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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADEF44 it is the complementary color #5210BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADEF44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADEF44 shade: #B2EF3F, #C3FF52, #D4FF65, #E5FF78 and #F6FF8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADEF44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADEF44 shade: #ADEF44, #9CDD31, #8BCB1E, #7AB90B and #69A700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADEF44 shade: #ADEF43, #DBEF43, #EFD443, #EFA643 and #EF7843

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADEF44 shade: #ADEF43, #7EEF43, #50EF43, #43EF65 and #43EF93

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADEF44 shade matches the following richer shades: #ADEF43

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADEF44 shade: #ADEF43, #A9DE54, #A5CE64, #A1BD75 and #9DAD85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADEF44 shade: #EFD543, #DBEF43, #ADEF43, #7FEF43 and #52EF43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADEF44 shade: #85CE12, #9CEB1D, #ADEF43, #BDF269 and #CEF58F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADEF44 shade: #ADEF44, #43EFA7 and #EC43EF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADEF44 shade: #ADEF44, #43ADEF and #EF43AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADEF44 shade: #ADEF44, #43EFA7, #8543EF and #EF438B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADEF44 shade: #ADEF44, #43EFDB, #8543EF and #EF4357

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 72 / 6

HEX #ADEF44

RGB 173 239 68

HSL 83.16, 0.84%, 0.6%

LAB 87.5, -44.82, 71.63

 

Complementary color

CMYK 56 / 91 / 0 / 27

HEX #5210BB

RGB 82 16 187

HSL 263.16, 0.84%, 0.4%

LAB 28.78, 62.17, -74.44

 

CMYK 26 / 0 / 74 / 6

HEX #B2EF3F

RGB 178 239 63

HSL 80.8, 0.85%, 0.59%

LAB 87.75, -43.26, 73.63

 

CMYK 24 / 0 / 68 / 0

HEX #C3FF52

RGB 195 255 82

HSL 80.81, 1%, 0.66%

LAB 93.33, -42.85, 72.97

 

CMYK 17 / 0 / 60 / 0

HEX #D4FF65

RGB 212 255 101

HSL 76.75, 1%, 0.7%

LAB 94.51, -35.22, 67.15

 

CMYK 10 / 0 / 53 / 0

HEX #E5FF78

RGB 229 255 120

HSL 71.56, 1%, 0.74%

LAB 95.8, -27.25, 60.79

 

CMYK 4 / 0 / 45 / 0

HEX #F6FF8B

RGB 246 255 139

HSL 64.66, 1%, 0.77%

LAB 97.22, -19.04, 54.1

 

CMYK 28 / 0 / 72 / 6

HEX #ADEF44

RGB 173 239 68

HSL 83.16, 0.84%, 0.6%

LAB 87.5, -44.82, 71.63

 

CMYK 29 / 0 / 78 / 13

HEX #9CDD31

RGB 156 221 49

HSL 82.67, 0.72%, 0.53%

LAB 81.29, -44.29, 71.38

 

CMYK 32 / 0 / 85 / 20

HEX #8BCB1E

RGB 139 203 30

HSL 82.2, 0.74%, 0.46%

LAB 75.01, -43.59, 70.28

 

CMYK 34 / 0 / 94 / 27

HEX #7AB90B

RGB 122 185 11

HSL 81.72, 0.89%, 0.38%

LAB 68.65, -42.66, 67.88

 

CMYK 37 / 0 / 100 / 35

HEX #69A700

RGB 105 167 0

HSL 82.28, 1%, 0.33%

LAB 62.2, -41.46, 63.8

 

CMYK 28 / 0 / 72 / 6

HEX #ADEF43

RGB 173 239 67

HSL 83.02, 0.84%, 0.6%

LAB 87.5, -44.88, 71.96

 

