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Color name
HEX #ADF825

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADF825 it is the complementary color #5207DA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADF825. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADF825 shade: #B2F820, #C3FF33, #D4FF46, #E5FF59 and #F6FF6C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADF825. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADF825 shade: #ADF825, #9CE612, #8BD400, #7AC200 and #69B000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADF825 shade: #ADF825, #E6F825, #F8D125, #F89925 and #F86025

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADF825 shade: #ADF825, #74F825, #3CF825, #25F848 and #25F881

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADF825 shade matches the following richer shades: #ADF825

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADF825 shade: #ADF825, #A8E637, #A3D44A, #9EC25C and #98B06E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADF825 shade: #F8D225, #E7F825, #AEF825, #76F825 and #3EF825

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADF825 shade: #81C506, #9BED07, #ADF825, #BCFA4D and #CBFB75

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADF825 shade: #ADF825, #25F899 and #EE25F8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADF825 shade: #ADF825, #25AEF8 and #F825AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADF825 shade: #ADF825, #25F899, #6F25F8 and #F82584

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADF825 shade: #ADF825, #25F8D9, #6F25F8 and #F82545

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 85 / 3

HEX #ADF825

RGB 173 248 37

HSL 81.33, 0.94%, 0.56%

LAB 89.93, -49.94, 82.29

 

Complementary color

CMYK 62 / 97 / 0 / 15

HEX #5207DA

RGB 82 7 218

HSL 261.33, 0.94%, 0.44%

LAB 31.82, 71.14, -87.51

 

CMYK 28 / 0 / 87 / 3

HEX #B2F820

RGB 178 248 32

HSL 79.44, 0.94%, 0.55%

LAB 90.19, -48.26, 83.54

 

CMYK 24 / 0 / 80 / 0

HEX #C3FF33

RGB 195 255 51

HSL 77.65, 1%, 0.6%

LAB 93.17, -44.38, 82.43

 

CMYK 17 / 0 / 73 / 0

HEX #D4FF46

RGB 212 255 70

HSL 73.95, 1%, 0.64%

LAB 94.29, -37.13, 78.38

 

CMYK 10 / 0 / 65 / 0

HEX #E5FF59

RGB 229 255 89

HSL 69.4, 1%, 0.67%

LAB 95.54, -29.5, 73.32

 

CMYK 4 / 0 / 58 / 0

HEX #F6FF6C

RGB 246 255 108

HSL 63.67, 1%, 0.71%

LAB 96.9, -21.6, 67.54

 

CMYK 30 / 0 / 85 / 3

HEX #ADF825

RGB 173 248 37

HSL 81.33, 0.94%, 0.56%

LAB 89.93, -49.94, 82.29

 

CMYK 32 / 0 / 92 / 10

HEX #9CE612

RGB 156 230 18

HSL 80.94, 0.85%, 0.49%

LAB 83.81, -49.04, 79.94

 

CMYK 34 / 0 / 100 / 17

HEX #8BD400

RGB 139 212 0

HSL 80.66, 1%, 0.42%

LAB 77.62, -47.95, 76.46

 

CMYK 37 / 0 / 100 / 24

HEX #7AC200

RGB 122 194 0

HSL 82.27, 1%, 0.38%

LAB 71.37, -46.61, 71.26

 

CMYK 40 / 0 / 100 / 31

HEX #69B000

RGB 105 176 0

HSL 84.2, 1%, 0.35%

LAB 65.01, -45.21, 65.97

 

CMYK 30 / 0 / 85 / 3

HEX #ADF825

RGB 173 248 37

HSL 81.33, 0.94%, 0.56%

LAB 89.93, -49.94, 82.29

 

CMYK 7 / 0 / 85 / 3

HEX #E6F825

RGB 230 248 37

HSL 65.12, 0.94%, 0.56%

LAB 93.49, -27.98, 86.7

 

CMYK 0 / 16 / 85 / 3

HEX #F8D125

RGB 248 209 37

HSL 48.91, 0.94%, 0.56%

LAB 84.84, -1.38, 80.23

 

CMYK 0 / 38 / 85 / 3

HEX #F89925

RGB 248 153 37

HSL 32.99, 0.94%, 0.56%

LAB 71.47, 27.78, 69.31

 

CMYK 0 / 61 / 85 / 3

HEX #F86025

RGB 248 96 37

HSL 16.78, 0.94%, 0.56%

LAB 60.3, 55.64, 60.1

 

CMYK 30 / 0 / 85 / 3

HEX #ADF825

RGB 173 248 37

HSL 81.33, 0.94%, 0.56%

LAB 89.93, -49.94, 82.29

 

CMYK 53 / 0 / 85 / 3

HEX #74F825

RGB 116 248 37

HSL 97.54, 0.94%, 0.56%

LAB 87.48, -67.91, 79.21

 

CMYK 76 / 0 / 85 / 3

HEX #3CF825

RGB 60 248 37

HSL 113.46, 0.94%, 0.56%

LAB 86.12, -79.2, 77.5

 

CMYK 85 / 0 / 71 / 3

HEX #25F848

RGB 37 248 72

HSL 129.95, 0.94%, 0.56%

LAB 86, -79.59, 67.37

 

CMYK 85 / 0 / 48 / 3

HEX #25F881

RGB 37 248 129

HSL 146.16, 0.94%, 0.56%

LAB 86.56, -72.78, 43.73

 

CMYK 30 / 0 / 85 / 3

HEX #ADF825

RGB 173 248 37

HSL 81.33, 0.94%, 0.56%

LAB 89.93, -49.94, 82.29

 

CMYK 30 / 0 / 85 / 3

HEX #ADF825

RGB 173 248 37

HSL 81.33, 0.94%, 0.56%

LAB 89.93, -49.94, 82.29

 

