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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADEF6A it is the complementary color #521095. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADEF6A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADEF6A shade: #B2EF65, #C3FF78, #D4FF8B, #E5FF9E and #F6FFB1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADEF6A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADEF6A shade: #ADEF6A, #9CDD57, #8BCB44, #7AB931 and #69A71E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADEF6A shade: #AEEF6B, #D2EF6B, #EFEA6B, #EFC66B and #EFA26B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADEF6A shade: #AEEF6B, #8AEF6B, #6BEF70, #6BEF94 and #6BEFB7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADEF6A shade matches the following richer shades: #AEEF6B and #AEFD5E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADEF6A shade: #AEEF6B, #AEE279, #AED586, #AEC893 and #AEBBA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADEF6A shade: #EFE96B, #D3EF6B, #B0EF6B, #8CEF6B and #6BEF6E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADEF6A shade: #85E821, #99EC46, #AEEF6B, #C2F391 and #D7F7B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADEF6A shade: #ADEF6A, #6BEFC6 and #EF6BE4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADEF6A shade: #ADEF6A, #6BB0EF and #EF6BB0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADEF6A shade: #ADEF6A, #6BEFC6, #AB6BEF and #EF6B95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADEF6A shade: #ADEF6A, #6BEFED, #AB6BEF and #EF6B6E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 56 / 6

HEX #ADEF6A

RGB 173 239 106

HSL 89.77, 0.81%, 0.68%

LAB 87.8, -41.92, 56.84

 

Complementary color

CMYK 45 / 89 / 0 / 42

HEX #521095

RGB 82 16 149

HSL 269.77, 0.81%, 0.32%

LAB 24.75, 53.02, -58.12

 

CMYK 26 / 0 / 58 / 6

HEX #B2EF65

RGB 178 239 101

HSL 86.52, 0.81%, 0.67%

LAB 88.03, -40.6, 59.37

 

CMYK 24 / 0 / 53 / 0

HEX #C3FF78

RGB 195 255 120

HSL 86.67, 1%, 0.74%

LAB 93.66, -39.83, 57.74

 

CMYK 17 / 0 / 45 / 0

HEX #D4FF8B

RGB 212 255 139

HSL 82.24, 1%, 0.77%

LAB 94.9, -31.77, 50.73

 

CMYK 10 / 0 / 38 / 0

HEX #E5FF9E

RGB 229 255 158

HSL 76.08, 1%, 0.81%

LAB 96.26, -23.42, 43.56

 

CMYK 4 / 0 / 31 / 0

HEX #F6FFB1

RGB 246 255 177

HSL 66.92, 1%, 0.85%

LAB 97.75, -14.88, 36.37

 

CMYK 28 / 0 / 56 / 6

HEX #ADEF6A

RGB 173 239 106

HSL 89.77, 0.81%, 0.68%

LAB 87.8, -41.92, 56.84

 

CMYK 29 / 0 / 61 / 13

HEX #9CDD57

RGB 156 221 87

HSL 89.1, 0.66%, 0.6%

LAB 81.55, -41.8, 57.78

 

CMYK 32 / 0 / 67 / 20

HEX #8BCB44

RGB 139 203 68

HSL 88.44, 0.56%, 0.53%

LAB 75.21, -41.57, 58.5

 

CMYK 34 / 0 / 74 / 27

HEX #7AB931

RGB 122 185 49

HSL 87.79, 0.58%, 0.46%

LAB 68.79, -41.21, 58.82

 

CMYK 37 / 0 / 82 / 35

HEX #69A71E

RGB 105 167 30

HSL 87.15, 0.7%, 0.39%

LAB 62.28, -40.63, 58.39

 

CMYK 27 / 0 / 55 / 6

HEX #AEEF6B

RGB 174 239 107

HSL 89.55, 0.8%, 0.68%

LAB 87.87, -41.47, 56.48

 

CMYK 12 / 0 / 55 / 6

HEX #D2EF6B

RGB 210 239 107

HSL 73.18, 0.8%, 0.68%

LAB 90.09, -28.13, 59.62

 

