.71, 1%, 0.27%

LAB 30.07, 55.94, -9.48

 

CMYK 0 / 100 / 45 / 52

HEX #7B0044

RGB 123 0 68

HSL 326.83, 1%, 0.24%

LAB 25.65, 50.15, -3.77

 

CMYK 0 / 100 / 54 / 58

HEX #6A0031

RGB 106 0 49

HSL 332.26, 1%, 0.21%

LAB 21.15, 44.3, 2.36

 

CMYK 0 / 95 / 28 / 32

HEX #AE097D

RGB 174 9 125

HSL 317.82, 0.9%, 0.36%

LAB 39.03, 66.3, -19.46

 

CMYK 0 / 95 / 53 / 32

HEX #AE0951

RGB 174 9 81

HSL 333.82, 0.9%, 0.36%

LAB 37.46, 62.12, 6.13

 

CMYK 0 / 95 / 79 / 32

HEX #AE0924

RGB 174 9 36

HSL 350.18, 0.9%, 0.36%

LAB 36.6, 59.74, 33.64

 

CMYK 0 / 95 / 95 / 32

HEX #AE0909

RGB 174 9 9

HSL 0, 0.9%, 0.36%

LAB 36.39, 59.17, 46.98

 

CMYK 0 / 95 / 28 / 32

HEX #AE097D

RGB 174 9 125

HSL 317.82, 0.9%, 0.36%

LAB 39.03, 66.3, -19.46

 

CMYK 0 / 95 / 2 / 32

HEX #AE09AA

RGB 174 9 170

HSL 301.45, 0.9%, 0.36%

LAB 41.37, 72.26, -43.19

 

CMYK 23 / 95 / 0 / 32

HEX #8609AE

RGB 134 9 174

HSL 285.45, 0.9%, 0.36%

LAB 34.64, 66.55, -56.79

 

CMYK 48 / 95 / 0 / 32

HEX #5A09AE

RGB 90 9 174

HSL 269.45, 0.9%, 0.36%

LAB 27.91, 61.23, -68.08

 

CMYK 74 / 95 / 0 / 32

HEX #2D09AE

RGB 45 9 174

HSL 253.09, 0.9%, 0.36%

LAB 23.03, 58.13, -76.32

 

CMYK 0 / 95 / 28 / 32

HEX #AE097D

RGB 174 9 125

HSL 317.82, 0.9%, 0.36%

LAB 39.03, 66.3, -19.46

 

CMYK 0 / 95 / 28 / 32

HEX #AE097D

RGB 174 9 125

HSL 317.82, 0.9%, 0.36%

LAB 39.03, 66.3, -19.46

 

CMYK 0 / 85 / 26 / 37

HEX #A01877

RGB 160 24 119

HSL 318.09, 0.74%, 0.36%

LAB 36.85, 60.13, -19.29

 

CMYK 0 / 73 / 22 / 43

HEX #912771

RGB 145 39 113

HSL 318.11, 0.58%, 0.36%

LAB 35.33, 51.24, -18.1

 

CMYK 0 / 58 / 18 / 49

HEX #82366B

RGB 130 54 107

HSL 318.16, 0.41%, 0.36%

LAB 34.89, 39.42, -15.19

 

CMYK 0 / 40 / 12 / 55

HEX #734565

RGB 115 69 101

HSL 318.26, 0.25%, 0.36%

LAB 35.68, 24.9, -10.41

 

CMYK 24 / 95 / 0 / 32

HEX #8509AE

RGB 133 9 174

HSL 285.09, 0.9%, 0.36%

LAB 34.47, 66.4, -57.07

 

CMYK 0 / 95 / 1 / 32

HEX #AE09AC

RGB 174 9 172

HSL 300.73, 0.9%, 0.36%

LAB 41.49, 72.56, -44.19

 

CMYK 0 / 95 / 26 / 32

HEX #AE0980

RGB 174 9 128

HSL 316.73, 0.9%, 0.36%

LAB 39.16, 66.65, -21.12

 

CMYK 0 / 95 / 52 / 32

HEX #AE0954

RGB 174 9 84

HSL 332.73, 0.9%, 0.36%

LAB 37.54, 62.35, 4.31

 