CMYK 8 / 0 / 72 / 6

HEX #DBEF43

RGB 219 239 67

HSL 66.98, 0.84%, 0.6%

LAB 90.41, -27.17, 75.8

 

CMYK 0 / 11 / 72 / 6

HEX #EFD443

RGB 239 212 67

HSL 50.58, 0.84%, 0.6%

LAB 84.92, -5.7, 71.05

 

CMYK 0 / 31 / 72 / 6

HEX #EFA643

RGB 239 166 67

HSL 34.53, 0.84%, 0.6%

LAB 73.56, 18.24, 59.76

 

CMYK 0 / 50 / 72 / 6

HEX #EF7843

RGB 239 120 67

HSL 18.49, 0.84%, 0.6%

LAB 63.5, 42.14, 49.18

 

CMYK 28 / 0 / 72 / 6

HEX #ADEF43

RGB 173 239 67

HSL 83.02, 0.84%, 0.6%

LAB 87.5, -44.88, 71.96

 

CMYK 47 / 0 / 72 / 6

HEX #7EEF43

RGB 126 239 67

HSL 99.42, 0.84%, 0.6%

LAB 85.29, -60.39, 69.04

 

CMYK 67 / 0 / 72 / 6

HEX #50EF43

RGB 80 239 67

HSL 115.47, 0.84%, 0.6%

LAB 83.88, -71.51, 67.16

 

CMYK 72 / 0 / 58 / 6

HEX #43EF65

RGB 67 239 101

HSL 131.86, 0.84%, 0.6%

LAB 83.9, -70.4, 53.53

 

CMYK 72 / 0 / 38 / 6

HEX #43EF93

RGB 67 239 147

HSL 147.91, 0.84%, 0.6%

LAB 84.5, -63.41, 32.31

 

CMYK 28 / 0 / 72 / 6

HEX #ADEF43

RGB 173 239 67

HSL 83.02, 0.84%, 0.6%

LAB 87.5, -44.88, 71.96

 

CMYK 28 / 0 / 72 / 6

HEX #ADEF43

RGB 173 239 67

HSL 83.02, 0.84%, 0.6%

LAB 87.5, -44.88, 71.96

 

CMYK 24 / 0 / 62 / 13

HEX #A9DE54

RGB 169 222 84

HSL 83.04, 0.68%, 0.6%

LAB 82.55, -37.75, 60.35

 

CMYK 20 / 0 / 51 / 19

HEX #A5CE64

RGB 165 206 100

HSL 83.21, 0.52%, 0.6%

LAB 77.91, -30.45, 47.86

 

CMYK 15 / 0 / 38 / 26

HEX #A1BD75

RGB 161 189 117

HSL 83.33, 0.35%, 0.6%

LAB 73.06, -21.76, 33.31

 

CMYK 9 / 0 / 23 / 32

HEX #9DAD85

RGB 157 173 133

HSL 84, 0.2%, 0.6%

LAB 68.57, -12.81, 18.74

 

CMYK 0 / 11 / 72 / 6

HEX #EFD543

RGB 239 213 67

HSL 50.93, 0.84%, 0.6%

LAB 85.17, -6.21, 71.3

 

CMYK 8 / 0 / 72 / 6

HEX #DBEF43

RGB 219 239 67

HSL 66.98, 0.84%, 0.6%

LAB 90.41, -27.17, 75.8

 

CMYK 28 / 0 / 72 / 6

HEX #ADEF43

RGB 173 239 67

HSL 83.02, 0.84%, 0.6%

LAB 87.5, -44.88, 71.96

 

CMYK 47 / 0 / 72 / 6

HEX #7FEF43

RGB 127 239 67

HSL 99.07, 0.84%, 0.6%

LAB 85.33, -60.1, 69.09

 

CMYK 66 / 0 / 72 / 6

HEX #52EF43

RGB 82 239 67

HSL 114.77, 0.84%, 0.6%

LAB 83.93, -71.13, 67.23

 

