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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADEFD7 it is the complementary color #521028. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADEFD7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADEFD7 shade: #B2EFD2, #C3FFE5, #D4FFF8, #E5FFFF and #F6FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADEFD7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADEFD7 shade: #ADEFD7, #9CDDC4, #8BCBB1, #7AB99E and #69A78B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADEFD7 shade: #AEEFD7, #AEEFC5, #AEEFB4, #B9EFAE and #CAEFAE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADEFD7 shade: #AEEFD7, #AEEFE8, #AEE3EF, #AED2EF and #AEC0EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADEFD7 shade matches the following richer shades: #AEEFD7, #A6F6D9 and #9EFEDB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADEFD7 shade: #AEEFD7, #B5E7D5, #BDDFD3, #C5D7D0 and #CDCFCE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADEFD7 shade: #AEEFB4, #AEEFC5, #AEEFD7, #AEEFE8 and #AEE4EF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADEFD7 shade: #69E1B5, #8BE8C6, #AEEFD7, #D0F5E8 and #F2FCF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADEFD7 shade: #ADEFD7, #AEB8EF and #EFBDAE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADEFD7 shade: #ADEFD7, #D7AEEF and #EFD7AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADEFD7 shade: #ADEFD7, #AEB8EF, #EFAEC5 and #EFE4AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADEFD7 shade: #ADEFD7, #B6AEEF, #EFAEC5 and #E6EFAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 10 / 6

HEX #ADEFD7

RGB 173 239 215

HSL 158.18, 0.67%, 0.81%

LAB 89.64, -25.55, 4.97

 

Complementary color

CMYK 0 / 80 / 51 / 68

HEX #521028

RGB 82 16 40

HSL 338.18, 0.67%, 0.19%

LAB 17.07, 32.05, 2.21

 

CMYK 26 / 0 / 12 / 6

HEX #B2EFD2

RGB 178 239 210

HSL 151.48, 0.66%, 0.82%

LAB 89.79, -25.04, 7.83

 

CMYK 24 / 0 / 10 / 0

HEX #C3FFE5

RGB 195 255 229

HSL 154, 1%, 0.88%

LAB 95.49, -23.9, 6.31

 

CMYK 17 / 0 / 3 / 0

HEX #D4FFF8

RGB 212 255 248

HSL 170.23, 1%, 0.92%

LAB 96.94, -15.01, -1.23

 

CMYK 10 / 0 / 0 / 0

HEX #E5FFFF

RGB 229 255 255

HSL 180, 1%, 0.95%

LAB 98.19, -8.37, -2.87

 

CMYK 4 / 0 / 0 / 0

HEX #F6FFFF

RGB 246 255 255

HSL 180, 1%, 0.98%

LAB 99.35, -2.94, -1.04

 

CMYK 28 / 0 / 10 / 6

HEX #ADEFD7

RGB 173 239 215

HSL 158.18, 0.67%, 0.81%

LAB 89.64, -25.55, 4.97

 

CMYK 29 / 0 / 11 / 13

HEX #9CDDC4

RGB 156 221 196

HSL 156.92, 0.49%, 0.74%

LAB 83.32, -25.74, 5.71

 

CMYK 32 / 0 / 13 / 20

HEX #8BCBB1

RGB 139 203 177

HSL 155.63, 0.38%, 0.67%

LAB 76.91, -25.95, 6.5

 

CMYK 34 / 0 / 15 / 27

HEX #7AB99E

RGB 122 185 158

HSL 154.29, 0.31%, 0.6%

LAB 70.39, -26.18, 7.33

 

CMYK 37 / 0 / 17 / 35

HEX #69A78B

RGB 105 167 139

HSL 152.9, 0.26%, 0.53%

LAB 63.76, -26.42, 8.22

 

CMYK 27 / 0 / 10 / 6

HEX #AEEFD7

RGB 174 239 215

HSL 157.85, 0.67%, 0.81%

LAB 89.69, -25.25, 5.05

 

CMYK 27 / 0 / 18 / 6

HEX #AEEFC5

RGB 174 239 197

HSL 141.23, 0.67%, 0.81%

LAB 89.28, -28.73, 13.83

 