CMYK 0 / 2 / 55 / 6

HEX #EFEA6B

RGB 239 234 107

HSL 57.73, 0.8%, 0.68%

LAB 90.9, -14.29, 61.11

 

CMYK 0 / 17 / 55 / 6

HEX #EFC66B

RGB 239 198 107

HSL 41.36, 0.8%, 0.68%

LAB 81.73, 3.93, 50.48

 

CMYK 0 / 32 / 55 / 6

HEX #EFA26B

RGB 239 162 107

HSL 25, 0.8%, 0.68%

LAB 73.06, 22.88, 39.96

 

CMYK 27 / 0 / 55 / 6

HEX #AEEF6B

RGB 174 239 107

HSL 89.55, 0.8%, 0.68%

LAB 87.87, -41.47, 56.48

 

CMYK 42 / 0 / 55 / 6

HEX #8AEF6B

RGB 138 239 107

HSL 105.91, 0.8%, 0.68%

LAB 86.11, -53.31, 53.98

 

CMYK 55 / 0 / 53 / 6

HEX #6BEF70

RGB 107 239 112

HSL 122.27, 0.8%, 0.68%

LAB 85.01, -61.15, 50.12

 

CMYK 55 / 0 / 38 / 6

HEX #6BEF94

RGB 107 239 148

HSL 138.64, 0.8%, 0.68%

LAB 85.5, -55.84, 33.31

 

CMYK 55 / 0 / 23 / 6

HEX #6BEFB7

RGB 107 239 183

HSL 154.55, 0.8%, 0.68%

LAB 86.15, -49.21, 16.27

 

CMYK 27 / 0 / 55 / 6

HEX #AEEF6B

RGB 174 239 107

HSL 89.55, 0.8%, 0.68%

LAB 87.87, -41.47, 56.48

 

CMYK 31 / 0 / 63 / 1

HEX #AEFD5E

RGB 174 253 94

HSL 89.81, 0.98%, 0.68%

LAB 91.71, -48.62, 66.31

 

CMYK 27 / 0 / 55 / 6

HEX #AEEF6B

RGB 174 239 107

HSL 89.55, 0.8%, 0.68%

LAB 87.87, -41.47, 56.48

 

CMYK 23 / 0 / 46 / 11

HEX #AEE279

RGB 174 226 121

HSL 89.71, 0.64%, 0.68%

LAB 84.37, -34.16, 45.78

 

CMYK 18 / 0 / 37 / 16

HEX #AED586

RGB 174 213 134

HSL 89.62, 0.48%, 0.68%

LAB 80.91, -26.43, 34.94

 

CMYK 13 / 0 / 27 / 22

HEX #AEC893

RGB 174 200 147

HSL 89.43, 0.33%, 0.68%

LAB 77.53, -18.18, 23.69

 

CMYK 7 / 0 / 14 / 27

HEX #AEBBA0

RGB 174 187 160

HSL 88.89, 0.17%, 0.68%

LAB 74.24, -9.43, 12.16

 

CMYK 0 / 3 / 55 / 6

HEX #EFE96B

RGB 239 233 107

HSL 57.27, 0.8%, 0.68%

LAB 90.64, -13.8, 60.82

 

CMYK 12 / 0 / 55 / 6

HEX #D3EF6B

RGB 211 239 107

HSL 72.73, 0.8%, 0.68%

LAB 90.16, -27.74, 59.72

 

CMYK 26 / 0 / 55 / 6

HEX #B0EF6B

RGB 176 239 107

HSL 88.64, 0.8%, 0.68%

LAB 87.98, -40.77, 56.64

 

CMYK 41 / 0 / 55 / 6

HEX #8CEF6B

RGB 140 239 107

HSL 105, 0.8%, 0.68%

LAB 86.19, -52.71, 54.1

 

CMYK 55 / 0 / 54 / 6

HEX #6BEF6E

RGB 107 239 110

HSL 121.36, 0.8%, 0.68%

LAB 84.99, -61.4, 51.01

 

