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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADEC58 it is the complementary color #5213A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADEC58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADEC58 shade: #B2EC53, #C3FE66, #D4FF79, #E5FF8C and #F6FF9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADEC58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADEC58 shade: #ADEC58, #9CDA45, #8BC832, #7AB61F and #69A40C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADEC58 shade: #AEED5A, #D6ED5A, #EDDC5A, #EDB45A and #ED8D5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADEC58 shade: #AEED5A, #87ED5A, #5FED5A, #5AED7C and #5AEDA4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADEC58 shade matches the following richer shades: #AEED5A and #B0FB4B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADEC58 shade: #AEED5A, #ACDE69, #AACF77, #A7C086 and #A5B195

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADEC58 shade: #EDDC5A, #D7ED5A, #AFED5A, #88ED5A and #61ED5A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADEC58 shade: #88DB18, #9CE935, #AEED5A, #C0F17F and #D2F5A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADEC58 shade: #ADEC58, #5AEDB4 and #ED5AEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADEC58 shade: #ADEC58, #5AAFED and #ED5AAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADEC58 shade: #ADEC58, #5AEDB4, #975AED and #ED5A92

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADEC58 shade: #ADEC58, #5AEDE0, #975AED and #ED5A66

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 63 / 7

HEX #ADEC58

RGB 173 236 88

HSL 85.54, 0.8%, 0.64%

LAB 86.79, -42.17, 63.38

 

Complementary color

CMYK 51 / 89 / 0 / 35

HEX #5213A7

RGB 82 19 167

HSL 265.54, 0.8%, 0.36%

LAB 26.88, 56.52, -65.6

 

CMYK 25 / 0 / 65 / 7

HEX #B2EC53

RGB 178 236 83

HSL 82.75, 0.8%, 0.63%

LAB 87.04, -40.72, 65.73

 

CMYK 23 / 0 / 60 / 0

HEX #C3FE66

RGB 195 254 102

HSL 83.29, 0.99%, 0.7%

LAB 93.21, -40.99, 65.02

 

CMYK 17 / 0 / 53 / 0

HEX #D4FF79

RGB 212 255 121

HSL 79.25, 1%, 0.74%

LAB 94.69, -33.56, 58.77

 

CMYK 10 / 0 / 45 / 0

HEX #E5FF8C

RGB 229 255 140

HSL 73.57, 1%, 0.77%

LAB 96.03, -25.38, 51.9

 

CMYK 4 / 0 / 38 / 0

HEX #F6FF9F

RGB 246 255 159

HSL 65.63, 1%, 0.81%

LAB 97.48, -16.99, 44.87

 

CMYK 27 / 0 / 63 / 7

HEX #ADEC58

RGB 173 236 88

HSL 85.54, 0.8%, 0.64%

LAB 86.79, -42.17, 63.38

 

CMYK 28 / 0 / 68 / 15

HEX #9CDA45

RGB 156 218 69

HSL 84.97, 0.67%, 0.56%

LAB 80.54, -41.87, 63.95

 

CMYK 31 / 0 / 75 / 22

HEX #8BC832

RGB 139 200 50

HSL 84.4, 0.6%, 0.49%

LAB 74.21, -41.43, 64.06

 

CMYK 33 / 0 / 83 / 29

HEX #7AB61F

RGB 122 182 31

HSL 83.84, 0.71%, 0.42%

LAB 67.79, -40.81, 63.39

 

CMYK 36 / 0 / 93 / 36

HEX #69A40C

RGB 105 164 12

HSL 83.29, 0.86%, 0.35%

LAB 61.29, -39.94, 61.42

 

CMYK 27 / 0 / 62 / 7

HEX #AEED5A

RGB 174 237 90

HSL 85.71, 0.8%, 0.64%

LAB 87.15, -42.09, 62.97

 

CMYK 10 / 0 / 62 / 7

HEX #D6ED5A

RGB 214 237 90

HSL 69.39, 0.8%, 0.64%

LAB 89.67, -26.91, 66.44

 

