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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADE945 it is the complementary color #5216BA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADE945. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADE945 shade: #B2E940, #C3FB53, #D4FF66, #E5FF79 and #F6FF8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADE945. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADE945 shade: #ADE945, #9CD732, #8BC51F, #7AB30C and #69A100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADE945 shade: #ADE944, #D9E944, #E9CC44, #E9A044 and #E97344

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADE945 shade: #ADE944, #80E944, #54E944, #44E961 and #44E98D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADE945 shade matches the following richer shades: #ADE944 and #B1FA33

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADE945 shade: #ADE944, #A8D855, #A4C766, #9FB677 and #9AA588

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADE945 shade: #E9CB44, #DBE944, #AFE944, #83E944 and #57E944

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADE945 shade: #84C317, #9CE51F, #ADE944, #BDED69 and #CDF28E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADE945 shade: #ADE945, #44E99F and #E144E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADE945 shade: #ADE945, #44AFE9 and #E944AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADE945 shade: #ADE945, #44E99F, #7E44E9 and #E9448E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADE945 shade: #ADE945, #44E9D0, #7E44E9 and #E9445D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 70 / 9

HEX #ADE945

RGB 173 233 69

HSL 81.95, 0.79%, 0.59%

LAB 85.8, -42.16, 69.59

 

Complementary color

CMYK 56 / 88 / 0 / 27

HEX #5216BA

RGB 82 22 186

HSL 261.95, 0.79%, 0.41%

LAB 29.19, 60.35, -73.16

 

CMYK 24 / 0 / 73 / 9

HEX #B2E940

RGB 178 233 64

HSL 79.53, 0.79%, 0.58%

LAB 86.06, -40.58, 71.66

 

CMYK 22 / 0 / 67 / 2

HEX #C3FB53

RGB 195 251 83

HSL 80, 0.95%, 0.65%

LAB 92.23, -41.04, 71.47

 

CMYK 17 / 0 / 60 / 0

HEX #D4FF66

RGB 212 255 102

HSL 76.86, 1%, 0.7%

LAB 94.52, -35.15, 66.75

 

CMYK 10 / 0 / 53 / 0

HEX #E5FF79

RGB 229 255 121

HSL 71.64, 1%, 0.74%

LAB 95.81, -27.17, 60.36

 

CMYK 4 / 0 / 45 / 0

HEX #F6FF8C

RGB 246 255 140

HSL 64.7, 1%, 0.77%

LAB 97.23, -18.95, 53.64

 

CMYK 26 / 0 / 70 / 9

HEX #ADE945

RGB 173 233 69

HSL 81.95, 0.79%, 0.59%

LAB 85.8, -42.16, 69.59

 

CMYK 27 / 0 / 77 / 16

HEX #9CD732

RGB 156 215 50

HSL 81.45, 0.67%, 0.52%

LAB 79.56, -41.65, 69.47

 

CMYK 29 / 0 / 84 / 23

HEX #8BC51F

RGB 139 197 31

HSL 80.96, 0.73%, 0.45%

LAB 73.23, -40.97, 68.52

 

CMYK 32 / 0 / 93 / 30

HEX #7AB30C

RGB 122 179 12

HSL 80.48, 0.87%, 0.37%

LAB 66.83, -40.06, 66.29

 

CMYK 35 / 0 / 100 / 37

HEX #69A100

RGB 105 161 0

HSL 80.87, 1%, 0.32%

LAB 60.33, -38.88, 62.35

 

CMYK 26 / 0 / 71 / 9

HEX #ADE944

RGB 173 233 68

HSL 81.82, 0.79%, 0.59%

LAB 85.8, -42.22, 69.94

 

CMYK 7 / 0 / 71 / 9

HEX #D9E944

RGB 217 233 68

HSL 65.82, 0.79%, 0.59%

LAB 88.66, -25.09, 73.72

 