CMYK 27 / 0 / 76 / 10

HEX #A8E637

RGB 168 230 55

HSL 81.26, 0.78%, 0.56%

LAB 84.58, -43.46, 72.91

 

CMYK 23 / 0 / 65 / 17

HEX #A3D44A

RGB 163 212 74

HSL 81.3, 0.62%, 0.56%

LAB 79.25, -36.24, 60.79

 

CMYK 19 / 0 / 53 / 24

HEX #9EC25C

RGB 158 194 92

HSL 81.18, 0.46%, 0.56%

LAB 73.95, -28.23, 46.84

 

CMYK 14 / 0 / 38 / 31

HEX #98B06E

RGB 152 176 110

HSL 81.82, 0.29%, 0.56%

LAB 68.64, -19.61, 31.12

 

CMYK 0 / 15 / 85 / 3

HEX #F8D225

RGB 248 210 37

HSL 49.19, 0.94%, 0.56%

LAB 85.09, -1.89, 80.44

 

CMYK 7 / 0 / 85 / 3

HEX #E7F825

RGB 231 248 37

HSL 64.83, 0.94%, 0.56%

LAB 93.56, -27.58, 86.79

 

CMYK 30 / 0 / 85 / 3

HEX #AEF825

RGB 174 248 37

HSL 81.04, 0.94%, 0.56%

LAB 89.98, -49.58, 82.35

 

CMYK 52 / 0 / 85 / 3

HEX #76F825

RGB 118 248 37

HSL 96.97, 0.94%, 0.56%

LAB 87.54, -67.38, 79.3

 

CMYK 75 / 0 / 85 / 3

HEX #3EF825

RGB 62 248 37

HSL 112.89, 0.94%, 0.56%

LAB 86.15, -78.92, 77.54

 

CMYK 35 / 0 / 97 / 23

HEX #81C506

RGB 129 197 6

HSL 81.36, 0.94%, 0.4%

LAB 72.64, -45.24, 71.75

 

CMYK 35 / 0 / 97 / 7

HEX #9BED07

RGB 155 237 7

HSL 81.39, 0.94%, 0.48%

LAB 85.78, -52.4, 82.54

 

CMYK 30 / 0 / 85 / 3

HEX #ADF825

RGB 173 248 37

HSL 81.33, 0.94%, 0.56%

LAB 89.93, -49.94, 82.29

 

CMYK 25 / 0 / 69 / 2

HEX #BCFA4D

RGB 188 250 77

HSL 81.5, 0.95%, 0.64%

LAB 91.5, -43.56, 72.77

 

CMYK 19 / 0 / 53 / 2

HEX #CBFB75

RGB 203 251 117

HSL 81.49, 0.94%, 0.72%

LAB 93, -35.43, 58.43

 

CMYK 30 / 0 / 85 / 3

HEX #ADF825

RGB 173 248 37

HSL 81.33, 0.94%, 0.56%

LAB 89.93, -49.94, 82.29

 

CMYK 85 / 0 / 38 / 3

HEX #25F899

RGB 37 248 153

HSL 152.99, 0.94%, 0.56%

LAB 86.91, -68.64, 32.42

 

CMYK 4 / 85 / 0 / 3

HEX #EE25F8

RGB 238 37 248

HSL 297.16, 0.94%, 0.56%

LAB 58.3, 90.94, -60.35

 

CMYK 30 / 0 / 85 / 3

HEX #ADF825

RGB 173 248 37

HSL 81.33, 0.94%, 0.56%

LAB 89.93, -49.94, 82.29

 

CMYK 85 / 30 / 0 / 3

HEX #25AEF8

RGB 37 174 248

HSL 201.04, 0.94%, 0.56%

LAB 67.61, -9.52, -46.49

 

CMYK 0 / 85 / 30 / 3

HEX #F825AE

RGB 248 37 174

HSL 321.04, 0.94%, 0.56%

LAB 56.42, 83.26, -21.03

 

CMYK 30 / 0 / 85 / 3

HEX #ADF825

RGB 173 248 37

HSL 81.33, 0.94%, 0.56%

LAB 89.93, -49.94, 82.29

 

CMYK 85 / 0 / 38 / 3

HEX #25F899

RGB 37 248 153

HSL 152.99, 0.94%, 0.56%

LAB 86.91, -68.64, 32.42

 

CMYK 55 / 85 / 0 / 3

HEX #6F25F8

RGB 111 37 248

HSL 261.04, 0.94%, 0.56%

LAB 40.38, 73.73, -90.32

 

CMYK 0 / 85 / 47 / 3

HEX #F82584

RGB 248 37 132

HSL 332.99, 0.94%, 0.56%

LAB 55.02, 79.33, 1.69

 

CMYK 30 / 0 / 85 / 3

HEX #ADF825

RGB 173 248 37

HSL 81.33, 0.94%, 0.56%

LAB 89.93, -49.94, 82.29

 

CMYK 85 / 0 / 13 / 3

HEX #25F8D9

RGB 37 248 217

HSL 171.18, 0.94%, 0.56%

LAB 88.23, -54.27, 1.38

 

CMYK 55 / 85 / 0 / 3

HEX #6F25F8

RGB 111 37 248

HSL 261.04, 0.94%, 0.56%

LAB 40.38, 73.73, -90.32

 

CMYK 0 / 85 / 72 / 3

HEX #F82545

RGB 248 37 69

HSL 350.9, 0.94%, 0.56%

LAB 53.72, 75.58, 37.54

 

Description

Color code: HEX #ADF825 | qconv.com Color code: HEX #ADF825 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 248 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 248 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 85 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 85% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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