CMYK 0 / 7 / 62 / 7

HEX #EDDC5A

RGB 237 220 90

HSL 53.06, 0.8%, 0.64%

LAB 86.96, -9.32, 64.05

 

CMYK 0 / 24 / 62 / 7

HEX #EDB45A

RGB 237 180 90

HSL 36.73, 0.8%, 0.64%

LAB 76.91, 11.3, 52.94

 

CMYK 0 / 41 / 62 / 7

HEX #ED8D5A

RGB 237 141 90

HSL 20.82, 0.8%, 0.64%

LAB 67.87, 31.9, 42.4

 

CMYK 27 / 0 / 62 / 7

HEX #AEED5A

RGB 174 237 90

HSL 85.71, 0.8%, 0.64%

LAB 87.15, -42.09, 62.97

 

CMYK 43 / 0 / 62 / 7

HEX #87ED5A

RGB 135 237 90

HSL 101.63, 0.8%, 0.64%

LAB 85.23, -55.13, 60.31

 

CMYK 60 / 0 / 62 / 7

HEX #5FED5A

RGB 95 237 90

HSL 117.96, 0.8%, 0.64%

LAB 83.83, -65.72, 58.37

 

CMYK 62 / 0 / 48 / 7

HEX #5AED7C

RGB 90 237 124

HSL 133.88, 0.8%, 0.64%

LAB 84.07, -62.54, 43.19

 

CMYK 62 / 0 / 31 / 7

HEX #5AEDA4

RGB 90 237 164

HSL 150.2, 0.8%, 0.64%

LAB 84.7, -55.65, 24.01

 

CMYK 27 / 0 / 62 / 7

HEX #AEED5A

RGB 174 237 90

HSL 85.71, 0.8%, 0.64%

LAB 87.15, -42.09, 62.97

 

CMYK 30 / 0 / 70 / 2

HEX #B0FB4B

RGB 176 251 75

HSL 85.57, 0.96%, 0.64%

LAB 91.11, -48.42, 72.87

 

CMYK 27 / 0 / 62 / 7

HEX #AEED5A

RGB 174 237 90

HSL 85.71, 0.8%, 0.64%

LAB 87.15, -42.09, 62.97

 

CMYK 23 / 0 / 53 / 13

HEX #ACDE69

RGB 172 222 105

HSL 85.64, 0.64%, 0.64%

LAB 82.93, -34.76, 51.58

 

CMYK 18 / 0 / 43 / 19

HEX #AACF77

RGB 170 207 119

HSL 85.23, 0.48%, 0.64%

LAB 78.75, -26.92, 39.69

 

CMYK 13 / 0 / 30 / 25

HEX #A7C086

RGB 167 192 134

HSL 85.86, 0.32%, 0.64%

LAB 74.59, -18.67, 26.51

 

CMYK 7 / 0 / 16 / 31

HEX #A5B195

RGB 165 177 149

HSL 85.71, 0.15%, 0.64%

LAB 70.6, -9.32, 12.92

 

CMYK 0 / 7 / 62 / 7

HEX #EDDC5A

RGB 237 220 90

HSL 53.06, 0.8%, 0.64%

LAB 86.96, -9.32, 64.05

 

CMYK 9 / 0 / 62 / 7

HEX #D7ED5A

RGB 215 237 90

HSL 68.98, 0.8%, 0.64%

LAB 89.74, -26.51, 66.54

 

CMYK 26 / 0 / 62 / 7

HEX #AFED5A

RGB 175 237 90

HSL 85.31, 0.8%, 0.64%

LAB 87.2, -41.73, 63.05

 

CMYK 43 / 0 / 62 / 7

HEX #88ED5A

RGB 136 237 90

HSL 101.22, 0.8%, 0.64%

LAB 85.27, -54.82, 60.37

 

CMYK 59 / 0 / 62 / 7

HEX #61ED5A

RGB 97 237 90

HSL 117.14, 0.8%, 0.64%

LAB 83.89, -65.27, 58.45

 