CMYK 0 / 12 / 71 / 9

HEX #E9CC44

RGB 233 204 68

HSL 49.45, 0.79%, 0.59%

LAB 82.34, -4.11, 67.97

 

CMYK 0 / 31 / 71 / 9

HEX #E9A044

RGB 233 160 68

HSL 33.45, 0.79%, 0.59%

LAB 71.48, 18.95, 56.95

 

CMYK 0 / 51 / 71 / 9

HEX #E97344

RGB 233 115 68

HSL 17.09, 0.79%, 0.59%

LAB 61.66, 42.38, 46.41

 

CMYK 26 / 0 / 71 / 9

HEX #ADE944

RGB 173 233 68

HSL 81.82, 0.79%, 0.59%

LAB 85.8, -42.22, 69.94

 

CMYK 45 / 0 / 71 / 9

HEX #80E944

RGB 128 233 68

HSL 98.18, 0.79%, 0.59%

LAB 83.59, -57.46, 67

 

CMYK 64 / 0 / 71 / 9

HEX #54E944

RGB 84 233 68

HSL 114.18, 0.79%, 0.59%

LAB 82.15, -68.7, 65.07

 

CMYK 71 / 0 / 58 / 9

HEX #44E961

RGB 68 233 97

HSL 130.55, 0.79%, 0.59%

LAB 82.04, -68.76, 53.14

 

CMYK 71 / 0 / 39 / 9

HEX #44E98D

RGB 68 233 141

HSL 146.55, 0.79%, 0.59%

LAB 82.61, -62.17, 32.83

 

CMYK 26 / 0 / 71 / 9

HEX #ADE944

RGB 173 233 68

HSL 81.82, 0.79%, 0.59%

LAB 85.8, -42.22, 69.94

 

CMYK 29 / 0 / 80 / 2

HEX #B1FA33

RGB 177 250 51

HSL 82.01, 0.95%, 0.59%

LAB 90.76, -48.85, 79.89

 

CMYK 26 / 0 / 71 / 9

HEX #ADE944

RGB 173 233 68

HSL 81.82, 0.79%, 0.59%

LAB 85.8, -42.22, 69.94

 

CMYK 22 / 0 / 61 / 15

HEX #A8D855

RGB 168 216 85

HSL 81.98, 0.63%, 0.59%

LAB 80.79, -35.32, 57.98

 

CMYK 18 / 0 / 49 / 22

HEX #A4C766

RGB 164 199 102

HSL 81.65, 0.46%, 0.59%

LAB 75.88, -27.28, 44.44

 

CMYK 13 / 0 / 35 / 29

HEX #9FB677

RGB 159 182 119

HSL 81.9, 0.3%, 0.59%

LAB 70.98, -18.74, 29.52

 

CMYK 7 / 0 / 18 / 35

HEX #9AA588

RGB 154 165 136

HSL 82.76, 0.14%, 0.59%

LAB 66.18, -9.22, 13.74

 

CMYK 0 / 13 / 71 / 9

HEX #E9CB44

RGB 233 203 68

HSL 49.09, 0.79%, 0.59%

LAB 82.08, -3.6, 67.72

 

CMYK 6 / 0 / 71 / 9

HEX #DBE944

RGB 219 233 68

HSL 65.09, 0.79%, 0.59%

LAB 88.81, -24.28, 73.91

 

CMYK 25 / 0 / 71 / 9

HEX #AFE944

RGB 175 233 68

HSL 81.09, 0.79%, 0.59%

LAB 85.91, -41.48, 70.09

 

CMYK 44 / 0 / 71 / 9

HEX #83E944

RGB 131 233 68

HSL 97.09, 0.79%, 0.59%

LAB 83.72, -56.55, 67.17

 

CMYK 63 / 0 / 71 / 9

HEX #57E944

RGB 87 233 68

HSL 113.09, 0.79%, 0.59%

LAB 82.23, -68.07, 65.18

 

