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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADE983 it is the complementary color #52167C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADE983. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADE983 shade: #B2E97E, #C3FB91, #D4FFA4, #E5FFB7 and #F6FFCA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADE983. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADE983 shade: #ADE983, #9CD770, #8BC55D, #7AB34A and #69A137

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADE983 shade: #ACE981, #C8E981, #E4E981, #E9D281 and #E9B681

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADE983 shade: #ACE981, #90E981, #81E98E, #81E9AA and #81E9C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADE983 shade matches the following richer shades: #ACE981 and #AAF575

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADE983 shade: #ACE981, #AEDD8D, #B0D199, #B2C5A5 and #B4B9B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADE983 shade: #E4E981, #C8E981, #ACE981, #91E981 and #81E98D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADE983 shade: #7EDC3B, #95E35E, #ACE981, #C3EFA4 and #DAF5C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADE983 shade: #ADE983, #81E9D2 and #E981D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADE983 shade: #ADE983, #81ACE9 and #E981AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADE983 shade: #ADE983, #81E9D2, #BE81E9 and #E98198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADE983 shade: #ADE983, #81E0E9, #BE81E9 and #E98A81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 44 / 9

HEX #ADE983

RGB 173 233 131

HSL 95.29, 0.7%, 0.71%

LAB 86.41, -36.52, 43.46

 

Complementary color

CMYK 34 / 82 / 0 / 51

HEX #52167C

RGB 82 22 124

HSL 275.29, 0.7%, 0.29%

LAB 23.08, 45.11, -45.2

 

CMYK 24 / 0 / 46 / 9

HEX #B2E97E

RGB 178 233 126

HSL 90.84, 0.71%, 0.7%

LAB 86.63, -35.36, 46.22

 

CMYK 22 / 0 / 42 / 2

HEX #C3FB91

RGB 195 251 145

HSL 91.7, 0.93%, 0.78%

LAB 92.86, -35.31, 45.09

 

CMYK 17 / 0 / 36 / 0

HEX #D4FFA4

RGB 212 255 164

HSL 88.35, 1%, 0.82%

LAB 95.24, -28.8, 39.08

 

CMYK 10 / 0 / 28 / 0

HEX #E5FFB7

RGB 229 255 183

HSL 81.67, 1%, 0.86%

LAB 96.66, -20.24, 31.7

 

CMYK 4 / 0 / 21 / 0

HEX #F6FFCA

RGB 246 255 202

HSL 70.19, 1%, 0.9%

LAB 98.18, -11.54, 24.39

 

CMYK 26 / 0 / 44 / 9

HEX #ADE983

RGB 173 233 131

HSL 95.29, 0.7%, 0.71%

LAB 86.41, -36.52, 43.46

 

CMYK 27 / 0 / 48 / 16

HEX #9CD770

RGB 156 215 112

HSL 94.37, 0.56%, 0.64%

LAB 80.09, -36.58, 44.62

 

CMYK 29 / 0 / 53 / 23

HEX #8BC55D

RGB 139 197 93

HSL 93.46, 0.47%, 0.57%

LAB 73.68, -36.61, 45.77

 

CMYK 32 / 0 / 59 / 30

HEX #7AB34A

RGB 122 179 74

HSL 92.57, 0.42%, 0.5%

LAB 67.18, -36.56, 46.84

 

CMYK 35 / 0 / 66 / 37

HEX #69A137

RGB 105 161 55

HSL 91.7, 0.49%, 0.42%

LAB 60.58, -36.39, 47.73

 

CMYK 26 / 0 / 45 / 9

HEX #ACE981

RGB 172 233 129

HSL 95.19, 0.7%, 0.71%

LAB 86.32, -37.11, 44.32

 

CMYK 14 / 0 / 45 / 9

HEX #C8E981

RGB 200 233 129

HSL 79.04, 0.7%, 0.71%

LAB 88.04, -26.98, 46.83

 