CMYK 38 / 0 / 89 / 14

HEX #88DB18

RGB 136 219 24

HSL 85.54, 0.8%, 0.48%

LAB 79.59, -51.45, 75.22

 

CMYK 33 / 0 / 77 / 9

HEX #9CE935

RGB 156 233 53

HSL 85.67, 0.8%, 0.56%

LAB 84.79, -49.16, 73.47

 

CMYK 27 / 0 / 62 / 7

HEX #AEED5A

RGB 174 237 90

HSL 85.71, 0.8%, 0.64%

LAB 87.15, -42.09, 62.97

 

CMYK 20 / 0 / 47 / 5

HEX #C0F17F

RGB 192 241 127

HSL 85.79, 0.8%, 0.72%

LAB 89.7, -33.88, 49.71

 

CMYK 14 / 0 / 33 / 4

HEX #D2F5A4

RGB 210 245 164

HSL 85.93, 0.8%, 0.8%

LAB 92.44, -24.79, 35.37

 

CMYK 27 / 0 / 63 / 7

HEX #ADEC58

RGB 173 236 88

HSL 85.54, 0.8%, 0.64%

LAB 86.79, -42.17, 63.38

 

CMYK 62 / 0 / 24 / 7

HEX #5AEDB4

RGB 90 237 180

HSL 156.73, 0.8%, 0.64%

LAB 85.02, -52.35, 16.17

 

CMYK 0 / 62 / 1 / 7

HEX #ED5AEA

RGB 237 90 234

HSL 301.22, 0.8%, 0.64%

LAB 62.72, 73.33, -45.53

 

CMYK 27 / 0 / 63 / 7

HEX #ADEC58

RGB 173 236 88

HSL 85.54, 0.8%, 0.64%

LAB 86.79, -42.17, 63.38

 

CMYK 62 / 26 / 0 / 7

HEX #5AAFED

RGB 90 175 237

HSL 205.31, 0.8%, 0.64%

LAB 68.71, -7.34, -38.67

 

CMYK 0 / 62 / 26 / 7

HEX #ED5AAF

RGB 237 90 175

HSL 325.31, 0.8%, 0.64%

LAB 60.26, 64.77, -15.93

 

CMYK 27 / 0 / 63 / 7

HEX #ADEC58

RGB 173 236 88

HSL 85.54, 0.8%, 0.64%

LAB 86.79, -42.17, 63.38

 

CMYK 62 / 0 / 24 / 7

HEX #5AEDB4

RGB 90 237 180

HSL 156.73, 0.8%, 0.64%

LAB 85.02, -52.35, 16.17

 

CMYK 36 / 62 / 0 / 7

HEX #975AED

RGB 151 90 237

HSL 264.9, 0.8%, 0.64%

LAB 51.84, 54.33, -65.22

 

CMYK 0 / 62 / 38 / 7

HEX #ED5A92

RGB 237 90 146

HSL 337.14, 0.8%, 0.64%

LAB 59.34, 61.39, -0.5

 

CMYK 27 / 0 / 63 / 7

HEX #ADEC58

RGB 173 236 88

HSL 85.54, 0.8%, 0.64%

LAB 86.79, -42.17, 63.38

 

CMYK 62 / 0 / 5 / 7

HEX #5AEDE0

RGB 90 237 224

HSL 174.69, 0.8%, 0.64%

LAB 86.07, -41.9, -5.35

 

CMYK 36 / 62 / 0 / 7

HEX #975AED

RGB 151 90 237

HSL 264.9, 0.8%, 0.64%

LAB 51.84, 54.33, -65.22

 

CMYK 0 / 62 / 57 / 7

HEX #ED5A66

RGB 237 90 102

HSL 355.1, 0.8%, 0.64%

LAB 58.3, 57.48, 23.71

 

Description

Color code: HEX #ADEC58 | qconv.com Color code: HEX #ADEC58 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 236 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 236 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 63 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 63% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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