CMYK 35 / 0 / 91 / 19

HEX #85CE12

RGB 133 206 18

HSL 83.3, 0.84%, 0.44%

LAB 75.56, -47.35, 72.77

 

CMYK 34 / 0 / 88 / 8

HEX #9CEB1D

RGB 156 235 29

HSL 83.01, 0.84%, 0.52%

LAB 85.29, -50.85, 79.52

 

CMYK 28 / 0 / 72 / 6

HEX #ADEF43

RGB 173 239 67

HSL 83.02, 0.84%, 0.6%

LAB 87.5, -44.88, 71.96

 

CMYK 22 / 0 / 57 / 5

HEX #BDF269

RGB 189 242 105

HSL 83.21, 0.84%, 0.68%

LAB 89.55, -37.59, 59.53

 

CMYK 16 / 0 / 42 / 4

HEX #CEF58F

RGB 206 245 143

HSL 82.94, 0.84%, 0.76%

LAB 91.87, -28.85, 44.94

 

CMYK 28 / 0 / 72 / 6

HEX #ADEF44

RGB 173 239 68

HSL 83.16, 0.84%, 0.6%

LAB 87.5, -44.82, 71.63

 

CMYK 72 / 0 / 30 / 6

HEX #43EFA7

RGB 67 239 167

HSL 154.88, 0.84%, 0.6%

LAB 84.85, -59.52, 22.6

 

CMYK 1 / 72 / 0 / 6

HEX #EC43EF

RGB 236 67 239

HSL 298.95, 0.84%, 0.6%

LAB 59.96, 81.99, -52.7

 

CMYK 28 / 0 / 72 / 6

HEX #ADEF44

RGB 173 239 68

HSL 83.16, 0.84%, 0.6%

LAB 87.5, -44.82, 71.63

 

CMYK 72 / 28 / 0 / 6

HEX #43ADEF

RGB 67 173 239

HSL 203.02, 0.84%, 0.6%

LAB 67.51, -9.11, -41.7

 

CMYK 0 / 72 / 28 / 6

HEX #EF43AD

RGB 239 67 173

HSL 323.02, 0.84%, 0.6%

LAB 57.45, 73.54, -19.02

 

CMYK 28 / 0 / 72 / 6

HEX #ADEF44

RGB 173 239 68

HSL 83.16, 0.84%, 0.6%

LAB 87.5, -44.82, 71.63

 

CMYK 72 / 0 / 30 / 6

HEX #43EFA7

RGB 67 239 167

HSL 154.88, 0.84%, 0.6%

LAB 84.85, -59.52, 22.6

 

CMYK 44 / 72 / 0 / 6

HEX #8543EF

RGB 133 67 239

HSL 263.02, 0.84%, 0.6%

LAB 45.95, 62.7, -76.01

 

CMYK 0 / 72 / 42 / 6

HEX #EF438B

RGB 239 67 139

HSL 334.88, 0.84%, 0.6%

LAB 56.32, 69.93, -0.77

 

CMYK 28 / 0 / 72 / 6

HEX #ADEF44

RGB 173 239 68

HSL 83.16, 0.84%, 0.6%

LAB 87.5, -44.82, 71.63

 

CMYK 72 / 0 / 8 / 6

HEX #43EFDB

RGB 67 239 219

HSL 173.02, 0.84%, 0.6%

LAB 86.03, -47.3, -2.84

 

CMYK 44 / 72 / 0 / 6

HEX #8543EF

RGB 133 67 239

HSL 263.02, 0.84%, 0.6%

LAB 45.95, 62.7, -76.01

 

CMYK 0 / 72 / 64 / 6

HEX #EF4357

RGB 239 67 87

HSL 353.02, 0.84%, 0.6%

LAB 55.13, 65.99, 28.39

 

Description

Color code: HEX #ADEF44 | qconv.com Color code: HEX #ADEF44 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 239 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 239 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 72 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 72% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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