CMYK 32 / 0 / 88 / 24

HEX #84C317

RGB 132 195 23

HSL 81.98, 0.79%, 0.43%

LAB 72.23, -42.97, 69.18

 

CMYK 32 / 0 / 86 / 10

HEX #9CE51F

RGB 156 229 31

HSL 82.12, 0.79%, 0.51%

LAB 83.55, -48.33, 77.7

 

CMYK 26 / 0 / 71 / 9

HEX #ADE944

RGB 173 233 68

HSL 81.82, 0.79%, 0.59%

LAB 85.8, -42.22, 69.94

 

CMYK 20 / 0 / 56 / 7

HEX #BDED69

RGB 189 237 105

HSL 81.82, 0.79%, 0.67%

LAB 88.16, -35.33, 57.94

 

CMYK 15 / 0 / 41 / 5

HEX #CDF28E

RGB 205 242 142

HSL 82.2, 0.79%, 0.75%

LAB 90.98, -27.92, 44.29

 

CMYK 26 / 0 / 70 / 9

HEX #ADE945

RGB 173 233 69

HSL 81.95, 0.79%, 0.59%

LAB 85.8, -42.16, 69.59

 

CMYK 71 / 0 / 32 / 9

HEX #44E99F

RGB 68 233 159

HSL 153.09, 0.79%, 0.59%

LAB 82.92, -58.74, 24.07

 

CMYK 3 / 71 / 0 / 9

HEX #E144E9

RGB 225 68 233

HSL 297.09, 0.79%, 0.59%

LAB 58.06, 78.46, -52.47

 

CMYK 26 / 0 / 70 / 9

HEX #ADE945

RGB 173 233 69

HSL 81.95, 0.79%, 0.59%

LAB 85.8, -42.16, 69.59

 

CMYK 71 / 25 / 0 / 9

HEX #44AFE9

RGB 68 175 233

HSL 201.09, 0.79%, 0.59%

LAB 67.85, -12.08, -37.89

 

CMYK 0 / 71 / 25 / 9

HEX #E944AF

RGB 233 68 175

HSL 321.09, 0.79%, 0.59%

LAB 56.64, 71.96, -21.51

 

CMYK 26 / 0 / 70 / 9

HEX #ADE945

RGB 173 233 69

HSL 81.95, 0.79%, 0.59%

LAB 85.8, -42.16, 69.59

 

CMYK 71 / 0 / 32 / 9

HEX #44E99F

RGB 68 233 159

HSL 153.09, 0.79%, 0.59%

LAB 82.92, -58.74, 24.07

 

CMYK 46 / 71 / 0 / 9

HEX #7E44E9

RGB 126 68 233

HSL 261.09, 0.79%, 0.59%

LAB 44.88, 59.58, -74.41

 

CMYK 0 / 71 / 39 / 9

HEX #E9448E

RGB 233 68 142

HSL 333.09, 0.79%, 0.59%

LAB 55.49, 68.26, -3.88

 

CMYK 26 / 0 / 70 / 9

HEX #ADE945

RGB 173 233 69

HSL 81.95, 0.79%, 0.59%

LAB 85.8, -42.16, 69.59

 

CMYK 71 / 0 / 11 / 9

HEX #44E9D0

RGB 68 233 208

HSL 170.91, 0.79%, 0.59%

LAB 84, -47.46, -0.02

 

CMYK 46 / 71 / 0 / 9

HEX #7E44E9

RGB 126 68 233

HSL 261.09, 0.79%, 0.59%

LAB 44.88, 59.58, -74.41

 

CMYK 0 / 71 / 60 / 9

HEX #E9445D

RGB 233 68 93

HSL 350.91, 0.79%, 0.59%

LAB 54.29, 64.23, 23.56

 

Description

Color code: HEX #ADE945 | qconv.com Color code: HEX #ADE945 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 233 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 233 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 70 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 70% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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