CMYK 2 / 0 / 45 / 9

HEX #E4E981

RGB 228 233 129

HSL 62.88, 0.7%, 0.71%

LAB 90.02, -16.27, 49.72

 

CMYK 0 / 10 / 45 / 9

HEX #E9D281

RGB 233 210 129

HSL 46.73, 0.7%, 0.71%

LAB 84.48, -2.75, 42.93

 

CMYK 0 / 22 / 45 / 9

HEX #E9B681

RGB 233 182 129

HSL 30.58, 0.7%, 0.71%

LAB 77.5, 11.86, 34

 

CMYK 26 / 0 / 45 / 9

HEX #ACE981

RGB 172 233 129

HSL 95.19, 0.7%, 0.71%

LAB 86.32, -37.11, 44.32

 

CMYK 38 / 0 / 45 / 9

HEX #90E981

RGB 144 233 129

HSL 111.35, 0.7%, 0.71%

LAB 84.89, -46.32, 42.21

 

CMYK 45 / 0 / 39 / 9

HEX #81E98E

RGB 129 233 142

HSL 127.5, 0.7%, 0.71%

LAB 84.43, -48.83, 35.06

 

CMYK 45 / 0 / 27 / 9

HEX #81E9AA

RGB 129 233 170

HSL 143.65, 0.7%, 0.71%

LAB 84.92, -44.01, 21.42

 

CMYK 45 / 0 / 15 / 9

HEX #81E9C6

RGB 129 233 198

HSL 159.81, 0.7%, 0.71%

LAB 85.52, -38.33, 7.66

 

CMYK 26 / 0 / 45 / 9

HEX #ACE981

RGB 172 233 129

HSL 95.19, 0.7%, 0.71%

LAB 86.32, -37.11, 44.32

 

CMYK 31 / 0 / 52 / 4

HEX #AAF575

RGB 170 245 117

HSL 95.16, 0.86%, 0.71%

LAB 89.46, -44.46, 53.78

 

CMYK 26 / 0 / 45 / 9

HEX #ACE981

RGB 172 233 129

HSL 95.19, 0.7%, 0.71%

LAB 86.32, -37.11, 44.32

 

CMYK 21 / 0 / 36 / 13

HEX #AEDD8D

RGB 174 221 141

HSL 95.25, 0.54%, 0.71%

LAB 83.25, -29.3, 34.44

 

CMYK 16 / 0 / 27 / 18

HEX #B0D199

RGB 176 209 153

HSL 95.36, 0.38%, 0.71%

LAB 80.25, -21.03, 24.26

 

CMYK 10 / 0 / 16 / 23

HEX #B2C5A5

RGB 178 197 165

HSL 95.63, 0.22%, 0.71%

LAB 77.35, -12.33, 13.9

 

CMYK 3 / 0 / 4 / 27

HEX #B4B9B1

RGB 180 185 177

HSL 97.5, 0.05%, 0.71%

LAB 74.56, -3.23, 3.44

 

CMYK 2 / 0 / 45 / 9

HEX #E4E981

RGB 228 233 129

HSL 62.88, 0.7%, 0.71%

LAB 90.02, -16.27, 49.72

 

CMYK 14 / 0 / 45 / 9

HEX #C8E981

RGB 200 233 129

HSL 79.04, 0.7%, 0.71%

LAB 88.04, -26.98, 46.83

 

CMYK 26 / 0 / 45 / 9

HEX #ACE981

RGB 172 233 129

HSL 95.19, 0.7%, 0.71%

LAB 86.32, -37.11, 44.32

 

CMYK 38 / 0 / 45 / 9

HEX #91E981

RGB 145 233 129

HSL 110.77, 0.7%, 0.71%

LAB 84.94, -46.01, 42.28

 

CMYK 45 / 0 / 39 / 9

HEX #81E98D

RGB 129 233 141

HSL 126.92, 0.7%, 0.71%

LAB 84.42, -48.99, 35.54

 