CMYK 27 / 0 / 25 / 6

HEX #AEEFB4

RGB 174 239 180

HSL 125.54, 0.67%, 0.81%

LAB 88.94, -31.75, 22.14

 

CMYK 23 / 0 / 27 / 6

HEX #B9EFAE

RGB 185 239 174

HSL 109.85, 0.67%, 0.81%

LAB 89.44, -29.14, 26.01

 

CMYK 15 / 0 / 27 / 6

HEX #CAEFAE

RGB 202 239 174

HSL 94.15, 0.67%, 0.81%

LAB 90.48, -23.33, 27.6

 

CMYK 27 / 0 / 10 / 6

HEX #AEEFD7

RGB 174 239 215

HSL 157.85, 0.67%, 0.81%

LAB 89.69, -25.25, 5.05

 

CMYK 27 / 0 / 3 / 6

HEX #AEEFE8

RGB 174 239 232

HSL 173.54, 0.67%, 0.81%

LAB 90.12, -21.71, -3.2

 

CMYK 27 / 5 / 0 / 6

HEX #AEE3EF

RGB 174 227 239

HSL 191.08, 0.67%, 0.81%

LAB 87.08, -14.19, -11.36

 

CMYK 27 / 12 / 0 / 6

HEX #AED2EF

RGB 174 210 239

HSL 206.77, 0.67%, 0.81%

LAB 82.55, -5.42, -18.16

 

CMYK 27 / 20 / 0 / 6

HEX #AEC0EF

RGB 174 192 239

HSL 223.38, 0.67%, 0.81%

LAB 77.83, 4.18, -25.32

 

CMYK 27 / 0 / 10 / 6

HEX #AEEFD7

RGB 174 239 215

HSL 157.85, 0.67%, 0.81%

LAB 89.69, -25.25, 5.05

 

CMYK 33 / 0 / 12 / 4

HEX #A6F6D9

RGB 166 246 217

HSL 158.25, 0.82%, 0.81%

LAB 91.25, -30.5, 6.2

 

CMYK 38 / 0 / 14 / 0

HEX #9EFEDB

RGB 158 254 219

HSL 158.13, 0.98%, 0.81%

LAB 93.13, -36, 7.83

 

CMYK 27 / 0 / 10 / 6

HEX #AEEFD7

RGB 174 239 215

HSL 157.85, 0.67%, 0.81%

LAB 89.69, -25.25, 5.05

 

CMYK 22 / 0 / 8 / 9

HEX #B5E7D5

RGB 181 231 213

HSL 158.4, 0.51%, 0.81%

LAB 87.86, -19.62, 3.5

 

CMYK 15 / 0 / 5 / 13

HEX #BDDFD3

RGB 189 223 211

HSL 158.82, 0.35%, 0.81%

LAB 86.15, -13.48, 2.13

 

CMYK 8 / 0 / 3 / 16

HEX #C5D7D0

RGB 197 215 208

HSL 156.67, 0.18%, 0.81%

LAB 84.5, -7.35, 1.37

 

CMYK 1 / 0 / 0 / 19

HEX #CDCFCE

RGB 205 207 206

HSL 150, 0.02%, 0.81%

LAB 82.95, -0.86, 0.25

 

CMYK 27 / 0 / 25 / 6

HEX #AEEFB4

RGB 174 239 180

HSL 125.54, 0.67%, 0.81%

LAB 88.94, -31.75, 22.14

 

CMYK 27 / 0 / 18 / 6

HEX #AEEFC5

RGB 174 239 197

HSL 141.23, 0.67%, 0.81%

LAB 89.28, -28.73, 13.83

 

CMYK 27 / 0 / 10 / 6

HEX #AEEFD7

RGB 174 239 215

HSL 157.85, 0.67%, 0.81%

LAB 89.69, -25.25, 5.05

 

CMYK 27 / 0 / 3 / 6

HEX #AEEFE8

RGB 174 239 232

HSL 173.54, 0.67%, 0.81%

LAB 90.12, -21.71, -3.2

 