CMYK 43 / 0 / 86 / 9

HEX #85E821

RGB 133 232 33

HSL 89.85, 0.81%, 0.52%

LAB 83.34, -57.28, 76.69

 

CMYK 35 / 0 / 70 / 7

HEX #99EC46

RGB 153 236 70

HSL 90, 0.81%, 0.6%

LAB 85.61, -50.48, 68.7

 

CMYK 27 / 0 / 55 / 6

HEX #AEEF6B

RGB 174 239 107

HSL 89.55, 0.8%, 0.68%

LAB 87.87, -41.47, 56.48

 

CMYK 20 / 0 / 40 / 5

HEX #C2F391

RGB 194 243 145

HSL 90, 0.8%, 0.76%

LAB 90.6, -31.99, 42.2

 

CMYK 13 / 0 / 26 / 3

HEX #D7F7B6

RGB 215 247 182

HSL 89.54, 0.8%, 0.84%

LAB 93.6, -21.47, 27.91

 

CMYK 28 / 0 / 56 / 6

HEX #ADEF6A

RGB 173 239 106

HSL 89.77, 0.81%, 0.68%

LAB 87.8, -41.92, 56.84

 

CMYK 55 / 0 / 17 / 6

HEX #6BEFC6

RGB 107 239 198

HSL 161.36, 0.8%, 0.68%

LAB 86.47, -45.96, 8.93

 

CMYK 0 / 55 / 5 / 6

HEX #EF6BE4

RGB 239 107 228

HSL 305, 0.8%, 0.68%

LAB 65.33, 65.73, -38.08

 

CMYK 28 / 0 / 56 / 6

HEX #ADEF6A

RGB 173 239 106

HSL 89.77, 0.81%, 0.68%

LAB 87.8, -41.92, 56.84

 

CMYK 55 / 26 / 0 / 6

HEX #6BB0EF

RGB 107 176 239

HSL 208.64, 0.8%, 0.68%

LAB 69.76, -4.02, -38.08

 

CMYK 0 / 55 / 26 / 6

HEX #EF6BB0

RGB 239 107 176

HSL 328.64, 0.8%, 0.68%

LAB 63.34, 58.08, -11.83

 

CMYK 28 / 0 / 56 / 6

HEX #ADEF6A

RGB 173 239 106

HSL 89.77, 0.81%, 0.68%

LAB 87.8, -41.92, 56.84

 

CMYK 55 / 0 / 17 / 6

HEX #6BEFC6

RGB 107 239 198

HSL 161.36, 0.8%, 0.68%

LAB 86.47, -45.96, 8.93

 

CMYK 28 / 55 / 0 / 6

HEX #AB6BEF

RGB 171 107 239

HSL 269.09, 0.8%, 0.68%

LAB 57.47, 50.48, -57.18

 

CMYK 0 / 55 / 38 / 6

HEX #EF6B95

RGB 239 107 149

HSL 340.91, 0.8%, 0.68%

LAB 62.54, 54.83, 2.46

 

CMYK 28 / 0 / 56 / 6

HEX #ADEF6A

RGB 173 239 106

HSL 89.77, 0.81%, 0.68%

LAB 87.8, -41.92, 56.84

 

CMYK 55 / 0 / 1 / 6

HEX #6BEFED

RGB 107 239 237

HSL 179.09, 0.8%, 0.68%

LAB 87.47, -36.5, -10.04

 

CMYK 28 / 55 / 0 / 6

HEX #AB6BEF

RGB 171 107 239

HSL 269.09, 0.8%, 0.68%

LAB 57.47, 50.48, -57.18

 

CMYK 0 / 55 / 54 / 6

HEX #EF6B6E

RGB 239 107 110

HSL 358.64, 0.8%, 0.68%

LAB 61.65, 51.13, 23.62

 

Description

Color code: HEX #ADEF6A | qconv.com Color code: HEX #ADEF6A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 239 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 239 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 56 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 56% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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