CMYK 0 / 95 / 78 / 32

HEX #AE0927

RGB 174 9 39

HSL 349.09, 0.9%, 0.36%

LAB 36.63, 59.84, 31.87

 

CMYK 0 / 95 / 28 / 62

HEX #600545

RGB 96 5 69

HSL 317.8, 0.9%, 0.2%

LAB 20.14, 42.77, -13.37

 

CMYK 0 / 95 / 28 / 47

HEX #870761

RGB 135 7 97

HSL 317.81, 0.9%, 0.28%

LAB 29.83, 54.86, -16.49

 

CMYK 0 / 95 / 28 / 32

HEX #AE097D

RGB 174 9 125

HSL 317.82, 0.9%, 0.36%

LAB 39.03, 66.3, -19.46

 

CMYK 0 / 95 / 28 / 16

HEX #D60B9A

RGB 214 11 154

HSL 317.73, 0.9%, 0.44%

LAB 48.09, 77.57, -22.54

 

CMYK 0 / 91 / 27 / 5

HEX #F317B2

RGB 243 23 178

HSL 317.73, 0.9%, 0.52%

LAB 54.95, 84.75, -25.7

 

CMYK 0 / 95 / 28 / 32

HEX #AE097D

RGB 174 9 125

HSL 317.82, 0.9%, 0.36%

LAB 39.03, 66.3, -19.46

 

CMYK 0 / 49 / 95 / 32

HEX #AE5909

RGB 174 89 9

HSL 29.09, 0.9%, 0.36%

LAB 47.19, 30.28, 53.92

 

CMYK 95 / 0 / 11 / 32

HEX #09AE9B

RGB 9 174 155

HSL 173.09, 0.9%, 0.36%

LAB 63.91, -41.4, -0.78

 

CMYK 0 / 95 / 28 / 32

HEX #AE097D

RGB 174 9 125

HSL 317.82, 0.9%, 0.36%

LAB 39.03, 66.3, -19.46

 

CMYK 26 / 0 / 95 / 32

HEX #80AE09

RGB 128 174 9

HSL 76.73, 0.9%, 0.36%

LAB 65.66, -35.55, 65.87

 

CMYK 95 / 26 / 0 / 32

HEX #0980AE

RGB 9 128 174

HSL 196.73, 0.9%, 0.36%

LAB 50.16, -12.16, -32.45

 

CMYK 0 / 95 / 28 / 32

HEX #AE097D

RGB 174 9 125

HSL 317.82, 0.9%, 0.36%

LAB 39.03, 66.3, -19.46

 

CMYK 0 / 49 / 95 / 32

HEX #AE5909

RGB 174 89 9

HSL 29.09, 0.9%, 0.36%

LAB 47.19, 30.28, 53.92

 

CMYK 95 / 0 / 68 / 32

HEX #09AE38

RGB 9 174 56

HSL 137.09, 0.9%, 0.36%

LAB 62.18, -61.13, 48.29

 

CMYK 95 / 45 / 0 / 32

HEX #095FAE

RGB 9 95 174

HSL 208.73, 0.9%, 0.36%

LAB 40.08, 8.03, -48.44

 

CMYK 0 / 95 / 28 / 32

HEX #AE097D

RGB 174 9 125

HSL 317.82, 0.9%, 0.36%

LAB 39.03, 66.3, -19.46

 

CMYK 0 / 20 / 95 / 32

HEX #AE8B09

RGB 174 139 9

HSL 47.27, 0.9%, 0.36%

LAB 59.42, 2.53, 62.7

 

CMYK 95 / 0 / 68 / 32

HEX #09AE38

RGB 9 174 56

HSL 137.09, 0.9%, 0.36%

LAB 62.18, -61.13, 48.29

 

CMYK 95 / 74 / 0 / 32

HEX #092DAE

RGB 9 45 174

HSL 226.91, 0.9%, 0.36%

LAB 26.71, 41.17, -70.26

 

Description

Color code: HEX #AE097D | qconv.com Color code: HEX #AE097D | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 9 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 9 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 28 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 28% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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