CMYK 27 / 5 / 0 / 6

HEX #AEE4EF

RGB 174 228 239

HSL 190.15, 0.67%, 0.81%

LAB 87.35, -14.7, -10.97

 

CMYK 53 / 0 / 20 / 12

HEX #69E1B5

RGB 105 225 181

HSL 158, 0.67%, 0.65%

LAB 81.94, -44.09, 11.37

 

CMYK 40 / 0 / 15 / 9

HEX #8BE8C6

RGB 139 232 198

HSL 158.06, 0.67%, 0.73%

LAB 85.64, -35.31, 7.9

 

CMYK 27 / 0 / 10 / 6

HEX #AEEFD7

RGB 174 239 215

HSL 157.85, 0.67%, 0.81%

LAB 89.69, -25.25, 5.05

 

CMYK 15 / 0 / 5 / 4

HEX #D0F5E8

RGB 208 245 232

HSL 158.92, 0.65%, 0.89%

LAB 93.68, -14.4, 2.25

 

CMYK 4 / 0 / 1 / 1

HEX #F2FCF9

RGB 242 252 249

HSL 162, 0.63%, 0.97%

LAB 98.17, -3.81, 0.28

 

CMYK 28 / 0 / 10 / 6

HEX #ADEFD7

RGB 173 239 215

HSL 158.18, 0.67%, 0.81%

LAB 89.64, -25.55, 4.97

 

CMYK 27 / 23 / 0 / 6

HEX #AEB8EF

RGB 174 184 239

HSL 230.77, 0.67%, 0.81%

LAB 75.77, 8.55, -28.48

 

CMYK 0 / 21 / 27 / 6

HEX #EFBDAE

RGB 239 189 174

HSL 13.85, 0.67%, 0.81%

LAB 80.63, 15.81, 14.42

 

CMYK 28 / 0 / 10 / 6

HEX #ADEFD7

RGB 173 239 215

HSL 158.18, 0.67%, 0.81%

LAB 89.64, -25.55, 4.97

 

CMYK 10 / 27 / 0 / 6

HEX #D7AEEF

RGB 215 174 239

HSL 277.85, 0.67%, 0.81%

LAB 76.65, 26.54, -26.84

 

CMYK 0 / 10 / 27 / 6

HEX #EFD7AE

RGB 239 215 174

HSL 37.85, 0.67%, 0.81%

LAB 87, 2.21, 23.29

 

CMYK 28 / 0 / 10 / 6

HEX #ADEFD7

RGB 173 239 215

HSL 158.18, 0.67%, 0.81%

LAB 89.64, -25.55, 4.97

 

CMYK 27 / 23 / 0 / 6

HEX #AEB8EF

RGB 174 184 239

HSL 230.77, 0.67%, 0.81%

LAB 75.77, 8.55, -28.48

 

CMYK 0 / 27 / 18 / 6

HEX #EFAEC5

RGB 239 174 197

HSL 338.77, 0.67%, 0.81%

LAB 77.67, 27.09, -2.27

 

CMYK 0 / 5 / 27 / 6

HEX #EFE4AE

RGB 239 228 174

HSL 49.85, 0.67%, 0.81%

LAB 90.27, -4.44, 27.76

 

CMYK 28 / 0 / 10 / 6

HEX #ADEFD7

RGB 173 239 215

HSL 158.18, 0.67%, 0.81%

LAB 89.64, -25.55, 4.97

 

CMYK 24 / 27 / 0 / 6

HEX #B6AEEF

RGB 182 174 239

HSL 247.38, 0.67%, 0.81%

LAB 73.84, 16.42, -31.4

 

CMYK 0 / 27 / 18 / 6

HEX #EFAEC5

RGB 239 174 197

HSL 338.77, 0.67%, 0.81%

LAB 77.67, 27.09, -2.27

 

CMYK 4 / 0 / 27 / 6

HEX #E6EFAE

RGB 230 239 174

HSL 68.31, 0.67%, 0.81%

LAB 92.4, -13.29, 30.52

 

Description

Color code: HEX #ADEFD7 | qconv.com Color code: HEX #ADEFD7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 239 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 239 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 10 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 10% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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