CMYK 43 / 0 / 73 / 14

HEX #7EDC3B

RGB 126 220 59

HSL 95.03, 0.7%, 0.55%

LAB 79.58, -53.64, 66.08

 

CMYK 34 / 0 / 59 / 11

HEX #95E35E

RGB 149 227 94

HSL 95.19, 0.7%, 0.63%

LAB 82.99, -46.18, 56.27

 

CMYK 26 / 0 / 45 / 9

HEX #ACE981

RGB 172 233 129

HSL 95.19, 0.7%, 0.71%

LAB 86.32, -37.11, 44.32

 

CMYK 18 / 0 / 31 / 6

HEX #C3EFA4

RGB 195 239 164

HSL 95.2, 0.7%, 0.79%

LAB 89.87, -27.23, 31.78

 

CMYK 11 / 0 / 19 / 4

HEX #DAF5C7

RGB 218 245 199

HSL 95.22, 0.7%, 0.87%

LAB 93.6, -16.86, 19.25

 

CMYK 26 / 0 / 44 / 9

HEX #ADE983

RGB 173 233 131

HSL 95.29, 0.7%, 0.71%

LAB 86.41, -36.52, 43.46

 

CMYK 45 / 0 / 10 / 9

HEX #81E9D2

RGB 129 233 210

HSL 166.73, 0.7%, 0.71%

LAB 85.81, -35.66, 1.77

 

CMYK 0 / 45 / 8 / 9

HEX #E981D6

RGB 233 129 214

HSL 310.96, 0.7%, 0.71%

LAB 67.93, 51.3, -26.33

 

CMYK 26 / 0 / 44 / 9

HEX #ADE983

RGB 173 233 131

HSL 95.29, 0.7%, 0.71%

LAB 86.41, -36.52, 43.46

 

CMYK 45 / 26 / 0 / 9

HEX #81ACE9

RGB 129 172 233

HSL 215.19, 0.7%, 0.71%

LAB 69.51, 1.42, -35.12

 

CMYK 0 / 45 / 26 / 9

HEX #E981AC

RGB 233 129 172

HSL 335.19, 0.7%, 0.71%

LAB 66.52, 44.95, -4.91

 

CMYK 26 / 0 / 44 / 9

HEX #ADE983

RGB 173 233 131

HSL 95.29, 0.7%, 0.71%

LAB 86.41, -36.52, 43.46

 

CMYK 45 / 0 / 10 / 9

HEX #81E9D2

RGB 129 233 210

HSL 166.73, 0.7%, 0.71%

LAB 85.81, -35.66, 1.77

 

CMYK 18 / 45 / 0 / 9

HEX #BE81E9

RGB 190 129 233

HSL 275.19, 0.7%, 0.71%

LAB 63.78, 42.31, -43.72

 

CMYK 0 / 45 / 35 / 9

HEX #E98198

RGB 233 129 152

HSL 346.73, 0.7%, 0.71%

LAB 65.97, 42.39, 5.6

 

CMYK 26 / 0 / 44 / 9

HEX #ADE983

RGB 173 233 131

HSL 95.29, 0.7%, 0.71%

LAB 86.41, -36.52, 43.46

 

CMYK 45 / 4 / 0 / 9

HEX #81E0E9

RGB 129 224 233

HSL 185.19, 0.7%, 0.71%

LAB 83.89, -25.83, -13.19

 

CMYK 18 / 45 / 0 / 9

HEX #BE81E9

RGB 190 129 233

HSL 275.19, 0.7%, 0.71%

LAB 63.78, 42.31, -43.72

 

CMYK 0 / 41 / 45 / 9

HEX #E98A81

RGB 233 138 129

HSL 5.19, 0.7%, 0.71%

LAB 67.34, 35.19, 20.46

 

Description

Color code: HEX #ADE983 | qconv.com Color code: HEX #ADE983 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 233 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 233 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 44 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 44% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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